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Medium: Ink
Standing with Machinery 983 - Contemporary Art Collage
Located in New York, NY
In 2000, Linda Stein began a series called Knights of Protection. Her Knights functioned both as defenders in battle and symbols of pacifism.
In 2019, Stein re-conceived her Kni...
Category
2010s Contemporary Ink Mixed Media
Materials
Paper, Ink, Magazine Paper
$4,400 Sale Price
20% Off
Calligraphy, Doodles and Japanese 977 - 3D Sculptural Drawing Collage
Located in New York, NY
In 2000, Linda Stein began a series called Knights of Protection. Her Knights functioned both as defenders in battle and symbols of pacifism.
In 2019, Stein re-conceived her Kni...
Category
2010s Contemporary Ink Mixed Media
Materials
Paper, Ink, Cotton, Board, Pencil
$6,000 Sale Price
20% Off
Feminist Contemporary Fabric Sculptural Wall Tapestry - Noor Inayat Khan 1131
Located in New York, NY
Linda Stein, Noor Inayat Khan 1131 - Feminist Contemporary Fabric Sculptural Wall Tapestry
Noor Inayat Khan 1131 is from Linda Stein's Holocaust Heroes: Fierce Females series, which highlights Holocaust-era female heroes.
Stein began to produce sculptural tapestries in 2013, in which she combines archival images of a subject with her pantheon of female Exemplars--Wonder Woman, Princess Mononoke, Storm, Nausicaa, Kannon, and Lady Gaga--with multiple fabrics and leather. Noor Inayat Khan 1131 features Noor Inayat Khan, a Special Operations Executive agent, who became the first female radio operator to be sent from Britain to aid the French resistance...
Category
2010s Feminist Ink Mixed Media
Materials
Metal
$28,000 Sale Price
20% Off
Feminist Contemporary Sculptural Tapestry - Masculinities: Soft vs. Strong 860
Located in New York, NY
Linda Stein, Masculinities: Soft vs. Strong 860 - Feminist Contemporary Sculptural Tapestry
Masculinities: Soft vs. Strong 860 is from Linda Stein's Sexism series, which advocates ...
Category
2010s Feminist Ink Mixed Media
Materials
Metal
$36,000 Sale Price
20% Off
Arrítmico
Located in Mexico City, CDMX
Lidzie Alvisa Jiménez (Havana in 1969), one of the most recognized conceptual artists in Cuba, studied from the elementary level to the ISA (Superior Institute of Art), graduating in...
Category
2010s Conceptual Ink Mixed Media
Materials
Paper, Ink, Pins
Sin título, rhythm, pins,
Located in Mexico City, CDMX
Lidzie Alvisa Jiménez (Havana in 1969), one of the most recognized conceptual artists in Cuba, studied from the elementary level to the ISA (Superior Institute of Art), graduating in...
Category
2010s Conceptual Ink Mixed Media
Materials
Paper, Ink, Pins
Sin título, rhythm, pins,
Located in Mexico City, CDMX
Lidzie Alvisa Jiménez (Havana in 1969), one of the most recognized conceptual artists in Cuba, studied from the elementary level to the ISA (Superior Institute of Art), graduating in...
Category
2010s Conceptual Ink Mixed Media
Materials
Paper, Ink, Pins
1924 Bugotte Vintage Car - Antique Automotive Stamp Series Illustration
Located in Fort Washington, PA
1924 Bugotte Vintage Car - Antique Automotive Stamp Series- Illustration
Illustration showing a 1924 Bugotte vintage blue car. Antique car stamp
...
Category
20th Century Ink Mixed Media
Materials
Paper, Ink, Watercolor, Board, Pencil
1928 Bentley Vintage Car - Antique Automotive Stamp Series Illustration
Located in Fort Washington, PA
1928 Bentley Vintage Car - Antique Automotive Stamp Series- Illustration
Illustration showing a 1928 Bentley vintage green car. Antique car stamp...
Category
20th Century Ink Mixed Media
Materials
Paper, Ink, Watercolor, Board, Pencil
1910 Mercedes Knight Vintage Car - Antique Automotive Stamp Series Illustration
Located in Fort Washington, PA
1910 Mercedes Knight Vintage Car - Antique Automotive Stamp Series- Illustration
Illustration showing a 1910 Mercedes Knight vintage yellow car. ...
Category
20th Century Ink Mixed Media
Materials
Paper, Ink, Watercolor, Board, Pencil
1937 Rolls Royce - Antique Automotive Stamp Series Illustration
Located in Fort Washington, PA
Illustration of the 1937 Rolls Royce Vintage Car - from the Antique Automotive Stamp Series
Illustration showing a chauffeur next a 1937 Roll...
Category
20th Century Ink Mixed Media
Materials
Paper, Ink, Watercolor, Board, Pencil
Drawing in Water
Located in Montreal, Quebec
A group of figures heads for icy distant mountains. A familiar enough scene of polar explorers hauling their sledges. Yet somehow this does not quite fit the heroic mold. The ice and sky are tinged a movie musical pale blue and their gear is a bit too colorful for the era of man-hauling. And then there’s the sled, piled high not with boxes of supplies but with a jumbled heap of antiquities: Greek Athenas, bits of a coliseum, a ship’s great wheel. In Jessica Houston’s collage “The Long Haul,” the explorers drag history itself into the great beyond, their backs turned from their absurd load. But we take in the entire scene.
In her suite of works, Over the Edge of the World, Houston uses oil on wood, ink on paper, and collages of found images, many from National Geographic Magazine, to rearrange the evidence – and thus history’s possibilities.
Houston joins visual artists such as Judit Hersko, Katja Aglert, and Isaac Julien who have been inspired by the explorers of the past. Like them, she draws, in part, on the singular tradition of polar exploration narratives as well as fictions such as Ursula Le Guin’s “Sur” (1981), a utopian feminist hoax in which a party of South American women reach the South Pole in 1909, two years before the official arrival of European explorers. Le Guin’s explorers do not feel compelled to leave any written record or physical proof of their presence at the South Pole. If Le Guin’s women might have made it, what other traces have been missed?
Collage can work alongside alternative history: it interprets, interrupts, and rearranges. It questions the completed whole, instead emphasizing composition and relation. Collage suggests it all might be … otherwise. Houston’s collages flaunt their second nature. Yet what they show remains somehow plausible. You want to believe what you’re beginning to see.
In “A life Attuned to Larger Rhythms” Houston grids out rectangles of captured images to overwhelm the eye as the polar environment itself might (whiteout is a paradoxical species of optical overstimulation). Through the strangely ordered confusion of an ice survey grafted atop a chessboard, the mind begins to recognize new connections, emergent shapes: a different future? In “Launching Strategy” a yellow-orange pyramid balances garishly atop a tent. Which came first, the realist tent or the Platonic shape? Can we ever be sure that we’re not already seeing through premade abstractions? Or is it that baggage we’ve been dragging along?
In “Architecture of the Anthropocene” and “Red Blood, Red Earth” Houston reroutes visually symbolic through-lines between women and non-European people and the official history in which they appear dimly or not at all. A full-skirted woman holds onto the tether of a kite that seems to pull her upwards towards a weather balloon floating above an Antarctic base’s radio tower; a row of tropical workers wielding pickaxes folds into the trajectory of a sailor aiming a bow and arrow at an iceberg stained with red. These are not people or images normally associated with polar discovery. But shouldn’t they matter?
“Territory Over Land” strips in a scene from a painted depiction of the tropics, possibly from one of Captain James Cook’s circumnavigations. “Captain Cook’s Legacy” more directly confronts an official portrait of Cook with the torn-in eyes from what can only be described as the explorer’s anonymous dark Other. The hybrid portrait is a kind of contact zone. “Henson and Peary – Past Entanglements” is a cooler, less volatile twin portrait of disputed discoverer of the North Pole Robert Peary...
Category
2010s Contemporary Ink Mixed Media
Materials
Ink, Archival Paper
Taking Place
Located in Montreal, Quebec
A group of figures heads for icy distant mountains. A familiar enough scene of polar explorers hauling their sledges. Yet somehow this does not quite fit the heroic mold. The ice and sky are tinged a movie musical pale blue and their gear is a bit too colorful for the era of man-hauling. And then there’s the sled, piled high not with boxes of supplies but with a jumbled heap of antiquities: Greek Athenas, bits of a coliseum, a ship’s great wheel. In Jessica Houston’s collage “The Long Haul,” the explorers drag history itself into the great beyond, their backs turned from their absurd load. But we take in the entire scene.
In her suite of works, Over the Edge of the World, Houston uses oil on wood, ink on paper, and collages of found images, many from National Geographic Magazine, to rearrange the evidence – and thus history’s possibilities.
Houston joins visual artists such as Judit Hersko, Katja Aglert, and Isaac Julien who have been inspired by the explorers of the past. Like them, she draws, in part, on the singular tradition of polar exploration narratives as well as fictions such as Ursula Le Guin’s “Sur” (1981), a utopian feminist hoax in which a party of South American women reach the South Pole in 1909, two years before the official arrival of European explorers. Le Guin’s explorers do not feel compelled to leave any written record or physical proof of their presence at the South Pole. If Le Guin’s women might have made it, what other traces have been missed?
Collage can work alongside alternative history: it interprets, interrupts, and rearranges. It questions the completed whole, instead emphasizing composition and relation. Collage suggests it all might be … otherwise. Houston’s collages flaunt their second nature. Yet what they show remains somehow plausible. You want to believe what you’re beginning to see.
In “A life Attuned to Larger Rhythms” Houston grids out rectangles of captured images to overwhelm the eye as the polar environment itself might (whiteout is a paradoxical species of optical overstimulation). Through the strangely ordered confusion of an ice survey grafted atop a chessboard, the mind begins to recognize new connections, emergent shapes: a different future? In “Launching Strategy” a yellow-orange pyramid balances garishly atop a tent. Which came first, the realist tent or the Platonic shape? Can we ever be sure that we’re not already seeing through premade abstractions? Or is it that baggage we’ve been dragging along?
In “Architecture of the Anthropocene” and “Red Blood, Red Earth” Houston reroutes visually symbolic through-lines between women and non-European people and the official history in which they appear dimly or not at all. A full-skirted woman holds onto the tether of a kite that seems to pull her upwards towards a weather balloon floating above an Antarctic base’s radio tower; a row of tropical workers wielding pickaxes folds into the trajectory of a sailor aiming a bow and arrow at an iceberg stained with red. These are not people or images normally associated with polar discovery. But shouldn’t they matter?
“Territory Over Land” strips in a scene from a painted depiction of the tropics, possibly from one of Captain James Cook’s circumnavigations. “Captain Cook’s Legacy” more directly confronts an official portrait of Cook with the torn-in eyes from what can only be described as the explorer’s anonymous dark Other. The hybrid portrait is a kind of contact zone. “Henson and Peary – Past Entanglements” is a cooler, less volatile twin portrait of disputed discoverer of the North Pole Robert Peary...
Category
2010s Contemporary Ink Mixed Media
Materials
Ink, Archival Paper
The Fatigue of the Conquest
Located in Montreal, Quebec
A group of figures heads for icy distant mountains. A familiar enough scene of polar explorers hauling their sledges. Yet somehow this does not quite fit the heroic mold. The ice and sky are tinged a movie musical pale blue and their gear is a bit too colorful for the era of man-hauling. And then there’s the sled, piled high not with boxes of supplies but with a jumbled heap of antiquities: Greek Athenas, bits of a coliseum, a ship’s great wheel. In Jessica Houston’s collage “The Long Haul,” the explorers drag history itself into the great beyond, their backs turned from their absurd load. But we take in the entire scene.
In her suite of works, Over the Edge of the World, Houston uses oil on wood, ink on paper, and collages of found images, many from National Geographic Magazine, to rearrange the evidence – and thus history’s possibilities.
Houston joins visual artists such as Judit Hersko, Katja Aglert, and Isaac Julien who have been inspired by the explorers of the past. Like them, she draws, in part, on the singular tradition of polar exploration narratives as well as fictions such as Ursula Le Guin’s “Sur” (1981), a utopian feminist hoax in which a party of South American women reach the South Pole in 1909, two years before the official arrival of European explorers. Le Guin’s explorers do not feel compelled to leave any written record or physical proof of their presence at the South Pole. If Le Guin’s women might have made it, what other traces have been missed?
Collage can work alongside alternative history: it interprets, interrupts, and rearranges. It questions the completed whole, instead emphasizing composition and relation. Collage suggests it all might be … otherwise. Houston’s collages flaunt their second nature. Yet what they show remains somehow plausible. You want to believe what you’re beginning to see.
In “A life Attuned to Larger Rhythms” Houston grids out rectangles of captured images to overwhelm the eye as the polar environment itself might (whiteout is a paradoxical species of optical overstimulation). Through the strangely ordered confusion of an ice survey grafted atop a chessboard, the mind begins to recognize new connections, emergent shapes: a different future? In “Launching Strategy” a yellow-orange pyramid balances garishly atop a tent. Which came first, the realist tent or the Platonic shape? Can we ever be sure that we’re not already seeing through premade abstractions? Or is it that baggage we’ve been dragging along?
In “Architecture of the Anthropocene” and “Red Blood, Red Earth” Houston reroutes visually symbolic through-lines between women and non-European people and the official history in which they appear dimly or not at all. A full-skirted woman holds onto the tether of a kite that seems to pull her upwards towards a weather balloon floating above an Antarctic base’s radio tower; a row of tropical workers wielding pickaxes folds into the trajectory of a sailor aiming a bow and arrow at an iceberg stained with red. These are not people or images normally associated with polar discovery. But shouldn’t they matter?
“Territory Over Land” strips in a scene from a painted depiction of the tropics, possibly from one of Captain James Cook’s circumnavigations. “Captain Cook’s Legacy” more directly confronts an official portrait of Cook with the torn-in eyes from what can only be described as the explorer’s anonymous dark Other. The hybrid portrait is a kind of contact zone. “Henson and Peary – Past Entanglements” is a cooler, less volatile twin portrait of disputed discoverer of the North Pole Robert Peary...
Category
2010s Contemporary Ink Mixed Media
Materials
Ink, Archival Paper
Tree Diva
By Kat O'Neill
Located in New York, NY
Photograph of aged tree that is then brought to life through some acrylic touches. Photograph produced by Dye Sublimation - which means archival inks infused into aluminum.
Abou...
Category
2010s Conceptual Ink Mixed Media
Materials
Metal
$5,000
Set In Stone/Boss - Ltd Ed of 10
By Kat O'Neill
Located in New York, NY
Ancient Tombstones of The Hamptons Photographed and Layered with images to create abstract narratives.
Archival Ink. Produced by Dye Sublimation - whi...
Category
Late 20th Century Abstract Ink Mixed Media
Materials
Metal
Ganges : abstract work of art on paper
Located in New York, NY
An artwork on paper by New York artist Miranda Maher. Ink, Indian marble paper and Chiyogami papers on Chinese “Cicada Wing” calligraphy paper.
Miranda ...
Category
2010s Abstract Expressionist Ink Mixed Media
Materials
Paper, Ink
Birds are Missing B - 1 : abstract work of art on paper
Located in New York, NY
An artwork on paper by New York artist Miranda Maher. Giclee print on watercolor paper with Sumi Ink and Indian Marble Paper elements.
Miranda Maher’s a...
Category
2010s Abstract Expressionist Ink Mixed Media
Materials
Paper, Ink, Giclée
Orange and Blue 2 : abstract work of art on paper
Located in New York, NY
An artwork on paper by New York artist Miranda Maher. Made with Reproductions of maps of the moon printed on Unryu Inkjet washi, mounted to Magnani cotton paper, Overlayed with Sumi ...
Category
2010s Abstract Ink Mixed Media
Materials
Paper, Ink
Cobweb 20 : small abstract work of art
Located in New York, NY
Tom Sime experiments with wax to create organic biomorphic compositions. The materials and techniques he employs require extensive knowledge and familiarity with the medium, enabling...
Category
Early 2000s Abstract Ink Mixed Media
Materials
Canvas, Ink, Wax, Acrylic
Cobweb 21 : small abstract work of art
Located in New York, NY
Tom Sime experiments with wax to create organic biomorphic compositions. The materials and techniques he employs require extensive knowledge and familiarity with the medium, enabling...
Category
Early 2000s Abstract Ink Mixed Media
Materials
Canvas, Ink, Wax, Acrylic
Bark Framed #2
By Maria Elena González
Located in New York, NY
Cuban-born artist María Elena González is an internationally recognized sculptor based in Brooklyn, NY, and San Francisco, CA. González interweaves the conceptual with a strong dedic...
Category
2010s Contemporary Ink Mixed Media
Materials
Driftwood, Ink, Cardboard
Marmaduke
Located in Belgravia, London, London
Ink on board
Board size: 8 x 8.5 inches
Framed size: 24 x 23 inches
Signed and dated 11-24-89 (United Feature Syndicate Inc., 1989)
Provenance: Private collection, USA
Category
20th Century Modern Ink Mixed Media
Materials
Ink, Board
$5,034
Find Mister Earl
Located in Fort Washington, PA
Signed Lower Left
Illustration for part eleven of "The Flying Fish" by Arthur Somers Roche, Collier's, August 19, 1918.
Category
1910s Ink Mixed Media
Materials
Charcoal, Ink, Board
A Surprising Announcement
Located in Fort Washington, PA
Signed Lower Right
Category
20th Century Ink Mixed Media
Materials
Ink, Gouache, Board
Histories 036
Located in Fairfield, CT
Beeswax, ink, metallic powder on vintage hand made paper
Category
21st Century and Contemporary Ink Mixed Media
Materials
Ink, Handmade Paper
Histories 034
Located in Fairfield, CT
Beeswax, ink, metallic powder on vintage hand made paper
Category
21st Century and Contemporary Ink Mixed Media
Materials
Ink, Handmade Paper
Histories 033
Located in Fairfield, CT
Beeswax, ink, metallic powder on vintage hand made paper
Category
21st Century and Contemporary Ink Mixed Media
Materials
Ink, Handmade Paper
Histories 032
Located in Fairfield, CT
Beeswax, ink, metallic powder on vintage hand made paper
Category
21st Century and Contemporary Ink Mixed Media
Materials
Ink, Handmade Paper
Histories 031
Located in Fairfield, CT
Beeswax, ink, metallic powder on vintage hand made paper
Category
21st Century and Contemporary Ink Mixed Media
Materials
Ink, Handmade Paper
Histories 027
Located in Fairfield, CT
Beeswax, ink, metallic powder on vintage hand made paper
Category
21st Century and Contemporary Ink Mixed Media
Materials
Ink, Handmade Paper
Histories 028
Located in Fairfield, CT
Beeswax, ink, metallic powder on vintage hand made paper
Category
21st Century and Contemporary Ink Mixed Media
Materials
Ink, Handmade Paper
Histories 025
Located in Fairfield, CT
Beeswax, ink, metallic powder on vintage hand made paper
Category
21st Century and Contemporary Ink Mixed Media
Materials
Ink, Handmade Paper
Histories 023
Located in Fairfield, CT
Beeswax, ink, metallic powder on vintage hand made paper
Category
21st Century and Contemporary Ink Mixed Media
Materials
Ink, Handmade Paper
Histories 024
Located in Fairfield, CT
Beeswax, ink, metallic powder on vintage hand made paper
Category
21st Century and Contemporary Ink Mixed Media
Materials
Ink, Handmade Paper
Histories 021
Located in Fairfield, CT
Beeswax, ink, metallic powder on vintage hand made paper
Category
21st Century and Contemporary Ink Mixed Media
Materials
Ink, Handmade Paper
Histories 022
Located in Fairfield, CT
Beeswax, ink, metallic powder on vintage hand made paper
Category
21st Century and Contemporary Ink Mixed Media
Materials
Ink, Handmade Paper
Histories 020
Located in Fairfield, CT
Beeswax, ink, metallic powder on vintage hand made paper
Category
21st Century and Contemporary Ink Mixed Media
Materials
Ink, Handmade Paper
Histories 018
Located in Fairfield, CT
Beeswax, ink, metallic powder on vintage hand made paper
Category
21st Century and Contemporary Ink Mixed Media
Materials
Ink, Handmade Paper
Histories 017
Located in Fairfield, CT
Beeswax, ink, metallic powder on vintage hand made paper
Category
21st Century and Contemporary Ink Mixed Media
Materials
Ink, Handmade Paper
Histories 014
Located in Fairfield, CT
Beeswax, ink, metallic powder on vintage hand made paper
Category
21st Century and Contemporary Ink Mixed Media
Materials
Ink, Handmade Paper
Histories 016
Located in Fairfield, CT
Beeswax, ink, metallic powder on vintage hand made paper
Category
21st Century and Contemporary Ink Mixed Media
Materials
Ink, Handmade Paper
Histories 013
Located in Fairfield, CT
Beeswax, ink, metallic powder on vintage hand made paper
Category
21st Century and Contemporary Ink Mixed Media
Materials
Ink, Handmade Paper
Histories 012
Located in Fairfield, CT
Beeswax, ink, metallic powder on vintage hand made paper
Category
21st Century and Contemporary Ink Mixed Media
Materials
Ink, Handmade Paper
Histories 010
Located in Fairfield, CT
Beeswax, ink, metallic powder on vintage hand made paper
Category
21st Century and Contemporary Ink Mixed Media
Materials
Ink, Handmade Paper
Histories 005
Located in Fairfield, CT
Beeswax, ink, metallic powder on vintage hand made paper
Category
21st Century and Contemporary Ink Mixed Media
Materials
Ink, Handmade Paper
Histories 008
Located in Fairfield, CT
Beeswax, ink, metallic powder on vintage hand made paper
Category
21st Century and Contemporary Ink Mixed Media
Materials
Ink, Handmade Paper
Histories 001
Located in Fairfield, CT
Beeswax, ink, metallic powder on vintage hand made paper
Category
21st Century and Contemporary Ink Mixed Media
Materials
Ink, Handmade Paper
Cobweb 23 : small abstract work of art
Located in New York, NY
Tom Sime experiments with wax to create organic biomorphic compositions. The materials and techniques he employs require extensive knowledge and fam...
Category
Early 2000s Abstract Ink Mixed Media
Materials
Canvas, Ink, Wax, Acrylic
Face & Travels 6 : colorful abstract work of art
Located in New York, NY
A colorful abstract work of art by contemporary artist Andre Eamiello.
Andre Eamiello‘s watercolors are inspired by nature. On the surface of these dynamic compositions, colors blee...
Category
2010s Abstract Ink Mixed Media
Materials
Wood, Paper, Ink, Mixed Media
Face & Travels 5 : colorful abstract work of art
Located in New York, NY
A colorful abstract work of art by contemporary artist Andre Eamiello.
Andre Eamiello‘s watercolors are inspired by nature. On the surface of these dynamic compositions, colors blee...
Category
2010s Abstract Ink Mixed Media
Materials
Wood, Paper, Ink, Mixed Media
Face & Travels 4 : colorful abstract work of art
Located in New York, NY
A colorful abstract work of art by contemporary artist Andre Eamiello.
Andre Eamiello‘s watercolors are inspired by nature. On the surface of these dynamic compositions, colors blee...
Category
2010s Abstract Ink Mixed Media
Materials
Wood, Paper, Ink, Mixed Media
Untitled
Located in Fairfield, CT
Munroe, who is formally trained as a printmaker, creates sublime paintings with imagery inspired by archetypal forms of the circle and the square. Employing tools and processes from ...
Category
2010s Abstract Ink Mixed Media
Materials
Wax, Dye, Ink
Dissolution : contemporary abstract collage
Located in New York, NY
Contemporary abstract collage by Charlotte Brown. The artists uses ink and paper to create complex patterns. Dark lines swirl on the surface of the work, imbuing it with a sense of f...
Category
2010s Abstract Ink Mixed Media
Materials
Paper, Ink, Mixed Media
Suspended Landscape 7
Located in New York, NY
Abstract painting created with ballpoint pen and resin on panel.
Category
2010s Ink Mixed Media
Materials
Resin, Ink, Panel, Ballpoint Pen
Suspended Landscape 4
Located in New York, NY
Abstract painting created with ballpoint pen and resin on panel.
Category
2010s Abstract Ink Mixed Media
Materials
Resin, Ink, Panel, Ballpoint Pen
Suspended Landscape 3
Located in New York, NY
Abstract painting created with ballpoint pen and resin on panel.
Category
2010s Abstract Ink Mixed Media
Materials
Resin, Ink, Panel, Ballpoint Pen
Pen Blow 138
Located in New York, NY
Abstract painting created with ink extracted from ball-point pens.
Category
2010s Abstract Ink Mixed Media
Materials
Resin, Ink, Panel, Ballpoint Pen
Viento Zen - 21st Century, Contemporary, Old Paper, Medieval Ink, Collage
Located in Barcelona, Catalonia
Collage on canvas
“From an early age, I was known as the “searcher”. I was attracted to the spiritual side of life, its abstract qualities. My father, a dentist and antique dealer, ...
Category
21st Century and Contemporary Contemporary Ink Mixed Media
Materials
Canvas, Paper, Parchment Paper, Ink
Via Laietana - 21st Century, Contemporary, Old Paper, Medieval Ink, Collage
Located in Barcelona, Catalonia
Collage on canvas
“From an early age, I was known as the “searcher”. I was attracted to the spiritual side of life, its abstract qualities. My father, a dentist and antique dealer, ...
Category
21st Century and Contemporary Contemporary Ink Mixed Media
Materials
Canvas, Paper, Parchment Paper, Ink
Ink mixed media for sale on 1stDibs.
Find a wide variety of authentic Ink mixed media available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add mixed media created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, orange, pink, red and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Irena Orlov, Francisco Nicolás, Kory Twaddle, and Olivia Munroe. Frequently made by artists working in the Contemporary, Abstract, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Ink mixed media, so small editions measuring 0.1 inches across are also available
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An Inspiring Collage by Self-Taught Miami Artist Purvis Young
In 1995, the artist embellished a found poster of Martin Luther King with visionary markings.
This Hypnotic Yayoi Kusama Collage Seems to Reach beyond the Canvas
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In the Late Hung Liu’s Historical Portraits, Layers of Joy and Struggle Are Exposed
We spoke with the artist, in one of her last interviews, about the messages in her striking figurative works, which will be featured in a posthumous show at the National Portrait Gallery.