Ceramic More Art

This is a one of a kind original functional vessel made by southern California artist, Ron Carlson. Its dimensions are 3.75 x 1.5 in (L x H). A certificate of authenticity will follow delivery. Lead free; hand washing highly recommended. Safe for microwave use...

Hand-glazed, ammonite-shaped vase in a deep rust color made by Helmut Schäffenacker. Numbered in the base. Form V-6. Helmut Schäffenacker founded Atelier Schäffenacker in West Germ...

Life size leopard wall mount. Hand painted terracotta. Italian. Mid 20th century.

This is a one of a kind original function vessel made by southern California artist, Ron Carlson. Its dimensions are 3.5 x 1.88 x 3.5 in (L x H x D). A certificate of authenticity wi...

Harding Black San Antonio (1912 - 2004) Huge Heavy Crackle Vase 1985 Height 14'' Across Widest 8" Biography Harding Black San Antonio (1912 - 2004) Harding Black was born on a farm in Nueces County between Ingleside and Aransas Pass and moved with his family to San Antonio in 1916. There he graduated from Brackenridge High School and attended San Antonio Junior College (1929-30). In 1931 Black joined an archaeological expedition to the Big Bend area sponsored by the Witte Memorial Museum. Initially a painter, he was taught by Rudolph Staffel in 1933 to make wheel- thrown pottery and in the same year began to teach children's ceramic classes at the Witte. Between 1937 and 1939, Black directed ceramic installation in a San Antonio reconstruction project sponsored by the National Youth Administration and the Works Progress Administration art program. In 1955 he retired from teaching and devoted his time to ceramics. Black became a well-known ceramist from his research, innovations, and writings in the field. Exhibitions: San Antonio Local Artists Annual Exhibition (1939-42, 1945, 1947); Texas General Exhibition (1940 award, 1942, 1948 honorable mention); National Ceramic Annual Exhibition, Syracuse Museum of Art (1947-54); River Art Group, San Antonio (1948-49); National Collection of Fine Arts, Washington D.C. (1951, 1956); Dallas Museum of Fine Arts (1952 one-man); Martin Museum of Art, Baylor University (1991 one-man); San Antonio Museum of Art (1995 retrospective); National Museum of Art, Washington, D.C. (1995); University of Texas at Dallas, Irving (1998 retrospective). Collections: Dallas Museum of Art; Museum of Fine Arts, Houston; San Angelo Museum of Fine Arts; San Antonio Museum of Art; Martin Museum of Art, Baylor University, Waco; National Museum of American Art, Washington D.C.; New Orleans Museum of Art; Everson Museum of Art, Syracuse, new York; Alfred University (New York). Harding Black resided in San Antonio Texas where he worked as a potter for over 60 years and far as anyone knows he was completely self taught. I find it amazing that anyone could ever accomplish what he did with with no formal training in either ceramics or chemistry. It was a long and prolific journey from the early hand built earthenware pottery to become recognized as a master of glazes. While I feel that his forms often could be better this is more than compensated for by the spectacular glazes he developed. Constant experimentation and his acquired knowledge of chemistry were the foundations for the wonderful glazes that adorn his pottery. The following quote is from an interview with Rudolf Staffel His copper reds are unbelievably beautiful. Harding was a master of glazes and one of the most generous human beings in the ceramic field that I've known. He had literally a room full of beautifully organized test tiles of all his glazes, and he would just throw the room open to anybody who wanted to rummage through his tiles. All the recipes were there and he shared them with anyone who was interested. It was wonderful to go and visit him. Although accurate records of all test firings were kept for reference it I have been told that it would be difficult to reproduce many of these glazes because of the kiln he built and clays he used. This may not be the case because in a recent phone conversation (4/11/2007) with Peter Pinnell he told me that some of his students had success replicating some glazes using Harding's formulas By concentrating on the bowl and vessel forms Harding remained true to the historical traditions of pottery making. The magnificent Harding Black journey began in 1932. At that time he joined the Witte Museum Archaeological Society which provided him with access to their collections of Native American pottery. Harding became fascinated by these pollychromed vessels and he began attempting to create hand built pots. He had very little or no success but a life long of working in clay had begun. It was about this time that he met up with Rudolf Staffel and it was from him that Harding learned wheel throwing and developed ideas of how to operate a studio. Harding was given access to working space at the Witte where he built a wheel and in 1933 he was given a position as ceramic instructor. In this position it was his responsibility to establish a ceramics department. The first kiln Harding built was using plans that were obtained from Newcomb College. He scrounged parts from a junkyard which were used in its construction. This project was not totally successful because of problems reaching required temperatures. As usual this did not deter Harding. He seemed to have a wonderful ability to learn from failure and move on. In the early 1940's Harding began working with formulas for copper red glazes prepared by Arthur Baggs and Edgar Littlefield. This work only added to his interest in Oriental pottery and fostered a desire to rework many old glazes. Being greatly influenced by A Potters Book published in 1940 by Bernard Leach Harding was now on his way seeking to incorporate form, function and surface treatment into a single entity where the whole is greater than the sum of the parts. In the 1950's Harding left the Witte and built his own studio where he spent the rest of his life creating his wonderful art. The body of his work is a living tribute to the Harding Black lifelong love of ceramics. Along with being a researcher he was also a teacher always willing to share his knowledge with others. He spent his life producing pots and occasionally taking time off to do a bit if fishing. According to Harding Black - Harding Black 11/14/90 "I am one of the lucky ones. When I get up in the morning I can hardly wait to get to work." 1912 Born April 15 near Aransas Pass, Texas 1916 Family moved to San Antonio 1929 Graduated from Breckenridge High School 1929-30 Attended San Antonio Junior College 1931 Joined Archaeological Society of the Witte Museum, San Antonio, and participated in excavations of ancient Basket maker Indian mounds and caves in the Big Bend area of Texas 1933 Taught by Rudolf Staffel to make wheel-thrown pottery. Set tip studio in a streetcar behind Witte Museum and began teaching children’s ceramic classes 1937-39 Appointed Superintendent of Ceramic Installation for N Y A /W P A reconstruction project in San Antonio 1943 Moved from streetcar studio to new facilities in the reconstructed Ruiz House on the grounds of the Witte Museum Began firing to stoneware temperatures 1947-54 Exhibited each year in the annual National Ceramic Exhibition, Syracuse Museum of Art 1951 Exhibited at the National Museum of Art, Washington, DC 1952 Toured ceramic centers throughout the United States 1953 “Opening the Door to Copper-Reds” by Harding Black, published in January issue of Ceramics Monthly “Harding Black Profile” published in February issue of Ceramics Monthly 1954 “Iron Spotted Glazes” by Harding Black, published in February issue of Ceramics Monthly 1955 Built present studio at 8212 Broadway, San Antonio Retired from teaching at the Witte Museum 1956 Exhibited at the National Museum of Art, Washington, DC 1961 “Lava Glazes” by Harding Black, published in October issue of Ceramics Monthly 1964 “Harding Black Texas Potter” by Jean R Lange, published in November issue of Ceramics Monthly 1971 The Meyer Family Master Potters of Texas, co-authored by Harding Black and Georgeanna H Greet 1980 Harding Black’s biographical information entered into the archives of the Smithsonian Institution, Washington, D C 1983 Harding Black traveled throughout China 1984 Awarded Glaze Research Grant by Southwest Craft Center, San Antonio 1985 Solo exhibition at the Southwest Crafts Center 1987 Selected as Artist of the Year by the San Antonio Art League 1988 Incarnate Word College, San Antonio, establishes Harding Black Fund to aid ceramics students 1990 “Harding Black Pottery...

This is a one of a kind original functional vessel made by southern California artist, Ron Carlson. Its dimensions are 3 x 2.5 in (L x H). A certificate of authenticity will follow d...

One of a kind original functional vessel by local San Diego artist, Ron Carlson.

This is a one of a kind original plate made by southern California artist, Ron Carlson. Its dimensions are 5.5 x 5.5 x 1.5 in (L x H x D). A certificate of authenticity will follow d...

This is a one of a kind original functional vessel made by southern California artist, Ron Carlson. Its dimensions are 2.25 x 3 x 2.25 in (L x H x D). A certificate of authenticity w...

This is a one of a kind original functional vessel made by southern California artist, Ron Carlson. Its dimensions are 3.5 x 1.75 in (L x H). A certificate of authenticity will follow delivery Lead free; hand washing highly recommended. Safe for microwave use...

Unique earthenware bowl featuring a pair of golden Egyptian sphinxes and stylized purple flowers in an incised pattern, with an iridescent glaze of rich green, blue, and purple hues....

Vase with silver glaze 2017. Stone mass, 19x23,5x15,5 cm

This naturalistic ceramic vase by Dümler & Breiden features a scalloped mouth that evokes both clams and waves, along with undulating, sand-colored glaze elements with hints of ocean...

GREY BLACK AND RED VASE #3 Certified Grey, Black and Red Vase #3. Mata Ortiz, Chihuahua, Mexico.

This piece is original ceramic plate by Jean Cocteau, created in 1961. This piece was embellished with black, red, green, blue, and yellow enamels. In 1957, Cocteau met Marie Madeline Jolly and Philippe Madeline and created over 300 ceramics in their workshop at Villefranche-sur-Mer. At this workshop, he began experimenting with new concepts in pottery design. All these ceramic objects, he said, should look as if they were discovered in an archaeological dig. This piece is from a series of 8 ceramic plates that illustrate the ancient Latin...

Love Forever ceramic heart container by Yayoi Kusama

Ceramic Plate Installation, Wall Sculpture, Glazed Porcelain, White Inlay, Lee Steven Young Lee is the Resident Artist Director of the Archie Bray Foundation in Helena, Montana. A C...

stoneware, glaze signed by artist

This is a one of a kind original plate made by southern California artist, Ron Carlson. Its dimensions are 5.75 x 5.75 x 1.5 in (L x H x D). A certificate of authenticity will follow...

Following the release of the first “Upside Down Face Vase”, Parra presents the latest addition to the series. This female counterpart marks the conclusion of these iconic vases. Where the first edition stood out because of its boldness, this bird girl exhibits remarkable elegance and sophistication. Long red flowing hair forms the base of the hand painted ceramic sculpture, with her graceful neck embracing your bouquet of flowers. Dutch illustrator, painter, and animator Piet Parra...

Mug with dinosaurs. porcelain h 11,5 cm; d 8,5 cm

This is a one of a kind original functional vessel by local San Diego artist, Ron Carlson. This is a lidded container able to be used for holding coin...

Sublime dish by French ceramist Jean Picart Le Doux Numbered 10/100

This is a one of a kind original functional vessels made by southern California artist, Ron Carlson. Its dimensions are 2.5 x 2.5 x 1.5 in (L x H x D). A certificate of authenticity ...

This is a one of a kind original cup made by southern California artist, Ron Carlson. Its dimensions are 5 x 2.5 x 2.5 in (L x H x D). A certificate of authenticity will follow deliv...

This is a one of a kind original plate made by southern California artist, Ron Carlson. Its dimensions are 4.75 x 4.75 x 1.5 in (L x H x D). A certificate of authenticity will follow...

This is a one of a kind original plate made by southern California artist, Ron Carlson. Its dimensions are 4.5 x 4.5 x 1 in (L x H x D). A certificate of authenticity will follow del...

This Celadon Water Jar was created by Living National Treasure Kiyoshi Hara. The form is rounded and elegant, covered entirely in a soft pale-green celadon glaze that radiates a gent...

Water Dance, Narrow-Mouthed Round Vase is full and rounded in form, with balanced proportions and a gently constricted mouth that conveys poise and stability. The surface is coated i...

Gaze presents a rounded, solid form that conveys calm strength, with a slightly constricted mouth and elegant, flowing curves. The entire surface is covered in a deep ocean-blue glaz...

This is a one of a kind original function vessel made by Southern California artist, Ron Carlson. Its dimensions are 5" x 9.25" x 2.25". A certificate of authenticity will follow del...

Shi Jie Weng’s Peacock Blue String Vase unites classical form with modern vitality. The vase has a tall slender neck and a full rounded body, accented with multiple raised string pat...

This is a one of a kind original function vessel made by southern California artist, Ron Carlson. Its dimensions are 3 x 1 x 1.75 in (L x H x D). A certificate of authenticity will f...

This is a one of a kind original plate made by southern California artist, Ron Carlson. Its dimensions are 5 x 5 x 1 in (L x H x D). A certificate of authenticity will follow deliver...

Shi Jie Weng’s Black-Gold Deer-Head Vase has a solid and stately form, with a rounded, full body and lifelike deer heads on either side serving as handles. The antlers curve with str...

A pair of exceptional earthenware vases by Clément Massier in a unique rectangular form, featuring albino peacock feathers enhanced by accents of purple and gold glazing. As Massier ...

Drop. Small abstract sculpture from porcelain, h 16 cm Elina Titane represents the younger generation of modern ceramic art in Latvia. Emoti...

Coffee trio by Antonina Paskevica, cup height 7,5 cm; diameter 8 cm

Large Antique Japanese Blue & White Porcelain Plate, 19th century. The antique Japanese blue and white porcelain plate dates...

Vases with wires - set of two 2009, porcelain, wire, h 19,5 cm, h 43 cm These vases are hand-painted with a light-colored base and adorned with pink dots. The use of light hues cre...

Ceramic Plate Installation, Wall Sculpture, Glazed Porcelain, White Inlay, Lee Steven Young Lee is the Resident Artist Director of the Archie Bray Foundation in Helena, Montana. A C...

Emma Bell Three Clays II glazed ceramic vessels : porcelain, White stoneware and red stoneware 73 x 73 cm x 7cm With non refelective glass . The work appears like it does not have t...

Hand Thrown Glazed Stoneware signed on bottom by Robert Piper 3 1/2 x 5 1/2"dia.

Morning 2008, painted porcelain bowl, 30х27.5х12 cm ''Morning'' is a visually striking piece of art, combining intricate hand-painted details, a nude female figure, and the bloomin...

Kunsttöpferei Kandern (1897-1927), Bulbous vase with clay-colored gradient glaze on a black-blue ground, between 1914 and 1927. Terracotta, marked 'KTK' on the underside and identifi...

Porcelain plate - A cyclist with wings. 2016, d 36 cm This Porcelain Plate depicting a figure in motion is a remarkable piece of art that combines whimsy and creativity. Crafted from delicate porcelain, this plate has a diameter of 36 cm, making it a visually striking and sizable decorative object. The central focus of the plate is a cyclist, portrayed with wings, adding a touch of fantasy and imagination to the artwork. This composition suggests a sense of freedom, adventure, and the ability to transcend boundaries. It symbolizes the joy of movement and the exploration of new horizons. Inese Margevica (1960) Education: 2004 – LU, master's degree of educational sciences in art pedagogy; 2001 – LMA, Master of Arts degree; 1990 – LMA, Department of Applied Decorative Arts; 1981 – Riga Applied Arts Secondary School; 1977 – Riga 5th secondary school; Professional unions: 1992 – Artists' Union of Latvia; 1991 – ceramics association "Logs" Personal exhibitions: 2006 – "Black and white", in "Apsida" gallery, Riga; 2005 – "Touch", in the "Apsida" gallery in Riga; 2003 – "Black and white stories", in Satakunta Museum, Pori (Finland); 2003 – "Black and white stories", in the gallery "Apsīda" in Riga; 2000 – "Ceļabiedri", in the gallery "Apsīda" in Riga; 1998 – "Gaisma", Unibank branch in Riga; 1996 – "Feast over water", in the gallery "Jāņas sēta" in Riga; 1994 – "Ornamentalism and figuralism", in the gallery "Kolonna" in Riga; 1993 – "Chamots", in Reiterna House in Riga; Exhibitions: 2006 – Exhibition dedicated to the Assembly of the International Academy of Ceramics "Clay is everywhere" at the Museum of Decorative Arts and Design in Riga; 2006 – International mini-ceramics exhibition at the Riga Porcelain...

Incredibly dramatic Amphora ceramic featuring a maiden resting on a trio of lilies, her golden gown cascading into a gathered earthen base. Stamped Amphora...

Pampa Panwar Untitled, Acrylic on Paper 15 x 11 inches ; 2007 (each) (without frame) Inclusive of shipment in roll form. Mahajabin Majumdar Untitled, Mixed media on Paper 15 x 11 ...

"AR 223 - Square headed pitcher" by artist Pablo Picasso. Partially glazed white earthenware turned pitcher painted in black with 99/300 Edition Picasso on bottom.

Drop. Small abstract sculpture from porcelain, h 12,5 cm

LESZEK NOWOSIELSKI DECORATIVE PLATTER signed by author

A large ceramic shoulder vase by Carstens-Tönnieshof from its high-end Atelier Series helmed by designer Gerda Heuckeroth. This form is accented by textured glazes in hues of green, ...

Medium Print Condition Plate is in perfect condition and has only been opened to take pictures. Signature Signed in plate, Signed in plate, Printed signature and edition details on Verso of the plate. Printed Signature on Custom Artist Box. Certificate of authenticity Included (issued by authorized authenticating body) Frame Not included Series Coalition For the Homeless...

Vase blue flower. 2017. Stone mass, h 13 cm, diam. 15.5 cm

White Musical plate 2011, porcelain, 13x17 cm inside in the plate small pearls, which make a pleasant sound reminiscent of the sound of the sea, when you move the plate

Eye catching wall hanging tile art, ambitiously hand crafted in terracotta with each piece cut, fired, decorated, glazed and assembled depicting a cockatoo in a lush jungle setting w...

Plates with the motive of Holland Porcelain, diam. 31 cm Plates with the motif of Holland, made of porcelain and with a diameter of 31 cm, come in a set of three. Each plate features a hand-painted vase design that adds a touch of elegance and uniqueness to the collection. The hand-painted vases on each plate can showcase different styles and patterns, highlighting the artistic skill and attention to detail of the painter. The vases are inspired by traditional Dutch pottery...

Birds 2009, painted porcelain plate, diam. 20.5 cm The central focus of the plate is the depiction of two birds surrounded by blooming flowers. The artist has skillfully painted the birds, capturing their graceful forms and vibrant colors. The flowers add a touch of beauty and provide a visually appealing backdrop for the avian subjects. The combination of birds, blooming flowers, and the mysterious...

This glazed porcelain vase by Jon Puzzuoli features a burnt umber and white body and a wide neck finished with 18K gold luster. The artist's stamp is located at the base of the sculp...

Relic 1999, painted porcelain plate, dia. 31 cm Relic, the painted porcelain plate from 1999, is a captivating piece of art that showcases a black and white surreal composition. Wit...