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L.T.S. (Lettre dactylographiée signée) Typewritten letter signed by Albert Field. Headed paper with double heading: in the center “The Salvador Dalì Catalog”, on the upper right “Compiler Albert Field, 20-25 29th Street, Astoria 5, N.Y.” addressed to the Countess Anna Laetitia Pecci - Blunt. Dated: 18th March 1958. One page, only front. In English. Very good conditions with usual folds in the paper and a rip on the higher left corner. Very interesting and amusing letter signed by Albert Field, the official compiler of Dalí’s work, for the Countess Anna Laetitia Pecci-Blunt. A thank-you letter for her "prompt and informative reply" to the previous Field letter of the 8th March 1958. "I must play detective all the time, and of course while this irritates me as a scholar, it fascinates me at the same time". The background: The Surrealist Dalí commissioned to Albert Field the creation of his Official Catalogue of Graphic Works, a guide to the artist’s works for collectors, dealers, gallery owners and museums: an opus magnum encompassing 40 years of production and comprising 1900 illustrations, of which 1500 in color. Albert Field was Dalí’s official archivist, besides the topmost authority regarding the artist’s work, who discovered approximately 17 types of falsification, as he reported to the St. Petersburg Times in 1987. Therefore, the catalog had the function of uncovering false Dalís scattered throughout the world. Nevertheless, Dalí himself reacted to the falsification phenomenon by saying: “Someone who is subjected to forgery the way I am must really be fantastically good''. An eccentric genius like Dalí thus found a kindred spirit in Mr. Field, an English, science, and maths teacher, as well as collector of playing cards, who had a passion for nudism and rambling, and who combined all of his interests by climbing the Appalachian Trail completely naked. At the sight of “Dream of Venus...

Roger Capron (French, 1922-2006) Vase Ceramic Signed on bottom 15.75 x 6 inches French ceramist Roger Capron was born in Vincennes in 1922. He studied at Paris’s School of Applied A...

The Skateroom x Estate of Jean-Michel Basquiat Untitled (Devil), 1982 / 2023 Screenprint on maple wood 31 1/2 × 7 9/10 × 3/10 in 80 × 20 × 0.7 cm Open edition Licensed by Artestar,...

~ Globe Photos Exclusive Offering for Sotheby's and 1stDibs ~ Offered exclusively to our Sotheby's and 1stDibs customers, Globe Photos is proud to announce a new hand-curated collec...

Take (Blue) Open unknown edition Unsigned

Her Majesty The Muse I remember the words our teacher said “Do not wait for a sudden inspiration, for a visit from the Muse. You should begin working, otherwise the Muse will pass b...

Game Lover is a contemporary artwork realized by Matteo Basilé in 2008. Mixed colored lithograph. Hand-signed on the lower right, Numbered on the lower left. Edition of 260. This...

Must have modern sculpture the KAWS Companion in black. Open Edition art toy released in 2016. Stamped Kaws signature in yellow on bottom of foot with “KAWS…2016”. Made by Medicom To...

Berries and birds, 180x150cm, Oil, Canvas, Sand

Me and my owner Benya, 140x100cm, Oil, Canvas, Sand

Mom's cosmetic bag, 130x100, coffee bag, oil, sand

Evening Bag - Evening Shoes: This set of two original paintings blend acrylic paint, textile collage and a delicate touch of sparkle. Attention to detail captures a hint of timeless ...

Jacqueline Lee "Jackie" Kennedy Onassis (July 28, 1929 – May 19, 1994) was an American socialite, writer, and photographer who became First Lady of the United States as the wife of P...

Alex Katz Alex Katz Black and White (Hand signed by Alex Katz), 2017 Hardback monograph with no dust jacket as issued (Hand signed by Alex Katz) Hand signed by Alex Katz on the first...

Ember Eyes, 2020

"Personaje" acrylic and marker on board figurative painting of man standing, by Southern California artist Mike Rivero. Painted in red, black, green, pink on a yellow background with horizontal white line on bottom portion. The colors of the figures are saturated, contrasted by a more muted palette in the background. This contrast place the figures in a protagonist’s role. Signed at bottom left and on reverse. Dated on reverse. Framed in blonde 1.75" wide frame (measures H 16", W 12" unframed). Inside the studio with Mike Rivero is quite an experience. Mike not only enjoys painting, he also enjoys sharing the knowledge of art that he has acquired over the years and his love of music. Mike was born with a natural affinity to be an artist, continuing to paint over time, and later studying with private mentors. Mike is inspired by the Bay Area Figurative Art...

Califonia artist, Brandon Neher captivates with his figurative abstract artworks that seamlessly blend German Expressionism and Pop Abstraction. His original paintings on canvas embo...

This piece titled "Baret and the Bougainvillea" is an original piece by Han Cao and is made from embroidery, inkjet print, and a vintage photograph. This piece measures 21.5"h x 17.2...

Twentieth Century Watercolour Portrait and Equine Study showing Clowns and Circus Horses. This is highly typical of one of the important strands of Edward Seago's work - he was fascinated by the Circus and by the Travelling community. Edward Seago is a giant of 20th Century British paintings...

Salvador Dali (1904-1989) - Le femme cheval Lithograph from 1970. Dimensions of work: 68 x 50 cm On B.F.K Rives paper as stated in the Field catalogue. Reference: Field 72-6G Th...

This fine antique porcelain plaque by German manufacturer KPM depicts a mother in a pink dress seated on a wide chair holding her two cherubic c...

Tracey Emin: I Lay Here For You (Hand signed and dated book), 2022 Hardback monograph (hand signed and dated by Tracey Emin) on Munken Lynx Smooth Natural White 170 gsm with endpapers of Colorplan Candy Pink 135 gsm; matt laminate printed cover with black head and tail bands Hand signed and dated by Tracey Emin on the title page. 9 × 6 3/4 × 2/5 inches Unframed Hardback monograph with illustrated boards and no dust jacket as issued, hand signed by Tracey Emin. A beautifully designed publication I Lay Here For You, sumptuously illustrated and with a fascinating essay by Katy Hessell, author of The History of Art without Men. About the project: Tracey Emin’s first Scottish show since 2008, I Lay Here For You (28 May – 2 October) will offer an intimate encounter with love and hope set against the domestic architecture and informal woodland of Jupiter Artland. Imbued with connotations of both warmth and vulnerability, resonating with Tracey Emin’s belief of the ‘personal as political’ the exhibition will feature brand new work by the artist reflecting on the possibility of love after hardship. Tracey Emin’s participation in Jupiter Artland’s 2022 season begins with the unveiling I Lay Here For You, a six metre bronze sited personally by the artist in an old-growth beech grove. Larger than life, powerful and at ease, the sculpture presents a radically different view of woman’s place...

Edition of 600 copies. One of the 100 copies out of commerce, with the original signature of the author. Includes some original xylographies on the cover, on the frontispiece and on ...

A beautiful George VI sampler, hand embroidered by Leah Young in 1827. Cases of the alphabet, birds and heart motifs have all been created from open stitch, cross stitch, and stem st...

Standing atop a textured, frothy pastel sea, a classic green Art Nouveau maiden stands cradled by figural waves with an offering of a lily pad. An excellent example of the "ivory por...

Mythologies is an original Rare Book engraved by André Masson (Balagny, Oise, 1896 - Paris, 1987) in 1946. Original Edition. Published by Editions de la Revue Fontaine, Paris. Fo...

SALE ONE WEEK ONLY "The Rev. and Mrs. E. H. Cumpston" a silhouette cut by August Edouart is in very good condition and cut by the artist sometime between 1839 - 1849. On the lower f...

This depicts a Crab, In Hebrew Mazel Sartan (the Zodiac symbol Cancer, June-July) all made by hand. woven and stitched. Kopel Gurwin (Hebrew: קופל גורבין‎) (1923–1990) was an Israeli tapestry wall hanging, painter and graphic artist. Kopel (Kopke') Gurwin (Gurwitz) was born and raised in Vilna, the capital of Lithuania. He spoke Yiddish at home, but simultaneously studied Hebrew at their school which was part of the Tarbut educational network. Kopel was active in the Hashomer Hatzair youth movement. In the 1930s, as a teenager, Kopel helped his parents with the home finances by working in a suit workshop, there he first encountered the art of sewing. With the outbreak of the Second World War and the German invasion of Vilna, the Jews were imprisoned in camps and ghettos. Kopel and his brother Moshe were separated from their parents and were put to work in coal mines and peat. Kopel's parents were taken to the Stutthof Nazi concentration camp where they died of typhus within a month of each other. Kopel's 12-year-old sister Chava was turned over to the Germans by a Polish family and murdered. The brothers were arrested by the Germans, but were saved thanks to the connections of Nina Gerstein, Kopel's drama teacher. They hid in an attic until they were discovered, fled and moved to Riga, where they were caught and sent to the Stutthof concentration camp where they were imprisoned until the end of the war. They were put to work maintaining and cleaning trains and took part in one of the death marches. In July 1946, Kopel and Moshe sailed to Helsingborg, Sweden, as part of operation "Folke Bernadotte", in which Sweden took in ill survivors for rehabilitation. Once he recovered, Kopel worked in a publishing house and later was appointed director of the local branch of the Halutz movement. In 1950 Kopel and Moshe made aliyah to Israel. Kopel worked as a survey for the Survey of Israel Company. In 1951, he enlisted to the Communication Corps and served as a military draftsman. There he won first prize for the design of the front cover of the Communication Corps bulletin. With his discharge from the army at 29 he started studying drawing and graphics at the Bezalel Academy of Arts and Design in Jerusalem. Among his teachers were Isidor Ascheim, Shlomo Vitkin, Yossi Stern and Jacob Steinhardt. At the end of his first year of study, Kopel won the Reuben and Sarah Lif Excellence Award in written studies. During his studies he also won additional prizes: In 1956 he won first prize from the Lethem Foundation in California for poster design. Later the same year, Kopel won the Hermann Struck prize for his drawing on the theme of Jerusalem. In 1957 he won an additional first prize from the Lethem Foundation and second place from the printing company Ortzel for a drawing for a Jewish New Year greeting card. In 1958 he won first prize in a competition to design a poster for Tel Aviv's jubilee. Two years later he won three other awards: First and third prize for designing a poster for Israel Independence Day, celebrating 12 years of the State of Israel. Also that year Kopel won first prize for a poster to mark the 25th Zionist Congress. In 1964 he entered the Independence Day poster competition on the theme of aliyah and won first and second prize. Four years later he again entered the competition on the theme of 20 years of Israel's independence and won first prize. The poster was styled like a Holy Ark curtain with two lions and a menorah at its centre. This poster appeared on the cover of the famous book Jewish Art and Civilization, edited by Geoffrey Wigoder as well as the record Voices of 20 Years, 1948-1968, edited by Yossi Godard. In April 1971 he won first prize in the Independence Day poster competition for the fourth time. Kopel's Folk Art tapestry won the Israeli Independence Day Poster Contest in 1968 With the completion of his studies at Bezalel Kopel moved to Tel Aviv and was hired by Shmuel Grundman's graphics and design studio. Grundman took him to Europe with him to design and supervise the construction of Israeli exhibition pavilions. During his time at Grundman's he discovered the fibrous felt from which he produced most of his wall hangings. At the 1964 Levant Fair exhibition he used felt stuck onto wooden panels for the first time. The first felt wall hanging that Kopel produced was intended for the American Cultural Centre in Jerusalem and its theme was the United States Declaration of Independence. The wall hanging, which measured 2.85 X 1.85 meters, was stuck on a wooden panel. Kopel ordered rolls of felt from France and began work on wall hangings based on bible stories. He used a needle, hand sewing small even stitches with black embroidery thread which framed and highlighted every detail in the work, as well as using appliqué. The interior designer, Alufa Koljer-Elem, introduced him to Ruth Dayan who managed the shop Maskit in September 1967 he opened his first solo exhibition at the Maskit 6 gallery, in which 12 wall hangings were displayed. In light of the exhibition at Maskit 6, Meira Gera, the director of artistic activity at the America-Israel Cultural Foundation, organized an additional exhibition of his works at the foundation's exhibition hall in New York City. The exhibition sparked immense press interest, and was also displayed for a few months at the New York Jewish Museum, from where it travelled throughout the United States. Followed by the exhibition at the Delson-Richter gallery in Old Jaffa, which was later also exhibited at the Jerusalem Theatre. Kopel's tapestry "The Time for Singing has Arrived" was printed on a UNICEF greeting card in 1978 and again in 1981. The Israeli Philatelic Service issued three stamps based on three of Kopel's holy ark curtains and one stamp based on an Independence Day poster he designed. Kopel's creations decorate a large number of synagogues, public buildings, hotels and private collections which were purchased in Israel and around the world. They have decorated, among others, the walls of the King David...

Die Grosse Befehl is an original Rare Book illustrated by Hermann Max Pechstein (Zwickau, December 31, 1881 – Berlin, June 29, 1955) and written by Johanne...

Paper Size: 10.75 x 9.5 inches ( 27.305 x 24.13 cm ) Image Size: 8.25 x 8.5 inches ( 20.955 x 21.59 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Addit...

Watch Us: Together We Can Do It, I 2019 by Chin Chih Yang is a signed limited edition digitally created print on archival paper: 27/75 - edition number, date of creation, and artist'...

This poster was used to advertise Dante's magic show at the NixonTheatre Pittsburgh. Dante (1883-1955) was born in Denmark to Harry August Jansen. He emigrated to the United States a...

Rare and striking 17th-century funeral vestment, embroidered on both sides with precious silver threads on black velvet, a symbol of mourning and solemnity. One side depicts a skelet...

Chez les Passants is an original Rare Book written by Philippe-Auguste, comte de Villiers de l'Isle-Adam (7 November 1838 – 19 August 1889) and illustrated by Félicien Rops (Namur, 7 luglio 1833 – Essonnes, 23 agosto 1898) in 1890. Original First Edition. Published by Comptoir d’édition, Paris. Format: in 12°. The dimensions and the weight are indicative. The book includes 320 pages with full page frontispiece etching. Good conditions. Félicien Victor Joseph Rops (7 July 1833 – 23 August 1898) was a Belgian artist associated with Symbolism and the Parisian Fin-de Siecle. He was a painter, illustrator, caricaturist and a prolific and innovative print maker, particularly in intaglio (etching and aquatint). Although not well known to the general public, Rops was greatly respected by his peers and actively pursued and celebrated as an illustrator by the publishers, authors, and poets of his time and provided frontispieces and illustrations for Jules Barbey d'Aurevilly, Charles Baudelaire, Charles De Coster...

This oriental rug is classic in the best sense of the word and fits in with any interior style, because oriental rugs are currently experiencing a true renaissance. Oriental rugs are...

Original poster: Food and the War! American wheat to win! Rare and very seldom seen original World War 1 authentic vintage poster. Archi...

In the mid-2000s, Ana Seggiaro made her first small-scale collage works on paper. Starting from pages of books, maps, and scores, she carries out the first series intervened through ...

Light, 150x100cm, Oil/Canvas

Edition of 615 copies. Copy on velin blanc. Lightly damaged on cover and binding replaced with a protection. 

This oriental rug is classic in the best sense of the word and fits in with any interior style, because oriental rugs are currently experiencing a true renaissance. Oriental rugs are...

Ads Series skateboards set of 5

A charming embroidery depicting the biblical story from Genesis 24:11–22 'Rebecca and the Well'. Unsigned. Well presented in a swept gilt frame with ornate foliate mouldings. On cotton.

Beautiful hardcover book by Invader with blue cover and metallic gold Invaders. Limited edition of only 1500. Highlights the location of 40 mosaics that Invader has placed in the Ita...

Sean Scully Doric (Hand signed by Sean Scully), 2012 Hardback monograph (hand signed by Sean Scully on the title page) Hand signed by Sean Scully for the present owner at a special ...

Ed Ruscha The Amazing Earth, in gift box hand signed twice by Ed Ruscha, ca. 2017 Re-usable ocean bag created from 5 intercepted plastic bottles. In presentation box, uniquely hand s...

Jennifer Losch Bartlett Air: 24 Hours, 1994 Hardback monograph (book) bound in the publisher's original pink satin cloth with the covers and spine stamped in black. In publisher's original acetate dust jacket. Hand signed and inscribed by the artist on the half title page to Nadine (Witkin) 11 × 9 1/4 × 1 inches Unframed Hand signed and inscribed to Nadine on the title page Hardback monograph bound in the publisher's original pink satin cloth with the covers and spine stamped in black. In publisher's original acetate dust jacket. Publisher's Blurb: In Air: 24 Hours, Jennifer Bartlett creates her most personal paintings, all made between 1991 and 1992. Here, in each work, the unflinching presence of time is carefully, conspicuously monitored by a clock - light gray for day, dark gray for night. But motifs, color combinations, even certain images variously recur throughout the 24 paintings, shaking us up, causing us to realize that even the most seemingly casual, intimate scenes (a child's bedroom, a bathroom, the garden fish...

First Edition 2 vols. Copy on vélin d'Arches with slipcase. Photography portrait on frontispice of Braque by Man Ray, 22 photographic plates, portrait of Auric by Cocteau, facsimile ...

Katrina Revenaugh Unexpected Blooms No. 7 Archival Pigment Ink, Acrylic, Spray Paint, Belgian Linen, Thrifted Chambray Year: 2023 Image Size: 12 x 9 Frame Size: 18.25 x 15 Full Size ...

MY CHANEL BAG - Inspired by the iconic French Fashion house Chanel, this painting finds a balance between realistic representation and interpretive impressions. Intricate detail inte...

Andy Warhol, Jean-Michel Basquiat Bearbrick Vinyl Figures: Set of two (400% & 100%); A unique, timeless collectible trademarked & licensed by the Estate of Jean-Michel Basquiat & And...