Giancarlo Impiglia

The Witness (After Caravaggio)

2017

The importance of elegance indeed! A beautiful panel of life-size figures with a silver-leaf frame made by Impiglia, an artist whose value has only increased over the years. Born in Rome, Impiglia moved to New York in the ‘70s, where he established a signature style on the shoulders of Futurism and Cubism, his technical skill underpinning his eclecticism and allowing him to indulge in an appetite for complexity. His work has been exhibited in numerous galleries around the world and is part of prominent collections including that of The Victoria and Albert Museum and the Absolut Art...

A recent, large work by the masterful Giancarlo Impiglia, whose value has been steadily increasing. Born in Rome, Impiglia moved to New York in the 70s, where he established a signa...

An iconic city scene by the renowned Giancarlo Impiglia. Born in Rome, Impiglia moved to New York in the 70s, where he established a signature style on the shoulders of Futurism and...

A new work by the indelible Giancarlo Impiglia. Born in Rome, Impiglia moved to New York in the 70s, where he established a signature style on the shoulders of Futurism and Cubism,...

Part of Giancarlo Impiglia's iconic "camouflage" series, in which, deviating from his signature style, he expresses his classical education, flawless technique, and concerns about th...

Part of Giancarlo Impiglia's iconic "camouflage" series, in which, deviating from his signature style, he expresses his classical education, flawless technique, and concerns about th...

Wind is a unique painting by contemporary artist Yiching Chen. The painting is made with Mineral pigments, gold and silver leaves on japanese paper mounted on wood, dimensions are 30...

Hydrangea is a unique painting by contemporary artist Chen Yiching. The painting is made with mineral pigments, gold and silver leaf on Japanese paper mounted on wood, dimensions are...

REDSKIN is one of eight pieces in Nashville based artist Omari Booker's series for his solo show “Red Line” at Channel to Channel. Booker’s new series of work is centered around the...

A cello is held up between the legs of its accompanying musician in a snowy landscape. Snow has collected on the protruding bits of Cello and on the tops of the musician's knees. Though we can't see the face of the musician, we see their bare arms, folding upwards, as if they have buried their face in their hands. -- Building on her previous show, Main Squeeze, which featured bodies pressing through the grid of lawn chairs, in “That Feeling When,” Aldrich expands the excess of materials to large figure paintings...

In the series of paintings titled “That Feeling When,” Aldrich expands the excess of materials to large figure paintings and small, overfilled sculptures. Aldrich uses thick materials that protrude from the surface, reminding the viewer that the paintings are not only physical objects in themselves, but also create the illusion of the picture. The work employs a risky excess of material that borders on uncontrollable; becoming metaphoric for barely controlled femininity, the attraction and repulsion of materialism, and the body pressing against constraints. The figures in the paintings are seen from behind or have turned away. The viewer is put in a place of questioning whether they are a voyeur or a co-viewer with the figure of something deeper in the picture plane. The full body paintings of young women based on Nancy Drew...

Modern, elegant mixed media (oil, oil pastel, pencil, and collage) painting on wood board. Through overlays and transparencies, the contemporary artist Federica Aiello Pini...