Ink Mixed Media

Los Angeles artist Amber Goldhammer paints dramatic abstract compositions in acrylic on canvas featuring energetic brushstrokes. Goldhammer uses her contemporary paintings to express...

This is a very active and textured painting in a vertical composition. There are multiples collages on a blue background. The main focus is a person in red holding a a black star, along with other figures and lit up homes. Paint also drips down that canvas. At the bottom of the painting is a grey Saturn. To see more images of this piece, please message us. Casey McGlynn grew up in rural Ontario, where he would sit in front of the television and draw on old grocery bags and scrap paper tirelessly, creating self-taught surrealist pop art. McGlynn attended the Ontario College of Art and Design, however, he was not enrolled in the visual arts. McGlynn’s work contains reoccurring symbols such as animals from his upbringing, birds from his studio window sill and numbers that derive from when he memorized math tables in his early years. McGlynn’s work is as much about revealing the truth and expressing emotions as it is about documenting actual fact. His paintings reach into a wealth of historical influence and skill. Creating symphonic glyphs on rudimentary, raw quilt-like patterns, the works simultaneously evoke rural Southern quilts...

This mixed media painting has various subject matter. The painting's content ranges from cars, to boats, to horses, people, and other forms of transportation. These objects are composed like a collage across the canvas. The background color behind these various vignettes is mostly yellow. Please contact for more images. Casey McGlynn grew up in rural Ontario, where he would sit in front of the television and draw on old grocery bags and scrap paper tirelessly, creating self-taught surrealist pop art. McGlynn attended the Ontario College of Art and Design, however, he was not enrolled in the visual arts. McGlynn’s work contains reoccurring symbols such as animals from his upbringing, birds from his studio window sill and numbers that derive from when he memorized math tables in his early years. McGlynn’s work is as much about revealing the truth and expressing emotions as it is about documenting actual fact. His paintings reach into a wealth of historical influence and skill. Creating symphonic glyphs on rudimentary, raw quilt-like patterns, the works simultaneously evoke rural Southern quilts...

Peter Knapp’s “Symphony in Four Movements - III - Conflict” is an 8.5 x 10.5 x 1 inch mixed-media abstract painting on panel in blue, aqua, and purple acrylic, ink, and pencil. This ...

Linda Stein, Missive 343.006 - Signed Feminist LGBTQ+ Colorful Acrylic on Paper Painting Missive 343.006 is from Linda Stein's Missives series--a body of work born from her earlier...

Linda Stein, Specimen 94 - Mixed Media Collage Contemporary Wall Sculpture Diorama This diorama was made in the 1970s as part of Linda Stein's Missives series--a body of work born f...

Max Manning is a Houston-based painter whose practice he describes as “algorithmic abstraction”, studio-built systems that he deliberately disrupts to create compositions where loosely figurative fragments, patterns, and color fields collide. Working in series, Manning sets up rule-driven visual frameworks such as grids, repeated motifs, cut-outs, and layered shapes, and then interrupts them through shifts in palette, gesture, and scale. The result is a retro-contemporary language: paintings that acknowledge a world shaped by data and screens while insisting on the tactility, stillness, and breath of paint. • One-of-a-kind abstract artwork on paper measuring 20 x 16 inches • Unframed and signed by the artist on the back • Includes certificate of authenticity issued by the art gallery • Convenient local Los Angeles delivery available • Affordable Continental U.S. and international shipping available Across his practice, Manning has maintained a clear studio ethos: to “paint through the questions” of life lived alongside algorithms. Instead of reproducing digital aesthetics, he uses rule sets to destabilize them—allowing glitches, misalignments, and pauses to surface. The work’s visual “systems” act less like predictive code and more like open, humanized structures where attention can rest. This stance has resonated with curators and collectors attuned to abstraction’s current arc: grounded in art-historical form, responsive to contemporary cognition, and committed to the slow time of looking. Manning earned a BFA in Two-Dimensional Studies from Bowling Green State University (2011) and an MFA from the University of Cincinnati (2014). His work has been exhibited widely in the U.S. and abroad and gained early institutional and critical attention through selection for the 2017 Texas Biennial, curated by Leslie Moody Castro, with press coverage in Texas arts media. Artspace Warehouse has been representing and exhibiting Max Manning's original artworks since 2025. The gallery has been a 1stdibs partner since 2014 with consistently excellent reviews from clients worldwide. The gallery exhibits a large selection of affordable original artworks from established and emerging international artists with diverse backgrounds at high standards. Artspace Warehouse is known to provide accurate descriptions, images, reliable services, communication, and delivery. The gallery's commitment to customer satisfaction means that clients can invest in art with confidence, knowing they have a reputable and established art gallery backing their acquisition. Artspace Warehouse prioritizes our clients' peace of mind by ensuring a seamless and worry-free art-buying experience. REPRESENTATION Artspace Warehouse, Los Angeles, USA SOLO EXHIBITIONS 2017 Language Game, TW Fine Art, Brisbane, Queensland, Australia 2015 In Tongues, EN EM Art Space, Sacramento, California 2014 Now Made with Real Paint, No Future Projects (online) Soul-Rocket, Pipeline Artist Space, Cincinnati, Ohio 2013 Uberplasticist Exhibition #1, Pipeline Artist Space, Cincinnati, Ohio 2011 Screening Reality: Erotomania (Paintings and Drawings by Max Manning), Bowen Thompson Student Union, Bowling Green, Ohio GROUP EXHIBITIONS 2025 Space City Spotlight, Seismic Gallery, Houston, Texas 2023 No Zoning, Reeves Art and Design, Houston, Texas 2022 Crimson Tide, Soft Times Gallery, San Francisco, California The Big Show, Lawndale Art Center, Houston, Texas Small Works, Soft Times Gallery, San Francisco, California Summer Preview, Todd Weiner Gallery, Kansas City, Missouri 2022 Salina Biennial, Salina Art Center, Salina, Kansas Project for Ukraine, Far By Wide — Online Exhibition Miami University Yeck Young Painters Competition, Miami University, Oxford, Ohio 2021 Quiet Fire, curated by Jessica Cannon and Jay Gaskill, Far By Wide — Online Exhibition Not Just Another Anthropocenic Love Story, Trestle Gallery, Brooklyn, New York DAAP Made, University of Cincinnati Indian Hill Gallery, Cincinnati, Ohio Loop, Box 13 ArtSpace, Houston, Texas 2020 Concrete Pocket, Houston Community College Central Gallery, Houston, Texas Lines of Thought, CICA Museum, Gimpo, South Korea Flatfile Exhibition, Collar Works, Troy, New York Mirror Eye, curated by Youngspace and Far by Wide, Ortega y Gasset Projects, Brooklyn, NY Ortega y Gasset Flatfile Exhibition, Ortega y Gasset Projects, Brooklyn, New York 2019 The Christmas Edit, TWFINEART Group Art Show, Todd Weiner Gallery, Kansas City, MO Be. Long. I Like Your Work Juried Exhibition, curated by Erika B. Hess, David Linneweh, and Mychaelyn Michalec, Dutoit Gallery, Dayton, Ohio Of Texas, curated by Adam Farcus, Lease Agreement, Lubbock, Texas Priority Mail, Ground Floor Gallery, Brooklyn, NY Art Hustle, Reed Gallery, Cincinnati, OH Lobster Dinner, curated by Will Hutnick, Trestle Gallery, Brooklyn, New York 2018 Trade Show, My Friend PTX, Paris, Texas TWFAX2 + Matt Sheridan + W Hotel, TW Fine Art, Brisbane, Queensland, Australia Papercuts, curated by Kristian Day, Saatchi Gallery, London, England The Big Show, Lawndale Art Center, Houston, Texas Squaring the Sun, curated by Jessica Cannon, Far By Wide — Online Exhibition 2017 Paper Cuts, curated by Kristian Day and Jeanette Gunnarsson, Tripp Gallery, London, England Winter Exhibition, James May Gallery, St. Algoma, Wisconsin 2017 Texas Biennial, curated by Leslie Moody Castro, Big Medium Austin, Austin, Texas Milestones, Bowling Green State University, Bowling Green, Ohio Antipol, curated by Max Presneill and Chris Trueman, Durden and Ray, Los Angeles, California Priority Mail, Ground Floor Gallery, Brooklyn, New York Chaos, Ro2 Art, Dallas, Texas Intimates, Skylab Gallery, Columbus, Ohio ATTACH FILES, 50/50, Kansas City, Missouri Día de los Muertos, Lawndale Art Center 2016 Funkytown, Urbano, Berkeley, California The Big Show 2016, Lawndale Art Center, Houston, Texas Small Works, Trestle Gallery, Brooklyn, New York From Here, Fluorescent Gallery, Knoxville, Tennessee Construct, 337 Project Space, Grand Rapids, Michigan 2015 Be, Mist Gallery — Online Exhibition More or Less, Front/Space, Kansas City, Missouri Le Cours de Chose, Le Praticable Espace D’Exposition, Rennes, France At the Sound of The Bell: Break Away, Pear Gallery, Cincinnati, Ohio Chill, Zen, Funk and Twang, Curating Contemporary — Online Exhibition 2014 Sugar Rush, En Em Art Space, Sacramento, California New Abstraction: 3 Select, Metropolis Collective, Mechanicsburg, Pennsylvania Extraordinary Flecks and Things Butting Up, LOHIOH, Cincinnati, Ohio By The Pleasure of Doing, Espacio 20/20, San Juan, Puerto Rico Divisible: please, actually, introspective, Divisible Project Space, Dayton, Ohio Business Casual, collaborative show with Jessica Simorte, Neon Heater Gallery, Findlay, Ohio LUSH, Contemporary Arts Center, Cincinnati, Ohio Fiction, University of Dayton Galleries, Dayton, Ohio 2013 Fresh Paint Showcase, Media Wall at Commerce Square, Philadelphia, Pennsylvania Pop-Up Art, Niehoff Design Studio, Cincinnati, Ohio Members Small Works Exhibition, Roy G Biv Gallery, Columbus, Ohio Wintery Mix, Rock Paper Scissors, Cincinnati, Ohio Crosspollination, Collaborative show with Jessica Simorte, 840 Gallery, Cincinnati, Ohio Sweety Salty Sculpture Funk, Collaborative show with Jessica Simorte, Pipeline Artist Space, Cincinnati, Ohio All Fall Down, Meyers Gallery, University of Cincinnati, Cincinnati, Ohio Modern Makers & Fernside Benefit Art Auction, Niehoff Urban Studio, Cincinnati, Ohio Renewal, Drift...

Loren Munk (American, b. 1951), mixed media photograph collage painting signed Loren dated 1989. 13" x 19" inches sheet, framed 20.25" x 26" inches. This one has a drawing of 2 African American kids in a park at the water fountain. Titled "Squirt" (squirt) along with 2 photos of a white boy playing with the water fountain and the details of how the artwork came about. The artist Loren Munk (born 1951) is primarily known for his YouTube nickname James Kalm as an uploader of videos about New York exhibitions, amongst others. He presents himself as a maker of contemporary paintings for several decades and of cubist paintings of urban imagery. Munk has received accolades for his drawings and mosaics. He differs from traditional mosaic artists by the manner in which he incorporates glass into his decorative paintings. His unique and innovative use of materials such as mirror, gold-leaf and glass mosaic affirmed him as a founding force of Kitsch Art and a leading member of New York Neo-Expressionism. Munk's work debuted in SoHo in 1981 with a double show at J. Fields Gallery and Gabrielle Bryers. Since then, he has overseen an international career. In addition to exhibiting in Brazil, France, Germany and the United States, Munk has received national and overseas, public and private commissions. He is well represented in important collections throughout Europe, South and North America and the Middle East. Most recently, Munk has been producing a series of paintings which tackle the subject of art itself through a historical and diagrammatic lens. Munk documents the New York art world in YouTube videos, using the name James Kalm. Timeline: 1979 Attended Art Students League, New York 1973-75 Attended University of Maryland at Ramstein, Germany while in US Army 1969-72 Attended Idaho State University, Pocatello, Idaho 1951 Born, Salt Lake City, Utah Select Group Exhibitions 2018 “Under Erasure” curated by Heather and Raphael Rubinstein at Pierogi Gallery New York 2016 "It Was Never Linear: Recent Painting" at the Sheldon Museum of Art Lincoln Neb. with: Robert Bordo, Dawn Clements, Lois Dodd, Michelle Grabner, Colin Prahl, Peter Saul, Barbara Takenaga, and Stanley Whitney 2014 "Some Artists" curated by Matthew Deleget at Minus Space. David Diao, Mary Beth Edelson, Alfred Jensen, George Maciunas, Loren Munk, Ward Shelley, John Zinsser 2013 "Coming Together: Surviving Sandy Year 1" curated by Phong Bui for the Dedalus Foundation, "The Decline and Fall of the Art World: Part I" curated by Nick Lawrence at Freight+Volume, N.Y. "Reticulate" at McKenzie Fine Art Inc., N.Y. "The Pyramids Along the Nile" at English Kills Gallery 2012 "When We Were Ancient" organized by Ethan Petitt at Teddy's Bar, Williamsburg "Heroes" curated by Julie Torres at Small Black Door, Ridgewood Queens, N.Y. 2011 "ABC123" curated by Janet Goleas at Eric Firestone Gallery, East Hampton, N.Y. "6 Who Paint" curated by Fred Valentine at Big & Small/Casual, Long Island City, N.Y. "It's All Good: Apocalypse Now" curated by Richard Timperio, Side Show Gallery, Brooklyn, N.Y. "Paper 2011" at Janet Kurnatowski Gallery, Brooklyn. "NEW year NEW work NEW faces" by Jason Andrew and Deborah Brown at Storefront Gallery. "Unfinished Pictures" curated by Kristin Calabrese...

Peter Knapp’s “Symphony in Four Movements - IV - Resolution” is an 8.5 x 10.5 x 1 inch mixed-media abstract painting on panel in blue, aqua, and purple acrylic, ink, and pencil. This...

Max Manning is a Houston-based painter whose practice he describes as “algorithmic abstraction”, studio-built systems that he deliberately disrupts to create compositions where loosely figurative fragments, patterns, and color fields collide. Working in series, Manning sets up rule-driven visual frameworks such as grids, repeated motifs, cut-outs, and layered shapes, and then interrupts them through shifts in palette, gesture, and scale. The result is a retro-contemporary language: paintings that acknowledge a world shaped by data and screens while insisting on the tactility, stillness, and breath of paint. • One-of-a-kind abstract artwork on paper measuring 20 x 16 inches • Unframed and signed by the artist on the back • Includes certificate of authenticity issued by the art gallery • Convenient local Los Angeles delivery available • Affordable Continental U.S. and international shipping available Across his practice, Manning has maintained a clear studio ethos: to “paint through the questions” of life lived alongside algorithms. Instead of reproducing digital aesthetics, he uses rule sets to destabilize them—allowing glitches, misalignments, and pauses to surface. The work’s visual “systems” act less like predictive code and more like open, humanized structures where attention can rest. This stance has resonated with curators and collectors attuned to abstraction’s current arc: grounded in art-historical form, responsive to contemporary cognition, and committed to the slow time of looking. Manning earned a BFA in Two-Dimensional Studies from Bowling Green State University (2011) and an MFA from the University of Cincinnati (2014). His work has been exhibited widely in the U.S. and abroad and gained early institutional and critical attention through selection for the 2017 Texas Biennial, curated by Leslie Moody Castro, with press coverage in Texas arts media. Artspace Warehouse has been representing and exhibiting Max Manning's original artworks since 2025. The gallery has been a 1stdibs partner since 2014 with consistently excellent reviews from clients worldwide. The gallery exhibits a large selection of affordable original artworks from established and emerging international artists with diverse backgrounds at high standards. Artspace Warehouse is known to provide accurate descriptions, images, reliable services, communication, and delivery. The gallery's commitment to customer satisfaction means that clients can invest in art with confidence, knowing they have a reputable and established art gallery backing their acquisition. Artspace Warehouse prioritizes our clients' peace of mind by ensuring a seamless and worry-free art-buying experience. REPRESENTATION Artspace Warehouse, Los Angeles, USA SOLO EXHIBITIONS 2017 Language Game, TW Fine Art, Brisbane, Queensland, Australia 2015 In Tongues, EN EM Art Space, Sacramento, California 2014 Now Made with Real Paint, No Future Projects (online) Soul-Rocket, Pipeline Artist Space, Cincinnati, Ohio 2013 Uberplasticist Exhibition #1, Pipeline Artist Space, Cincinnati, Ohio 2011 Screening Reality: Erotomania (Paintings and Drawings by Max Manning), Bowen Thompson Student Union, Bowling Green, Ohio GROUP EXHIBITIONS 2025 Space City Spotlight, Seismic Gallery, Houston, Texas 2023 No Zoning, Reeves Art and Design, Houston, Texas 2022 Crimson Tide, Soft Times Gallery, San Francisco, California The Big Show, Lawndale Art Center, Houston, Texas Small Works, Soft Times Gallery, San Francisco, California Summer Preview, Todd Weiner Gallery, Kansas City, Missouri 2022 Salina Biennial, Salina Art Center, Salina, Kansas Project for Ukraine, Far By Wide — Online Exhibition Miami University Yeck Young Painters Competition, Miami University, Oxford, Ohio 2021 Quiet Fire, curated by Jessica Cannon and Jay Gaskill, Far By Wide — Online Exhibition Not Just Another Anthropocenic Love Story, Trestle Gallery, Brooklyn, New York DAAP Made, University of Cincinnati Indian Hill Gallery, Cincinnati, Ohio Loop, Box 13 ArtSpace, Houston, Texas 2020 Concrete Pocket, Houston Community College Central Gallery, Houston, Texas Lines of Thought, CICA Museum, Gimpo, South Korea Flatfile Exhibition, Collar Works, Troy, New York Mirror Eye, curated by Youngspace and Far by Wide, Ortega y Gasset Projects, Brooklyn, NY Ortega y Gasset Flatfile Exhibition, Ortega y Gasset Projects, Brooklyn, New York 2019 The Christmas Edit, TWFINEART Group Art Show, Todd Weiner Gallery, Kansas City, MO Be. Long. I Like Your Work Juried Exhibition, curated by Erika B. Hess, David Linneweh, and Mychaelyn Michalec, Dutoit Gallery, Dayton, Ohio Of Texas, curated by Adam Farcus, Lease Agreement, Lubbock, Texas Priority Mail, Ground Floor Gallery, Brooklyn, NY Art Hustle, Reed Gallery, Cincinnati, OH Lobster Dinner, curated by Will Hutnick, Trestle Gallery, Brooklyn, New York 2018 Trade Show, My Friend PTX, Paris, Texas TWFAX2 + Matt Sheridan + W Hotel, TW Fine Art, Brisbane, Queensland, Australia Papercuts, curated by Kristian Day, Saatchi Gallery, London, England The Big Show, Lawndale Art Center, Houston, Texas Squaring the Sun, curated by Jessica Cannon, Far By Wide — Online Exhibition 2017 Paper Cuts, curated by Kristian Day and Jeanette Gunnarsson, Tripp Gallery, London, England Winter Exhibition, James May Gallery, St. Algoma, Wisconsin 2017 Texas Biennial, curated by Leslie Moody Castro, Big Medium Austin, Austin, Texas Milestones, Bowling Green State University, Bowling Green, Ohio Antipol, curated by Max Presneill and Chris Trueman, Durden and Ray, Los Angeles, California Priority Mail, Ground Floor Gallery, Brooklyn, New York Chaos, Ro2 Art, Dallas, Texas Intimates, Skylab Gallery, Columbus, Ohio ATTACH FILES, 50/50, Kansas City, Missouri Día de los Muertos, Lawndale Art Center 2016 Funkytown, Urbano, Berkeley, California The Big Show 2016, Lawndale Art Center, Houston, Texas Small Works, Trestle Gallery, Brooklyn, New York From Here, Fluorescent Gallery, Knoxville, Tennessee Construct, 337 Project Space, Grand Rapids, Michigan 2015 Be, Mist Gallery — Online Exhibition More or Less, Front/Space, Kansas City, Missouri Le Cours de Chose, Le Praticable Espace D’Exposition, Rennes, France At the Sound of The Bell: Break Away, Pear Gallery, Cincinnati, Ohio Chill, Zen, Funk and Twang, Curating Contemporary — Online Exhibition 2014 Sugar Rush, En Em Art Space, Sacramento, California New Abstraction: 3 Select, Metropolis Collective, Mechanicsburg, Pennsylvania Extraordinary Flecks and Things Butting Up, LOHIOH, Cincinnati, Ohio By The Pleasure of Doing, Espacio 20/20, San Juan, Puerto Rico Divisible: please, actually, introspective, Divisible Project Space, Dayton, Ohio Business Casual, collaborative show with Jessica Simorte, Neon Heater Gallery, Findlay, Ohio LUSH, Contemporary Arts Center, Cincinnati, Ohio Fiction, University of Dayton Galleries, Dayton, Ohio 2013 Fresh Paint Showcase, Media Wall at Commerce Square, Philadelphia, Pennsylvania Pop-Up Art, Niehoff Design Studio, Cincinnati, Ohio Members Small Works Exhibition, Roy G Biv Gallery, Columbus, Ohio Wintery Mix, Rock Paper Scissors, Cincinnati, Ohio Crosspollination, Collaborative show with Jessica Simorte, 840 Gallery, Cincinnati, Ohio Sweety Salty Sculpture Funk, Collaborative show with Jessica Simorte, Pipeline Artist Space, Cincinnati, Ohio All Fall Down, Meyers Gallery, University of Cincinnati, Cincinnati, Ohio Modern Makers & Fernside Benefit Art Auction, Niehoff Urban Studio, Cincinnati, Ohio Renewal, Drift...

This new work by Ceravolo combines images of his pop art paintings with images from vintage comic books, where Ceravolo has, in a satirical way, added his gopher muse "G" on the moon to add to the outer space grouping. After Ceravolo has combined and arranged the images where he feels they are in the perfect position, he then adds hand work with acrylic polymer to the finished art. Titled "She Devil Island" it measures 31x39" framed. Ceravolo's paintings are in many influential corporate and private collections, including: ELTON JOHN, ROD STEWART, HUGH M. HEFNER, DAVID BRENNER, MONIQUE VAN VOOREN, WARNER BROS., RCA RECORDS AND SCHENLEY INDUSTRIES to name a few. We have included in this listing an image of Ceravolo with some of his famous collectors. The art of Ceravolo came to popular attention when he was commissioned to create 5 large scale oil on canvas portraits of Linda Ronstadt, Jackson Browne, Frank Zappa, Neil Young and Hall and Oates...

We are please to present Ceravolo's "Alphabet Series" of iconic portraits. Ceravolo has been a master of creating intriguing portraits of iconic personalities for more then 4 deca...

Inspired by amateur archaeologists such as Heinrich Schliemann who discovered Troy and by past elaborate hoaxes like that of the Piltdown Man, Joshua travels the world performing sta...

Los Angeles artist Amber Goldhammer paints dramatic abstract compositions in acrylic on canvas featuring energetic brushstrokes. Goldhammer uses her contemporary paintings to express...

​Impressions of past lives, perceptions of future lives. The Records series carries that mystery. Simple and profound since its deed does not happen on the surface. Although it manif...

Linda Stein, Letter 424.026, Signed Feminist LGBTQ+ Colored Pencil, Graphite Drawing Letter 424.026 is from Linda Stein's Missives series--a body of work born from her earlier expl...

Linda Stein, Letter 424.027, Signed Feminist LGBTQ+ Colored Pencil, Graphite Drawing Letter 424.027 is from Linda Stein's Missives series--a body of work born from her earlier expl...

Bijan Choudhury - Untitled - 13 x 10 inches (unframed size) Ink on Paper , 2010 ( UNFRAMED ALL IN DOOR DELIVERED ) Style : The Marxist orientatio...

A stunning black and white image of a bird is the focal point in Patty deGrandpre’s “The Beginning and End”. This mixed media contemporary artwork consists of gesso, block printing i...

"Delivered and Discarded (positives) #3" is an original wall-hanging piece by Yoonmi Nam. This piece is made from the flattening out packing boxes that the artist traces to depict t...

Peter Knapp’s “Dilly’s Dally” is an 8.5 x 10.5 x 1 inch mixed-media abstract painting on panel in blue, aqua, and gold acrylic, ink, and color pencil. Recipient of a Copley Society A...

Vyacheslav Shraga Russian, 1953- Homage to Picasso Ink on paper 12 by 17 in. W/frame 22 by 27 in. Painter, graphic artist, sculptor Vyacheslav Sh...

Los Angeles artist Amber Goldhammer paints dramatic abstract compositions in acrylic on canvas featuring energetic brushstrokes. Goldhammer uses her contemporary paintings to express...

Eric Blum Untitled no. 972, 2022 ink, silk & beeswax on panel 59 x 47 in. (blum075) In Eric Blum’s mostly monochromatic paintings, ink permeates silk in soft gradients, which ab...

Rose Agathe Steiner, has reserved us an exclusivity! His creations on aerosol cans. Unique work. This work, dedicated to Naomie Campbell, bears the number 05. Double signature of the...

Jessica Gatlin uses the process of letter pressing to create these pieces on paper that have been mounted to a small panel. An exercise in language and rule making. Partly intuitive,...

ink on New York Times Newsprint Signature is part of the artwork itself Unique This ink collage was created in 2005 -- more than a decade before the artist would join the billionaire mega-gallery David Zwirner Gallery, which signed him in 2017 This show was held at the experimental post-modern Reena Spaulings Gallery - which at the time was located at 371 Grand Street on the Lower East Side (the gallery later moved to East Houston Street) More about the hand designed promotional collage itself: It is is a hand painted, unique collage used for promoting the exhibition at Reena Spaulings Fine Art, New York entitled "Josh Smith: Make it Plain," held on March 13-April 11, 2005. This work was done on a section of the February 13, 2005 New York Times newspaper devoted to coverage of the Oscars -- with one part featuring an advertisement for the 2005 Warner Brothers film "Constantine", a Horror/Fantasy film featuring Keanu Reeves, who plays a demon hunter, and Rachel Weisz, who plays a policewoman in a supernatural plot based upon Hellblazer comics. Interestingly, more than two decades on, there is a sequel in the works - and the tag lines to the trailer for the Constantine 2 movie are: “Hell’s Not Just a Place, it’s a war” and “The world you’re fighting for, it’s as broken as you are. But what you’re up against now, it’s different…” The newsprint is deliberately imperfect, with natural undulations, tears to the corners, etc. - all a deliberate part of the artist's original aesthetic, and not later damage. If you want pristine, go elsewhere. This newspaper has been read, consumed, repurposed and recycled. The work itself has been floated and framed in a museum quality wood frame under plexiglass. Measurements: Framed 30 inches (vertical) by 25 inches (horizontal) by 2 inches Artwork: 27 inches (vertical) by 22 inches More about Josh Smith's "Make it Plain" show: Recently, Josh Smith himself reminisced about this very 2005 exhibition at Reena Spaulings on social media, writing: "Such good shows there. Those were the days.." Josh Smith's 2005 exhibition "Make It Plain" at Reena Spaulings was an installation-based show that explored themes of artistic production, recycling, and the "material overload" of the painting process. The exhibition, which ran in April 2005, was characterized by an immersive, somewhat chaotic environment that combined painting with installation art. Key elements and themes of the show included: "Mirror" Paintings: The show featured large "mirror paintings," which were described as painted-over rejects or, in some contexts, canvases with abstract markings, featuring colorful traces on the edges suggesting frames around an opaque reflection. "Palette" Paintings: Smith included smaller "palette paintings" that displayed the raw,, sticky, and mixed pigments remaining from other, unseen works, highlighting the labor of painting. Installation Strategy: The gallery space was filled with fifty hand-stained wooden bar stools, creating a dense, "oceanic" environment that visitors had to navigate, which served both as a way to display art and to fill the small space. Mass-Produced Imagery (Drawings): In addition to the paintings, the show featured 800 small, hand-drawn, "Expressionist" style depictions of faces on file cards that lined the walls, reflecting a theme of rapid, automatic production. Theme of Re-production: According to the gallery press materials, the exhibition explored the idea that "one painting always hides another" by re-using materials and focusing on the detritus of the creative process. The 2005 show was reviewed by the art critic Roberta Smith (no relation, apparently) of The New York Times as a "bristling Expressionist profusion" and part of a series of shows where Smith acted as both a "protean creator and Warholian machine" who likes to highlight the conventions of the gallery setting More about the elusive and conceptual "Reena Spaulings" Fine Art: Founded in 2004 by John Kelsey and Emily Sundblad, Reena Spaulings gallery was a central hub for the neighborhood's emerging art scene. Reena Spaulings is a collective project in the medium of a novel, an artist persona, and an institutional art-gallery active from 2005 to the present in New York City. The Gallery's Co-founders and Co-Directors include Carissa Rodriguez, John Kelsey and Emily Sundblad. The Reena Spaulings novel and persona remains an anonymous collective organization. The Spaulings initiative speaks to ideas of collectivity, anonymity, and artistic categorization through literature and artistic production. Reena Spaulings is a branch of the Bernadette Corporation, also based in New York City. (The Bernadette Corporation is a New York–based collective founded in 1994, working across art, fashion, film, and publishing. Originally formed by Bernadette Van-Huy, Sonny Pak, and Thuy Pham, the group’s current configuration—Van-Huy, John Kelsey, Jim Fletcher, and Antek Walczak—reflects a practice defined by shifting authorship and long-term collaboration. Over the past three decades, its members have explored processes of production while subverting the logics of cultural consumption through a distinctly (and playfully facetious) anti-corporate spirit.) More about Josh Smith In announcing its representation of Josh Smith in 2017, here's what Zwirner Gallery said about him: Smith is a New York-based painter who also works with collage, sculpture, printmaking, and books. He first became known in the early 2000s for a series of canvases depicting his own name, a motif that allowed him to experiment freely with abstraction and figuration and the expressive possibilities of painting. His work has since given way to monochromes, gestural abstractions, and varied imagery, including leaves, fish, skeletons, sunsets, and palm trees that the artist has explored in series. Smith’s work engages in a celebratory and prolific process of experimentation and refinement—upending the conventions of painting while simultaneously commanding a deep awareness of its history. The artist has noted, "I make art for myself, to see what it will look like. I also effectively let viewers, myself included, take or leave what they want. The message is indefinable, but the gist of it is; we are alive, and here together….Here is a group of painted poems, if you like…take a look and absorb what you want from them." As stated by David Zwirner, "I have been following Josh’s work for some time and look forward to presenting it at the gallery. A true ‘artist’s artist,’ his work across different media conveys a playful reverence for painting, dynamically asserting its continued relevance. It’s exciting to think about his work in dialogue with the other artists we represent." American artist Josh Smith was born in 1976 in Okinawa, Japan. Smith’s father was in the U.S. Army, and his family moved frequently, eventually settling in East Tennessee, where the artist mostly grew up. His work has been presented in numerous solo exhibitions in the United States and abroad, including at the Bonner Kunstverein, Bonn, Germany (2016); Museo d’Arte Contemporanea Roma, Rome (2015); the Zabludowicz Collection, London (2013); The Brant Foundation Art Study Center, Greenwich, Connecticut (2011); Centre d’Art Contemporain Genève, Geneva (2009); De Hallen Haarlem, Haarlem, The Netherlands (2009-2010); Museum Moderner Kunst Stiftung Ludwig Wien (mumok), Vienna (2008); and SculptureCenter, Long Island City, New York (2004). Smith’s work has also been included in important group exhibitions such as Painting 2.0: Expression in the Information Age, which opened at the Museum Brandhorst, Munich, and subsequently traveled to the Museum Moderner Kunst Stiftung Ludwig Wien (mumok), Vienna (2015-2016); The Forever Now: Contemporary Painting in an Atemporal World, The Museum of Modern Art, New York (2014-2015); The Painting Factory...

“Contrast” Abstract Black and Natural Beige, Handmade Paper, Organic Wall Art is a contemporary artwork created from handmade paper embedded with natural plant materials, including b...

"Black" is a painting created by Enrico Benetta in 2012. The artwork is the first of a series of monochromatic square canvasses created each in one of the primary colors. The paintin...

Signed lower right, 'Alex Gonzales' (American, 1927-2020) and dated, '11/58'. A delicate and enigmatic, mid-century, painted collage showing a processio...

This miniature drawing may be displayed on a wall or worn on a chain. Bio // ROBERT KRAIZA (pronounced: cry-zuh) is an illustrator and fine artist who lives and works in Philadelphia, Pennsylvania. He studied Media Arts and Animation at the Art Institute of Philadelphia. Interested in many media, he often paints in monochrome watercolor on a small scale, inspired by the Victorian era and whimsical dreams in both his art and personal aesthetic. Depicting fantasy worlds from the hidden life of nineteenth century witches to miniature children...

The series Geometric Alphabet is part of my series Geometric Abstract, in which the abstract game is used in the form of asemic writing with geometric shapes. Here Peters recreates h...

This sculpture titled "Let Me Work My Magic" is an original artwork by Kelly Kozma made of colored pencil, ink & acrylic on paper, wood, chain and handmade origami wishing stars. The...

Beautiful drawing by Kokian - from his more graphic and refined series. Mixed Technique on Art Paper India ink / Acrylic / Aerosol bomb Title and signature by the artist Dimensions 6...

Inspired by George Byrons's poem "Herod’s Lament for Mariane" Exhibited in Milan (Italy) in 2005. Exclusively on 1stdibs measures are referred to the painting. Passepartout is 50x35...

Eric Blum Untitled No. 1064, 2025 ink, silk, and beeswax on panel 72 x 48 in. (blum099)

Linda Stein, Etched in My Mind 128 - Signed Feminist LGBTQ+ Colorful Acrylic Painting Etched in My Mind 128 is from Linda Stein's Missives series--a body of work born from her earl...

This artwork depicts a perfectly synchronized dance across an ocean of empty space, inspired by the "Astronomical" section of the Jet Chocolate Bar Natural History Album (1986 editio...

Sarah Alexander's "Lost in Thought" is a 54 x 44 x 1.5 inch botanically inspired India ink drawing on canvas with real gold leaf accents, and watercolor paint made from crushed semi ...

Neerja Chandna Peters enjoys navigating harmony through the play of lines with their symmetrical synchrony and rhythmic interplay, manipulating the nuances, their saturation and thei...

A collage by New York artist Miranda Maher. Made with Ink, Indian marble paper and Japanese Chiyogami paper on handmade Japanese paper. Miranda Maher’s ...

Untitled AP-124 is an expressive mixed-media work on paper by Toronto artist Murray Duncan, measuring 18 x 24 inches. In this composition, Duncan builds a dynamic interplay of bold b...

Signed label and COA on file

​Impressions of past lives, perceptions of future lives. The Records series carries that mystery. Simple and profound since its deed does not happen on the surface. Although it manif...

Robert Dandarov (Macedonian/American, b. 1959), Snake Tongue Creature, Mixed Media on Paper, 1985, signed and dated lower right, ebonized wood frame. Image: 11" H x 7.5" W; frame: 2...

Pop Casualties - Urban Manga Social Commentary - Explosive urban manga pop art with raw social critique Artist: Chris Pegg Medium: Mixed Media on Canvas Acrylic, Oil, Ink, Pencil &a...

Linda Stein, Precipice 120 - Signed Feminist LGBTQ+ Acrylic on Paper Colorful Painting Precipice 130 is from Linda Stein's Missives series--a body of work born from her earlier exp...

Linda Stein, Missive 343.002 - Signed Feminist LGBTQ+ Colorful Acrylic on Paper Painting Missive 343.002 is from Linda Stein's Missives series--a body of work born from her earlier...

Linda Stein, Missive 343.005 - Signed Feminist LGBTQ+ Colorful Acrylic on Paper Painting Missive 343.005 is from Linda Stein's Missives series--a body of work born from her earlier...

Marc Baseman is a visual artist. Marc Baseman has had several gallery and museum exhibitions, including at The Harwood Museum of Art, University of New Mexico.He has been exhibiting ...

Images of a coyote caught on a driveway cam and striking images of a bird are the focal point in Patty deGrandpre’s “Chase”. This mixed media contemporary artwork consists of gesso, ...

Elfi Schuselka (Austrian, b. 1940), Two Abstract Compositions, Mixed Media on Canvas, each stamped "Studio Elfi Schuselka" to verso, unframed. 6" H x 8" W x 0.75" D. Provenance: From...

This piece titled "Bucket Tool" is an original piece by Alexis Nutini and is made from a painted woodblock. This piece measure 19"h x 14.5"w unframed. ...

I am a Gippsland-based artist, whose creative process is ever-evolving, with the constant being my subject matter. Native Australian flora and fauna are commonly depicted in my works...

I am a Gippsland-based artist, whose creative process is ever-evolving, with the constant being my subject matter. Native Australian flora and fauna are commonly depicted in my works...

I am a Gippsland-based artist, whose creative process is ever-evolving, with the constant being my subject matter. Native Australian flora and fauna are commonly depicted in my works...

Print and Mix Media Artwork by Juan Sanchez (b. 1954) - Brooklyn born Puerto Rican artist. Mediums are: Collagraphy, Photolithography, Paper Pulp Painting, Silk Roses, Collage on Ha...

This body of work by Miguel Angel Ríos from the early 1990’s mark an important period in his career, and he has made a name for himself with his ‘Mapas’ which are in various importan...

Linda Stein, Practice Makes Perfect 120 - Signed Feminist LGBTQ+ Colorful Acrylic on Board Painting Practice Makes Perfect 120 is from Linda Stein's Missives series--a body of work...

‍Silvia De Marchi (b. 1967, Melzo, Italy) is an Italian painter currently based in Italy and represented by the Grège Gallery. Her artistic practice reflects a deep exploration of ma...