1990s Mixed Media

mixed media and collage on cardboard. Butterfly

"Eruption"" is a Mixed Media made with coper, wood, imitation Malachite, high volume chasing by Maestro Tariel Chekurishvili. Dear art lovers, if you like the art of maestro Tarie...

nylon and stainless steel

Minimal abstract style mixed media work by contemporary artist Toby Topek. The work is signed, titled, and dated on the back. It is framed in a white frame with a white matte. Dimensions Without Frame: H 8 in x W 10 in. Artist Biography: Born in Brooklyn, New York, Topek grew up in Houston. She has studied archaeology, art, architecture, the environment, culture and history in Mexico, the Mediterranean, North Africa, Near East, Adriatic, Brazil and Canada. She lived and worked in Greece and Turkey part–time, 1984– 1988. Her work has been exhibited at the Whitney Bank Museum Branch–Houston, Contemporary Arts Museum Houston, Fort Worth Modern Art Museum, Art Museum of South Texas, Corpus Christi, Galveston Art Center, the International Sculpture Conference Houston, College of the Mainland, Lawndale Art Center, Diverseworks, Women and Their Work-Austin, Transco Gallery and Project Row Houses. In 2000, she completed eleven 10 foot marble mosaic medallion...

Mixed media collage work made from magazine paper and photographs of cherubs. The work is framed in a black wooden frame. It is signed by the artist in the bottom right corner of the...

David Hare Cronus Asleep in the Cave, 1991 Acrylic on paper on board 26 X 34 1/4 inches “Freedom is what we want,” David Hare boldly stated in 1965, but then he added the caveat, “and what we are most afraid of.” No one could accuse David Hare of possessing such fear. Blithely unconcerned with the critics’ judgments, Hare flitted through most of the major art developments of the mid-twentieth century in the United States. He changed mediums several times; just when his fame as a sculptor had reached its apogee about 1960, he switched over to painting. Yet he remained attached to surrealism long after it had fallen out of official favor. “I can’t change what I do in order to fit what would make me popular,” he said. “Not because of moral reasons, but just because I can’t do it; I’m not interested in it.” Hare was born in New York City in 1917; his family was both wealthy and familiar with the world of modern art. Meredith (1870-1932), his father, was a prominent corporate attorney. His mother, Elizabeth Sage Goodwin (1878-1948) was an art collector, a financial backer of the 1913 Armory Show, and a friend of artists such as Constantin Brancusi, Walt Kuhn, and Marcel Duchamp. In the 1920s, the entire family moved to Santa Fe, New Mexico and later to Colorado Springs, in the hope that the change in altitude and climate would help to heal Meredith’s tuberculosis. In Colorado Springs, Elizabeth founded the Fountain Valley School where David attended high school after his father died in 1932. In the western United States, Hare developed a fascination for kachina dolls and other aspects of Native American culture that would become a recurring source of inspiration in his career. After high school, Hare briefly attended Bard College (1936-37) in Annandale-on-Hudson. At a loss as to what to do next, he parlayed his mother’s contacts into opening a commercial photography studio and began dabbling in color photography, still a rarity at the time [Kodachrome was introduced in 1935]. At age 22, Hare had his first solo exhibition at Walker Gallery in New York City; his 30 color photographs included one of President Franklin Roosevelt. As a photographer, Hare experimented with an automatist technique called “heatage” (or “melted negatives”) in which he heated the negative in order to distort the image. Hare described them as “antagonisms of matter.” The final products were usually abstractions tending towards surrealism and similar to processes used by Man Ray, Raoul Ubac, and Wolfgang Paalen. In 1940, Hare moved to Roxbury, CT, where he fraternized with neighboring artists such as Alexander Calder and Arshile Gorky, as well as Yves Tanguy who was married to Hare’s cousin Kay Sage, and the art dealer Julian Levy. The same year, Hare received a commission from the American Museum of Natural History to document the Pueblo Indians. He traveled to Santa Fe and, for several months, he took portrait photographs of members of the Hopi, Navajo, and Zuni tribes that were published in book form in 1941. World War II turned Hare’s life upside down. He became a conduit in the exchange of artistic and intellectual ideas between U.S. artists and the surrealist émigrés fleeing Europe. In 1942, Hare befriended Andre Breton, the principal theorist of surrealism. When Breton wanted to publish a magazine to promote the movement in the United States, he could not serve as an editor because he was a foreign national. Instead, Breton selected Hare to edit the journal, entitled VVV [shorth for “Victory, Victory, Victory”], which ran for four issues (the second and third issues were printed as a single volume) from June 1942 to February 1944. Each edition of VVV focused on “poetry, plastic arts, anthropology, sociology, (and) psychology,” and was extensively illustrated by surrealist artists including Giorgio de Chirico, Roberto Matta, and Yves Tanguy; Max Ernst and Marcel Duchamp served as editorial advisors. At the suggestion of Jacqueline Lamba...

Oil paint transferred onto a Masonite board. Mainly yellow tones with decorative foliage. Framed in a white frame with a white matte. Artist Biography: Melanie Millar isa painter living and working in Houston, Texas. She has exhibited her work in one-person shows, group-shows and juried competitions nationally. Her work is in private and corporate collections, as well as in the collection of the Museum of Fine Art, Houston. She grew up in New Jersey but later moved to Houston, Texas. Her undergraduate degree is from the University of Texas. In 1999, she completed an MFA in painting and drawing at the University of North Texas, Denton Texas...

JIRI KOLAR LIPPENSPIEL..., 1990 10¼ in. diam. 26 cm.

Pastel, gouache and coffee on paper. Artwork size: 58 x 56 cm. Frame size: 78 x 76 cm. Free shipment worldwide. Acquired directly from the artist. Archive number (P90/37) “The heart is an eye,” writes Nobel laureate Octavio Paz in an essay on Matta’s paintings. Matta creates a world coloured both by a sunny faith in the future and by visions of impending doom. Roberto Sebastian Echaurren Antonio Matta, who died aged 91 on 23 November 2002, was born in Santiago, Chile, on 11 November 1911 into a family with Spanish, French and Basque roots, and raised in an atmosphere of religiosity. By the age of 21 he had graduated and begun work as an architect, but his leisure time he devoted to sketching and painting. In 1933 he travelled to Europe for the first time, visiting Greece, Yugoslavia, Italy and other countries, and subsequently taking the initiative to collaborate with the architect, Le Corbusier. As time passed, however, Matta’s enthusiasm for a career in architecture waned, and he began to devote himself full-time to art, making early acquaintances with surrealists such as Max Ernst, Salvador Dalí, André Breton and others. Between 1939 and 1948 Matta, like many of his artistic contemporaries, lived in self-imposed exile in the USA, but, after almost 10 years’ absence from Europe, he returned to make first Rome and then, a few years later, Paris his home. Throughout most of the rest of his life Matta commuted between his studio in Paris and his creative refuge in the monastery outside Rome. And it is here, in Italy, that he produced his greatest paintings. Matta’s first retrospective in Sweden was organised in 1956 when his works were exhibited in what was then Galerie Colibri – run by, among others, the artist C O Hultén at number 36 Södra Förstadsgatan in Malmö, Sweden. This was also the time when Matta began to collaborate with poets and other artists in Sweden. He produced the illustrations for Lasse Söderberg’s first anthology of poems, Akrobaterna (“The Acrobats”), published in 1955, and was also responsible for the cover of the Swedish art and literary magazine Salamander. In 1959 the first museum exhibition of Matta’s work in Europe was arranged at the Museum of Modern Art (Moderna Museet) in Stockholm. Held under the aegis of Pontus Hultén, it was entitled “Fifteen Forms of Doubt” and included 15 or so gigantic paintings...

"Conversaciones Alternadas (Alternated Conversations)" is an original mixed media piece on handmade paper by Teresa Olabuenaga. The artist signed the piece in the lower right. It dep...

collage created in 1998, from the artists studio, on archival paper, smudges, intentional with use of graphite. Mixed media, graphite, drawing, pastels, text. signed L.B. lower righ...

"Don't Wine" is a mixed media piece, predominately a serigraph, by Paula Schuette Kramer and Bill Weege. Both artists signed in pencil in the lower right, and the title is in the lower left. It is one of a an edition of 50. The print is an explosion of bright colors, but red, blue, and green dominated the composition as they fade through the background. A blue figure climbs up a ladder out of an apple, hefting a large wine bottle overhead, which they pour out into the sea of wine. A man, woman, and long-necked orange bird also look out from the apple, reading for the stem of a floating bunch of green grapes. A group surrounds the grapes with their heads and shoulders above the water, eating the fruit. Birds fly through the background, dodging wine glasses and a vase of flowers that seem to be tumbling from a flying carpet. The entire image feels very surreal. Art size: 12" x 10" Frame size: 19 1/4" x 17" Paula Schuette Kraemer is an independent artist living in Madison, Wisconsin...

Signed, dated, numbered and titled in pencil on recto; artist's copyright label affixed to verso Painted Gelatin Silver 16 x 20 inches Edition 8 of 25

'Persistence' is an original mixed media painting on rough-cut aluminum by American artist and appraiser Kelly Butenhoff. In the image, Butenhoff shows a yellow figure against a blue background; however, the painting is even more about the material of paint and metal than it is about figuration. Recalling the figurative paintings of Abstract Expressionist Willem de Kooning, the work is constructed of built-up textured layers, their rough surface mirrored by the irregular border of the aluminum sheet support. These same colors are seen in the Ukrainian flag. Yellow and blue represent Ukraine’s wheat fields below the blue skies and mountains. All proceeds of this sale will be donated to help Ukrainian refugees. 34 x 23 inches Artist's labels on the reverse Unframed, ready to hang Framing options available Overall good condition; some lifting of paint around edges; paint loss upper left After studying abroad, Kelly graduated from Carroll College, Waukesha, Wisconsin, with a BFA in Fine Art and Commercial Art. Her career in the art world began with the prestigious David Barnett Gallery in Wisconsin. Simultaneously exploring her own artistic accomplishments and gallery pursuits, eventually brought Kelly to Palm Beach Gardens, Florida, and Studio E Gallery in 2001 where she held the position of Gallery Director for eleven years while launching her endeavor of concierge fine art and appraisal services. Never one to rest on her laurels, Kelly appeased an interest in appraising by attending the School of Continuing and Professional Studies at NYU, completing the intensive Art Appraising and Connoisseurship Program in 2004. These studies and internships have included in-depth research and documentation of fine and decorative arts. Courses, workshops, and seminars on fine art, decorative art, American silver 1800-1940, estate jewelry, 18th, and 19th-century furniture, and IRS legal guidelines. Her training took place in such esteemed locations as Sotheby’s, Doyle’s Auction House, Swann Auction Galleries, Hirschl & Adler, Beauvais Carpet...

Bill Shields "Micro Biomorphic Abstract Drawing " 1990's Pastel, pencil charcoal on illustration board Site measures 3"x3" silver wood frame 9.75"x10.75" Unsigned came from artist's ...

Shitomi Murakami Shitomi Murakami was born in 1941 in Osaka, Japan 1964 Graduated from Musashino School of Fine Arts, Tokyo. 1964-70 Laboratory of Sc...

Available at Madelyn Jordon Fine Art. 'Pindewegunglasgemut' by Stanley Boxer, 1994. Oil and mixed media on canvas, 50 x 26.75 in. / Frame: 51 x 27.75 in. This painting has an active...

Contemporary abstract miniature paper collage by Bay Area artist Michael Pauker (American, b. 1957). Titled, signed, and dated on verso of piece. Titled and dated on verso of mountin...

- The artwork is a untitled material image / collage / assemblage - Material: pencil, newspaper and magazine clippings and tobacco leaves, mounted on cardboard - Signed "Juan del Rio" and dated "96 " (1996) - Back protection with label of the former gallery Clasing in Münster. - Mounted behind glass in a walnut veneered frame. - Cardboard approx. 13.7 x 14.5 cm Juan Alberto del Rio was born in Buenos Aires in 1956, where he studied at the State Art Academy "Prilidiano Pueyrredon". Del Rio has exhibited in Buenos Aires, Frankfurt/M., Munich, Berlin and Hamburg. His artistic work moves between material works, collage and classical painting with acrylic and oil on cardboard. With his collages, Del Rio creates a strong sense of materiality. For example, he collected leftover moulded wood and other wood scraps for his small ship objects...

Cirque du Soleil n.31 is a contemporary artwork realized by Sergio Barletta in 1995 ca. Hand Signed on the lower margin. Mixed Media (Oil and Acrylic) and collage on canvas. Inclu...

Cirque du Soleil n.27 is a contemporary artwork realized by Sergio Barletta in 1995. Hand Signed on the lower margin. Mixed technique and collage on...

Cirque du Soleil n.23 is a contemporary artwork realized by Sergio Barletta in 1990s. Hand Signed on the lower margin. Mixed media (Oil and Acrylic) and collage on canvas. Include...

"Field Study - Typology of Hand" is a mixed media piece by Terri Warpinski using photographs, drawings, and fragments of notebook and sketchbook paper. The artist signed the piece in the lower right and titled it lower left. 9 1/2" x 7" art 20 7/8" x 17" frame From her home base in Oregon Terri Warpinski travels the world to pursue her creative practice. She is a Professor of Art at the University of Oregon and was a Fulbright Scholar in Israel 2000-2001. Recent awards include an Individual Artist Fellowship (2014), two Career Opportunity Grants (2015, 2013) from both the Ford Family Foundation and the Oregon Art...

The painting is being offered with a work and authenticity certificate

"Las Esquinas del Tiempo (The Corners of Time)" is an original mixed media on canvas by Teresa Olabuenaga. It depicts abstract forms, a figure in a sarcophagus, a nude breast...

This rare pair of “Pyramide” lamps was created by French ceramicist Mithé Espelt, whose work fused modernist forms with a deep sensitivity to material, light, and ritual. The hexagon...

"Field Study - Winter Patterns" is a mixed media piece by Terri Warpinski using photographs, drawings, and fragments of notebook and sketchbook paper. The artist signed the piece in ...

Gianni Versace Couture clutch bag from the 90s Impeccable condition, black crocodile leather.

"Minutiae II" is a fiber collage mixed media fiber collage by Jeanne Smith. The artist begins by dyeing background fabric, in this instance tie-dyeing, which creates an irregular pat...

Eric Rhein “Viral Structure” 1999 Accompanied by a certificate of authenticity Wire, paper, and found objects 18 x 34 x 14 inches (45.7 x 86.4 x 35.6 cm) 61 x 38 x 18 inches (154...

Alain Kleinmann Oil painting and mixed media 80 x 65 cm without frame 84 x 100 cm framed Alain Kleinmann is a true master in capturing the time flow within beautiful painting and installations. his unique approach to art is both sensorial and conceptual, expressed through complex pieces that feature high historical content and extremely rich textures. By mixing different techniques such as drawing, collage, writing and engraving, kleinmann is able to subtly evoke tactile emotions and memories from the past. His paintings are like sculptures and his sculptures have a certain pictorial feel, obtained through special treatments and polishing processes. The metamorphosis of the years, memories that fade away, life experiences forgotten and somehow re-discovered, traditions and cults shape the art of kleinmann and his symbolism, which touch the visitors deeply in their souls. Exhibited in Museums: Centre Georges Pompidou, Paris Museo Leonardo da Vinci, Milan Science Muséum, Londres New York Coliseum, New York Tekniska Museet, Stockholm Kunsthalle, Berlin Palais des Beaux-Arts, Bruxelles Musée d'Art Contemporain, Fontainebleau Palais de Beaulieu, Lausanne Palacio Velasquez, Madrid Musée de la Résistance, Lyon Musée de Saint-Paul-de-Vence Musée de Quimper Musée de la Vicomté-Melun Musée de Châteauroux Musée de Mantes-la-jolie Musée des Capucins, Coulommiers Musée des Invalides, Paris Musée de la Poste, Paris Musée du Luxembourg, Paris Espace Lyonnais d'Art Contemporain, Lyon Museo del Technische Hogeschool, Delft Musée D'art juif, Paris Museo Municipal, Bat Yam Museo Mercal el Born, Barcelonne Museo Charlottenborg Copenhague Magnes Muséum, San Francisco Museo Tretiakov de Arte Contemporâneo, Moscû Museo de la Academia de Bellas Artes de Chine, Pékin Museo de Shandong Museo de Shengzen Museo de Arte Contemporâneo, Santiago de Chile Loft Muséum, Nagoya Kirin Plaza Fundation, Osaka Tokyo Bunkamura, Tokyo Museo Nacional de Bellas Artes de La Habana Main Exhibitions in galleries 1976 Fiac - Paris / Galerie...

Meeting is an original Contemporary artwork realized in 1997 by the italian artist Leo Guida (1992 - 2017). Oil and Acrylic on Cloth mounted on plywood. Frame is included. Total ...

Art: 16 x 48 x 2 5/8 inches Mixed media construction, signed on reverse Artist Tom Shelton creates very innovative constructions and paintings dealing with animals in their natural habitat. He graduated with a B.S. in Botany from the University of Cincinnati in 1964 and spent three semesters at the University of Michigan majoring in Forestry from 1964-1965. In 1972 Shelton completed the graduate art program at the Eastern Michigan University in which he received a M.F.A. in painting. Shelton’s artworks are included in the collection of the Smithsonian Institute, Washington, D.C., The Chase Manhattan...

Title: "View From San Constantino Albanese" Artist: Sandra Langston Medium: Watercolor and Pastel on Paper Size: 11 x 10 in. Framed: 15.5 x 16 in

Mixed media on paper, 1990, signed 'Ivan Chermayeff' and dated lower right, titled lower left. 30 x 22 in. (sheet), 36 x 28 in. (frame). Provenance:The artist, Art Planning Consult...

Hand Signed. Mixed technique and collage on cardboard. Lightly damaged on bottom left sheet. Passepartout included. This artwork is from the series "Cirque du Soleil...

Hand Signed. Mixed technique and collage on cardboard. Passepartout included. This artwork is from the series "Cirque du Soleil" that the Italian arti...

Hand Signed. Mixed technique and collage on cardboard. Small stain on bottom right. Passepartout included. Image Dimensions : 42 x 30.5 cm This artwork is from the series "Cirque du Soleil...

Mixed media on paper Signed and dated on the back Unique work In Geneviève Seillé’s works, the word reigns in master. It fascinates her for its own appearance and becomes an estheti...

Morgan Monceaux (American, 1945-2017), "Chief Kintpuash Captain (Captain Jack)", Mixed Media on Paper with Collage Elements, 1993, signed lower right, stamped "Morgan Rank" and dated...

HEATHER HUTCHISON DANCE WHEN YOU ARE PERFECTLY FREE, 1996 beeswax, plexiglass, pigment and wood 48 x 55 x 2 in. 121.8 x 139.8 cm. signed, dated and numbered on verso semi-translucent

When the Artist was young she heard someone say, A Bird Flew Out of A Cage it became a Title in A Series about her feelings and wanting to fly and reach all of her potential and at t...

Lip game, breast game, come on and play, at music and Paradise lost. Jeu aux levres, aux seins, jouer a la musique et a l'expulsion du paradis. Hru na rty, nadra, po jd, budeme si hr...

"Decorative Lion" is a Mixed Media Brass wood engraved panel by Maestro Tariel Chekurishvili. Dear art lovers, if you like the art of maestro Tariel Chekurishvili please click the ...

Ralph Farabee (1935–2003) Title: "Golden Flowers" Medium: Watercolor on Paper Dimensions: 9.5" x 7.5" image 18.25" x 15.25" frame Markings: Signed LR "F...

Ralph Farabee (1935–2003) Title: "Spring Storm" Medium: Watercolor on Paper Dimensions: 7" x 10" image 14.75" x 17.75" frame Markings: Signed LR "Farabe...

Oil paint and collage on wood panel Unique work Hand-signed lower right by the artist

The painting is being offered with a work and authenticity certificate

Signed, dated, numbered and titled in pencil on recto; Artist's copyright label affixed to verso Painted Gelatin Silver 11 x 14 inches Edition of 50

The painting is being offered with a work and authenticity certificate

Ralph Farabee (1935–2003) Title: "Colorful Bouquet" Medium: Watercolor on Paper Dimensions: 8.5" x 11" image 12.5" x 15.75" frame Markings: Signed LR "F...

We have three Chermayeffs collage portraits and they work as a group. Salander- O'Reilly Galleries, NY Art Planning Consultants New York We have 3 stunning collage portraits by Cher...

Born in 1956 in Winnipeg, Manitoba, Canada. Mark Gaskin is a post-Modern painter who blends the effects of ancient fresco and mural art with contemporary subject matter. His fascinating technique – in which his painting surfaces are purposefully distressed – conjures the textures of prehistoric cave painting, ancient Roman painting, and Renaissance fresco...

Born in 1956 in Winnipeg, Manitoba, Canada. Mark Gaskin is a post-Modern painter who blends the effects of ancient fresco and mural art with contemporary subject matter. His fascinating technique – in which his painting surfaces are purposefully distressed – conjures the textures of prehistoric cave painting, ancient Roman painting, and Renaissance fresco...

Encaustic paint on fabric and on an engraving plate

Titled: Rodeo rose Ann Chernow (Connecticut b. 1936) etching. hand signed 'Ann Chernow' in pencil lower right. Numbered '5/15' in pencil lower left. Titled in pencil lower center. Sh...

Purvis Young (1943 - 2010) Hold Back the Eye, 1993 Mixed Media House paint and carpet on board 21 x 48 in

Original acrylic and spray paint on metal panel. Hand signed and dated on verso by John 'Crash' Matos. Artwork is in excellent condition. Certificate of Authenticity included. All r...

Mixed Media House Paint on wood and laid fabric

"She's Watching" Mixed media collage, assemblage, gestural painting on masonite. Hand Signed in ink and titled verso. It does not appear to be dated. I am estimating it is from the 1980's. It has some Postmodern elements and similarities to Transavanguardia is the Italian version of Neo-expressionism. Francie Bishop Good (American, 1949-) Francie Bishop Good was raised in Allentown, Pennsylvania. She currently lives and works in South Florida and New York City. Her work has been exhibited nationally and internationally. Bishop Good is twice recipient of the South Florida Cultural Consortium Fellowship, and the State of Florida Individual Artist Fellowship. She completed her Graduate Studies at Maine Media College, Rockport, Maine, International Center of Photography, New York, New York, Master of Arts, Florida Atlantic University, Boca Raton, Florida, B.F.A. University of Colorado, Boulder, Colorado, Philadelphia College of Art, Philadelphia, Pennsylvania, William Allen High School, studies under James Musselman Her museum solo shows include the Allentown Art Museum, Allentown, PA, Museum of Art, Fort Lauderdale, FL, the Museum of Contemporary Art, Jacksonville, FL, Art and Culture Center, Hollywood, FL, and the Hilliard Museum, Lafayette, LA. Bishop Good's work has been shown at David Castillo Gallery, Mindy Solomon Gallery, Miami, FL. Griffin Museum of Photography, Bernice Steinbaum Gallery, and AMbrosino Gallery. Recent museum acquisitions include Museum of Fine Arts, Boston, MA The Wadsworth Atheneum, Hartford, CT, The Patricia & Philip Frost Art Museum at Florida International University, Miami, FL, Bass Museum of Art, Miami Beach, FL and the NSU Art Museum, Fort Lauderdale, FL. Selected Group and Invitational Exhibitions NSU Art Museum, Remember to React: 60 Years of Collection, Fort Lauderdale, FL Frost Art Museum, Connectivity: Selections from the Collection of the Frost Art Museum, Miami, FL Dual Roles, curated by Laura Marsh, Art and Culture Center of Hollywood FL David Castillo Gallery, gallery artists, in terms of collage, Miami Beach, FL Multidisciplinary, curated by Dimensions Variable, Open Source Gallery, Brooklyn, NY Cornell Museum, Artistically Speaking, Boca Raton Museum of Art, FL. People and Places, Photographs from the Collection, summer 2015 Frost Museum, FIU Miami FL, 25 Inches, The Faces of the Permanent Collection Locust Projects, Smash and Grab, November Annie Wharton Fine Art, Los Angeles group show, summer Museum of Art Fort Lauderdale ,The Art of Caring summer Women to Women, collaboration with Samantha Salzinger, Bakehouse Fredric Snitzer Gallery Boy oh Boy, Summer Show Miami A.I.R. Gallery, The Man I Wish I Was, curator Kharis Kennedy Photo Miami with Nina Arias, Miami, FL December Alva Gallery, New London, Ct Being Good: Women's Moral Values Art Basel with Ambrosino Gallery, Miami, FL 51st Venice Biennale, Italy Poles Apart / Poles Together, International Artists' Museum, White Box Norton Museum of Art, West Palm Beach, FL, FOCUS ON: New Photography, National Museum of Women in the Arts, FL Transitory Patterns Museum of Contemporary Art, Miami, FL Optic Nerve Selected Collections Museum of Fine Arts, Boston, Ma. Wadsworth Atheneum Museum of Art, Hartford, Ct. Bass Museum of Art, Miami Beach, FL Frost Museum of Art, Miami Florida Norton Museum of Art, West Palm Beach, Florida Museum of Contemporary Art, Jacksonville, Florida Boca Raton Museum of Art, Boca Raton, Florida Sagamore Hotel Collection, Miami Beach, Florida Museum of Art, Fort Lauderdale, Florida Refco Collection, Chicago, Illinois Allentown Art Museum, Allentown, Pennsylvania New World Symphony Residence, Miami, Florida Art in Public Places, Broward County, Florida Art and Culture Center of Hollywood, Florida William Gates III (Bill Gates) Monica and Richard Segal Saks Fifth Avenue Asides from being an exceptional artist she is also a passionate collector. Photographs by Cindy Sherman and the late feminist artist Ana Mendieta, collages by Kara Walker, a watercolor by Louise Bourgeois, Cecily Brown, Tracey Emin, Teresita Fernandez, Carrie Mae Weems, Nan Goldin, Barbara Kruger, Catherine Opie, Lorna Simpson, Kiki Smith, Mickalene Thomas, and Kara Walker. are among 100 works by leading contemporary artists donated by philanthropists David Horvitz...