Panel Mixed Media

Non-objective artist AIMÉE FARNET SIEGEL works with color and line through the medium of found, hand-painted, and manipulated paper. Her works inhabit space outside the two-dimension...

Non-objective artist AIMÉE FARNET SIEGEL works with color and line through the medium of found, hand-painted, and manipulated paper. Her works inhabit space outside the two-dimension...

Non-objective artist AIMÉE FARNET SIEGEL works with color and line through the medium of found, hand-painted, and manipulated paper. Her works inhabit space outside the two-dimension...

"Introduction" Mixed Media Light Installation 30" x 30" in by astrothebaptist Dichroic optical filters on painted wood birchwood panel and single source of light installation Compo...

"Garden of Hues #6" Mixed Media Light Installation 48 x 24 in by astrothebaptist Dichroic optical filters on painted wood birchwood panel and single source of light installation Co...

"Garden of Hues #4" Mixed Media Light Installation 48 x 24 in by astrothebaptist Dichroic optical filters on painted wood birchwood panel and single source of light installation Co...

Non-objective artist Aimée Farnet Siegel works with color and line through the medium of hand-painted and manipulated paper. Her works inhabit space outside the two-dimensional plan...

Non-objective artist Aimée Farnet Siegel works with color and line through the medium of hand-painted and manipulated paper. Her works inhabit space outside the two-dimensional plan...

Abstract piece on wood. Vibrant colors. About the Artist: Sylvie Perrin graduated from the National Fine Arts Academy of Lyon. She began her artistic career in the Netherlands ...

Materials: acrylic painted paper on Birch panel Non-objective artist Aimée Farnet Siegel works with color and line through the medium of hand-painted and manipulated paper. Her wor...

Materials: acrylic painted paper on Birch panel Non-objective artist Aimée Farnet Siegel works with color and line through the medium of hand-painted and manipulated paper. Her wor...

Giclée Fine Art Archival Fiber Print, Resin Encapsulated, Custom Double Shadow Box Frame. 24x36” print, 29x41” in the custom frame. Series of 10. Custom size and framing options avai...

Delicate movements of shadow trying to catch the light like a butterfly tries to catch the wind. Giclée Fine Art Archival Fiber Print, Resin Encapsulated, Custom Double Shadow Box Fr...

Mixed media on panel

Natalie Alana Sturgis is an African American writer & painter born and raised in New York. In what she describes as her process, she attempts to capture her emotions onto surfaces, w...

"F*ck Bunny" Mixed Media Painting 65" x 44" inch by Ben Cope 2023 Mixed media oil on wood Ben Cope is a Georgia native graduating from Columbus State University with a BFA in cer...

Tabori’s work depicts symmetric transformations of fast moving action, landscapes and intimate portraits, as seen and experienced both directly and through reflections of the subject...

A native of Toronto, Franco graduated from the Ontario College of Art (now OCAD) in 1990 and returned to the University of Guelph in 2004-05 to further his studies after 12 years wor...

Michel Tabori Red Wood Night, 2018 Oil, acrylic, resin, canvas on panel 57” x 75” $18,500

"The Play Behind the Play" is an artist painted & found paper collage on wood panel featuring hues of red, green, black and white. Aimée Farnet Siegel is inspired by the work of Mark...

Abstract painting created with ink extracted from ball-point pens.

A native of Toronto, Franco graduated from the Ontario College of Art (now OCAD) in 1990 and returned to the University of Guelph in 2004-05 to further his studies after 12 years wor...

Encaustic work of art by an acclaimed Maine artist Sara Crisp. Sara Crisp draws inspiration from the delicate balance between the natural and the human-ma...

"Untitled: Movement 2" Unique Abstract Mixed Media Photography by Ben Cope 2019 Photo on deconstructed paper on wood panel with oils and paint pigments 24” ...

Oil painting on book cover, of suede pumps

Jane S. Parkes Born in New York City to an economist father, and a culture loving mother, Jane gravitated to art along with her three siblings. All through school she was exposed to inspiring teachers and in 1980 graduated from New England School of Art and Design where she studied graphic Design. Drawn more to the craft of making art than to the commercial side, Jane worked making architectural models for Ben Thompson in Boston and Peter Marino in New York. After raising two boys in New York, Jane began working full time as an artist in New York and in Swans Island...

Encaustic work of art by an acclaimed Maine artist Sara Crisp. Sara Crisp draws inspiration from the delicate balance between the natural and the human-made worlds. Through masterf...

Encaustic work of art by an acclaimed Maine artist Sara Crisp. Sara Crisp draws inspiration from the delicate balance between the natural and the human-ma...

Michel Tabori Sequoia, 2017 Oil, acrylic, resin, canvas on two-sided maple panels mounted on steel bases 84” x 10” each $6,500 each

I want to know how the past lives in the present. When I use cut-outs from old books and maps, I’m aware that their meaning is from another time period, so that meaning therefore liv...

I want to know how the past lives in the present. When I use cut-outs from old books and maps, I’m aware that their meaning is from another time period, so that meaning therefore liv...

I want to know how the past lives in the present. When I use cut-outs from old books and maps, I’m aware that their meaning is from another time period, so that meaning therefore liv...

Encaustic work of art by an acclaimed Maine artist Sara Crisp. Sara Crisp draws inspiration from the delicate balance between the natural and the human-ma...

Encaustic work of art by an acclaimed Maine artist Sara Crisp. Sara Crisp draws inspiration from the delicate balance between the natural and the human-ma...

Make Me A Believer, Original Contemporary Mixed Media Geometric Abstraction 24" x 24" x 2" (HxWxD) Repurposed paper on panel Hand-signed by the artist. Artist Glenn Fischer repurposes various papers and print materials, cutting up different sections of color, and combines them into newly imagined geometric abstract compositions. The combination of the circular centerpiece and the linear nature of the cuts is reminiscent of a sunrise or sunset as it passes over a horizon line. In this case, Fischer has combined various shades of yellow, red, and green to stand against the white brick lay of the negative space...

Information Superhighway, Original Contemporary Abstract Expressionist Drawing 16" x 20" Ink with Silverpoint, Paint, and Metal Foil on Paper Panel This highly geometric abstract ex...

Artist commentary: This piece is from a series about pollinators. The bee is painted in watercolors and the entire piece is painted with encaustic (wax). Details are added with ligh...

"Artist Commentary: I create abstract paintings that distill the light, the intense colors, and the constant movement in nature. The final visual is pure, ethereal, and cosmic with no physical references. With a thought-out color palette and my unique process, I start on a journey of creation. It is always a balance of letting go and being in control. My head, heart, and hand become one and something pure and personal happens. Vapor-like shapes appear and disappear on the panel, leaving only traces of the initial layer, like the mere reverberation of a memory. Words that describe this piece: Dreamy, Dreamlike, Bold, dynamic, Abstract, Contemporary, meditative, nature, white, colorful, blue, green Artwork Details: - This is a hand painted, original painting - Created in California, USA - Professional grade oil paints on Wood...

he abstract paintings and drawings of Michael Barringer are steeped in contemplation. The Georgia artist creates works as part of a series, often inspired by art history, archaeology...

Michel Tabori’s paintings are about emotional experiences and blissful acts. He uses colors and textures as sensory triggers. His paintings tell a story, but Tabori shies away from t...

Kristina Grace is a fine artist who both resides and draws inspiration from the Southern California coastline. Living in Newport Beach has served as a constant source of inspiration for Grace. Her life and work reflect countless hours spent on the sand surrounded by surfers and the culture that comes with it. Grace’s art is colorful and whimsical, reflecting a joy found in her surrounding environment. Her unique sculptural works are a result of time spent at a local surf glassing shop, where she honed her interpretation and technique of applying epoxy and polyester resins. While these types of resins are typically used for creating surfboards, Grace has taken the medium even further, incorporating applications of tinted resins on top of small, assemblage figurines in her work. Surfers, skateboarders, and snowboarders appear throughout her current body of work. In addition to resins, Grace works with dense foam and fiberglass to create select pieces. Both of these materials pay homage to the surf culture...

KOLLABS is a collaborative project between artists Luis Garcia Nerey and Anke Schofield. In their work, they create compositions juxtaposing undomesticated animals within domestic an...

Sara Crisp draws inspiration from the delicate balance between the natural and the human-made worlds. Through masterful use of encaustic, an ancient method of painting using wax and ...

Sara Crisp draws inspiration from the delicate balance between the natural and the human-made worlds. Through masterful use of encaustic, an ancient method of painting using wax and ...

Sara Crisp draws inspiration from the delicate balance between the natural and the human-made worlds. Through masterful use of encaustic, an ancient method of painting using wax and ...

Sara Crisp draws inspiration from the delicate balance between the natural and the human-made worlds. Through masterful use of encaustic, an ancient method of painting using wax and ...

Sara Crisp draws inspiration from the delicate balance between the natural and the human-made worlds. Through masterful use of encaustic, an ancient method of painting using wax and ...

Mari Ito was born in Tokyo, Japan in 1980. She majored in Nihonga, Japanese-style painting made with traditional practices, techniques and materials. She moved to Barcelona (Spain) i...

This piece is new, and available to be hung with one ore more of the three alternative colours available within this 'Butterfly' series, blue, pink and Gold!

Represented by George Billis Gallery, NYC & LA --Pulling imagery and motif from organic form, architecture, media and design I create densely layered, mixed-media paintings that ar...

This work is created in an unique methodology developed by the artist, in which multi-layers of pigmented wax are are cast into a form. Embedded painted cardboard defines the compos...

Available at Madelyn Jordon Fine Art. 'The Front' by Eugene Healy, 2023. Fabric collage and oil on canvas, 14 x 12.5 in. / Frame 25.25 x 21.25 ...

'Mirror 46' 2021 by Seattle based abstract painter, Liz Tran. Mixed media on panel, 30 x 40 in. Tran's ‘Mirror’ series, is heavily influenced by her history ...

'Puff' 2019 by Seattle based abstract painter, Liz Tran. Mixed media on panel, 18 x 18 in. Tran's puffs and clouds are her attempt to turn depressing weather into something more joyf...

Artwork by Moon Beom. Moon begins with a monochrome surface using an acrylic pigment. He then applies small dabs of color using oil stick, pushing the oil pigment with his hand into...

Artwork by Moon Beom. Moon begins with a monochrome surface using an acrylic pigment. He then applies small dabs of color using oil stick, pushing the oil pigment with his hand into...

Oil paint and collage on wood panel Unique work Hand-signed lower right by the artist

A group of figures heads for icy distant mountains. A familiar enough scene of polar explorers hauling their sledges. Yet somehow this does not quite fit the heroic mold. The ice and...

A group of figures heads for icy distant mountains. A familiar enough scene of polar explorers hauling their sledges. Yet somehow this does not quite fit the heroic mold. The ice and sky are tinged a movie musical pale blue and their gear is a bit too colorful for the era of man-hauling. And then there’s the sled, piled high not with boxes of supplies but with a jumbled heap of antiquities: Greek Athenas, bits of a coliseum, a ship’s great wheel. In Jessica Houston’s collage “The Long Haul,” the explorers drag history itself into the great beyond, their backs turned from their absurd load. But we take in the entire scene. In her suite of works, Over the Edge of the World, Houston uses oil on wood, ink on paper, and collages of found images, many from National Geographic Magazine, to rearrange the evidence – and thus history’s possibilities. Houston joins visual artists such as Judit Hersko, Katja Aglert, and Isaac Julien...

A group of figures heads for icy distant mountains. A familiar enough scene of polar explorers hauling their sledges. Yet somehow this does not quite fit the heroic mold. The ice and sky are tinged a movie musical pale blue and their gear is a bit too colorful for the era of man-hauling. And then there’s the sled, piled high not with boxes of supplies but with a jumbled heap of antiquities: Greek Athenas, bits of a coliseum, a ship’s great wheel. In Jessica Houston’s collage “The Long Haul,” the explorers drag history itself into the great beyond, their backs turned from their absurd load. But we take in the entire scene. In her suite of works, Over the Edge of the World, Houston uses oil on wood, ink on paper, and collages of found images, many from National Geographic Magazine, to rearrange the evidence – and thus history’s possibilities. Houston joins visual artists such as Judit Hersko, Katja Aglert, and Isaac Julien who have been inspired by the explorers of the past. Like them, she draws, in part, on the singular tradition of polar exploration narratives as well as fictions such as Ursula Le Guin’s “Sur” (1981), a utopian feminist hoax in which a party of South American women reach the South Pole in 1909, two years before the official arrival of European explorers. Le Guin’s explorers do not feel compelled to leave any written record or physical proof of their presence at the South Pole. If Le Guin’s women might have made it, what other traces have been missed? Collage can work alongside alternative history: it interprets, interrupts, and rearranges. It questions the completed whole, instead emphasizing composition and relation. Collage suggests it all might be … otherwise. Houston’s collages flaunt their second nature. Yet what they show remains somehow plausible. You want to believe what you’re beginning to see. In “A life Attuned to Larger Rhythms” Houston grids out rectangles of captured images to overwhelm the eye as the polar environment itself might (whiteout is a paradoxical species of optical overstimulation). Through the strangely ordered confusion of an ice survey grafted atop a chessboard, the mind begins to recognize new connections, emergent shapes: a different future? In “Launching Strategy” a yellow-orange pyramid balances garishly atop a tent. Which came first, the realist tent or the Platonic shape? Can we ever be sure that we’re not already seeing through premade abstractions? Or is it that baggage we’ve been dragging along? In “Architecture of the Anthropocene” and “Red Blood, Red Earth” Houston reroutes visually symbolic through-lines between women and non-European people and the official history in which they appear dimly or not at all. A full-skirted woman holds onto the tether of a kite that seems to pull her upwards towards a weather balloon floating above an Antarctic base’s radio tower; a row of tropical workers wielding pickaxes folds into the trajectory of a sailor aiming a bow and arrow at an iceberg stained with red. These are not people or images normally associated with polar discovery. But shouldn’t they matter? “Territory Over Land” strips in a scene from a painted depiction of the tropics, possibly from one of Captain James Cook’s circumnavigations. “Captain Cook’s Legacy” more directly confronts an official portrait of Cook with the torn-in eyes from what can only be described as the explorer’s anonymous dark Other. The hybrid portrait is a kind of contact zone. “Henson and Peary – Past Entanglements” is a cooler, less volatile twin portrait of disputed discoverer of the North Pole Robert Peary...