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The vision of St. John Paper, pastel, 16x23 cm It presents a colorful cityscape on a dark background, the use of pastels allows for the creation of vibrant colors and a dynamic com...

Societa di Mutuo Soccorso - Nomina di Giuseppe Garibaldi is original Italian historical Document, from "Societa di Mutuo Soccorso of Comune di Mil...

This art print on recycled paper features a pair of elegant women's shoes. It's timeless, expressive aesthetic makes it perfect for personalizing your space. Hand signed on back. Thi...

This is a Autograph Card Signed by Virna Lisi to Maria De Matteis. Udine, July 22nd 1966. In Italian. On letterhead paper "Virna Lisi". Excellent condition...

Antique Italian Coral brooch. Naples.
 XIX century. Total weight 5,60gr. Size 4,2 cm FREE WORLDWIDE SHIPPING Coral engraved and carved in...

St Ives, Cornwall is an original landscape painting by Trevor Waugh using oil, brush and palette knife on canvas. Trevor Waugh was born in 1952 and grew up in London available with Wychwood Art. Trevor studied at The Slade School of Fine Art from 1970 -1974 (BA) under the guidance of Sir William Coldstream, Professor of The Slade at the time, Patrick George, Philip Sutton, David Hockney, Euan Uglow and Bernard Cohen. During his time at The Slade he was invited by Sir William Coldstream and Patrick George to exhibit alongside them at The Collegiate Theatre at University College, London, 1971. He was also a contributor to The Young Contemporaries Exhibition at The Royal Academy 1972. Trevor obtained a distinction for his post-graduate certificate in illustration when he studied with Ernest Jones...

Ex-Libris is an Artwork realized in Mid 20th Century. Woodcut on green paper. The work is glued on ivory cardboard. Total dimensions: 20 x 15 cm. Good conditions. The artist wan...

Ex Libris - Anne ja Tauno Piiroinen is a Modern Artwork realized in 1994, by Mirjam Karila. Ex Libris. B/W woodcut on paper. Hand Signed and dated on the back. The work is glued o...

Very Rare Vesuvius lava stone writing set. Torre del Greco (Naples). 19th century. 4 objects with small sculptures (cameos) depicting the poet Petrarch, mythological female figures, ...

WOJCIECH SADLEY (born in 1932) Painter, graphic and fabric artist. He studied at the Music Academy in Lublin, then at the Academy Of Fine Arts in Warsaw (where he works as a profess...

This abstract art quilt has been created by using a collage technique Inspired by the patterns left on a windowpane after a shower of rain. Using salt resist on wet paint has created...

Ceramic from Vallauris Workshop "Les Argonautes", Vallauris: Isabelle Ferlay (1917-?) And Frédérique Bourguet (1925-1997) Isabelle Ferlay and Frédérique Bourguet founded their ceramic workshop in Vallauris in 1953, which they named "Les Argonautes", in reference to the famous Greek epic. Isabelle studied painting at the Fine Arts school of Lyon in 1940, then she attended the Fine Arts in Marseille. Finally, she finished her artistic training in Montpellier, at the Fontcarade national school, where she learned ceramics. Françoise dit Frédérique Bourguet studied at the Beaux-Arts in Montpellier until 1945 and it was in Sèvres, in Françoise Bizette's studio, that she trained in the art of ceramics. She created her first workshop in Paris in 1945, which she shared with Valentine Schlegel until 1951. The two women ceramicists then practiced modeling technique. It was in 1953 that she met Isabelle Ferlay and together, they decided to set up a workshop in Vallauris. They produce shaped pieces, sometimes molded, made of earthenware, enamelled in bright colors. In the 1970s they made stoneware cooked over a wood fire. Some ceramists frequented their workshop, notably the very talented Jacques Innocenti and François Raty.

Oil, wax, and collage on linen Signed and dated, verso This artwork is offered by ClampArt, located in New York City. Carl James Ferrero is an artist whose experimental paintings, ...

Color screenprint on silk sateen shirt. With the artist's signature and date screenprinted and numbered 3/100 in ink, on the label. Printed by the Fabric Workshop, Philadelphia. Publ...

Original Title: Picasso. Dessins en noir et en couleurs. 15 Décembre 1969-12 Janvier 1971. Rare Catalogue of Pablo Picasso's exhibition held at the Louise Lei...

L.A.S. Rue Caulaincourt, Paris, November 3, 1935. (21x27 cm). Perfect conditions. In French. The wistfulness for the days spent at Marlia with the Countess (renewed by the photos tha...

Collage inspired by Welsh folk tales and the story of Taliesin by Robert Nye. Each panel is full of abstract imagery texture and doodles conveying a dream like language where so many...

Fairy tale like artwork on paper depicting a little angel by Polish artist Marianna Oklejak. The cheerful cherub is holding a little bright shining star. Artwork is made out of paper...

Mariusz Szalajdewicz (b. 1974) Studied at the Faculty of Architecture at Warsaw University of Technology, where he mastered the drawing skill. Architect and urbanist, illustrator. ...

The Propositions is an original lithographs by J.J. Grandville from "Scènes de la vie privée et publique des animaux, 1852. Published by Manesq & Harva...

Village, 80x100 cm, oil, canvas

Autograph Card Signed by Pietro Garinei and Sandro Giovannini to their costume designer, Mara De Matteis. Around 1950s. One page, double-sided. In Ital...

Cayton bay is about 5 miles south of Scarborough. You can see Scarborough castle to the left of the painting. I painted it from the cliff-top looking down on the beach. ADDITIONAL I...

These whimsical mixed metal bronze pots feature plump bug-eyed toads, warts and all with gaping mouths. These make excellent vases and have metal removable liners. The toads’ bellie...

K. Laxma Goud Intaglio on Paper 6.5 x 10.5 inches 16.5 x 26.7 cm ( Unframed & Delivered ) Style : Goud displays versatility over a range of mediums, from printmaking, drawing, w...

Autograph postcard signed by Renato Guttuso to the Countess Pecci-Blunt. On the front, there is a reproduction of a detail of the Leonardo's "Cenaco...

Receding Tide, Rye, Oil Pastel with Pencil Painting by Pamela Burns B. 1938, 1998 Additional information: Medium: Oil pastel with pencil 25 x 31 cm 9 7/8 x 12 1/4 in signed, dated, and titled; further inscribed verso Pamela Burns is a British painter. Burns was born in London and now lives in Pembrokeshire. She studied at the Royal Academy Schools until 1963 and later taught at St Martins and Chelsea College of Art, London. The technique Burns uses is engrossing and it is hard not to wonder at how these paintings are made. The marks, as if enchased, in their repeated lines, have an almost hallucinogenic quality - one is fixated by their minute scale. Some have been painstakingly created in reverse, with the background colour revealing the contrasting lines. It is a technique with its own mystery, delicately matching the mysteries of her compositions. Burns paintings from the 1970s and '80s were inspired by the neolithic landscapes of the South West and the deep-rutted fields that lie in the shadows of the Malvern Hills, drenched in the warm greys, endlessly variant greens and deep browns of England's mud-bound cores. In particular, she looked to Maiden Castle, Dorset, and Cherhill in Wiltshire, both sites where the chalky soil had slipped to form narrow parallel ridges along the contours of the landscape. More recently Burns paintings have recorded the changing of the tides, first in Deal, Kent and now in Pembrokeshire. Unlike most coastal painters who tend to look across the surface of the water to the far horizon, Pamela's eye is always drawn back to the shore, to the point where the land melts into the sea. Her paintings record the changing of the tides, as the shore reclaims itself from the water, the parallel striations in the silt holding within their curved lines the imprint of the waves. The tidemarks themselves become a metonym for the process of erosion, a slow revelation of the bones of the land. She has exhibited at the Cairn Gallery in Nailsworth (1990), a formative centre for Land Artists such as Richard Long and Hamish Fulton...

This set is composed of Two Autographs Signed by Virgilio Guzzi, addressed to Silvio Perina, the director of the C.I.M, Roman warehouses, during the Fifties. Excellent condition, pe...

Kate In Space by B A T I K Pop art print of super model fashion icon Kate Moss floating in space with Earth behind her and multicoloured stars reflected in her helmet. BATIK is a...

Item Description Light Canvas III Sintra Print 31 X 79 inches high resolution video and video player 2.5 minutes loop edition 6 of 6 + AP This item needs a projector- not included in...

These are Autographs by the legendary bullfighters Antonio Ordoñez, Manolo Vazquez (Sevilla, 1930-2005) and Juan José Rueda, with autograph notes by A. Ordoñez (Ronda, 1932 - Siviglia, 1998). Around 1960. A card addressed to the Countess Anna Laetitia Pecci Blunt. In spanish. Original envelope included. Short sentence of greetings with the ending hope to see the Countess agains. "Millones de Gracias, esperamos poder corresponder en España". Countess Anna Laetitia Pecci - Blunt (Rome, 1885 - Marlia, 1971) Best-known as "Mimì" Pecci-Blunt , the Italian noblewoman was an art collector, patron and nephew of Pope Leo XIII. Extremely volcanic, she was very active in the cultural field, opening numerous lounges, galleries and theaters. In 1919 she married Cecil Blumenthal, later changed to Blunt, a wealthy Jewish banker from New York, heir to an important collection of nineteenth-century French painting. His Parisian and Roman salons was frequented by artists and intellectuals of the caliber of Salvador Dalì, Paul Valery, Poulenc, Paul Claudel...

Letter from Louis Marcoussis to Countess Pecci Blunt is an original manuscript. The letter is addressed to Countess Pecci Blunt and it's written from Hotel Minerva, Florence Marco...

Figure and Creek is a unique contemporary print by Graham Fransella. The warm oranges starkly contrast the bold use of black lines and intersperse the monotone colour scheme - making...

The Banker is an original lithographs by J.J. Grandville from "Scènes de la vie privée et publique des animaux, 1852. Published by Manesq & Harvard, Paris. Good Conditions but aged...

48"x60" oil and graphite on canvas (signed on reverse). This large scale oil painting by Mark Masyga created with a stunning linear abstract composition. A neutral cool grey groun...

Happy Easter Card by Gianni Granzotto, to the Countess Anna Laetitia Pecci-Blunt. Bologna, Easter, 1937. In Italian. One page, single-sided. With wishing autograph notes by a great...

Florian traduit par Grandville is an original modern rare book illustrated by Jean Jeacques Grandville (Nancy, 1803 – Vanves, 1847) in 1849. Original First Edition. Published by Pa...

This is the original invitation card for the Cagli's solo-exhibition "Il Disegno Moderno" hold at Studio A gallery in Rome, via del Babuino n.76 and in...

So little with so much to say. This pink and white abstract puts emphasis on simplified composition with the use of paint and paper collage. Heavy layers of paint build up a highly t...

Angelica Raquel is a multidisciplinary artist living and working in San Antonio, Texas. She earned her MFA from The University of Texas at San Antonio and a BFA from Texas State Univ...

This is the Business Card "M.r & M.me Paul Valéry ", with autograph notes in French. to the Countess Anna Laetitia Pecci Blunt. Original envelope included...

The Benediction is an original lithograph by J.J. Grandville from "Scènes de la vie privée et publique des animaux, 1852. Published by Manesq & Harvard, Paris. Good Conditions but ...

SUSIE Q. SMITH Medium: Newspaper comics Distributed by: King Features Syndicate First Appeared: 1945 Creators: Linda and Jerry Walter 5.75 X 19.5 Dated August 5, 1954 in top right corner. Like her contemporaries, Aggie Mack, Candy and Patsy Walker (before her conversion to a superhero), Susie Q. Smith was a female Archie-type — not exactly an imitator, because Archie, who had started only four years earlier, hadn't yet become popular enough to spawn imitators, but part of his genre. She attended high school, where her teachers often seemed unreasonable to her, interacted with the opposite gender in a typically adolescent way, and her parents didn't completely understand her. And she was cute and perky as only a teenage girl can be. Susie was the star of a comic strip distributed by King Features, the biggest of the comic strip syndicates, whose other offerings have ranged from Jackys Diary to Prince Valiant. King launched the strip in both daily and Sunday form in 1945. Daily, she was only in a panel at first, but it expanded into a full, multi-panel strip on February 7, 1953. In a very odd turn of events, in 1953 the Walters chose to leave King Features behind and hitch their wagon at the McNaught Syndicate. The creators were Harold "Jerry" Walter and his wife, Linda. Jerry was also responsible for Jellybean Jones, who has nothing to do with Jughead Jones's young sister, a modern-day addition to the Archie cast of characters. Together, they did The Lively Ones during the 1960s. Though each was capable of doing both major jobs in comic strip production, their usual working method was for Jerry to dream up the ideas and write the dialog, while Linda did the artwork. The Walters also collaborated on a series of Susie Q. Smith comic books for Dell Comics. Instead of reprinting newspaper strips, these ran new stories by the Walters. Between 1951 and '54, four issues were published as part of the Four Color Comics series, where many minor comic strips, including Dotty Dripple, Timmy and Rusty Riley had found a home. It had no other media spin-offs. Susie Q. Smith had a respectable run in the newspapers, but it ended in 1959. Jerry Walter (1915 - 2007) was an abstract expressionist artist whose output of energetic and colorful paintings were the products of the rich artistic milieu of post-war New York City. He was born Harold Frank Walter in Mount Pleasant, Iowa on November 25, 1915. After graduating from Colgate University in 1937, Walter moved to New York City, where he studied drawing and painting at the New School and the Art Students’ League. Before concentrating seriously on his art, he spent several years as a successful copywriter and idea man for the advertising agencies of J. Walter Thompson, McCann Ericson, and BBDO. During this time, he also worked as a syndicated cartoonist. Collaborating with his wife, Linda, his best-known series was Susie Q. Smith, which first appeared in 1945 and described as a “female Archie type.” Very popular, the cartoon was later the subject of a series of comic books published from 1951 to 1954. After serving in the United States Army for three years during World War II, Walter began to paint seriously. He ascribed his earliest artistic influence to Joan Miró, whose Dog Barking at the Moon (1926) he viewed when he was twelve, the year he published his first cartoon. Walter later wrote that jazz, “the first native expression of so-called modernism” was a strong influence on his work. During the later 1940s, Walters spent time at the Research Studio in Maitland, Florida. Founded in 1937 by artist and architect J. André Smith and supported by the philanthropist Mary Curtis Bok, the Research Studio was a lively colony that hosted prominent artists, including Milton Avery, Ralston Crawford, and Doris Lee. While at the Studio, Walter’s work was purchased by Frank Crowninshield. A founding trustee of the Museum of Modern Art and editor of Vanity Fair, Crowinshield was a noted collector; his collection included important works by Pablo Picasso, Marc Chagall, Henri Matisse, Edgar Degas, George Bellows, and Pierre Bonnard. Returning to New York after his time at the Studio, Walter became an active member of the New York school of the abstract expressionist movement, and in the summer of 1956, Walter exhibited 13 paintings and a selection of drawings at New York’s Chase Gallery. The adroit manipulation of both color and composition evident in his work shows the influence of Abstract Expressionism, particularly Willem de Kooning, Arshile Gorky, and Hans Hofmann. illustrator and female cartoonist Linda Walter was the talented female mind behind the beloved "Susie Q. Smith" comic strip. She played an instrumental role in shaping the cultural landscape through her vibrant illustrations. Known for the timeless charm of the "Susie Q. Smith" comic strip, Linda's artistry brought joy and laughter to countless readers during the 1950s and continues to resonate with fans across generations. She was part of the Woodstock artists community. from Women in Comics: Linda Walter was the artist of newspaper strip Susie Q. Smith, which was written by her husband, Jerry. It was syndicated by King Features Syndicate and ran from 1945 to 1959. The Walters also contributed original Susie Q. Smith stories to Dell's Four Color comic books from 1951 to 1954. From 1964-1965, they created a singled panel comic called The Lively Ones. Vintage Golden Age of Comics era. The Golden Age of Comic Books describes an era in the history of American comic books from 1938 to 1956. During this time, modern comic books were first published and rapidly increased in popularity. The superhero archetype was created. Between 1939 and 1941 Detective Comics (DC) and its sister company, All-American Publications, introduced popular superheroes such as Batman and Robin, Wonder Woman, the Flash, Green Lantern, Doctor Fate, the Atom, Hawkman, Green Arrow and Aquaman. Timely Comics, the 1940s predecessor of Marvel Comics, had million-selling titles featuring the Human Torch, the Sub-Mariner, and Captain America. Another notable series was The Spirit by Will Eisner. Dell Comics' non-superhero characters (particularly the licensed Walt Disney animated-character comics) outsold the superhero comics of the day. The publisher featured licensed movie and literary characters such as Mickey Mouse, Donald Duck, Roy Rogers and Tarzan. Additionally, MLJ's introduction of Archie Andrews in Pep Comics #22 (December 1941) gave rise to teen humor comics, with the Archie Comics...

The choice of Fishing Lures is an original lithographs by J.J. Grandville from "Scènes de la vie privée et publique des animaux", 1852. Published by Manesq & Harvard, Paris. Good C...

A Autograph Letter Signed by Mino Maccari accompanied by beautiful reproduced portrait (cm 14 x 11) of the Italian satiric illustrator and journalist, during his last years. This com...

"The most fantastic magical things can happen, and it all starts with a wish" - Pinocchio. The message behind this painting is to remind us of our dreams and to fuel our enthusiasm s...

La Tartaruga Gallery Catalogue is a vintage catalog issued in 1955. It was realized for the exhibition of Antonio Cardile in La Tartaruga Gallery in ...

Mychaelyn Michalec is a textile artist and painter working in Dayton, OH. Her work depicts the private, awkward, and mundane moments of family life through a medium traditionally ass...

Greeting card with a nice drawing to wish a Merry Christmas (1959). Anna Salvatore (1923-1978) was a populäre Italian painter and novelist.

Autograph Happy Easter Card by Miguel Angel Ibartz to Silvio Perina. Barcelona, March 25th 1959. In Italian. Perfectly readable, excellent condition. Signed by Miguel and Maria Glo...

Raju Sarkar - Kolkata City Watercolour on Paper, 12 x 13 inches ( Set of 4 works) (Shipment in a roll form). These watercolors typically frame to be 22x23 inches Raju Sarkar is a resident of Kolkata. He completed his BVA (painting) with a first class from Rabindra Bharati University, Kolkata. He has been a part of solo and group shows throughout the country, including venues such as the Jahangir Art Gallery, Mumbai. He also participated in many exhibitions in Kolkata. His work is predominated by contrasting colors and innovative patterns that not only balance the figures, but also add a finishing touch to his creativity. Born on 3rd January, 1980, Kolkata Academics : 2006 B.V.A (Painting) with 1st Class from Rabindra Bharati University, Kolkata Exhibitions : SOLO EXHIBITIONS 2009 Taj Bengal, Kolkata Award : painting award Aranya Exhibition, 2012 Sculpture award Aranya Exhibition, 2013 Exhibition Participation : (i) Annual Exhibition of Academy of - Fine Arts, Kolkata 2003&2004 (ii) Annual of “Indian society of Oriental Art. Kolkata, 2002 (iii) Annual Exhibition of “Agnipath” 2005. (iv) Annual Exhibition of The Indian college of Art & Draftsmanship, 2005 (v) Annual Exhibition of “State academy” Kolkata 2007 (vi) Annual Exhibition of “Birla Academy of art &Coulture”,2007 & 2009. (vii) Annual Exhibition of Camlin art foundation, kolkata 2009 (viii) Aranya Exhibition (RAD) 2011,2012,2013 GROUP EXHIBITIONS : 2004 Palm Court...

Garibaldian Memories is a Autograph Card Signed by Clelia Garibaldi to Clelia Gonella or Gemella. Including the original envelope and a card reporting “...

Vintage Jewish marriage contract, Most likely printed in the USA or Germany. Used in Pittsburgh, Pennsylvania, hand dated 1921. A rare early American judaic piece. Printed in gold an...

Warming Up is an original lithographs by J.J. Grandville from "Scènes de la vie privée et publique des animaux, 1852. Published by Manesq & Harvard, Paris. Good Conditions. The ar...

While working on a large building project several years ago the artist, Fritz Horstman was struck by the poetry in the unfinished state of the construction site. He was drawn specifically to the space between the plywood walls that were raised as formworks for the pouring of cement. That space could only exist for a few hours before the cement truck...

Bethan Ash is a professional quilt maker and teacher with a background in Fashion design. She has exhibited widely and her work has been bought by museums in the UK and USA, includin...

While working on a large building project several years ago the artist, Fritz Horstman was struck by the poetry in the unfinished state of the construction site. He was drawn specifically to the space between the plywood walls that were raised as formworks for the pouring of cement. That space could only exist for a few hours before the cement truck arrived, but in that moment it was a revolving abstraction of potential, delineation, growth, and destruction. Once filled it was gone: the plywood was stripped away, the earth was backfilled. To suspend that moment he began building models of formworks. Leaving them unfilled, they are perpetually unfinished. From models based directly on architecture, Horstman expanded to forms found in the landscape. Making a formwork that depicts constraint upon the landscape is not exactly a reversal of the formwork’s function, but it asks different questions than a formwork designed for a building would. Why would you make a cement creek? What is the relationship between a flowing creek and poured cement? Is this a barrier or just delineation? For River Woman ODETTA, in addition to several small sculptures in the Flat File, Horstman will install Formwork for the East River, which describes that river’s shape as it flows from Rikers Island to the tip of Manhattan. The 3 x 18 x 7 foot sculpture...

This is a Autograph Card Signed by Giacomo Manzù to the Countess Pecci-Blunt. Milan, May 28th 1937. In Italian. One page-single-sided. Excellent condition, on laid ivory-colored cardboard. Thanks Card by the Italian sculpture of bronze cardinals...