Yiching Chen

Wind by Chen Yiching - Contemporary nihonga painting, flowers, white

2016

Hydrangea is a unique painting by contemporary artist Chen Yiching. The painting is made with mineral pigments, gold and silver leaf on Japanese paper mounted on wood, dimensions are...

Summer II is a unique painting by contemporary artist Yiching Chen. The painting is made with mineral pigments and gold leaves on Japanese paper mounted on wood, dimensions are 50 × ...

Ink, Japanese pigments, and golden leaves on Japanese paper mounted on wood, 38 cm × 45.5 cm. Sold framed (black shadow gap frame). Dimensions framed: 43,3 x 51 cm Square with Palac...

Cherry tree rain is a unique painting by contemporary artist Chen Yiching. The painting is made with mineral pigments, silver leaves on Japanese paper mounted on wood, dimensions are...

Solitude is a unique painting by contemporary artist Yiching Chen. The painting is made with mineral pigments and silver leaf on Japanese paper mounted on wood, dimensions are 70 × 1...

The Night, The Moon, painting by contemporary Taiwanese artist Yiching Chen. As a specialist of Nihonga (traditional Japanese painting), the painter expresses all the poetry she fin...

Part of Giancarlo Impiglia's iconic "camouflage" series, in which, deviating from his signature style, he expresses his classical education, flawless technique, and concerns about th...

REDSKIN is one of eight pieces in Nashville based artist Omari Booker's series for his solo show “Red Line” at Channel to Channel. Booker’s new series of work is centered around the...

In the series of paintings titled “That Feeling When,” Aldrich expands the excess of materials to large figure paintings and small, overfilled sculptures. Aldrich uses thick materials that protrude from the surface, reminding the viewer that the paintings are not only physical objects in themselves, but also create the illusion of the picture. The work employs a risky excess of material that borders on uncontrollable; becoming metaphoric for barely controlled femininity, the attraction and repulsion of materialism, and the body pressing against constraints. The figures in the paintings are seen from behind or have turned away. The viewer is put in a place of questioning whether they are a voyeur or a co-viewer with the figure of something deeper in the picture plane. The full body paintings of young women based on Nancy Drew...

A cello is held up between the legs of its accompanying musician in a snowy landscape. Snow has collected on the protruding bits of Cello and on the tops of the musician's knees. Though we can't see the face of the musician, we see their bare arms, folding upwards, as if they have buried their face in their hands. -- Building on her previous show, Main Squeeze, which featured bodies pressing through the grid of lawn chairs, in “That Feeling When,” Aldrich expands the excess of materials to large figure paintings...

Claudio Dicochea de la Agente Federal y el Rojo, la Emperatriz (of Federal Agent and Red, the Empress), 2010 acrylic, graphite, charcoal, transfer, wood 2 @ 48" x 36" Born in San Luis Río Colorado, Mexico and raised on the Mexican/US border in southern Arizona, Claudio Dicochea works at the intersection of colonialism, art history and contemporary popular culture. Using the model of the 18th century genre of Casta paintings...

In Haleh Mashian's "Inner Vibration 3," a variety of techniques and materials coalesce to give voice to the concept of an inner spirituality resonating outward into the surrounding w...