1990s Mixed Media

A Landmark Work of Conceptual Art: Terra Incognita (1995) by Miguel Ángel Ríos. a visually striking and intellectually potent work from the highly acclaimed MAPAS series by the Argen...

Capelán's work stands out for its rigorous handling of diverse artistic techniques and procedures, ranging from drawing to installation, including painting, printmaking, photography,...

Eye catching abstract mixed media painting blending vivid jewel tone colors by American artist Kismine Varner, 1990. Signed and dated lower right. Original artwork on paper displa...

This large contemporary assemblage by Swedish artist Bo Sällström has a strong visual character. It is a assemblage with volume that has an intriguing thr...

Abstract mixed media painting blending bold and rich colors by American artist Kismine Varner, 1990. Signed and dated lower right. Original artwork on paper displayed on a white mat...

Cecil Touchon (1956-, Austin, Texas) 1-C / PDP164CT95 Abstract Composition Oil, collage on canvas Hand signed and inscribed verso Dimensions: 24 x 22 in. Cecil Touchon (born 1956, ...

Raymond Pettibon Sonic Youth Record Cover Art: Sonic Youth Goo; original European 1st Pressing, 1990 The most iconic of all Pettibon music-related images, as well as one of the most celebrated record covers of all time, the cover is a off-set illustration of Pettibon's drawing inspired by a paparazzi photo of Maureen Hindley and her first husband, David Smith, witnesses in the case of the Moors murderers Ian Brady and Myra Hindley, driving to the trial in 1966. Off-set lithograph on double-sided vinyl record cover...

This artwork by noted American artist Inez Storer, b. 1933 is titled Homage to Matisse. The piece is composed of mixed media (oil paint, board, latex) with collage on board. The artwork measures 24 x 24 inches (25 x 25 inches, framed.) It is floating in a simple painted wood frame. It is hand signed in the lower right corner of the frame by the artist. The piece is in very good condition. I am estimating this work was created some time in the 1990s based on the subject and style, but that is only an educated guess. About the artist: From Inverness, California, north of San Francisco and working from a studio in Point Reyes, Inez Storer creates mixed-media narrative paintings, collages and assemblages in naive-sophisticated style, which she describes as Magic Realism: "I am a visual raconteur. I use paint to tell stories." Most of these stories are explorations of the human condition with characters who seem allegorically to be walking tightropes. She gets many ideas from her studio collection of old...

Cecil Touchon (1956-, Austin, Texas) Z-A / PDP165CT95 Abstract Composition Oil, collage on canvas Hand signed and inscribed verso Dimensions: 24 x 22 in. Cecil Touchon (born 1956, ...

MICHAELE VOLLBRECHT – "TDE LEMPICKA" ⚜ Mixed Media Collage ⚜ Artist’s Signature Incorporated on Pencil ⚜ Shadow Box Frame A BOLD JUXTAPOSITION OF EROTICISM, OBJECTS, AND ART HISTORI...

"People, the human figure, fascinate me. Regardless of age or social status, I take particular interest in grasping the one moment that belongs solely to an individual." - Rosemary Mahoney...

Untitled is an artwork realized by Mario Schifano in the 1990s. Mixed Media on Photograph. cm.10x15. Good conditions! Mario Schifano (Homs, September 20, 1934 - Rome, January...

Capelán's work stands out for its rigorous handling of diverse artistic techniques and procedures, ranging from drawing to installation, including painting, printmaking, photography,...

MORNING BREAKFAST is an original mixed media collage on board by Brooklyn artist Karl A. McIntosh. MORNING BREAKFAST is a somewhat amusing, colorful abstract portrait portraying a black family seated together having breakfast. McIntosh shows his inventive use of collage using cut bits of colored paper in shades of red, brown, blue, pink, black. Visible are magazine print clippings for facial details, dishes, lettering layered with wildly expressive yellow, blue, green and white painted accents that create an energetic and rambunctious breakfast table scene. The viewer can't help but continue gazing at the frenzied movement and visual chatter going on in MORNING BREAKFAST, a captivating and irresistible painted collage by Karl A. McIntosh. Framed size - 27.25 in. x 33.5 in. Image size - 221.25 in. x 27.5 in. Excellent condition, archival framing, beveled cherry wood colored frame with green and gold liner, hand signed by the artist "K.A.McIntosh" on upper left edge. About the artist: Karl A. McIntosh is a self taught artist who works is pastel, watercolor, acrylic, stone, wood and metal and is a known for his imaginative transformation of found objects into works of art. Born in Kingston, Jamaica, McIntosh moved to the United States at an early age and later took up art. Among his mentors are artist Otto Neals with whom he worked at the Bob Blackburn Printmaking Working Workshop and artist Marian Griffin. McIntosh is also a poet, drummer and dancer who draws his creative inspiration and expression from his study of African art and culture. McIntosh’s bold, bright colors dance off the page and tantalize the senses. His work is profound in its statement and deliciously whimsical. His work is an honest portrayal of everyday life and the people who live it but on occasion, takes on public figures and world events most often employing satire as thick as the layers of paint or paper he uses to depict them. McIntosh’s work has been exhibited at numerous venues across the country including Dorsey’s Art Gallery, The Skylight Gallery, MOCADA (The Museum of Contemporary Diasporan Art), 843 Studio Gallery, The National Black Fine Art...

Peter Halley Core, 1991 Limited Edition Silkscreen with lithography on Coventry Rag paper. Pencil signed and numbered 13/50 on the front Publisher: Edition Schellmann & Pace Edit...

Artist: Peter Max Title: Flower Vase Medium: Mixed Media On Paper Edition: Original Size: 11"x15" inches Hand signed by the artist Frame size 22.25"x18.25" inches Condition: Excellent

With his unmistakable version of contemporary Surrealism, as comical as it is otherworldly, Marcel Dzama is one of Canada's most internationally successful artists. Dzama's works ar...

Peter Max Umbrella man 16x20 inches unframed 28x32 inches with frame Acrylic Paint on Mixed Media From a Florida collection, purchased from Wentworth gallery First off, sorry for al...

Katherine Chang Liu "Chain", Acrylic and collage on paper mounted on board with a Trompe L'oeil 3D effect. contemporary abstract painting Hand signed "Katherine Liu" Dimensions: 37...

3D constructed mixed media serigraph on paper. Hand signed lower right by Charles Fazzino. Hand numbered 28 AP lower left. This Artist Proof Edition features three layers of dimen...

Monoprint with screenprint, collage, acrylic, stitching and embossing in colors on handmade paper, 1994, signed, dated, titled, and numbered 10/40 (each unique) in black and silver i...

Artist: Peter Max (1937) Title: Flag Year: 1997 Medium: Acrylic, lithograph on Arches paper Size: 12 x 14 inches Inscription: Hand signed Notes: Published, printed by Via Max, New Yo...

"Internal Release" Abstract Relief Sculpture. Carved sculpture and painting by Mickey "Kano" Kane (American, 20th century). This large-scal...

"Virgo" unframed collage on fine art paper by artist Melanie Boone. Melanie Boone collaged lower right recto. Signed Melanie Boone ©, dated 1999 and titled "Virgo" verso. Collage ima...

This depicts civil rights icon MLK, the Statue of Liberty, Iwo Jima, an assemblage of mixed media photographic images and painted collaged elements. A powerful, moving work, an ode to the black civil rights movement. John M. Mitchell is originally from North Carolina, and as an art student at North Carolina Central University, he was involved with the Civil Rights movement including participating and getting arrested at a sit-in protest in Durham in 1963. After graduating, he was one of the first art teachers to take a position at the newly integrated schools in his home state. Mitchell continued his education in the 1990s and earned an MFA in painting from the Savannah College of Art and Design in 1993. He later served as a professor there from 1998-2006. Of his inspiration to create, Mitchell says: "A lot of my work is based on my experiences during the Civil Rights movement," he says. "I see art making as a 'record' of experiences. My bittersweet past, growing up in the segregated South, inspires the content, focus and narrative of my work." Savannah-based artist John Mitchell believes that a home is more than a simple edifice. Rather, he argues that the sociological, psychological, architectural, and historical associations embedded in the structure “tell us about our culture, our lives. It tells us about where we come from.” Mitchell's signature shotgun house constructions, crafted from found materials and scraps of newspaper headlines, reference his childhood in North Carolina, where such modest architectural structures were once commonplace. In "ALA 1963," he uses the shotgun shape to create a heartfelt memorial to a group of African-American girls killed in a racially motivated church bombing in Alabama nearly 50 years ago. He also incorporates the shotgun symbol in "Victims," a powerful reflection upon crime in Savannah in the early 1990s, which reveals how little has changed over the past two decades. Mitchell's mixed media constructions operate, in many ways, like memory itself. Scraps, fragments and pieces loosely cohere around a central idea, making symbolic and metaphorical connections. In these richly narrative and boldly stream-of-conscious assemblages, the whole truly is greater than the sum of its parts. Mitchell's jazz collages...

"Porcelain Nightmares" Satirical Bond Paperwork Collage Elaborate collage by Mickey "Kano" Kane (American, 20th century). This piece is a satirical collage that mimics the ornate de...

James Brown (American, 1951-2020) Mixed media 1994, "Dessin (Star)", Paint and collage on paper, Hand signed and dated lower right, bears label verso Dimensions: 19.5"h x 29.5"w (sheet), 26"h x 36"w (frame) Provenance: Galerie Bernd Klüser, Bears label verso They represented internationally renowned artists such as Joseph Beuys, Tony Cragg, Enzo Cucchi, Jannis Kounellis, Mimmo Paladino and Andy Warhol. Their first exhibitions were with Andy Warhol, Tony Cragg, Julião Sarmento...

About the artist : Siri Hollander’s entire process started from an innate desire to work in large format but being self-taught she had to create her own system through trial and erro...

Gouache, Crayon, Pencil, Film on Paper, not framed Cover Atlantic Monthly Magazine August 1994

Signed, dated, numbered and titled in pencil on recto; artist's copyright label affixed to verso Painted Gelatin Silver 16 x 20 inches Edition 8 of 25

This is an authentic Prismograph kinetic art work by world-renowned Israeli artist Yaacov Agam (b. 1928), one of the leading figures in Op Art and Kinetic Art. It is hand singed on b...

Louise Bourgeois Limited Edition Ceramic Plate depicting Malloreddus alla Sarda, Dallas Texas, 1998 Ceramic Plate 10 in diameter Edition 457/1000 (read description; the edition was not completed) Unframed (Stand shown is not included) Makes a memorable gift! This striking, rare limited edition, signed and numbered bowl/plate was handmade in southern Italy by master artisans near Vietri sul Mare. It was designed by renowned American artist Louise Bourgeois. From the late 1990s through the millenium, Buon Ricordo...

Pierre Alechinsky (1927) - Résumé Original Lithograph from 1997. The edition of 125. Dimensions of work: 21 x 16 cm. Publisher: Atelier Franck Bordas, Paris. The work is in Exce...

Color offset lithograph - created on the occasion of the tennis tournament 1996 Signed in print In great condition

The Long Memory is an 18-color screenprint on paper by the artist Betye Saar The Long Memory 1998 Signed and numbered, recto 18-color screenprint on paper (Edition of 100) 14.5 x...

“Nantucket Rose” by artist Mary Spencer is a 29.5 x 41.75 inch contemporary mixed media painting on paper with dominant colors of red, pink, green and orange. The painting is signed ...

Judy Pfaff Untitled 1997 Signed and numbered Etching with wax and watercolor (Edition of 50) 9 x 12 inches

Mixed media (acrylic and oil paints) splatter painting on canvas Signed and dated verso. Gordon Couch born 1949 British artist based in Cornwall and ...

Oscar Reutersvärd (1915-2002) Fifteen European Impossible Figures, Italy, 39,5x30 cm

Vintage Steven Neill distressed looking Hawaii sign. He is a contemporary master of this form. He has been creating these one of a kind trade signs in Haw...

Oscar Reutersvärd (1915-2002) Fifteen European Impossible Figures, France, 39,5x30 cm

Artist: Konstantin Bokov, Ukrainian/American (1940 - ) Title: Cat is Very Smart Year: 1999 Medium: Acrylic on Board and Found Art Collage, Signed and dated Size: 20 x 16 in. (50....

"Pygmalion" unframed collage on fine art paper by artist Melanie Boone. Melanie Boone collaged recto. Signed Melanie Boone ©, dated 1998 and titled "Pygm...

'Abstract in Orchid and Jade' by Kevin Keaney. San Francisco Art Institute, Large Bay Area Oil ---- Signed verso, 'Kevin Keaney' (American, born 1962) and painted circa 1995. This S...

Gianni Versace Couture clutch bag from the 90s Impeccable condition, black crocodile leather.

Artist: Noh Sang-Kyoon, Korean (1958 - ) Title: The Whole Towards the Hole II Medium: Sequins on Canvas, signed, titled and dated verso Size: 54 x 54 inches Frame Size: 55 x 55 inch...

Artist: Peter Max (1937) Title: Better World Year: 1998 Medium: Acrylic, lithograph on Arches paper Size: 14 x 12 inches Inscription: Hand signed Notes: Published, printed by Via Max...

"Grindelwa" Small Collage by Michael Pauker Small abstract paper collage by Bay Area artist Michael Pauker (American, b. 1957). This piece is created from a few pieces of antique pa...

Born in 1956 in Winnipeg, Manitoba, Canada. Mark Gaskin is a post-Modern painter who blends the effects of ancient fresco and mural art with contemporary subject matter. His fascinating technique – in which his painting surfaces are purposefully distressed – conjures the textures of prehistoric cave painting, ancient Roman painting, and Renaissance fresco...

La obra va firmada por la artista en la parte inferior El estado de conservación de la obra es bueno Se presenta bien enmarcada la obra Medidas de la obra: 50 cm x 35 cm. Medidas...

The work of Sam Gilliam is included in over fifty public collections, including those of the Musée d’Art Moderne de la Ville de Paris; Tate Modern, London; the Museum of Modern Art, ...

Ralph Goings Pizza Stromboli Mezzalluna - Mezzogiorno - New York, NY, 1996 Ceramic Plate Artist signature fired into the plate on the front and back and numbered 105 from an edition of 510. 10 1/5 inches diameter by 1/4 inch height Unframed This beautiful, limited edition, signed and numbered bowl...

Discover a rare and original mixed media collage by celebrated Colorado Springs modernist Mary Chenoweth (1918–1999), a key figure in mid-20th-century American art. This dynamic composition features a biplane soaring above shimmering water, brought to life with acrylic paint, graphite, ink, and intricate paper cutouts. Subtle layers of traditional and simplified Chinese characters add depth and cultural resonance, reflecting Chenoweth’s distinctive balance of bold form, playful abstraction, and thoughtful symbolism. Executed on paper, the artwork is hand-signed by Mary Chenoweth in the lower left. It is professionally framed in a custom wood frame with archival matting and UV70 protectant glass for lasting preservation and elegant display. Framed dimensions: 20 × 16 × 1 in, Artwork size: 15 × 12 in A visually compelling and highly collectible mid-century collage, Biplane Over Water exemplifies Chenoweth’s innovative fusion of modernism, cultural narrative, and mixed media experimentation. Perfect for collectors of American modern art, vintage aviation art...

Raphael Mahdavi, Untitled, 1990, Oil and wood collage, assemblage painting on paper, Provenance: Kouros Gallery NYC Label. (label and backing torn but present) Dimensions: 17.5 x 23 mat, 25 x 32 frame. Rafael Sinclair Mahdavi (1946-) is a painter and sculptor. He has lived and worked in America, France, Greece, Austria, Spain and England. He has quadruple nationality, France, American, Mexican and Iranian. HIs work combines elements of Contemporary, Symbolist Abstraction and Minimalist art in particularly in his sculpture. Cranbrook BFA & Former Parsons Professor. He taught in Paris, Amiens and Issy-les-Moulineaux, France. Rafael Mahdavi was born in 1946 in Mazatlan, Mexico of an American mother and Iranian father. He was home schooled in Mallorca and later attended board...

Francisco Fernández, Claudia Fernández, Diego Toledo, Hector Quinones Corpse Drawing #47, The Return of the Cadavre Exquis, 1993 Ink, graphite, acrylic, and watercolor, with collage ...

"Tarot Cards" unframed collage on fine art paper by artist Melanie Boone. Melanie Boone collaged into lower right recto. Titled "Tarot Cards" verso. Coll...

"Birth of Christ", after a Russian icon of the 15th century. Tempera and gold leaves on gesso, wooden board. Dimensions: (H) 68 x (W) 52 x (D) 4 cm. The Nativity of Christ. This icon, created by the Viennese artist Oliver...

Studio: Walt Disney Medium: Production cel on Production Background from Sotheby's Auction, Lot 104 Film: The Hunchback of Notre Dame Year: 1996 Character: Esmerelda, Djali Unframed ...

Pioneer Activists is an ongoing series of artworks by Suzanne Benton. Consisting largely of monoprints with Chine collé where the artist references suffragists, feminists, writers an...

John Walker British (b. 1939) Salsipuedes Forms (1991) Monoprint relief print with dry pigment, monotype Hand signed lower right Provenance: Garner Tullis Workshop A monotype is literally one of a kind; it is not a method of multiplication. The artist makes an image with a liquid medium on wood, metal or glass, and paper is laid over the moist image and bonded under pressure the paper is then removed bringing with it the transposed monotype. John Walker (born 1939) is an English painter and printmaker. He has been called "one of the standout abstract painters of the last 50 years." Walker studied in Birmingham at the Moseley School of Art, and later the Birmingham School of Art and Académie de la Grande Chaumière in Paris. Some of his early work was inspired by abstract expressionist art and post-painterly abstraction, and often combined apparently three-dimensional, sculptural shapes with "flatter" elements. These pieces are usually rendered in acrylic paint. In the early 1970s, Walker made a series of large Blackboard Pieces using chalk first exhibited at the opening of Ikon Gallery, in Birmingham Shopping Centre, Birmingham in 1972 and the Juggernaut works which also use dry pigment. From the late 1970s, his work marked allusions to earlier painters, such as Francisco Goya, Edouard Manet and Henri Matisse, either through the quoting of a pictorial motif, or the use of a particular technique. Also during this time, he began to use oil paint more in his work. His paintings of the 1970s are also notable for what has come to be termed canvas collage, the application of glued-on, separately painted patches of canvas to the main canvas. Beginning in the 1970s John Walker was one of the most influential and imitated painters working in the UK; he exhibited alongside Andy Warhol and Roy Lichtenstein, represented his country at the 1972 Venice Biennale, had extensive survey shows at both the Tate and Hayward galleries and was nominated for the Turner Prize in 1985. After spending some time in Australia, Walker got a position at the Victoria College of the Arts in Melbourne. He produced the Oceania series around this time which incorporates elements of native Oceanic art. Walker is currently the head of the graduate painting program at Boston University. Walker won the 1976 John Moores Painting Prize and was nominated for the Turner Prize in 1985. In September 2010, Walker and five other British artists including Howard Hodgkin, John Hoyland, Ian Stephenson, Patrick Caulfield and R.B. Kitaj were included in an exhibition entitled The Independent Eye: Contemporary British Art From the Collection of Samuel and Gabrielle Lurie, at the Yale Center for British Art. His art was influenced by Boston Expressionism. Along with Aaron Fink, Gerry Bergstein, Jon Imber, Michael Mazur, Katherine Porter, Jane Smaldone, John Walker, and Philip Guston. Through Garner Tullis at Experimental Press he met Sean Scully, Friedel Dzubas, Helen Frankenthaler, Sam Francis, William Wiley, and others. Select Group Exhibitions (partial list) 1965 John Moores Liverpool Exhibition. Walker Art Center, Liverpool. 1966 Recent Aspects of British Art. Australia and New Zealand (traveled). 1967 4 Artists. Betty Parsons Gallery, New York. John Walker, Michael Kidner, Bruce Tippett, Michael Tyzack...