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This measures 41 inches in width and 75 inches in height to end of tassels without the tassels it is 57 inches in length This is a wool handmade weaving tapestry, The imagery seems i...

Dark Dreams

Book with sketch 11 × 8 in 27.9 × 20.3 cm Edition 547/1000

Artist Comments
Artist John Jaster displays a forest with tall aspens rendered in a playfully abstract style. Bold shades of yellow, orange and red suggest a warm autumn day in the woods. In his process, John creates stunning color combinations by utilizing multiple layers of heavy body acrylics and brushwork. He results with captivating scenery with intense contrasting hues and high-spirited energy.

About the Artist
Artist John Jaster paints in a style he describes as realistic impressions, capturing colorful views of his adventures across the Americas. "People always ask me how I get such deep brilliant colors," says John. "The answer is layers. Since acrylic paint dries mostly transparent, it requires multiple layers of paint to build up to a specific color. With the right lighting that depth of layering is like sunshine glistening through clear water." In college, John felt a pull towards computer science and pursued a career in software architecture. Although the two paths may seem unrelated, John says his work in software strongly influences his artwork in terms of distilling complex systems without losing the magic and wonder. Today, John works from a large home studio with a fireplace, lots of natural light, and jazz playing in the background. Since 2010, John’s paintings have been displayed in over 90 juried exhibitions and published in leading art magazines and books.

Words that describe this painting: forest, trees, birch, aspen, nature, playful, impressionism, grove, warm, impressionism, nature, acrylic painting, orange

Forest Abstractions - Chorus Line...

Emmelyn Butterfield-Rosen By Elizabeth Peyton 2014 Signed Medium: Lithograph Paper Size: 27.5 x 20.25 inches ( 70 x 51 cm ) Image Size: 17 x 13 inches ( 43 x 33 cm ) Edition S...

Color aquatint on Arches paper. Signed in lower right corner. Inscribed "EA" in lower left corner. Artists proof aside from the edition of 100. Printed and published by Lacourier...

Wes Lang The World is Yours (original drawing), ca. 2010 Signed, titled and inscribed original drawing done in marker and held in hard back monograph Hand signed, inscribed and drawing by Wes Lang in marker 11 1/4 × 9 1/4 inches Unframed This is an entirely original (unique) drawing, a distinctive Wes Land Skull, hand signed and inscribed by Wes Lang to Nate, and held in the first front end page of the scarce long sold out 2010 hardback monograph of works by Wes Lang and Donald Baechler. Inscription: For Nate, THE WORLD IS YOURS... -Wes (Skull Drawing...

Tracey Emin Strangeland (Hand signed, dated and inscribed by Tracey Emin), 2005 Hardback monograph with dust jacket (hand signed, dated and inscribed for Ann by Tracey Emin) Hand sig...

A l’Intérieur de la Vue is an original modern rare book written by Paul Éluard (Saint-Denis, 1895 – Charenton-le-Pont, 1952) and illustrated by Max Ernst (1891 - 1976) in 1948. Orig...

Painted cast vinyl Edition of 500 (reported) Stamped 'MEDICOM TOY 2004 CHINA © KAWS..04' on the underside Pristine, some minor imperfections may exist given the nature of the materia...

Artist Comments
Bright wildflowers bloom in the foreground while the waves crash against the cliffs in the distance. The sky, painted in soft blues and whites, merges seamles...

«Lost Lovers», 100x80cm, oil on canvas

Artist Comments
Vivid brushstrokes portray crepe myrtle trees swaying in the wind. As colorful as sugar candies, their flowers and leaves burst like Portuguese confetti under...

Original Oil painting by Ukrainian artist Alisa Onipchenko-Cherniakovska This mesmerizing artwork captures the ethereal beauty of a dense, mist-laden forest. Dominated by deep, verd...

Richard Tuttle The Art of Richard Tuttle (Hand signed, dated and inscribed by Richard Tuttle), 2005 Hardback monograph with dust jacket (Hand signed, dated and inscribed to Nadine by...

Heterochromia, 80x80 cm

Artist Comments
A large, prominent trunk stands tall in the foreground, its branches stretching outward against a faded, wintery background. Distant barren trees add depth to...

"Blown Glass" vase is a light beautiful wisp of blown glass infused with a milky white and blue fog of color and bold splashes of red. The vase has a long elegant neck and round body. Herb Babcock known as a Michigan Glass Artist began as a metal sculptor. He studied glass blowing in 1969 and created a series of Glass Image Vessels in 1974. Eventually he began to combine metal and glass in sculpture. The Pillared Series, which includes glass, steel and stone, began in 1989. Herb received both his BFA and his MFA in Sculpture: his bachelor’s degree from the Cleveland Institute of Art and his master’s from the Cranbrook Academy of Art Bloomfield Hills, Michigan. Cranbrook was designed by architect and faculty member, Eliel Saarinen who collaborated with Charles and Ray Eames on chair and furniture design. Numerous creative artists who are alumni of Cranbrook include: Harry Bertoia, Florence Knoll, Jack Lenor Larsen, Donald Lipski, Duane Hanson, Nick Cave, Hani Rashid, George Nelson, Urban Jupena (Nationally recognized fiber artist), Artis Lane (the first African-American artist to have her sculpture, "Sojourner Truth," commissioned for the Emancipation Hall in the Capital Visitor Center in Washington DC), Cory Puhlman (televised Pastry Chef extraordinaire), Thom O’Connor (Lithographs), Paul Evans (Brutalist-inspired sculpted metal furnishings), Eugene Caples (small bronze images/abstract), and Morris Brose...

Jacqueline Lee "Jackie" Kennedy Onassis (July 28, 1929 – May 19, 1994) was an American socialite, writer, and photographer who became First Lady of the United States as the wife of P...

Marmot with the Golden Helmet , 2016

Six-winged Seraphim, 100x70cm

Six-winged Seraphim, 100x80cm

Messengers, 80x60cm

Escape from reality, 100x80cm, acrylic on canvas

Artist Comments
A river gorge reflects the calm colors of the expansive sky filled with soft, billowy clouds. Distant hills lining the horizon fade into mist. A dreamy atmosp...

Artist Comments
A woman in a flowing white dress stands with a relaxed composure. Her dark hair frames her tranquil expression. Soft blues and gentle pinks surround her, blen...

This artwork bursts with vibrant energy and color through an abstract portrayal of a garden. The rich tapestry of yellows, blues, reds, and greens creates an impressionistic view of ...

Artist Comments
This painting features a woman as the central subject, depicted with bold textures and spontaneous brushstrokes. Her white dress against the deep blue backgro...

Artist Comments
Bright sunlight filters through the leaves of a towering live oak tree, casting dappled shadows on the winding path below. Surrounding foliage creates a rich ...

View $85 unframed

Cheesman Park

Artist Comments
A graceful nude surrounded by a glowing abstraction by artist Gary Leonard. The warm composition blends in the soft flowing contours of the figure as she move...

On the one hand, this firewood rack is very practical for storing firewood, on the other hand, you can add a wonderful decorative element to your garden walls. The firewood rack is ...

Autographs by Ossip Zadkine to Nesto Jacometti, is a lot composed of 5 items, written in French, 1958-1959, concerning Zadkine's exhibitions. In detail: Autograph Letter Signed. Pa...

Artist Comments
This painting combines palette knife and brush techniques, using heavy impasto to create a richly textured surface. Vibrant pink, magenta, and green hues are ...

Shadows of Collision, 200x150cm , oil, canvas

Coincidental Self, 2018

Léon Paul Fargue, Les Ludions de Léon Paul Fargue illustrés par Marie Monnier, Paris, Éditions J.O. Fourcade, 1930. Vol. in 4°, cm 31.5 x 1.5 x 21.5, pp. n....

Abstract Expressionist Collage in Acrylic on Paper Bright, saturated abstract painting with collage by California-based artist Ricardo de Silva (American/Brazil, 20th C). Bold red,...

Into the Shadows, 2018

Important polychrome mosaic realized by Afro in 1955 and based on his eponymous mixed media work of the same year now exhibited in MET NY. Signed lower right. Ref. M. Calvesi, Afro ...

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

Pink Orchids, 2019

Chuck Close Recent Paintings (Hand Signed by Chuck Close), 2000 Large Illustrated Glossy Exhibition Catalogue with French folded flaps Hand signed by Chuck Close in black marker on t...

Artist Comments
The painting offers a glimpse of the houses surrounding a river in Estella, Spain, a charming town along the Camino de Santiago. The sun casts a warm glow ont...

Lucky, 2020

Artist Comments
A bold blue rectangle with an angled bottom edge rests against a bright yellow background. Sharp lines create a striking sense of contrast and balance. In this ...

This depicts KIng David reciting Psalms, Hallelujah in Hebrew Kopel Gurwin (Hebrew: קופל גורבין‎) (1923–1990) was an Israeli tapestry wall hanging, painter and graphic artist. Kopel (Kopke') Gurwin (Gurwitz) was born and raised in Vilna, the capital of Lithuania. He spoke Yiddish at home, but simultaneously studied Hebrew at their school which was part of the Tarbut educational network. Kopel was active in the Hashomer Hatzair youth movement. In the 1930s, as a teenager, Kopel helped his parents with the home finances by working in a suit workshop, there he first encountered the art of sewing. With the outbreak of the Second World War and the German invasion of Vilna, the Jews were imprisoned in camps and ghettos. Kopel and his brother Moshe were separated from their parents and were put to work in coal mines and peat. Kopel's parents were taken to the Stutthof Nazi concentration camp where they died of typhus within a month of each other. Kopel's 12-year-old sister Chava was turned over to the Germans by a Polish family and murdered. The brothers were arrested by the Germans, but were saved thanks to the connections of Nina Gerstein, Kopel's drama teacher. They hid in an attic until they were discovered, fled and moved to Riga, where they were caught and sent to the Stutthof concentration camp where they were imprisoned until the end of the war. They were put to work maintaining and cleaning trains and took part in one of the death marches. In July 1946, Kopel and Moshe sailed to Helsingborg, Sweden, as part of operation "Folke Bernadotte", in which Sweden took in ill survivors for rehabilitation. Once he recovered, Kopel worked in a publishing house and later was appointed director of the local branch of the Halutz movement. In 1950 Kopel and Moshe made aliyah to Israel. Kopel worked as a survey for the Survey of Israel Company. In 1951, he enlisted to the Communication Corps and served as a military draftsman. There he won first prize for the design of the front cover of the Communication Corps bulletin. With his discharge from the army at 29 he started studying drawing and graphics at the Bezalel Academy of Arts and Design in Jerusalem. Among his teachers were Isidor Ascheim, Shlomo Vitkin, Yossi Stern and Jacob Steinhardt. At the end of his first year of study, Kopel won the Reuben and Sarah Lif Excellence Award in written studies. During his studies he also won additional prizes: In 1956 he won first prize from the Lethem Foundation in California for poster design. Later the same year, Kopel won the Hermann Struck prize for his drawing on the theme of Jerusalem. In 1957 he won an additional first prize from the Lethem Foundation and second place from the printing company Ortzel for a drawing for a Jewish New Year greeting card. In 1958 he won first prize in a competition to design a poster for Tel Aviv's jubilee. Two years later he won three other awards: First and third prize for designing a poster for Israel Independence Day, celebrating 12 years of the State of Israel. Also that year Kopel won first prize for a poster to mark the 25th Zionist Congress. In 1964 he entered the Independence Day poster competition on the theme of aliyah and won first and second prize. Four years later he again entered the competition on the theme of 20 years of Israel's independence and won first prize. The poster was styled like a Holy Ark curtain with two lions and a menorah at its centre. This poster appeared on the cover of the famous book Jewish Art and Civilization, edited by Geoffrey Wigoder as well as the record Voices of 20 Years, 1948-1968, edited by Yossi Godard. In April 1971 he won first prize in the Independence Day poster competition for the fourth time. Kopel's Folk Art tapestry won the Israeli Independence Day Poster Contest in 1968 With the completion of his studies at Bezalel Kopel moved to Tel Aviv and was hired by Shmuel Grundman's graphics and design studio. Grundman took him to Europe with him to design and supervise the construction of Israeli exhibition pavilions. During his time at Grundman's he discovered the fibrous felt from which he produced most of his wall hangings. At the 1964 Levant Fair exhibition he used felt stuck onto wooden panels for the first time. The first felt wall hanging that Kopel produced was intended for the American Cultural Centre in Jerusalem and its theme was the United States Declaration of Independence. The wall hanging, which measured 2.85 X 1.85 meters, was stuck on a wooden panel. Kopel ordered rolls of felt from France and began work on wall hangings based on bible stories. He used a needle, hand sewing small even stitches with black embroidery thread which framed and highlighted every detail in the work, as well as using appliqué. The interior designer, Alufa Koljer-Elem, introduced him to Ruth Dayan who managed the shop Maskit in September 1967 he opened his first solo exhibition at the Maskit 6 gallery, in which 12 wall hangings were displayed. In light of the exhibition at Maskit 6, Meira Gera, the director of artistic activity at the America-Israel Cultural Foundation, organized an additional exhibition of his works at the foundation's exhibition hall in New York City. The exhibition sparked immense press interest, and was also displayed for a few months at the New York Jewish Museum, from where it travelled throughout the United States. Followed by the exhibition at the Delson-Richter gallery in Old Jaffa, which was later also exhibited at the Jerusalem Theatre. Kopel's tapestry "The Time for Singing has Arrived" was printed on a UNICEF greeting card in 1978 and again in 1981. The Israeli Philatelic Service issued three stamps based on three of Kopel's holy ark curtains and one stamp based on an Independence Day poster he designed. Kopel's creations decorate a large number of synagogues, public buildings, hotels and private collections which were purchased in Israel and around the world. They have decorated, among others, the walls of the King David Hotel in Jerusalem, the VIP room at Ben Gurion Airport, the Kfar Saba theatre and the Plaza Hotel in Tel Aviv. Israel has had a Vibrant Folk Art, Naive art scene for a long time now artists like Israel Paldi, Nahum Guttman, Reuven Rubin had naive periods. The most well know of the strict naive artists are Shalom of Safed, David Sharir, Irene Awret, Gabriel Cohen, Natan Heber, Michael Falk and Kopel Gurwin. Exhibitions: 1995 The Knesset Jerusalem 1988 Temple Beth Shalom Miami, Florida 1988 University of Jewish Studies Los Angeles 1987 Israel Congregation on the Northern Coast Chicago 1985 Jerusalem Theatre Jerusalem 1984 Tenafly New Jersey 1983 Horace Richter Gallery Old Jaffa 1974 Jerusalem Theatre Jerusalem 1974 Delson Richter Gallery Old Jaffa 1972 University of Jewish Studies Miami, Florida 1971 Jewish Museum New York 1970 Norman Gallery Canada 1970 Sharei Tzedek Congregation Winnipeg, Canada 1970 Gallery of the Year Los Angeles 1970 Gallery of the Year Scottsdale 1969 Gleeman Gallery Chicago 1969 Israel Congregation of the Northern Coast Chicago 1967 Maskit 6 Tel Aviv Prizes: 1971 First Independence Day poster 1971, 23 yeaes of the State of Israel 1969 Second International Tel Aviv poster...

I discovered this pine tree on the way to the small Scheibelsee in Styria, Hohentauern. Its majestic appearance immediately impressed me. These trees are so robust and defy all weath...

"Graceful Beauty" I admired swans as a child and still have great respect for these beautiful animals. While fishing on the Thames, I would spend hours watching swans; their eleganc...

For me, spring begins when the rapeseed fields shine in their bright yellow. I love painting rapeseed when it's in bloom. Signed lower left. Oil on HDF - 227x277x4 mm. :: Painting ...

I have often painted at the Schnakenpohl, Varl, to capture this small natural gem in my paintings. I was all the more pleased to see that the small lake, the oldest protected area in...

During this year's (2023) plein air painting trip to Poland, I discovered a field of sunflowers during a break in the rain. Since it started raining again, I couldn't finish it until...

The castle park in Bückeburg is a worthwhile destination for nature lovers. The park has many old trees. This oak tree is a prime example. I find it a true beauty. The light and sha...

Painted en plein air in the Lüneburg Heath. I noticed this old birch tree during one of my painting excursions in the Lüneburg Heath. It stood alone by the path. Although the birc...

Painted en plein air in a little wood on the edge of the Lueneburg Heath. Signed lower right. Oil on HDF – 24 × 30 cm. :: Painting :: Impressionist :: This piece comes with an o...

On my many plein air painting excursions in the Hiller Moor, I am always amazed by the beauty and peaceful atmosphere I find there. I have painted this old pine tree several times, b...

I painted this picture outdoors on a dirt road near Klopotowo, a small village in Poland. The Brandenburg/Klopotowo plein air event takes place here every year. In Klopotowo, arti...

Edition of 98 copies. Copy on Verge d'Arches paper, including soft editorial cover. Edition reserved to the Société Stendhalienne. The rare volume was ...

My painting colleague discovered this field and told me about it. I went there the next day and was completely amazed by the colors. The farmer was kind enough to let me set up my ea...