1990s Mixed Media

"Birth of Christ", after a Russian icon of the 15th century. Tempera and gold leaves on gesso, wooden board. Dimensions: (H) 68 x (W) 52 x (D) 4 cm. This icon sums up the events of the birth of Christ. At the top left the three wise men from the Orient approach on horses. ABOUT THE ARTIST Oliver...

Fracture is an original mixed media painting on panel, realized by the Italian artist Marco Amici in 1990. Original Title: Frattura Title, Signature, date and monograms are written...

With Nine Pointed Stars, the most complex of the “Pointed Star” series executed in 1996, Lewitt employs his trademark systematic use of grids, geometric shapes, and precise mathemati...

Raymond Pettibon Up The Threshold 1992 (Raymond Pettibon zine): This visually enticing 1992 Raymond Pettibon artist book/zine includes 20+ evocative drawings. Pettibon’s subjects are...

Vintage original Barbara Kruger Record Art, 1994 Off-set lithograph on vinyl record cover Measure: 12 x 12 inches Minor shelf wear; in otherwise good vintage condition. Very cool fr...

Cheryl Warrick (American, b. 1956), "Both Sides" 1998, acrylic and mixed media painting on paper, Hand signed, titled and dated verso, matted and framed. Dimensions: 13 x 12.75 ...

Artist: Konstantin Bokov, Ukrainian/American (1940 - ) Title: Cat is Very Smart Year: 1999 Medium: Acrylic on Board and Found Art Collage, Signed and dated Size: 20 x 16 in. (50....

Titled: Birds of a Feather Ann Chernow (Connecticut b. 1936) etching. hand signed 'Ann Chernow' in pencil lower right. Numbered '5/15' in pencil lower left. Titled in pencil lower ce...

"In the Wings" Wood Panel Original Painting and Carving Carved sculpture and painting by Mickey "Kano" Kane (American, 20th century). This wall sculpture features a bold, symmetrica...

John Walker British (b. 1939) Salsipuedes Forms (1991) Monoprint relief print with dry pigment, monotype Hand signed lower right Provenance: Garner Tullis Workshop A monotype is literally one of a kind; it is not a method of multiplication. The artist makes an image with a liquid medium on wood, metal or glass, and paper is laid over the moist image and bonded under pressure the paper is then removed bringing with it the transposed monotype. John Walker (born 1939) is an English painter and printmaker. He has been called "one of the standout abstract painters of the last 50 years." Walker studied in Birmingham at the Moseley School of Art, and later the Birmingham School of Art and Académie de la Grande Chaumière in Paris. Some of his early work was inspired by abstract expressionist art and post-painterly abstraction, and often combined apparently three-dimensional, sculptural shapes with "flatter" elements. These pieces are usually rendered in acrylic paint. In the early 1970s, Walker made a series of large Blackboard Pieces using chalk first exhibited at the opening of Ikon Gallery, in Birmingham Shopping Centre, Birmingham in 1972 and the Juggernaut works which also use dry pigment. From the late 1970s, his work marked allusions to earlier painters, such as Francisco Goya, Edouard Manet and Henri Matisse, either through the quoting of a pictorial motif, or the use of a particular technique. Also during this time, he began to use oil paint more in his work. His paintings of the 1970s are also notable for what has come to be termed canvas collage, the application of glued-on, separately painted patches of canvas to the main canvas. Beginning in the 1970s John Walker was one of the most influential and imitated painters working in the UK; he exhibited alongside Andy Warhol and Roy Lichtenstein, represented his country at the 1972 Venice Biennale, had extensive survey shows at both the Tate and Hayward galleries and was nominated for the Turner Prize in 1985. After spending some time in Australia, Walker got a position at the Victoria College of the Arts in Melbourne. He produced the Oceania series around this time which incorporates elements of native Oceanic art. Walker is currently the head of the graduate painting program at Boston University. Walker won the 1976 John Moores Painting Prize and was nominated for the Turner Prize in 1985. In September 2010, Walker and five other British artists including Howard Hodgkin, John Hoyland, Ian Stephenson, Patrick Caulfield and R.B. Kitaj were included in an exhibition entitled The Independent Eye: Contemporary British Art From the Collection of Samuel and Gabrielle Lurie, at the Yale Center for British Art. His art was influenced by Boston Expressionism. Along with Aaron Fink, Gerry Bergstein, Jon Imber, Michael Mazur, Katherine Porter, Jane Smaldone, John Walker, and Philip Guston. Through Garner Tullis at Experimental Press he met Sean Scully, Friedel Dzubas, Helen Frankenthaler, Sam Francis, William Wiley, and others. Select Group Exhibitions (partial list) 1965 John Moores Liverpool Exhibition. Walker Art Center, Liverpool. 1966 Recent Aspects of British Art. Australia and New Zealand (traveled). 1967 4 Artists. Betty Parsons Gallery, New York. John Walker, Michael Kidner, Bruce Tippett, Michael Tyzack...

"Wild in the Woods" fiber, wood, mixed media, 40 x 11 x 16, 1997. This mixed media textile sculpture was done by American fiber artist, Norma Minkowitz (b. 1937). The interlacing te...

Teal and tan woven fiber art tapestry by Texas artist Romeo Reyna. The piece features a central diamond shape with copper accents and painted wooden st...

Artwork size: 56 x 58 cm. Frame size: 76 x 78 cm. Free shipment worldwide. Archive number (P90/36) Acquired directly from the artist. “The heart is an eye,” writes Nobel laureate Octavio Paz in an essay on Matta’s paintings. Matta creates a world coloured both by a sunny faith in the future and by visions of impending doom. Roberto Sebastian Echaurren Antonio Matta, who died aged 91 on 23 November 2002, was born in Santiago, Chile, on 11 November 1911 into a family with Spanish, French and Basque roots, and raised in an atmosphere of religiosity. By the age of 21 he had graduated and begun work as an architect, but his leisure time he devoted to sketching and painting. In 1933 he travelled to Europe for the first time, visiting Greece, Yugoslavia, Italy and other countries, and subsequently taking the initiative to collaborate with the architect, Le Corbusier. As time passed, however, Matta’s enthusiasm for a career in architecture waned, and he began to devote himself full-time to art, making early acquaintances with surrealists such as Max Ernst, Salvador Dalí, André Breton and others. Between 1939 and 1948 Matta, like many of his artistic contemporaries, lived in self-imposed exile in the USA, but, after almost 10 years’ absence from Europe, he returned to make first Rome and then, a few years later, Paris his home. Throughout most of the rest of his life Matta commuted between his studio in Paris and his creative refuge in the monastery outside Rome. And it is here, in Italy, that he produced his greatest paintings. Matta’s first retrospective in Sweden was organised in 1956 when his works were exhibited in what was then Galerie Colibri – run by, among others, the artist C O Hultén at number 36 Södra Förstadsgatan in Malmö, Sweden. This was also the time when Matta began to collaborate with poets and other artists in Sweden. He produced the illustrations for Lasse Söderberg’s first anthology of poems, Akrobaterna (“The Acrobats”), published in 1955, and was also responsible for the cover of the Swedish art and literary magazine Salamander. In 1959 the first museum exhibition of Matta’s work in Europe was arranged at the Museum of Modern Art (Moderna Museet) in Stockholm. Held under the aegis of Pontus Hultén, it was entitled “Fifteen Forms of Doubt” and included 15 or so gigantic paintings...

Untitled - Lamb is an artwork realized by the Italian artist Mario Schifano in 1995. Original mixed media, acrylic and enamel. Painting on canvas with sculpture relief. Hand-sign...

Artist: Robert Clerc Title: Le Matin au Cafe Year: circa 1990 Medium: 3-D Painting and Collage Multiple Edition: 12 Size: 21 x 20 x 3 inches [53 x 51 x 8 cm]

A sculptural collage by Zura, Andy Warhol Lot No. Chair merges the everyday with the iconic. Using imagery sourced from a 2006 Christie’s auction catalog of Andy Warhol’s work, the a...

Arman Filetto Al Barolo - Barolo - New York, NY, 1998 Ceramic Plate Signed in plate, Artist signature fired into the plate on the front and back and numbered 157 from the edition of 1000. (far fewer made) 10 3/10 inches diameter by 1/4 inches height Unframed Very rare as only a fraction were actually made, and many were thought to have been lost after 9/11. Makes a memorable and very special gift! This beautiful, extremely rare limited edition, signed and numbered bowl...

Magnetism II, 1991 Accumulation of acrylic paint, brushes, and broken cello on canvas on board. An acrylic box is included over the piece for protection 55 x 42 x 7 in

Pastel, gouache and coffee on paper. Artwork size: 58 x 56 cm. Frame size: 78 x 76 cm. Free shipment worldwide. Acquired directly from the artist. Archive number (P90/37) “The heart is an eye,” writes Nobel laureate Octavio Paz in an essay on Matta’s paintings. Matta creates a world coloured both by a sunny faith in the future and by visions of impending doom. Roberto Sebastian Echaurren Antonio Matta, who died aged 91 on 23 November 2002, was born in Santiago, Chile, on 11 November 1911 into a family with Spanish, French and Basque roots, and raised in an atmosphere of religiosity. By the age of 21 he had graduated and begun work as an architect, but his leisure time he devoted to sketching and painting. In 1933 he travelled to Europe for the first time, visiting Greece, Yugoslavia, Italy and other countries, and subsequently taking the initiative to collaborate with the architect, Le Corbusier. As time passed, however, Matta’s enthusiasm for a career in architecture waned, and he began to devote himself full-time to art, making early acquaintances with surrealists such as Max Ernst, Salvador Dalí, André Breton and others. Between 1939 and 1948 Matta, like many of his artistic contemporaries, lived in self-imposed exile in the USA, but, after almost 10 years’ absence from Europe, he returned to make first Rome and then, a few years later, Paris his home. Throughout most of the rest of his life Matta commuted between his studio in Paris and his creative refuge in the monastery outside Rome. And it is here, in Italy, that he produced his greatest paintings. Matta’s first retrospective in Sweden was organised in 1956 when his works were exhibited in what was then Galerie Colibri – run by, among others, the artist C O Hultén at number 36 Södra Förstadsgatan in Malmö, Sweden. This was also the time when Matta began to collaborate with poets and other artists in Sweden. He produced the illustrations for Lasse Söderberg’s first anthology of poems, Akrobaterna (“The Acrobats”), published in 1955, and was also responsible for the cover of the Swedish art and literary magazine Salamander. In 1959 the first museum exhibition of Matta’s work in Europe was arranged at the Museum of Modern Art (Moderna Museet) in Stockholm. Held under the aegis of Pontus Hultén, it was entitled “Fifteen Forms of Doubt” and included 15 or so gigantic paintings...

"Ducks & Habitat" is an original acrylic on paper and wood construction by Tom Shelton. The artist signed the piece on the reverse. This piece depicts many different types of ducks f...

nylon and stainless steel

Judy Pfaff Untitled, 1993 Mixed media on paper 20 x 30 inches (sheet) 25 x 35 inches (frame) Signed Artist-made frame. Light white wash wood, float mount. 1.75'' face, 3/8'' depth.

Original mixed media composed of graphite, watercolor, gouache and acrylic paint on hardboard by the well known American artist, Thornton Utz. Signed lower left and dated 1992. Con...

Mimmo Rotella (1918-2006) was an Italian artist and leading figure of post-war European art. He is best known for creating layered collage-like works from torn film and advertising p...

This is an authentic Polymorph kinetic art work by world-renowned Israeli artist Yaacov Agam (b. 1928), one of the leading figures in Op Art and Kinetic Art. It is hand singed on bot...

"Sexual Spring-like Winter" is a large painterly work, created with layers of pink and resin by the art and film world's favorite enfant terrible, Julian Schnabel. The artist and dir...

Hiromichi Iwashita (Japanese, b. 1942), "Bodega Bay" Diptych, 28 September 1995, mixed media on paper, both signed and dated, vertical composition titled, each floating in black fram...

Mark Kostabi Focaccia Alla Robiola - Da Ciro - New York, NY, 1998 Ceramic Plate. Artist signature fired into the plate on the front and back and numbered 59 of 1000. 10 1/5 inch diameter x 1/4 inch height Unframed Makes a memorable and very special gift! This beautiful, limited edition, signed and numbered bowl...

Signed verso lower left, 'Isaac Mizrahi'. A fashion designer and creator of costume, Isaac Mizrahi attended the Parsons School of Design before becoming immersed in haute couture in...

John Cage I–VI (Hand signed box set), 1990 Boxed set: Mixed media hand signed hardback monograph accompanied with 2 audio cassettes and dust jacket and ...

"Internal Release" Abstract Relief Sculpture. Carved sculpture and painting by Mickey "Kano" Kane (American, 20th century). This large-scal...

The painting is being offered with a work and authenticity certificate

Artist: Peter Max Title: Cosmic Flyer (Green) Medium: Mixed Media On Paper Edition: Original Size: 12"x13.5" inches Hand signed by the artist Frame size 22.25"x18.25" inches Conditio...

Vintage Steven Neill distressed looking Hawaii sign. He is a contemporary master of this form. He has been creating these one of a kind trade signs in Haw...

"The Baron Waits" Satirical Bond Paperwork Collage Elaborate collage by Mickey "Kano" Kane (American, 20th century). This piece is a satirical collage that mimics the ornate design ...

"how far can you stretch the ego?" Collage with Social Commentary Elaborate mixed media collage by Mickey "Kano" Kane (American, 20th century). A large biomorphic form, evocative of...

Mixed media on wood.

Jasper Johns Letter ("one either jumps into the water or doesn't"), 1996 Hand signed letter framed on top of a Time Magazine cover depicting a work by the artist Hand signed by Jasper Johns underneath a typewritten letter by his secretary (JJ/st) Frame Included This listing consists of a typewritten letter, hand signed by Jasper Johns in response to one sent by the present addressee. While we do not see the fan's letter that prompted this response from Johns, it's not too difficult to guess, as Jasper Johns replies, stating, in part, "I wish I felt I could advise you but I can't. One either jumps in the water or doesn't. There doesn't seem to be any in-between." No truer words could have been spoken regarding the artist's life. Underneath this letter, is a vintage Time Magazine cover, presumably from the same year, depicting a Jasper Johns Flag...

Paul SHAPIRO (né en 1939) Color drawing #3, 1996 Mixed media on paper Size : 47 x 62 cm Framed. Size with frame : 69 x 84 cm Signed lower right Provenance: - Katharina Rich Perlow Ga...

"Searching" unframed collage on fine art paper by artist Melanie Boone. Melanie Boone collaged center recto. Signed Melanie Boone ©, dated 1996 and title...

The painting is being offered with a work and authenticity certificate

Carole Feuerman Shower Profile (Blue), 2012 Mixed media: two color silkscreen with Diamond Dust, mounted to linen Canvas Hand signed, dated and numbered on the back of the canvas Sig...

Artist: Peter Max Title: Sailboat Sunrise Medium: Mixed Media On Paper Edition: Original Size: 13.5"x11.75" inches Hand signed by the artist Frame size 22.25"x18.25" inches Condition...

The painting is being offered with a work and authenticity certificate

original abstract mixed media painting. frame GRAU-GARRIGA, Josep (San Cugat del Valles, 1928 - Angers, 2011). Grau-Garriga was a Catalan artist, muralist and one of the innovato...

The painting is being offered with a work and authenticity certificate

Butterfly Basket, Wounaan Tribe, Panama, Rainforest, black, red, green, white The baskets are made by the Wounaan and Embera Indians from the Darien ...

The painting is being offered with a work and authenticity certificate

Untitled is an artwork (acrylic and Enamel) realized by the Italian artist Mario Schifano in 1995. Original mixed media. Painting on canvas with artistical relief. Hand-signed b...

Julian Schnabel Hand Painted Leather Jacket 1991: Julian Schnabel hand-painted this timeless, vintage leather motorcycle jacket in ...

Nigel Hall Untitled Acrylic and Charcoal Painting on Canvas, 1997 Acrylic and charcoal painting on canvas Signed and titled by the artist on the front. Dated on the back. 36 × 30 inc...

"Mercury" unframed collage on fine art paper by artist Melanie Boone. Signed Melanie Boone ©, dated 1994 and titled "Mercury" verso. Collage features zod...

To see our other Modern British Art, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the artist you want. Wilhelmina Barns-Graham (1912 – 2004) Card for Sandra Blow’s 75th birthday (1995) Gouache and collage 34 x 21 cm Inscribed to reverse “For Sandra, Happy Birthday, with love Willie, 13/9/95”. Barns-Graham’s modern design features 70 vividly coloured circles; each one is different from the last, but all are geometrically aligned in neat rows and columns. Sandra Blow’s initials appear separately as “S” and “B” in the design. Blow and Barns-Graham became friends in the 1950s; both spent lengthy periods of time in St Ives, and made major contributions to Britain’s catalogue of post-war art. Wilhelmina Barns-Graham, known as Willie, was born in St Andrews, Fife, on 8 June 1912. Her parents were second cousins, and their respective families were well established representatives of minor Scottish gentry from both the east and west of the country. As a child, Barns-Graham showed very early signs of creative ability. It was at school that Wilhelmina decided that she wanted to be an artist, stating later in life that “painting chose me, not I it”. After school she set her sights on Edinburgh College of Art where, after some dispute with her father (who was an emotional man prone to uncontrolled anger), she enrolled in 1931. During her time at Edinburgh College, Barns-Graham was taught by tutors including portrait painter David Alison and painter William MacTaggart. Her friends there included the influential Scottish painters Robert MacBryde, Robert Colquhoun, and William Gear. After her education, Barns-Graham made study trips to Paris, London, and St Tropez before moving to St Ives, Cornwall, in 1940 (at the suggestion of the Edinburgh College of Art’s Principal Hubert Wellington). Barns-Graham moved near to where a group of modernist artists had settled, at Carbis Bay – this was a pivotal moment in her life. On one of her first evenings there she met the sculptor Barbara Hepworth, who made an immediate and lasting impression on her. She then went on to meet Borlase Smart...

3D constructed mixed media serigraph on paper. Hand signed lower right by Charles Fazzino. Hand numbered 23/400 DX lower left. This Deluxe Edition features three layers of dimensi...

Artist: Roberto Matta Title: Sans Titre Drawing on Print, Hand Colored Medium: Drawing on Print with Hand Coloring Signed: Hand Signed Measurements: 11.8" x 16.5" Framed: 22.5" x...

Steven H. Rehfeld (American, born 1954) "Untitled" 1992 Oil Paint, Paper, Ink, Mixed Media, Canvas, Stretcher Bars The artist signed the back of the painting. "Untitled" by Steven H...

"Mind Your Manner" Abstract Relief Sculpture. Carved sculpture and painting by Mickey "Kano" Kane (American, 20th century). This large-scal...

Oscar Reutersvärd (1915-2002) Fifteen European Impossible Figures, Italy, 39,5x30 cm

Oscar Reutersvärd (1915-2002) Fifteen European Impossible Figures, Portugal, 39,5x30 cm

Oscar Reutersvärd (1915-2002) Fifteen European Impossible Figures, Sweden, 39,5x30 cm