Panel Mixed Media

In BLUE SKIES FOR ANDREW, a piece designed for a show at the Chattanooga airport, Sue Fox pays tribute to the metaphorical expansiveness of doing one’s craft. Drawing inspiration fro...

In FUNGI, FOLIAGE, AND TOPAZ, Sue Fox formally drives forward her craft. Drawing inspiration from the Slow Art movement and beginning without an explicit purpose in mind, this work utilizes smaller...

A group of figures heads for icy distant mountains. A familiar enough scene of polar explorers hauling their sledges. Yet somehow this does not quite fit the heroic mold. The ice and sky are tinged a movie musical pale blue and their gear is a bit too colorful for the era of man-hauling. And then there’s the sled, piled high not with boxes of supplies but with a jumbled heap of antiquities: Greek Athenas, bits of a coliseum, a ship’s great wheel. In Jessica Houston’s collage “The Long Haul,” the explorers drag history itself into the great beyond, their backs turned from their absurd load. But we take in the entire scene. In her suite of works, Over the Edge of the World, Houston uses oil on wood, ink on paper, and collages of found images, many from National Geographic Magazine, to rearrange the evidence – and thus history’s possibilities. Houston joins visual artists such as Judit Hersko, Katja Aglert, and Isaac Julien...

In Melisa’s optical and pulsating compositions, the natural world acts as blue-print while she explores the notion of the sublime through blur and precision. The artist develops an a...

In Melisa’s optical and pulsating compositions, the natural world acts as blue-print while she explores the notion of the sublime through blur and precision. The artist develops an a...

"A group of people Pass down a mystery The quest for gold When instinct is destroyed The ego must be healed Finally, death Of the quest for gold" This is the phrase hidden within t...

In Melisa’s optical and pulsating compositions, the natural world acts as blue-print while she explores the notion of the sublime through blur and precision. The artist develops an a...

"in City and in Forest 29" explores the assimilation of aerosol painting, pyrography and sanding techniques on wood. The artist engages her work with notions of repetition, graffiti and blur derived from the pictorial works of artists Jack Whitten...

KOLLABS is a collaborative project between artists Luis Garcia Nerey and Anke Schofield. In their work, they create compositions juxtaposing undomesticated animals within domestic an...

In Melisa’s optical and pulsating compositions, the natural world acts as blue-print while she explores the notion of the sublime through blur and precision. The artist develops an a...

In Melisa’s optical and pulsating compositions, the natural world acts as blue-print while she explores the notion of the sublime through blur and precision. The artist develops an a...

Jessica Gatlin uses the process of letter pressing to create these pieces on paper that have been mounted to a small panel. An exercise in language and rule making. Partly intuitive,...

Jessica Gatlin uses the process of letter pressing to create these pieces on paper that have been mounted to a small panel. An exercise in language and rule making. Partly intuitive...

Jessica Gatlin uses the process of letter pressing to create these pieces on paper that have been mounted to a small panel. An exercise in language and rule making. Partly intuitive,...

In Melisa’s optical and pulsating compositions, the natural world acts as blue-print while she explores the notion of the sublime through blur and precision. The artist develops an a...

Shuttleworth's work is noted for her use of traffic cones and other found materials. Lana describes her work as representing the "common ground aspirations for diverse societies by depicting idealized landscapes transforming cross-cultural bi-products into works of art. Across the global commons, once diverse landscapes and the societies they support are synchronizing with the ideology of progress in plastic consumption. Plastics are nature-transformed from ancient life remains buried deep beneath the foot of our cultural landscape. Born into service to progress, recovered water bottles, x-ray film and safety cones...

REDSKIN is one of eight pieces in Nashville based artist Omari Booker's series for his solo show “Red Line” at Channel to Channel. Booker’s new series of work is centered around the...

Full title: Origin of desire: El poder de la oración Translates to: Origin of Desire: The Power of Praying Mari Ito was born in Tokyo, Japan in 1980. She majored in Nihonga, Japane...

Encaustic paint on 44 assembled wood pieces

In Melisa’s optical and pulsating compositions, the natural world acts as blue-print while she explores the notion of the sublime through blur and precision. The artist develops an a...

"Cascadia 6" explores the assimilation of aerosol painting, pyrography and sanding techniques on wood. The artist engages her work with notions of repetition, mark-making and blur de...

In Melisa’s optical and pulsating compositions, the natural world acts as blue-print while she explores the notion of the sublime through blur and precision. The artist develops an a...

Full title: Flower bomb: Wishing for peace in the midst of heat Mari Ito was born in Tokyo, Japan in 1980. She majored in Nihonga, Japanese-style painting made with traditional prac...

Full title: Origen del Deseo: Happy Rhythm 5 Mari Ito was born in Tokyo, Japan in 1980. She majored in Nihonga, Japanese-style painting made with traditional practices, techniques a...

Resin coated and mounted to layers of plywood, these digital/mixed media ‘picture objects’ represent interpretations of contemporary visual culture charmed by minimalism, modernism, technology and futurism. Recalling the colour-field and the elemental geometry of mid to late twentieth century post painterly abstraction, minimalism and op-art, these works use digital imaging as a means to navigate the territory between photography and painting, mixing references to photography, painting and television display technology. Visualizing ephemeral and elusive environments of light, air, fission and liquid...

Resin coated and mounted to layers of plywood, these digital/mixed media ‘picture objects’ represent interpretations of contemporary visual culture charmed by minimalism, modernism, technology and futurism. Recalling the colour-field and the elemental geometry of mid to late twentieth century post painterly abstraction, minimalism and op-art, these works use digital imaging as a means to navigate the territory between photography and painting, mixing references to photography, painting and television display technology. Visualizing ephemeral and elusive environments of light, air, fission and liquid...

Resin coated and mounted to layers of plywood, these digital/mixed media ‘picture objects’ represent interpretations of contemporary visual culture charmed by minimalism, modernism, technology and futurism. Recalling the colour-field and the elemental geometry of mid to late twentieth century post painterly abstraction, minimalism and op-art, these works use digital imaging as a means to navigate the territory between photography and painting, mixing references to photography, painting and television display technology. Visualizing ephemeral and elusive environments of light, air, fission and liquid...

Resin coated and mounted to layers of plywood, these digital/mixed media ‘picture objects’ represent interpretations of contemporary visual culture charmed by minimalism, modernism, technology and futurism. Recalling the colour-field and the elemental geometry of mid to late twentieth century post painterly abstraction, minimalism and op-art, these works use digital imaging as a means to navigate the territory between photography and painting, mixing references to photography, painting and television display technology. Visualizing ephemeral and elusive environments of light, air, fission and liquid...

paper construction on wood panel 14"x 11" (available unframed) Nancy Baker creates detailed paper constructions by combining hand and laser cut geometric forms based loosely on m...

Joe and Jack (Mixed Media) Pigmented cement on foam panel. Auville works with construction cement. Applying techniques used in the construction and ship building industries, he spr...

Joe and Jack (Abstract Painting) Pigmented cement on foam panel. Auville works with construction cement. Applying techniques used in the construction and ship building industries, ...

A group of figures heads for icy distant mountains. A familiar enough scene of polar explorers hauling their sledges. Yet somehow this does not quite fit the heroic mold. The ice and...

Still Steel (Abstract painting) Cement and corroded steel on foam panels. Unframed. Auville works with construction cement. Applying techniques used in the construction and ship bu...

Resin coated and mounted to layers of plywood, these digital/mixed media ‘picture objects’ represent interpretations of contemporary visual culture charmed by minimalism, modernism, technology and futurism. Recalling the colour-field and the elemental geometry of mid to late twentieth century post painterly abstraction, minimalism and op-art, these works use digital imaging as a means to navigate the territory between photography and painting, mixing references to photography, painting and television...

Resin coated and mounted to layers of plywood, these digital/mixed media ‘picture objects’ represent interpretations of contemporary visual culture charmed by minimalism, modernism...

Resin coated and mounted to layers of plywood, these digital/mixed media ‘picture objects’ represent interpretations of contemporary visual culture charmed by minimalism, modernism...

Resin coated and mounted to layers of plywood, these digital/mixed media ‘picture objects’ represent interpretations of contemporary visual culture charmed by minimalism, modernism...

Resin coated and mounted to layers of plywood, these digital/mixed media ‘picture objects’ represent interpretations of contemporary visual culture charmed by minimalism, modernism...

Resin coated and mounted to layers of plywood, these digital/mixed media ‘picture objects’ represent interpretations of contemporary visual culture charmed by minimalism, modernism...

Resin coated and mounted to layers of plywood, these digital/mixed media ‘picture objects’ represent interpretations of contemporary visual culture charmed by minimalism, modernism...

Resin coated and mounted to layers of plywood, these digital/mixed media ‘picture objects’ represent interpretations of contemporary visual culture charmed by minimalism, modernism...

Cement and corroded steel on foam panels. Unframed. Auville works with construction cement. Applying techniques used in the construction and ship building industries, he spreads the...

KOLLABS is a collaborative project between artists Luis Garcia Nerey and Anke Schofield. In their work, they create compositions juxtaposing undomesticated animals within domestic ...

Full title: Whirling Moments of Joyful Transformation Mari Ito was born in Tokyo, Japan in 1980. She majored in Nihonga, Japanese-style painting made with traditional practices, tec...

Complete title: La Transformación del Deseo - Estoy Dentro de Alegría (The Transformation of Desire - I am Inside of Happiness) Mari Ito was born in Tokyo, Japan in 1980. She major...

This three-dimensional collage entitled "Hopper-Feeder” by Chicago artist Patrick Fitzgerald finds its place alongside his series of abstract “track paintings,” initially born as the...

Available at Madelyn Jordon Fine Art. 'The Front' by Eugene Healy, 2023. Fabric collage and oil on canvas, 14 x 12.5 in. / Frame 25.25 x 21.25 ...

Resin coated and mounted to layers of plywood, these digital/mixed media ‘picture objects’ represent interpretations of contemporary visual culture charmed by minimalism, modernism, ...

Pigmented cement on foam panel. Auville works with construction cement. Applying techniques used in the construction and ship building industries, he spreads the cement over Ursalit...

Resin coated and mounted to layers of plywood, these digital/mixed media ‘picture objects’ represent interpretations of contemporary visual culture charmed by minimalism, modernism, ...

Resin coated and mounted to layers of plywood, these digital/mixed media ‘picture objects’ represent interpretations of contemporary visual culture charmed by minimalism, modernism, ...

Mari Ito was born in Tokyo, Japan in 1980. She majored in Nihonga, Japanese-style painting made with traditional practices, techniques and materials. She moved to Barcelona (Spain) i...

Mari Ito was born in Tokyo, Japan in 1980. She majored in Nihonga, Japanese-style painting made with traditional practices, techniques and materials. She moved to Barcelona (Spain) i...

Mari Ito was born in Tokyo, Japan in 1980. She majored in Nihonga, Japanese-style painting made with traditional practices, techniques and materials. She moved to Barcelona (Spain) i...

“Of the return voyage there is nothing to tell… In 1912 all the world learned that the brave Norwegian Amundsen had reached the South Pole; and then, much l...

Paper paint graphite charcoal on panel referencing Creation of Adam by Michelangelo in Sistine Chapel Whether the subject matter is figuration or natu...

Paper paint printed matter on sintra board Audrey Anastasi states: "These collages were created first in the presence of a live model, working quickly, in charcoal and pastel, and ag...

Sara Crisp draws inspiration from the delicate balance between the natural and the human-made worlds. Through masterful use of encaustic, an ancient method of painting using wax and ...

Sara Crisp draws inspiration from the delicate balance between the natural and the human-made worlds. Through masterful use of encaustic, an ancient method of painting using wax and ...

'Mysterious' 2018 by American artist Barbara Hirsch. Encaustic, oil, rice paper, and copper on wood panel, 12 x 36 in. / 12 x 12 (each) in. This abstract work features 3 mini sculptural, mixed media works painted in grey, yellow, and beige on wood panel. Barbara Hirsch incorporates textural encaustic infused with oils to create depth and repeating motifs that are inspired by nature. Encaustics have allowed Hirsch to manipulate the natural world by using diverse materials including wax, rice paper and found objects. Inspired by the natural beauty and seasonal patterns in her Aspen home...