Ink Mixed Media

Full title: Flower Bomb: My Hope Mari Ito was born in Tokyo, Japan in 1980. She majored in Nihonga, Japanese-style painting made with traditional practices, techniques and materials...

paper and ink on cloth covered and gessoed board

This work is part of the most recognized technique of Danish artist Peter Kramer (1959, Roskilde), the unique painting technique he developed called "cotton knots." For weeks, he obs...

Robert Strati is an American artist who creates multimedia artworks using broken plates. His recent series “Fragmented” started when he accidentally dropped and broke a porcelain pla...

Los Angeles street artist Gary John exploded onto the international art scene first during Art Basel Miami in 2013. John’s playfully bold work quickly gained attention and he was nam...

With his unmistakable version of contemporary Surrealism, as comical as it is otherworldly, Marcel Dzama is one of Canada's most internationally successful artists. As with most of ...

Imani Bilal is a contemporary abstract painter and poet based in Jersey City, New Jersey. Her work is deeply inspired by the many states of the human condition and is rooted in her spiritual (Islamic) practices. As she explains, “I strive to convey the notion of Tawheed (oneness), the idea of primordial matter, chaos, and calm; of all things sharing a source and being connected to an infinite mound, inclusive of the human experience.” Her language is versatile and her approach, unconventional, working with acrylic, ink, and resin to articulate emotion and promote connectivity through color and movement. Bilal, who has been experimenting with paint since childhood, has developed a unique process of her own. She often paints while seated on the floor to pour her whole body into the composition, using her hands, mouth, and found objects to create an array of effects that become part of an intricate yet fluid work of art. Bilal’s first solo show in New York City, Fingerprints of Ruh (2020), curated by Nemo Librizzi, was met with enthusiasm and led to gallery representation by Chase Contemporary Gallery and recently, Mazlish Gallery...

"So, We'll Go No More a Roving" (2005) By Anna Pennati Inspired by Lord Byron Italian artist Anna Pennati gives visual expression to one of Lord Byron's most poignant and beloved poe...

Inspired by George Byrons's poem "Visions of Belshazzar" Original. Hand made Exhibited in Milan (Italy) in 2005. Exclusively on 1stdibs measures are referred to the painting. Passep...

Stephen Gammell St. Paul, Minnesota Signed and dated recto. Stephen Gammell’s studio practice is rooted in an intuitive and deeply personal approach to mark-making. In Stories Unc...

Marco’s background is in engineering and architecture, making him familiar with mathematical design and the awareness of geometry. When he decided to create art, he was naturally drawn to cartography, applying traditional techniques such as multiple Cartesian coordinates and polar system coordinates to maps he draws. He is also deeply influenced by astronomy and navigation, frequently using charts...

DAVID JAMES GILHOOLY (American, 1943-2013), Mixed media collage 6 x 4 inches, Hand signed and dated verso titled: "Many frivolous titles come to mind" A man on horseback, man and ...

Mark di Suvero Grass Power, 1979-2014 Mixed Media drawing: marker, ink and pencil on paper Hand titled, signed and inscribed to Nadine by Mark di Suvero Frame included: Floated and f...

Jessica Gatlin uses the process of letter pressing to create these pieces on paper that have been mounted to a small panel. An exercise in language and rule making. Partly intuitive,...

Matthew van Liessum (b. 1989, The Netherlands) is an abstract painter based in Antwerp. His practice is rooted in gestural abstraction, where energetic mark-making meets a strong sen...

Italian artist Fabio Coruzzi merges painting and photography into one imaginative image that offers a new outlook on an otherwise ordinary urban scene. His artworks represent an auth...

Stephen Gammell St. Paul, Minnesota Signed and dated recto. Stephen Gammell’s studio practice is rooted in an intuitive and deeply personal approach to mark-making. In Stories Unc...

Signed "James Montgomery Flagg" Lower Right by Artist "'I've found a woman to sew on buttons,' he said politely. 'Have I?' he inquired of Nancy. 'Big Boy, you have.'" Illustration ...

Eric Blum Untitled no. 972, 2022 ink, silk & beeswax on panel 59 x 47 in. (blum075) In Eric Blum’s mostly monochromatic paintings, ink permeates silk in soft gradients, which ab...

A mixed media on heavy paper. Signed lower right. The artwork can be exhibited vertically or horizontally. Image measures 24.75 x 29.75 inches Framed size is 25.5 x 30.5 inches. Bor...

This miniature drawing may be displayed on a wall or worn on a chain. Bio // ROBERT KRAIZA (pronounced: cry-zuh) is an illustrator and fine artist who lives and works in Philadelphia, Pennsylvania. He studied Media Arts and Animation at the Art Institute of Philadelphia. Interested in many media, he often paints in monochrome watercolor on a small scale, inspired by the Victorian era and whimsical dreams in both his art and personal aesthetic. Depicting fantasy worlds from the hidden life of nineteenth century witches to miniature children...

A mixed media on paper. Signed lower right. Image measures 24.75 x 29.75 inches Framed size is 25.5 x 30.5 inches. Born in Dnipro, Ukraine (Yekaterinoslav, when previously controlle...

This body of work by Miguel Angel Ríos from the early 1990’s mark an important period in his career, and he has made a name for himself with his ‘Mapas’ which are in various importan...

This piece titled "Bucket Tool" is an original piece by Alexis Nutini and is made from a painted woodblock. This piece measure 19"h x 14.5"w unframed. ...

Vyacheslav Shraga Russian, 1953- Homage to Picasso Ink on paper 12 by 17 in. W/frame 22 by 27 in. Painter, graphic artist, sculptor Vyacheslav Sh...

Maryn Hunzeker, American, 1907 - 1972 Title - The Refinery. Possible mixed media on board (Paper, Collage, Oil, Ink) Not dated - We believe this to be circa 1950's - Signed lower right Another stunning vintage mid century abstract painting...

6036 Anvertising collage for a 1956 Old Gold Cigarette advertising campaign 1956 Paper cutouts on a painted blue board Package image of cigarettes are from WW11

Los Angeles artist Amber Goldhammer paints dramatic abstract compositions in acrylic on canvas featuring energetic brushstrokes. Goldhammer uses her contemporary paintings to express...

Complex study of nude figures grouped in a landscape. Weber works in watercolor and pen with an electric brush stroke. Perhaps a study or a continuation for his major oil. Summe...

Collage, Drawing, Painting, monochromatic grey, white, black contemporary art. Title: World Network Models I This visually interesting, unique piece with geometric patterns and "of...

Linda Stein, Etched in My Mind 128 - Signed Feminist LGBTQ+ Colorful Acrylic Painting Etched in My Mind 128 is from Linda Stein's Missives series--a body of work born from her earl...

This work reflects Satria Nugraha’s intuitive and experimental approach to making, where everyday life, human connection, and the surrounding environment quietly inform the image. Wo...

Belgian artist Greet Helsen masterfully layers acrylic paint with the effervescent transparency of watercolors in her large mixed-media abstract paintings. Reminiscent of abstract ex...

Saint-Cyr-sur-Mer belongs to a series of large-format photographic works produced during Berg's travels along coastlines. Assembled from individual prints in a grid-like structure, t...

Untitled, 1971, mixed media collage with painted and printed elements on paper, signed and dated lower right, 9 x 10 5/8 inches, exhibited Phoenix Gallery, New York, NY, unknown date...

A work by Carl Andre. "Five Hundred Terms for Charles A. Lindbergh" is an ink on paper on board and a classic text piece from the early 1960's by Post War artist Carl Andre. Andre’s poem "500 Terms for Charles A Lindbergh" is typical of his works which are composed by selecting individual words from source texts, and then ordering them on the page according to simple and self-evident criteria, which, in this case, is by alphabetical listing. Signed verso, "Five Hundred Terms for Charles Lindberg (Carbon) 1962 Carl Andre." Provenance: Collection of Hollis Frampton...

Electric Coffin is coded within art history and ideologies from archetypes of mysticism. We explore found truths from modernity and a personal historical perspective. A process-drive...

(85 x 61 inches framed + $2,400) New York-based, Armenian-born artist, Tigran Tsitoghdzyan, is especially interested in how people interact in this new era of technology and social ...

Yinka Shonibare Fabric-ation, 2013 Original Dutch wax print fabric chosen by the artist on Hardback cloth bound monograph with fabric covered board 12 1/2 × 11 × 1 1/2 inches Edition...

ink on New York Times Newsprint Signature is part of the artwork itself Unique This ink collage was created in 2005 -- more than a decade before the artist would join the billionaire mega-gallery David Zwirner Gallery, which signed him in 2017 This show was held at the experimental post-modern Reena Spaulings Gallery - which at the time was located at 371 Grand Street on the Lower East Side (the gallery later moved to East Houston Street) More about the hand designed promotional collage itself: It is is a hand painted, unique collage used for promoting the exhibition at Reena Spaulings Fine Art, New York entitled "Josh Smith: Make it Plain," held on March 13-April 11, 2005. This work was done on a section of the February 13, 2005 New York Times newspaper devoted to coverage of the Oscars -- with one part featuring an advertisement for the 2005 Warner Brothers film "Constantine", a Horror/Fantasy film featuring Keanu Reeves, who plays a demon hunter, and Rachel Weisz, who plays a policewoman in a supernatural plot based upon Hellblazer comics. Interestingly, more than two decades on, there is a sequel in the works - and the tag lines to the trailer for the Constantine 2 movie are: “Hell’s Not Just a Place, it’s a war” and “The world you’re fighting for, it’s as broken as you are. But what you’re up against now, it’s different…” The newsprint is deliberately imperfect, with natural undulations, tears to the corners, etc. - all a deliberate part of the artist's original aesthetic, and not later damage. If you want pristine, go elsewhere. This newspaper has been read, consumed, repurposed and recycled. The work itself has been floated and framed in a museum quality wood frame under plexiglass. Measurements: Framed 30 inches (vertical) by 25 inches (horizontal) by 2 inches Artwork: 27 inches (vertical) by 22 inches More about Josh Smith's "Make it Plain" show: Recently, Josh Smith himself reminisced about this very 2005 exhibition at Reena Spaulings on social media, writing: "Such good shows there. Those were the days.." Josh Smith's 2005 exhibition "Make It Plain" at Reena Spaulings was an installation-based show that explored themes of artistic production, recycling, and the "material overload" of the painting process. The exhibition, which ran in April 2005, was characterized by an immersive, somewhat chaotic environment that combined painting with installation art. Key elements and themes of the show included: "Mirror" Paintings: The show featured large "mirror paintings," which were described as painted-over rejects or, in some contexts, canvases with abstract markings, featuring colorful traces on the edges suggesting frames around an opaque reflection. "Palette" Paintings: Smith included smaller "palette paintings" that displayed the raw,, sticky, and mixed pigments remaining from other, unseen works, highlighting the labor of painting. Installation Strategy: The gallery space was filled with fifty hand-stained wooden bar stools, creating a dense, "oceanic" environment that visitors had to navigate, which served both as a way to display art and to fill the small space. Mass-Produced Imagery (Drawings): In addition to the paintings, the show featured 800 small, hand-drawn, "Expressionist" style depictions of faces on file cards that lined the walls, reflecting a theme of rapid, automatic production. Theme of Re-production: According to the gallery press materials, the exhibition explored the idea that "one painting always hides another" by re-using materials and focusing on the detritus of the creative process. The 2005 show was reviewed by the art critic Roberta Smith (no relation, apparently) of The New York Times as a "bristling Expressionist profusion" and part of a series of shows where Smith acted as both a "protean creator and Warholian machine" who likes to highlight the conventions of the gallery setting More about the elusive and conceptual "Reena Spaulings" Fine Art: Founded in 2004 by John Kelsey and Emily Sundblad, Reena Spaulings gallery was a central hub for the neighborhood's emerging art scene. Reena Spaulings is a collective project in the medium of a novel, an artist persona, and an institutional art-gallery active from 2005 to the present in New York City. The Gallery's Co-founders and Co-Directors include Carissa Rodriguez, John Kelsey and Emily Sundblad. The Reena Spaulings novel and persona remains an anonymous collective organization. The Spaulings initiative speaks to ideas of collectivity, anonymity, and artistic categorization through literature and artistic production. Reena Spaulings is a branch of the Bernadette Corporation, also based in New York City. (The Bernadette Corporation is a New York–based collective founded in 1994, working across art, fashion, film, and publishing. Originally formed by Bernadette Van-Huy, Sonny Pak, and Thuy Pham, the group’s current configuration—Van-Huy, John Kelsey, Jim Fletcher, and Antek Walczak—reflects a practice defined by shifting authorship and long-term collaboration. Over the past three decades, its members have explored processes of production while subverting the logics of cultural consumption through a distinctly (and playfully facetious) anti-corporate spirit.) More about Josh Smith In announcing its representation of Josh Smith in 2017, here's what Zwirner Gallery said about him: Smith is a New York-based painter who also works with collage, sculpture, printmaking, and books. He first became known in the early 2000s for a series of canvases depicting his own name, a motif that allowed him to experiment freely with abstraction and figuration and the expressive possibilities of painting. His work has since given way to monochromes, gestural abstractions, and varied imagery, including leaves, fish, skeletons, sunsets, and palm trees that the artist has explored in series. Smith’s work engages in a celebratory and prolific process of experimentation and refinement—upending the conventions of painting while simultaneously commanding a deep awareness of its history. The artist has noted, "I make art for myself, to see what it will look like. I also effectively let viewers, myself included, take or leave what they want. The message is indefinable, but the gist of it is; we are alive, and here together….Here is a group of painted poems, if you like…take a look and absorb what you want from them." As stated by David Zwirner, "I have been following Josh’s work for some time and look forward to presenting it at the gallery. A true ‘artist’s artist,’ his work across different media conveys a playful reverence for painting, dynamically asserting its continued relevance. It’s exciting to think about his work in dialogue with the other artists we represent." American artist Josh Smith was born in 1976 in Okinawa, Japan. Smith’s father was in the U.S. Army, and his family moved frequently, eventually settling in East Tennessee, where the artist mostly grew up. His work has been presented in numerous solo exhibitions in the United States and abroad, including at the Bonner Kunstverein, Bonn, Germany (2016); Museo d’Arte Contemporanea Roma, Rome (2015); the Zabludowicz Collection, London (2013); The Brant Foundation Art Study Center, Greenwich, Connecticut (2011); Centre d’Art Contemporain Genève, Geneva (2009); De Hallen Haarlem, Haarlem, The Netherlands (2009-2010); Museum Moderner Kunst Stiftung Ludwig Wien (mumok), Vienna (2008); and SculptureCenter, Long Island City, New York (2004). Smith’s work has also been included in important group exhibitions such as Painting 2.0: Expression in the Information Age, which opened at the Museum Brandhorst, Munich, and subsequently traveled to the Museum Moderner Kunst Stiftung Ludwig Wien (mumok), Vienna (2015-2016); The Forever Now: Contemporary Painting in an Atemporal World, The Museum of Modern Art, New York (2014-2015); The Painting Factory...

Max Manning is a Houston-based painter whose practice he describes as “algorithmic abstraction”, studio-built systems that he deliberately disrupts to create compositions where loosely figurative fragments, patterns, and color fields collide. Working in series, Manning sets up rule-driven visual frameworks such as grids, repeated motifs, cut-outs, and layered shapes, and then interrupts them through shifts in palette, gesture, and scale. The result is a retro-contemporary language: paintings that acknowledge a world shaped by data and screens while insisting on the tactility, stillness, and breath of paint. • One-of-a-kind abstract artwork on paper measuring 14 inches high by 10 inches wide • Artwork is not framed • Signed by the artist on the back • Includes certificate of authenticity issued by the art gallery • Convenient local Los Angeles delivery • Affordable Continental U.S. and international shipping available Across his practice, Manning has maintained a clear studio ethos: to “paint through the questions” of life lived alongside algorithms. Instead of reproducing digital aesthetics, he uses rule sets to destabilize them—allowing glitches, misalignments, and pauses to surface. The work’s visual “systems” act less like predictive code and more like open, humanized structures where attention can rest. This stance has resonated with curators and collectors attuned to abstraction’s current arc: grounded in art-historical form, responsive to contemporary cognition, and committed to the slow time of looking. Manning earned a BFA in Two-Dimensional Studies from Bowling Green State University (2011) and an MFA from the University of Cincinnati (2014). His work has been exhibited widely in the U.S. and abroad and gained early institutional and critical attention through selection for the 2017 Texas Biennial, curated by Leslie Moody Castro, with press coverage in Texas arts media. Artspace Warehouse has been representing and exhibiting Max Manning's original artworks since 2025. The gallery has been a 1stdibs partner since 2014 with consistently excellent reviews from clients worldwide. The gallery exhibits a large selection of affordable original artworks from established and emerging international artists with diverse backgrounds at high standards. Artspace Warehouse is known to provide accurate descriptions, images, reliable services, communication, and delivery. The gallery's commitment to customer satisfaction means that clients can invest in art with confidence, knowing they have a reputable and established art gallery backing their acquisition. Artspace Warehouse prioritizes our clients' peace of mind by ensuring a seamless and worry-free art-buying experience. REPRESENTATION Artspace Warehouse, Los Angeles, USA SOLO EXHIBITIONS 2017 Language Game, TW Fine Art, Brisbane, Queensland, Australia 2015 In Tongues, EN EM Art Space, Sacramento, California 2014 Now Made with Real Paint, No Future Projects (online) Soul-Rocket, Pipeline Artist Space, Cincinnati, Ohio 2013 Uberplasticist Exhibition #1, Pipeline Artist Space, Cincinnati, Ohio 2011 Screening Reality: Erotomania (Paintings and Drawings by Max Manning), Bowen Thompson Student Union, Bowling Green, Ohio GROUP EXHIBITIONS 2025 Space City Spotlight, Seismic Gallery, Houston, Texas 2023 No Zoning, Reeves Art and Design, Houston, Texas 2022 Crimson Tide, Soft Times Gallery, San Francisco, California The Big Show, Lawndale Art Center, Houston, Texas Small Works, Soft Times Gallery, San Francisco, California Summer Preview, Todd Weiner Gallery, Kansas City, Missouri 2022 Salina Biennial, Salina Art Center, Salina, Kansas Project for Ukraine, Far By Wide — Online Exhibition Miami University Yeck Young Painters Competition, Miami University, Oxford, Ohio 2021 Quiet Fire, curated by Jessica Cannon and Jay Gaskill, Far By Wide — Online Exhibition Not Just Another Anthropocenic Love Story, Trestle Gallery, Brooklyn, New York DAAP Made, University of Cincinnati Indian Hill Gallery, Cincinnati, Ohio Loop, Box 13 ArtSpace, Houston, Texas 2020 Concrete Pocket, Houston Community College Central Gallery, Houston, Texas Lines of Thought, CICA Museum, Gimpo, South Korea Flatfile Exhibition, Collar Works, Troy, New York Mirror Eye, curated by Youngspace and Far by Wide, Ortega y Gasset Projects, Brooklyn, NY Ortega y Gasset Flatfile Exhibition, Ortega y Gasset Projects, Brooklyn, New York 2019 The Christmas Edit, TWFINEART Group Art Show, Todd Weiner Gallery, Kansas City, MO Be. Long. I Like Your Work Juried Exhibition, curated by Erika B. Hess, David Linneweh, and Mychaelyn Michalec, Dutoit Gallery, Dayton, Ohio Of Texas, curated by Adam Farcus, Lease Agreement, Lubbock, Texas Priority Mail, Ground Floor Gallery, Brooklyn, NY Art Hustle, Reed Gallery, Cincinnati, OH Lobster Dinner, curated by Will Hutnick, Trestle Gallery, Brooklyn, New York 2018 Trade Show, My Friend PTX, Paris, Texas TWFAX2 + Matt Sheridan + W Hotel, TW Fine Art, Brisbane, Queensland, Australia Papercuts, curated by Kristian Day, Saatchi Gallery, London, England The Big Show, Lawndale Art Center, Houston, Texas Squaring the Sun, curated by Jessica Cannon, Far By Wide — Online Exhibition 2017 Paper Cuts, curated by Kristian Day and Jeanette Gunnarsson, Tripp Gallery, London, England Winter Exhibition, James May Gallery, St. Algoma, Wisconsin 2017 Texas Biennial, curated by Leslie Moody Castro, Big Medium Austin, Austin, Texas Milestones, Bowling Green State University, Bowling Green, Ohio Antipol, curated by Max Presneill and Chris Trueman, Durden and Ray, Los Angeles, California Priority Mail, Ground Floor Gallery, Brooklyn, New York Chaos, Ro2 Art, Dallas, Texas Intimates, Skylab Gallery, Columbus, Ohio ATTACH FILES, 50/50, Kansas City, Missouri Día de los Muertos, Lawndale Art Center 2016 Funkytown, Urbano, Berkeley, California The Big Show 2016, Lawndale Art Center, Houston, Texas Small Works, Trestle Gallery, Brooklyn, New York From Here, Fluorescent Gallery, Knoxville, Tennessee Construct, 337 Project Space, Grand Rapids, Michigan 2015 Be, Mist Gallery — Online Exhibition More or Less, Front/Space, Kansas City, Missouri Le Cours de Chose, Le Praticable Espace D’Exposition, Rennes, France At the Sound of The Bell: Break Away, Pear Gallery, Cincinnati, Ohio Chill, Zen, Funk and Twang, Curating Contemporary — Online Exhibition 2014 Sugar Rush, En Em Art Space, Sacramento, California New Abstraction: 3 Select, Metropolis Collective, Mechanicsburg, Pennsylvania Extraordinary Flecks and Things Butting Up, LOHIOH, Cincinnati, Ohio By The Pleasure of Doing, Espacio 20/20, San Juan, Puerto Rico Divisible: please, actually, introspective, Divisible Project Space, Dayton, Ohio Business Casual, collaborative show with Jessica Simorte, Neon Heater Gallery, Findlay, Ohio LUSH, Contemporary Arts Center, Cincinnati, Ohio Fiction, University of Dayton Galleries, Dayton, Ohio 2013 Fresh Paint Showcase, Media Wall at Commerce Square, Philadelphia, Pennsylvania Pop-Up Art, Niehoff Design Studio, Cincinnati, Ohio Members Small Works Exhibition, Roy G Biv Gallery, Columbus, Ohio Wintery Mix, Rock Paper Scissors, Cincinnati, Ohio Crosspollination, Collaborative show with Jessica Simorte, 840 Gallery, Cincinnati, Ohio Sweety Salty Sculpture Funk, Collaborative show with Jessica Simorte, Pipeline Artist Space, Cincinnati, Ohio All Fall Down, Meyers Gallery, University of Cincinnati, Cincinnati, Ohio Modern Makers & Fernside Benefit Art Auction, Niehoff Urban Studio, Cincinnati, Ohio Renewal, Drift...

Linda Stein, Masculinities: Image 846 - Feminist Contemporary Fabric Leather Sculpture Tapestry Masculinities: Image 846 is from Linda Stein's Sexism series, which advocates an exp...

Linda Stein, Missive 343.006 - Signed Feminist LGBTQ+ Colorful Acrylic on Paper Painting Missive 343.006 is from Linda Stein's Missives series--a body of work born from her earlier...

This piece titled "Huipil III" is an original piece by Alexis Nutini and is made from a reductive woodcut print. This piece measure 46"h x 36"w frame...

Jim Drain (American, 1975) Thorn News 2014 Mixed media (staples, ink and paint) on paper. Hand signed, titled and dated verso Dimensions: 19 X 24 inches The composition features a ...

This series of works by the Danish artist Peter Kramer (Roskilde, 1959) with numerous exhibitions between Spain and Denmark are entitled "365 urns", in which the artist works with ti...

Linda Stein, Letter 424.028, Signed Feminist LGBTQ+ Colored Pencil, Graphite Drawing Letter 424.028 is from Linda Stein's Missives series--a body of work born from her earlier expl...

Linda Stein, Letter 424.026, Signed Feminist LGBTQ+ Colored Pencil, Graphite Drawing Letter 424.026 is from Linda Stein's Missives series--a body of work born from her earlier expl...

Linda Stein, Letter 424.027, Signed Feminist LGBTQ+ Colored Pencil, Graphite Drawing Letter 424.027 is from Linda Stein's Missives series--a body of work born from her earlier expl...

This sculpture titled "Let Me Work My Magic" is an original artwork by Kelly Kozma made of colored pencil, ink & acrylic on paper, wood, chain and handmade origami wishing stars. The...

Italian artist Fabio Coruzzi merges painting and photography into one imaginative image that offers a new outlook on an otherwise ordinary urban scene. His artworks represent an auth...

Los Angeles artist Amber Goldhammer paints dramatic abstract compositions in acrylic on canvas featuring energetic brushstrokes. Goldhammer uses her contemporary paintings to express...

"Delivered and Discarded (positives) #4" is an original wall-hanging piece by Yoonmi Nam. This piece is made from the flattening out packing boxes that the artist traces to depict t...

"Unfolding #3" is an original piece by Yoonmi Nam made from pressure printed monotypes featuring layers of unfolded package outlines, creating dimension and abstraction. This piece m...

Original painting signed by the Artist on the lower right.

Robert Lebsack creates artworks using mixed media with ink, acrylic, and charcoal on archival copies of newspapers, textbooks, and sheet music. As a visionary artist, Lebsack weaves ...

Motifs of shamanic significance are very present in the drawings of Jorge Calrema : the jabiru ( pôtsej ), the guardian spirit of men and women, the jaguar ( vi'yoô ) with a human fa...

Robert Strati is an American artist who creates multimedia artworks using broken plates. His recent series “Fragmented” started when he accidentally drop...

Hideyuki Sobue is a visual artist from Japan and a graduate of the Osaka University of Arts. He is based in the Lake District, UK, and specialises in drawing and painting—two artisti...

(59 x 45 inch framed + $2,000) New York-based, Armenian-born artist, Tigran Tsitoghdzyan, is especially interested in how people interact in this new era of technology and social media. His “Mirrors” series suggest a close examination of self, and yet hands held to the face shield...