Panel Mixed Media

Vivid emerald green, vibrant orange, and violet blue tones are created in Joanne Ungar's unique poured wax process, to create this multi-panel wall installation. 37"x54"x 1" pigmented wax, board, photograph, installed on welded metal backing brace (included) signed on reverse by artist, and COA. This wall piece is composed of 24 cast wax panels. The abstracted image imbedded in the work is a photograph of the packing for Botox treatments. Vivid emerald green, vibrant orange, and violet blue tones are created in Joanne Ungar's unique poured wax process. This large scale wax painting is a beautiful statement piece that is signed on reverse by the artist. In addition to the cosmetic applications of Botox, it is also used as a pain relief medication for migraine sufferers. The geometric abstract composition is created through the imagery of the folds from the boxed packaging. The grid is created and installed on a heavy duty welded metal back brace...

KOLLABS is a collaborative project between artists Luis Garcia Nerey and Anke Schofield. In their work, they create compositions juxtaposing undomesticated animals within domestic ...

Sara Crisp draws inspiration from the delicate balance between the natural and the human-made worlds. Through masterful use of encaustic, an ancient method of painting using wax and ...

In Melisa’s optical and pulsating compositions, the natural world acts as blue-print while she explores the notion of the sublime through blur and precision. The artist develops an a...

In Melisa’s optical and pulsating compositions, the natural world acts as blue-print while she explores the notion of the sublime through blur and precision. The artist develops an a...

Sara Crisp draws inspiration from the delicate balance between the natural and the human-made worlds. Through masterful use of encaustic, an ancient method of painting using wax and ...

In Melisa’s optical and pulsating compositions, the natural world acts as blue-print while she explores the notion of the sublime through blur and precision. The artist develops an a...

paper construction on wood panel 14"x 11" (available unframed) Nancy Baker creates detailed paper constructions by combining hand and laser cut geometric forms based loosely on m...

Sara Crisp draws inspiration from the delicate balance between the natural and the human-made worlds. Through masterful use of encaustic, an ancient method of painting using wax and ...

In Melisa’s optical and pulsating compositions, the natural world acts as blue-print while she explores the notion of the sublime through blur and precision. The artist develops an a...

In Melisa’s optical and pulsating compositions, the natural world acts as blue-print while she explores the notion of the sublime through blur and precision. The artist develops an a...

BIO Artist Philomena Marano is a daughter of Brooklyn. She holds a BFA from Pratt Institute, is an intimate of the visual poetry of Coney Island, created the winning poster for the f...

In Melisa’s optical and pulsating compositions, the natural world acts as blue-print while she explores the notion of the sublime through blur and precision. The artist develops an a...

"in City and in Forest 29" explores the assimilation of aerosol painting, pyrography and sanding techniques on wood. The artist engages her work with notions of repetition, graffiti and blur derived from the pictorial works of artists Jack Whitten...

Anke Schofield was born in Ithaca, New York in 1972 and her father introduced her to the wonders of the camera early in life. She took the form readily and with enthusiasm. Schofield...

Robert Mars’ graphic compositions and rich colors provide an ideal medium in which to explore his fascination with the Golden Age of American popular culture and the icons of the 1950’s and 60’s. Drawing inspiration from the near-mythical fame that surrounded celebrities such as Marilyn Monroe or Audrey Hepburn before the instant and all-encompassing presence of the internet, Mars’ daring approach creates paintings with a nostalgic yet innovative vintage quality. Mars begins by defining borders and background planes of color with sheets of brown paper and then proceeds to layer paint and vintage paper ephemera...

In Melisa’s optical and pulsating compositions, the natural world acts as blue-print while she explores the notion of the sublime through blur and precision. The artist develops an a...

Joe and Jack (Mixed Media) Pigmented cement on foam panel. Auville works with construction cement. Applying techniques used in the construction and ship building industries, he spr...

Resin coated and mounted to layers of plywood, these digital/mixed media ‘picture objects’ represent interpretations of contemporary visual culture charmed by minimalism, modernism, technology and futurism. Recalling the colour-field and the elemental geometry of mid to late twentieth century post painterly abstraction, minimalism and op-art, these works use digital imaging as a means to navigate the territory between photography and painting, mixing references to photography, painting and television display technology. Visualizing ephemeral and elusive environments of light, air, fission and liquid...

Resin coated and mounted to layers of plywood, these digital/mixed media ‘picture objects’ represent interpretations of contemporary visual culture charmed by minimalism, modernism, technology and futurism. Recalling the colour-field and the elemental geometry of mid to late twentieth century post painterly abstraction, minimalism and op-art, these works use digital imaging as a means to navigate the territory between photography and painting, mixing references to photography, painting and television display technology. Visualizing ephemeral and elusive environments of light, air, fission and liquid...

Resin coated and mounted to layers of plywood, these digital/mixed media ‘picture objects’ represent interpretations of contemporary visual culture charmed by minimalism, modernism, technology and futurism. Recalling the colour-field and the elemental geometry of mid to late twentieth century post painterly abstraction, minimalism and op-art, these works use digital imaging as a means to navigate the territory between photography and painting, mixing references to photography, painting and television display technology. Visualizing ephemeral and elusive environments of light, air, fission and liquid...

This three-dimensional collage entitled "Hopper-Feeder” by Chicago artist Patrick Fitzgerald finds its place alongside his series of abstract “track paintings,” initially born as the...

Joe and Jack (Abstract Painting) Pigmented cement on foam panel. Auville works with construction cement. Applying techniques used in the construction and ship building industries, ...

Still Steel (Abstract painting) Cement and corroded steel on foam panels. Unframed. Auville works with construction cement. Applying techniques used in the construction and ship bu...

Cement and corroded steel on foam panels. Unframed. Auville works with construction cement. Applying techniques used in the construction and ship building industries, he spreads the...

In the hands of Yeji Moon, ordinary materials are transformed into beautiful and complex collages that powerfully recall childhood nostalgia and the rapidly changing world. Inspired ...

In Melisa’s optical and pulsating compositions, the natural world acts as blue-print while she explores the notion of the sublime through blur and precision. The artist develops an a...

"Cascadia 6" explores the assimilation of aerosol painting, pyrography and sanding techniques on wood. The artist engages her work with notions of repetition, mark-making and blur de...

In Melisa’s optical and pulsating compositions, the natural world acts as blue-print while she explores the notion of the sublime through blur and precision. The artist develops an a...

Resin coated and mounted to layers of plywood, these digital/mixed media ‘picture objects’ represent interpretations of contemporary visual culture charmed by minimalism, modernism, technology and futurism. Recalling the colour-field and the elemental geometry of mid to late twentieth century post painterly abstraction, minimalism and op-art, these works use digital imaging as a means to navigate the territory between photography and painting, mixing references to photography, painting and television...

Resin coated and mounted to layers of plywood, these digital/mixed media ‘picture objects’ represent interpretations of contemporary visual culture charmed by minimalism, modernism...

Resin coated and mounted to layers of plywood, these digital/mixed media ‘picture objects’ represent interpretations of contemporary visual culture charmed by minimalism, modernism...

Resin coated and mounted to layers of plywood, these digital/mixed media ‘picture objects’ represent interpretations of contemporary visual culture charmed by minimalism, modernism...

Resin coated and mounted to layers of plywood, these digital/mixed media ‘picture objects’ represent interpretations of contemporary visual culture charmed by minimalism, modernism...

Resin coated and mounted to layers of plywood, these digital/mixed media ‘picture objects’ represent interpretations of contemporary visual culture charmed by minimalism, modernism...

Resin coated and mounted to layers of plywood, these digital/mixed media ‘picture objects’ represent interpretations of contemporary visual culture charmed by minimalism, modernism...

Resin coated and mounted to layers of plywood, these digital/mixed media ‘picture objects’ represent interpretations of contemporary visual culture charmed by minimalism, modernism...

Resin coated and mounted to layers of plywood, these digital/mixed media ‘picture objects’ represent interpretations of contemporary visual culture charmed by minimalism, modernism...

Resin coated and mounted to layers of plywood, these digital/mixed media ‘picture objects’ represent interpretations of contemporary visual culture charmed by minimalism, modernism...

KOLLABS is a collaborative project between artists Luis Garcia Nerey and Anke Schofield. In their work, they create compositions juxtaposing undomesticated animals within domestic ...

Pigmented cement on foam panel. Auville works with construction cement. Applying techniques used in the construction and ship building industries, he spreads the cement over Ursalit...

Resin coated and mounted to layers of plywood, these digital/mixed media ‘picture objects’ represent interpretations of contemporary visual culture charmed by minimalism, modernism, ...

Resin coated and mounted to layers of plywood, these digital/mixed media ‘picture objects’ represent interpretations of contemporary visual culture charmed by minimalism, modernism...

Resin coated and mounted to layers of plywood, these digital/mixed media ‘picture objects’ represent interpretations of contemporary visual culture charmed by minimalism, modernism, ...

Contemporary abstract painting by Katherine Filice, Common Ground (No. 10), executed in ink and canvas on wood panel and presented framed (2026). Part of the Common Ground series — a...

Encaustic abstract painting by Katherine Filice, incorporating charcoal, ink, wax, and found objects on a wood panel. Part of the artist’s newest series, "Common Ground", this painti...

Contemporary abstract painting combining ink, acrylic, stucco, and found objects on a wood panel. This piece from Katherine Filice’s newest series, "Common Ground" balances fluid ges...

Textural abstract painting by Katherine Filice, featuring stucco, mica, ink, charcoal, and found materials layered onto wood. From her "Common Ground" series, this work demonstrates ...

Susan Goldsmith (b. 1955, Los Angeles, CA) attended the California College of the Arts in Oakland, CA, where she completed a BFA in 1977 and an MFA in 1992. Over her career, she work...

'Mysterious' 2018 by American artist Barbara Hirsch. Encaustic, oil, rice paper, and copper on wood panel, 12 x 36 in. / 12 x 12 (each) in. This abstract work features 3 mini sculptural, mixed media works painted in grey, yellow, and beige on wood panel. Barbara Hirsch incorporates textural encaustic infused with oils to create depth and repeating motifs that are inspired by nature. Encaustics have allowed Hirsch to manipulate the natural world by using diverse materials including wax, rice paper and found objects. Inspired by the natural beauty and seasonal patterns in her Aspen home...

Paper paint graphite charcoal on panel referencing Creation of Adam by Michelangelo in Sistine Chapel Whether the subject matter is figuration or natu...

'Untitled' 2013 by American artist Patrick Berran. Mixed media on panel, 14 x 11 in. This work encapsulates Berran's signature use of geometric forms. The minimalist image features a pyramid form oscillating in an enclosed space outlined by a square. A dramatic dimensional work with layered “screens” of color in light blue and black colors. Patrick Berran’s practice relies on the transformation of visual materials though a process of constant experimentation and recycling. The artist employs various transfer techniques to evolve his original source material into abstract forms, revealing the subtle textures embedded within their surfaces. The resulting patterns have become Berran’s signature form, which he transcribes, layer upon layer, into his painted compositions. Throughout his work, frames and deconstructed grids punctuate his dense patterning to create a frenetic rhythmic quality aligned with the fast-paced and stripped-down audio experience of punk rock music. Patrick Berran lives and works in New York, NY. He received his BFA from Virginia Commonwealth University in 2002 and his MFA from Hunter College, New York in 2006. He has had solo exhibitions at HUNTER / WHITFIELD, London; White Columns, New York; and Chapter NY. His work has been included in group shows at Rod Bianco, Oslo; M+B Gallery, Los Angeles; Indianapolis Museum of Contemporary Art, Indianapolis; and Gavin Brown...

2 Cybergraph (M11)). Colourful abstract geometric painting Mixed media and Acrylic Paint on panel, 2023. Dimensions: 34 x 31 x 4 cm. In inches: 13.39" x 12.2" x 1.57" . Simplicity,...

Paper paint printed matter on sintra board Audrey Anastasi states: "These collages were created first in the presence of a live model, working quickly, in charcoal and pastel, and ag...

Abstract painting created with ink extracted from ball-point pens.

A group of figures heads for icy distant mountains. A familiar enough scene of polar explorers hauling their sledges. Yet somehow this does not quite fit the heroic mold. The ice and...

In Mashian’s "Awaken 2," a woman's face bursts forth with vibrant shades of yellow, green, orange, and blue, engaging the viewer with wide-open eyes that pierce through the canvas. H...

Pop Art. Americana + Female Form. Ephemera, Oil, Acrylic, Resin on Panel. About the Artist: John Joseph Hanright is a contemporary painter and assemblage artist who brings toget...

A fine abstract expressionist paper collage with windmills by American artist Varujan Boghosian (1926-2020). Boghosian was born in New Britain, CT and after serving in the United States Navy, he attended Central Connecticut Teachers College and the Vesper George School of Art in Boston. In 1953, he had a Fulbright grant to paint in Italy, and from 1956 to 1959, he worked with Josef Albers, geometric abstractionist, at Yale University where he earned both his BFA and MFA. Boghosian became a professor of sculpture at Dartmouth College in New Hampshire, and became primarily known for his assemblages in which he uses a variety of incongruous objects such as parts of weathered barn doors, antique dolls' heads, old leather, marbles, and ping-pong balls. This collage consists of antique sepia...

"…last Thule of the South, which lies on our maps and globes like a white cloud, a void, fringed here and there with scraps of coastline, dubious capes, suppositious islands, headlan...