Ink Mixed Media

This 26.5" x 29.5" by American artist, Skip Hill, is a vibrant mixed media collage/painting combining abstracted figures with stylized vases and domestic objects, adhering to the stylistic qualities of the Pop Art movement. The abstracted cats and the female figure are the focal points within the composition. Layered textures and material juxtapositions adhere to the assemblage processes. The integration of food bowls, patterned vessels, and foreign script introduces surreal narrative elements and multicultural references, positioning the work within postmodern collage traditions. 'Love Garden Party (Envy)' is on 150 lb paper stock and is hand embellished with inks, acrylic paints and collage, thus creating a unique work of art. Love Garden Party (Envy) is framed with conservation quality, high UV-filtering museum glazing. The painting/collage is signed on the lower front of the work by the artist. The work is framed in a heavy white wooden frame. Skip Hill was born in 1961 in Padre Island, Texas but grew up primarily in Oklahoma City. After attending Oklahoma City University to study Advertising and Marketing, he worked as a graphic designer before relocating in 1987 to Southern California. A two-week trip to Thailand in 1989 turned into a year traveling throughout Southeast Asia while writing for a business magazine based in Bangkok. In 1990 Skip Hill relocated to the Netherlands, immersing himself in the culture and learning the Dutch language. His frequent visits the Van Gogh Museum, the Stedelijk Museum and The Rijksmuseum in Amsterdam as well as the Boijman Van Beuningen Museum in Rotterdam, sparked Hill’s interest in creating art inspired by aesthetic concerns over the strictly commercial art he produced during his advertising career. It was during this time abroad that he traveled through Germany, Czechoslovakia and Morocco. After returning to Oklahoma in 1993, Skip Hill studied formally at The University of Oklahoma with conceptual artist Hachivi Edgar Heap of Birds, and influential abstract painter George Bogart...

Robert Lebsack creates artworks using mixed media with ink, acrylic, and charcoal on archival copies of newspapers, textbooks, and sheet music. As a visionary artist, Lebsack weaves ...

A group of figures heads for icy distant mountains. A familiar enough scene of polar explorers hauling their sledges. Yet somehow this does not quite fit the heroic mold. The ice and sky are tinged a movie musical pale blue and their gear is a bit too colorful for the era of man-hauling. And then there’s the sled, piled high not with boxes of supplies but with a jumbled heap of antiquities: Greek Athenas, bits of a coliseum, a ship’s great wheel. In Jessica Houston’s collage “The Long Haul,” the explorers drag history itself into the great beyond, their backs turned from their absurd load. But we take in the entire scene. In her suite of works, Over the Edge of the World, Houston uses oil on wood, ink on paper, and collages of found images, many from National Geographic Magazine, to rearrange the evidence – and thus history’s possibilities. Houston joins visual artists such as Judit Hersko, Katja Aglert, and Isaac Julien who have been inspired by the explorers of the past. Like them, she draws, in part, on the singular tradition of polar exploration narratives as well as fictions such as Ursula Le Guin’s “Sur” (1981), a utopian feminist hoax in which a party of South American women reach the South Pole in 1909, two years before the official arrival of European explorers. Le Guin’s explorers do not feel compelled to leave any written record or physical proof of their presence at the South Pole. If Le Guin’s women might have made it, what other traces have been missed? Collage can work alongside alternative history: it interprets, interrupts, and rearranges. It questions the completed whole, instead emphasizing composition and relation. Collage suggests it all might be … otherwise. Houston’s collages flaunt their second nature. Yet what they show remains somehow plausible. You want to believe what you’re beginning to see. In “A life Attuned to Larger Rhythms” Houston grids out rectangles of captured images to overwhelm the eye as the polar environment itself might (whiteout is a paradoxical species of optical overstimulation). Through the strangely ordered confusion of an ice survey grafted atop a chessboard, the mind begins to recognize new connections, emergent shapes: a different future? In “Launching Strategy” a yellow-orange pyramid balances garishly atop a tent. Which came first, the realist tent or the Platonic shape? Can we ever be sure that we’re not already seeing through premade abstractions? Or is it that baggage we’ve been dragging along? In “Architecture of the Anthropocene” and “Red Blood, Red Earth” Houston reroutes visually symbolic through-lines between women and non-European people and the official history in which they appear dimly or not at all. A full-skirted woman holds onto the tether of a kite that seems to pull her upwards towards a weather balloon floating above an Antarctic base’s radio tower; a row of tropical workers wielding pickaxes folds into the trajectory of a sailor aiming a bow and arrow at an iceberg stained with red. These are not people or images normally associated with polar discovery. But shouldn’t they matter? “Territory Over Land” strips in a scene from a painted depiction of the tropics, possibly from one of Captain James Cook’s circumnavigations. “Captain Cook’s Legacy” more directly confronts an official portrait of Cook with the torn-in eyes from what can only be described as the explorer’s anonymous dark Other. The hybrid portrait is a kind of contact zone. “Henson and Peary – Past Entanglements” is a cooler, less volatile twin portrait of disputed discoverer of the North Pole Robert Peary...

This artwork depicts a perfectly synchronized dance across an ocean of empty space, inspired by the "Astronomical" section of the Jet Chocolate Bar Natural History Album (1986 editio...

Multilayer 328 unique abstract photo paper collage (1 of 1), signed 28.8" x 21.7" / 73cm x 55cm About the artist Felix Schramm was born in Hamburg, Ger...

Linda Stein, Hot Rush 129 - Signed Feminist LGBTQ+ Colorful Acrylic on Board Painting Hot Rush 129 is from Linda Stein's Missives series--a body of work born from her earlier explo...

Linda Stein, Precipice 120 - Signed Feminist LGBTQ+ Acrylic on Paper Colorful Painting Precipice 130 is from Linda Stein's Missives series--a body of work born from her earlier exp...

Linda Stein, Across the Middle 132 - Signed Feminist LGBTQ+ Acrylic Colorful Painting Across the Middle 132 is from Linda Stein's Missives series--a body of work born from her earli...

Linda Stein, Missive 343.001 - Signed Feminist LGBTQ+ Colorful Acrylic on Paper Painting Missive 343.001 is from Linda Stein's Missives series--a body of work born from her earlier...

Linda Stein, Missive 343.003 - Signed Feminist LGBTQ+ Colorful Acrylic on Paper Painting Missive 343.003 is from Linda Stein's Missives series--a body of work born from her earlier...

Linda Stein, Missive 343.004 - Signed Feminist LGBTQ+ Colorful Acrylic on Paper Painting Missive 343.004 is from Linda Stein's Missives series--a body of work born from her earlier...

Linda Stein, Safe Landing 131 - Signed Feminist LGBTQ+ Acrylic on Paper Colorful Painting Safe Landing 131 is from Linda Stein's Missives series--a body of work born from her earli...

​Impressions of past lives, perceptions of future lives. The Records series carries that mystery. Simple and profound since its deed does not happen on the surface. Although it manif...

Linda Stein, Eagle 002 - Mixed Media Collage Contemporary Wall Sculpture These wall constructions and dioramas were made in the 1970s when Linda Stein was also working on her Below ...

This piece titled "Huipil III" is an original piece by Alexis Nutini and is made from a reductive woodcut print. This piece measure 46"h x 36"w frame...

Signed "James Montgomery Flagg" Lower Right by Artist "'I've found a woman to sew on buttons,' he said politely. 'Have I?' he inquired of Nancy. 'Big Boy, you have.'" Illustration ...

Johnny Banks (1912-1988) San Antonio Artist Image Size: 10.5 x 17 Frame Size: 20.5 x 16.5 Medium: Mixed Media on poster board Dated 1987 "Thanksgiving" Biography Johnny Banks (1912-1...

This artwork depicts a perfectly synchronized dance across an ocean of empty space, inspired by the "Astronomical" section of the Jet Chocolate Bar Natural History Album (1986 editio...

Robert Lebsack creates artworks using mixed media with ink, acrylic, and charcoal on archival copies of newspapers, textbooks, and sheet music. As a visionary artist, Lebsack weaves ...

This captivating work features a vibrant hummingbird suspended amid a swirl of electric colors. Dominated by deep purple hues, the canvas exudes a mysterious and mesmerizing energy. ...

Patty deGrandpre’s “Stop, Sleep, Gas Up” is a dynamic mixed media depiction of a roadtrip created with deconstructed snapshots of a classic Red Roof Inn front facade, a rural highway...

100% silk, painted batik, stretched on canvas For interior, nude, woman, water. The painting "Water Washes Away Everything" is a meditative image of dissolution, a return to the ori...

"Me Myself And I" is an original piece by Sean 9 Lugo, known artistically for his murals and street art. The piece is made from acrylic, marker, and ink on panel and debuted in Lugo'...

5138 Large colorful Abstract Modernist colored lithograph signed numbered 15/75 published 1970 Framed image size 23x23" Excellent modernist composition

"Unfolding #3" is an original piece by Yoonmi Nam made from pressure printed monotypes featuring layers of unfolded package outlines, creating dimension and abstraction. This piece m...

Belgian artist Greet Helsen masterfully layers acrylic paint with the effervescent transparency of watercolors in her large mixed-media abstract paintings. Reminiscent of abstract ex...

Belgian artist Greet Helsen masterfully layers acrylic paint with the effervescent transparency of watercolors in her large mixed-media abstract paintings. Reminiscent of abstract ex...

Elfi Schuselka (Austrian, b. 1940), "Monument to Monoliths", Mixed Media on Paper, signed lower right, unframed. 20.5" H x 28.25" W. Provenance: From the collection of the artist. No...

Peter Passuntino BDSM 1960s Ink, ink wash & chalk on paper 12.25"x10" unframed unsigned Peter Passuntino b. 1936 Peter Passuntino, was born in Chicago, Illinois. At the age of 18, Passuntino was selected to be in a group show at the Carnegie Institute, and at 19 he was selected for a one-man show at the Artist Guild in Chicago. From 1954 to 1958 he attended the School of the Art Institute of Chicago. Then, upon receiving a Fulbright Fellowship in Painting, Passuntino spent time in Paris, from 1963 to 1965. While in Paris he studied art at the Istitut de Arts et Archeologie and exhibited in a solo exhibition entitled “Bad Manners, A Happening at the American Arts Center” (1963). During his time at the School of the Art Institute of Chicago, Passuntino was an organizer of the Exhibition Momentum Group, and he served as the group’s chairman in 1958. The Exhibition Momentum Group was successful in expanding the Chicago-Midwest art community and in bringing emerging and established artists from the East Coast to Chicago as panelists and jurors of the exhibitions. In 1969, The Rhino Horn Group was founded in New York City by a group of artists bound together by their dedication to figurative art and a collective notion that artistic practice should have both a critical and a social function. They critiqued the art-as-business ideology that absorbed fine arts into consumer culture in the United States during the 1960s. The seven founding members were Peter Passuntino (b. 1936), Benny Andrews (1930-2006), Jay Milder (b. 1934), Peter Dean (1934-1993), Ken Bowman (1937-2014), Michael Fauerbach (1942-2011), and Nicholas Sperakis (b. 1943). Between 1969 and 1978, active members also included Bill Barrell (b. 1932), Leonel Góngora (1932-1999), Isser Aronovici (1932-1994), June Leaf...

​Impressions of past lives, perceptions of future lives. The Records series carries that mystery. Simple and profound since its deed does not happen on the surface. Although it manif...

"Survival of the Fittest" is an original piece by Sean 9 Lugo, known artistically for his murals and street art. The hand illustrated and painted piece is made from acrylic, marker, ...

Robert Lebsack creates artworks using mixed media with ink, acrylic, and charcoal on archival copies of newspapers, textbooks, and sheet music. As a visionary artist, Lebsack weaves ...

The contemporary work on paper is both art and photography, highlighting color fields. 16 x 16in photography and oil pastels on Hahnemuhle paper Tell Me a Story II, 2025 by Roberta F...

Signed "Chwast" in Pencil Lower Right "Jekyll Becomes Hyde." Original illustration for a German edition of Robert Louis Stevenson's Strange Case of Dr. Jekyll and Mr. Hyde, (Frankfu...

Marco’s background is in engineering and architecture, making him familiar with mathematical design and the awareness of geometry. When he decided to create art, he was naturally drawn to cartography, applying traditional techniques such as multiple Cartesian coordinates and polar system coordinates to maps he draws. He is also deeply influenced by astronomy and navigation, frequently using charts...

The Liquied series is inspired by transformation, the speed with which things change, and the material's ability to adapt to its environment. As Zygmunt Bauman describes, liquid life...

Complete title: La Transformación del Deseo - Quiero Estar Dentro de Alegría (The Transformation of Desire - I want to be Inside of Happiness) Mari Ito was born in Tokyo, Japan in ...

Complete title: La Transformación del Deseo - Estoy Dentro de Alegría (The Transformation of Desire - I am Inside of Happiness) Mari Ito was born in Tokyo, Japan in 1980. She major...

Cuban-born artist María Elena González is an internationally recognized sculptor based in Brooklyn, NY, and San Francisco, CA. González interweaves the conceptual with a strong dedic...

Mari Ito was born in Tokyo, Japan in 1980. She majored in Nihonga, Japanese-style painting made with traditional practices, techniques and materials. She moved to Barcelona (Spain) i...

This is a large sculpture and also includes an artist custom framed silkscreen with extensive handwork titled Line of Time, pencil signed and inscribed, presented in heavy metal and wooden frame (framed piece 24.5 x 30 in., sculpture piece is about 94 X 11 inches) Francoise Schein is a visual artist, trained as an architect - urban planner; She also teaches art at the ESAM Higher School of Arts and Media in Caen in Normandy . She is the founder of the INSCRIRE Association. In 2016, she was elected member of the Royal Academy of Sciences, Arts and Fine Arts of Belgium. Group Exhibitions Spain: 2016, The "5Contemporary" Paris gallery presented a group show at the Museum of Contemporary Art of Genalguacil, Spain. The show included important artists such as Françoise Schein, Mimouni and Pedro Castrortega. Born in Brussels , Françoise Schein left Belgium after studying architecture at the higher institute of architecture of the French community - La Cambre where she wrote her thesis on fundamental rights, then studied urban design at the Columbia University in the City of New York . She lived 11 years in New York where she begins a work on cartography territories. Subway map Floating on NY Sidewalk is his first monumental urban sculpture located at 110 Greene Street in SoHo (1985). At that time her works are abstract landscapes of cities, made up of networks, lines, trajectories, territories, founding texts and stories. They are constructed of very diverse materials and light. Returning back to Europe in 1989, she continues to work on what she calls her drawings-laboratories while beginning to integrate works in cities on civic themes, the main ones: at the Concorde metro station in Paris in 1991 and then in Brussels, Saint-Gilles , in 1992, these two projects took her to Lisbon in 1993 where she lived for five years and produced two monumental works (in azulejos) for the city of Lisbon at Parque metro station ( 1994) and another for the city of Stockholm at the Universitetet station (1998). She continues to travel to cities where she builds successively projects in Haifa , on the facade of the Beth Hagefen Jewish-Arab Cultural Center with Michel Butor (1994). Then she lives in Berlin where she builds the Westhafen station (2000) which takes her to Bremen to make her first human rights park, Rhododendronpark (2002). In 2005, she made the monumental Time Zone Clock in Coventry in 2005. Since 1999, she has also settled in Rio de Janeiro and initiated participatory artistic projects with the underprivileged population of the favelas . Since then, with the help of a locally trained team, many projects have been carried out, including one in Copacabana and more than 20 in different favelas (from 1999 to 2016). These works transformed the Rio workshop into sustainable development for the people who invested it. In Sao Paulo, since 2009, Françoise Schein has produced a monumental work with the participation of 1000 young people from the favela schools at Luz subway station. Her work is monumental recalling the works of Christo, Maria Dompe, Christian Boltanski, Anish Kapoor, Ai Wei Wei...

Although photography remains Arnone's primary form of expression, the artist begins to see certain limitations in this medium when it comes to adequately depicting his altered and of...

Hilding Werner (1880-1944) Sweden Hulda in a Room at Ruds Säteri mixed media on paper unframed 27 x 22.5 cm (10.63 x 8.86 inches) framed 38 x 33.5 cm (14.96 x 13.19 inches) Prov...

Original artwork Spray paint and ink on wood panels 58 x 64cm Signed by the Artist

Signed "James Montgomery Flagg" Lower Right by Artist "Mr. Corroway was wearing a broad smile. He slapped Dave jovially on the shoulder and said: 'No hard feelings, I hope, about o...

Acrylic on canvas with whispers of glitter coated with heavy resin.

This 24" x 24" mixed media work by Washington based artist, Janice Tayler presents a vibrant, layered composition that exemplifies contemporary abstract expressionism. The piece comb...

Artist Statement “Flag of Victory” – Mixed Media on Canvas (48x60) This piece is a celebration of triumph—an abstract expression of spiritual and emotional victory. Using a blend of...

Although photography remains Arnone's primary form of expression, the artist begins to see certain limitations in this medium when it comes to adequately depicting his altered and of...

6036 Anvertising collage for a 1956 Old Gold Cigarette advertising campaign 1956 Paper cutouts on a painted blue board Package image of cigarettes are from WW11

Benjamin Mendoza (Bolivian, 1935-2014) "Untitled: Reptile", Mixed Media signed in Pencil on Cardboard, 11.25 x 10.25, Late 20th Century Colors: Black, Brown, Green, Yellow

Robert Strati is an American artist who creates multimedia artworks using broken plates. His recent series “Fragmented” started when he accidentally dropped and broke a porcelain pla...

Mickey Mouse Walt Disney Manga Cartoon Pop Art by Young British Urban Graffiti Artist, Chris Pegg, entitled 'All That Glitters'. Chris Pegg is a self-t...

Kim Frohsin, Third generation Bay Area Figurative artist began exhibiting in the San Francisco Bay Area in the early 1990s, and in 1993 was included with Nathan Olivera, Manuel Neri and Stephen De...

Flow is the ability of liquids to continually move from one place to another. Also, It means accepting each situation as it is. The movement of the liquid comes from life, it is natu...

Ink on board Board size: 8 x 8.5 inches Framed size: 24 x 23 inches Signed and dated 11-24-89 (United Feature Syndicate Inc., 1989) Provenance: Private collection, USA

Helen Pond and Herbert Senn Great Scot! Set Maquette, 1963 Mixed media (Paper, wood, ink, paint) Overall dimensions (including base): 9 1/2 x 17 3/4 x 4 in. Signed on base: Helen Pond, Herbert Senn Helen Pond and her collaborator-husband Herbert Senn worked together on dozens of set designs. This particular piece was created as a preliminary design for Nancy Leeds' Great Scot! Play of 1965, which focused on Robert Burns' love life. Pond and Senn were known internationally for their acclaimed set designs for Broadway shows, opera and ballet companies and for the 400 sets the couple designed at The Cape Playhouse in Dennis for 38 seasons. The pair designed Broadway sets for “What Makes Sammy Run?,” “Roar Like a Dove,” “Oh, Coward,” and the 1982 revival of “Showboat,” and sets for “The Boys from Syracuse,” both for Off-Broadway and the Drury Lane production in London. In addition to the Boston Ballet...

Linda Stein, Manhattan Outreach 005 - Mixed Media Contemporary Wall Sculpture These wall constructions and dioramas were made in the 1970s when Linda Stein was also working on her B...

A collage by New York artist Miranda Maher. Made with Ink, Indian marble paper and Japanese Chiyogami paper on handmade Japanese paper. Miranda Maher’s ...

This artwork depicts a perfectly synchronized dance across an ocean of empty space, inspired by the "Astronomical" section of the Jet Chocolate Bar Natural History Album (1986 editio...