Rubber Mixed Media

Original mixed media painting on rubber - canvas type material. Unsigned. Artwork size 9.25 x 8.25 inches. Frame size approx 15 x 14 inches. Artwork is in excellent condition. C...

Simon Shepherd, Tennis Afro, 2023 Mixed media 35 x 35 cm (13.78 x 13.78 in) Original artwork Brighton-based sculptor Simon Shepherd finds the similarities between two seemingly ...

This piece titled "Expecting to Fly" is an original piece by Kate VanVliet and is made from 30 repaired chicken eggs, brass, rubber, steel, plastic, and mica. This piece measures app...

Alexander May’s work centres around language, often abstracting the formal characteristics of communication, such as the shapes of letters and numbers. W...

Greyson Perry, Piggy Bank, 2022 White ceramic piggy bank painted in blue and glazed, with rubber stopper Unknown edition size Stamped with artist's logo o...

Hunt Rettig’s work sits at the nexus of installation, sculpture, and painting—a visual and conceptual experiment in pushing limits and cultivating wonder. Each of Rettig’s assemblage...

Hunt Rettig’s work sits at the nexus of installation, sculpture, and painting—a visual and conceptual experiment in pushing limits and cultivating wonder. Each of Rettig’s assemblage...

Hunt Rettig’s work sits at the nexus of installation, sculpture, and painting—a visual and conceptual experiment in pushing limits and cultivating wonder. Each of Rettig’s assemblage...

Gregor Turk’s new series titled “CONFLUX” features wall-mounted box-like maps of global choke points, strategic locations where passage by land or sea is constricted. Coastlines are ...

Hunt Rettig’s work sits at the nexus of installation, sculpture, and painting—a visual and conceptual experiment in pushing limits and cultivating wonder. Each of Rettig’s assemblage...

Hunt Rettig’s work sits at the nexus of installation, sculpture, and painting—a visual and conceptual experiment in pushing limits and cultivating wonder. Each of Rettig’s assemblage...

Hunt Rettig’s work sits at the nexus of installation, sculpture, and painting—a visual and conceptual experiment in pushing limits and cultivating wonder. Each of Rettig’s assemblage...

Hunt Rettig’s work sits at the nexus of installation, sculpture, and painting—a visual and conceptual experiment in pushing limits and cultivating wonder. Each of Rettig’s assemblage...

Hunt Rettig’s work sits at the nexus of installation, sculpture, and painting—a visual and conceptual experiment in pushing limits and cultivating wonder. Each of Rettig’s assemblage...

Title: "I Am King, scepter: A Regal Ode to Timeless Majesty" "I Am King Scepter" stands as an exquisite wall-mounted sculpture, an assemblage of found and meticulously fabricated ele...

Keith Young Oops! Collage on Canvas; Rubber, Glue, Wood, Cotton Canvas Year: 2022 Size: 22x12.5x3in Signed by hand COA provided Ready to hang Ref.: 924802-1137 ---------------------...

Keith Young Pow! Collage on Canvas; Rubber, Glue, Wood, Cotton Canvas Year: 2022 Size: 12.25x11.5x3in Signed by hand COA provided Ready to hang Ref.: 924802-1134 -------------------...

Keith Young Lucky Cat and Pink Dolphin Collage on Canvas; Rubber, Glue, Wood, Cotton Canvas Year: 2022 Size: 11.25x9.25x3in Signed by hand COA provided Ready...

Keith Young No Rain Collage on Canvas; Rubber, Glue, Wood, Cotton Canvas Year: 2022 Size: 11x2in Signed by hand COA provided Ready to hang Ref.: 924802-1139 ------------------------...

medium: painted aluminum, homasote, rubber Skylar Fein was born in Greenwich Village and raised in the Bronx. He has had many careers including teaching nonviolent resistance under the umbrella of the Quakers, working for a gay film festival in Seattle, stringing for The New York Times and as pre-med student at University of New Orleans where he moved one week before Hurricane Katrina hit. Fein is best known for his large-scale installations, including Remember the Upstairs Lounge, an exhibit during Prospect.1 Biennial that threw a spotlight on a little-known chapter of history. The 1973 arson fire at a gay bar in the French Quarter is still the deadliest attack against gay people on record. But here, the artist turns to something on a more intimate level. Fein says of the “Giant Metal Matchbooks” series… Why matchbooks? It reflects the artist’s love of pop culture, its vibrancy and also its accidental depth and poignancy. “A common object is a perfect meeting place.” That’s a Claes Oldenburg quote, and it’s still true — the most banal objects, aren’t. Obviously Oldenburg’s giant sculptures are forerunners, along with a dash of Warhol’s Brillo boxes and a side of “Honey, I Shrunk the Kids.” The aluminum matchbooks open up, revealing — yes, giant wooden matches, with realistic (rubber) match heads. Do they light? Not exactly. But they burn. Skylar Fein was the recipient of a 2009 Joan Mitchell Foundation Award and his work is in several prominent collections including The Whitney Museum of American Art, The Brooklyn Museum, The Frederick R. Weisman Art Foundation, The Louisiana State Museum, The Birming-ham Museum of Art, the New Orleans Museum of Art, curators Dan Cameron and Bill Arning, and collectors Beth Rudin DeWoody, Lance Armstrong...

**ANNUAL SUPER SALE TIL MAY 15th ONLY** *This Price Won't Be Repeated Again This Year - Take Advantage Of It* A handful of artist 'masters' colorful dots but all or...

This piece was created using carefully curated materials that were then bound together. The materials used were all discarded and would otherwise have gone to a landfill. I repurpose...

"Relic" is a sculpture of geometric abstraction by Stan Olthuis composed of fire-torched pine wood, plywood, and reclaimed bicycle inner tube, mounted wit...

Banksy - Welcome Mat - Urban Graffiti Street Art This mat is hand stitched using the fabric from life vests abandoned on the beaches of the Mediterranean....

Composition of recovered bicycle wheel tyres on board. No frame needed as the thickness of the board is covered by the composition. 2.086 painted screws ...

Composition of recovered bicycle wheel tyres on board. No frame needed as the thickness of the board is covered by the composition. 1.338 painted screws ...

Composition of recovered bicycle wheel tyres on board. No frame needed as the thickness of the board is covered by the composition. 1.940 screws have been used. By alternating colou...

Composition of recovered bicycle wheel tyres on board. No frame needed as the thickness of the board is covered by the composition. 1.832 painted screws ...

Sidney Hutter F-Stop Lamp #8, 1987 Plate glass with laminated Skytex lamp diffuser, machined rubber and silver anodized aluminum

This is a wall sculpture of a protruding abstract organic appendage form. They are in the form of Surrealist fantastic flora and fauna. It is from her 1990-1995 series called tondos & squares. This is a mixed media sculpture composed of plastic/resin (it looks like blackened steel), rubber and metal wire. Hand signed verso. This sale is for one. I have 5 of them available, they make a great wall installation grouping. Carol K. Brown is an American woman artist born in Memphis, Tennessee and lives and works in New York and Miami Beach, Florida. Brown works with sculpture, painting, photography, video, digital and installation art. She has received the State of Florida Fine Arts Fellowship (1983), Southeastern Center for Contemporary Art Fellowship (1986), and two National Endowment for the Arts Fellowship (1984 and 1986). Her work is owned by the Perez Art Museum Miami, the Museum of Contemporary Art San Diego, the Memphis Brooks Museum of Art, and the Herbert F. Johnson Museum of Art at Cornell University. She is a professor of sculpture at the New World School of the Arts in Miami. She was included in the show Making Art in Miami along with Jose Bedia; Consuelo Castaneda...

This is a wall sculpture of a protruding abstract organic appendage form. They are in the form of Surrealist fantastic flora and fauna. It is from her 1990-1995 series called tondos & squares. This is a mixed media sculpture composed of plastic/resin (it looks like blackened steel), rubber and metal wire. Hand signed verso. This sale is for one. I have 5 of them available, they make a great wall installation grouping. Carol K. Brown is an American woman artist born in Memphis, Tennessee and lives and works in New York and Miami Beach, Florida. Brown works with sculpture, painting, photography, video, digital and installation art. She has received the State of Florida Fine Arts Fellowship (1983), Southeastern Center for Contemporary Art Fellowship (1986), and two National Endowment for the Arts Fellowship (1984 and 1986). Her work is owned by the Perez Art Museum Miami, the Museum of Contemporary Art San Diego, the Memphis Brooks Museum of Art, and the Herbert F. Johnson Museum of Art at Cornell University. She is a professor of sculpture at the New World School of the Arts in Miami. She was included in the show Making Art in Miami along with Jose Bedia; Consuelo Castaneda...

This is a wall sculpture of a protruding abstract organic appendage form. They are in the form of Surrealist fantastic flora and fauna. It is from her 1990-1995 series called tondos & squares. This is a mixed media sculpture composed of plastic/resin (it looks like blackened steel), rubber and metal wire. Hand signed verso. This sale is for one. I have 5 of them available, they make a great wall installation grouping. Carol K. Brown is an American woman artist born in Memphis, Tennessee and lives and works in New York and Miami Beach, Florida. Brown works with sculpture, painting, photography, video, digital and installation art. She has received the State of Florida Fine Arts Fellowship (1983), Southeastern Center for Contemporary Art Fellowship (1986), and two National Endowment for the Arts Fellowship (1984 and 1986). Her work is owned by the Perez Art Museum Miami, the Museum of Contemporary Art San Diego, the Memphis Brooks Museum of Art, and the Herbert F. Johnson Museum of Art at Cornell University. She is a professor of sculpture at the New World School of the Arts in Miami. She was included in the show Making Art in Miami along with Jose Bedia; Consuelo Castaneda...

This is a wall sculpture of a protruding abstract organic appendage form. They are in the form of Surrealist fantastic flora and fauna. It is from her 1990-1995 series called tondos & squares. This is a mixed media sculpture composed of plastic/resin (it looks like blackened steel), rubber and metal wire. Hand signed verso. This sale is for one. I have 5 of them available, they make a great wall installation grouping. Carol K. Brown is an American woman artist born in Memphis, Tennessee and lives and works in New York and Miami Beach, Florida. Brown works with sculpture, painting, photography, video, digital and installation art. She has received the State of Florida Fine Arts Fellowship (1983), Southeastern Center for Contemporary Art Fellowship (1986), and two National Endowment for the Arts Fellowship (1984 and 1986). Her work is owned by the Perez Art Museum Miami, the Museum of Contemporary Art San Diego, the Memphis Brooks Museum of Art, and the Herbert F. Johnson Museum of Art at Cornell University. She is a professor of sculpture at the New World School of the Arts in Miami. She was included in the show Making Art in Miami along with Jose Bedia; Consuelo Castaneda...

This is a wall sculpture of a protruding abstract organic appendage form. They are in the form of Surrealist fantastic flora and fauna. It is from her 1990-1995 series called tondos & squares. This is a mixed media sculpture composed of plastic/resin (it looks like blackened steel), rubber and metal wire. Hand signed verso. This sale is for one. I have 5 of them available, they make a great wall installation grouping. Carol K. Brown is an American woman artist born in Memphis, Tennessee and lives and works in New York and Miami Beach, Florida. Brown works with sculpture, painting, photography, video, digital and installation art. She has received the State of Florida Fine Arts Fellowship (1983), Southeastern Center for Contemporary Art Fellowship (1986), and two National Endowment for the Arts Fellowship (1984 and 1986). Her work is owned by the Perez Art Museum Miami, the Museum of Contemporary Art San Diego, the Memphis Brooks Museum of Art, and the Herbert F. Johnson Museum of Art at Cornell University. She is a professor of sculpture at the New World School of the Arts in Miami. She was included in the show Making Art in Miami along with Jose Bedia; Consuelo Castaneda...

This two panel stretched and dyed rubber piece was created by American contemporary artist John Drummer in the early 2000's. This work was featured in the exhibition "Jack Drummer" organized by BT&C Gallery and which coincided with the Burchfield Penney Art Center's exhibition "The Effects of Time". This is currently the only work available for acquisition. The Burchfield Penney exhibition that featured these rare pieces was voted one of the best 10 exhibitions that year in ArtForum's 2016 Top Ten by Matthew Higgs, who would later curate an exhibition of Drummers work for White Columns gallery that was reviewed by Art in America in 2017. John E. (aka “Jack”) Drummer (1935-2013) was an itinerant and mercurial figure. Self-taught as an artist, his earliest works from the late 1950s and early 1960s were included in several key exhibitions in Buffalo and New York City, including the first of Allan Kaprow’s legendary ‘New Forms, New Media’ exhibitions that he curated for Martha Jackson’s gallery in 1960. Drummer’s 1962 solo exhibition at the Gordon Gallery, New York received a rapturous review from critic Brian O’Doherty in The New York Times, who praised Drummer for his ability to “make something out of nothing”, describing his work from this time as “screens for the imagination,” a notion that could equally be applied to his later works on view at White Columns in a 2017 solo exhibition. Despite this early success, Drummer would soon leave New York City, returning initially to Buffalo, before moving to New Orleans and then California, before eventually settling in Hawaii. Very little of Drummer’s early work has survived, including almost none of the 300-odd, often large-scale, styrofoam-based sculptures he produced in Hawaii. On returning to his home-town of Buffalo in the early 1980s, Drummer would embark on an extraordinary body of work that would preoccupy him for the next two decades. Drummer’s late work is clearly related to, and expands upon, the histories of minimal, post-minimal and process-orientated art. His approach is empathetic with that of the Italian Arte Povera artists, sharing their interest and investment in ‘poor’ and quotidian materials. Working almost exclusively with ‘found’ materials, and specifically materials that had previously been employed and subsequently discarded in industrial and manufacturing processes, Drummer’s work of the 1980s-early 2000s was largely overlooked and unexhibited during his lifetime. Drummer’s late works employ the rubber ‘blankets’ – used in offset printing to remove excess ink during the printing process – as supports. These ‘ready-made’ supports often revealed aspects of their ‘histories’: their surfaces are typically marked with ghostly images and texts resulting from the printing process. Drummer would then work directly onto and into these ‘pre-prepared’ supports. Drummer’s late works often incorporate impressions taken directly from the surfaces of walls, floors, and fencing, etc. – ‘images’ created by laying the rubber sheets face down onto a desired surface, and then applying pressure from the back of the sheet to create a subsequent negative impression or image of that surface, likely a physically demanding process, akin to making a ‘brass rubbing...

Shuttleworth's work is noted for her use of traffic cones and other found materials. Lana describes her work as representing the "common ground aspirations for diverse societies by d...

Known for his public art installations, ceramic sculpture, photography, and mixed-media constructions, Gregor Turk often incorporates mapping imagery and cultural markings into his a...

Keith Young Fortune Cookie Strawberry Bear Collage on Canvas; Rubber, Glue, Wood, Cotton Canvas Year: 2022 Size: 9x2.5in Signed by hand COA provided Rea...