Ceramic More Art

Villeroy & Boch Mettlach #2122 Etched 4L. by Heinrich Schlitt (1849-1923). Stamped and Marked on Bottom Signed along Base. Painted Ceramic with Pewter Lid. Roman soldiers and monk wi...

Maurizio Cattelan Untitled limited edition porcelain plate in bespoke gift box, 2020 Silkscreen on Fine Bone China, held in specially designed gift box with artist's authorized signature Signed in plate, Artist signature fired onto the back, Edition of 175 10 1/2 × 10 1/2 inches (plate alone) Publisher Prospect, NY Artist signature fired onto the back of the plate and on the bespoke box. The underside of the plate and box expressly states that it was produced in a limited edition of 175 Makes a superb gift. Originally purchased to support the Coalition for the Homeless. The contemporaneous statement from the Coalition for the Homeless, New York: In lieu of our 26th annual ARTWALK NY event in 2020, which was cancelled due to the COVID-19 pandemic, the Coalition for the Homeless created Artist Plate Project to support our lifesaving work. The Coalition is honored to have worked with 50 world-renowned artists to create beautiful limited-edition dinner plates. The plates were produced by Prospect and available for purchase on Artware Editions from November 16 through December 31, 2020. The innovative project was featured in the New York Times, T Magazine, Town and Country Magazine...

Sea Ice Detail II Framed price is listed Image size: 13.5 x 9" Framed size: 17 x 21.5" $90 Unframed Please contact us for more information on purchasing an ...

Sublime vase by Jos Kervella is a French ceramist from Saint-Urbain, near Daoulas (Finistère). Gifted for the arts from childhood, he studied at the Lycée de Brest, where his talents...

Lofty group of seven 19th century Portuguese majolica palissy ware wall plaques or plates handcrafted in earthenware decorated in whimsical compositions with lizards, snakes, frogs, ...

Keith Haring (US American, 1958–1990) Title: Untitled Created: 2021 Medium: Fine bone china Dimensions: 26.7 cm diameter (10 1/2 in diameter) Edition of 250: Signed in plate, backsid...

Frank Stella Porcelain Ashtray in hand designed bespoke box, 2000 Porcelain dish in original box Limited Edition of 2000 Signed in plate, Artists incised signature on box. 4 1/2 × 3...

This totem is full of surprises with an upside down duck a couple of fish an apple and a cala lily.Its wonderfully random which adds to the fun. Totems can make you laugh! Please no...

Rare teapot by Suzuki Goro stoneware and glaze 11" tall is the teapot size. Comes with a signed box Teapot is signed on the bottom by the artist. Date unkn...

Incredibly dramatic Amphora ceramic featuring a maiden resting on a trio of lilies, her golden gown cascading into a gathered earthen base. Stamped Amphora...

MADE TO ORDER - LEAD TIME 4-6 WEEKS Hand Built & Painted Plate Materials: Porcelain, Glaze, China Paint, Gold Luster, Flock, Decals Fired: Electric Kiln, Cone 6 Decorative purpose o...

Artists Statement: My interest is in exploring ways of building structural forms in ceramics. Many ideas for the forms come from architecture while the inherent organic quality of th...

ONE WEEK ONLY SALE The rich tones of the stoneware clay come through the soft creamy glaze that drips over the surface like melted vanilla ice cream over red devil cake. There are i...

Mel Ramos Cacciucco - Coco Pazzo - New York, NY, ca. 2000 Ceramic Plate Artist signature fired into the plate on the back and numbered 243 from the edition of only 510. 10 inches diameter Unframed Makes a memorable gift! This striking, extremely rare limited edition, signed and numbered bowl/plate was handmade in southern Italy by master artisans near Vietri sul Mare. It was designed by renowned American Pop artist Mel Ramos. From the late 1990s through the millenium, Buon Ricordo...

This masterpiece is exhibited in the Zimmerman Gallery, Carmel CA. Please note: The base is not included. We will guide you through a simple installation process for outdoor or indo...

Hand Built & Painted Vase Materials: Porcelain, Glaze, China Paint, Gold Leaf, Flocking Fired: Electric Kiln, Cone 6 Her work references exclusive and precious porcelain wares f...

Mark Kostabi Plate for Rigatoni Alla Catanese - Da Ciro - New York, NY, 2001 Silkscreen on ceramic plate; Microwave and Dishwasher Safe 10 1/5 in diameter Artist signature fired into the plate on the underside and numbered from an edition of 510. Edition 36/510 Makes a wonderful gift! This beautiful, whimsical limited edition, signed and numbered bowl/plate was handmade in southern Italy by master artisans near Vietri sul Mare, was designed by American artist Mark Kostabi. In 2000, Buon Ricordo America, Inc. commissioned famous American artists to design plates for their flagship US restaurants. In 2000-1, Kostabi designed the present work for the NY Italian restaurant...

Directoire Plate is an original decorative limited edition porcelain plate realized in the 1990s. This very rare plate was produced for House Of Ertè in...

Pablo Picasso (1881-1973) CHOUETTE (A.R. 543) stamped, marked and numbered 'Madoura Plein Feu / Edition Picasso / Edition Picasso / 37/500 / Madoura' (underneath) white earthenware c...

From the Amphora series that came to be known as the Confetti Decor; a delightfully petite vase featuring cobalt underglaze painting with large crackling that reveals spots of green,...

Michael Lucero (b. 1953) was born in Tracy, California and earned a BA degree from Humboldt State University in 1975. In 1978, he earned an MFA at the University of Washington in Sea...

This piece is original ceramic plate by Jean Cocteau, created in 1961. This piece was embellished with black, red, green, blue, and yellow enamels. In 1957, Cocteau met Marie Madeline Jolly and Philippe Madeline and created over 300 ceramics in their workshop at Villefranche-sur-Mer. At this workshop, he began experimenting with new concepts in pottery design. All these ceramic objects, he said, should look as if they were discovered in an archaeological dig. This piece is from a series of 8 ceramic plates that illustrate the ancient Latin...

Paddled Bottle (Four Small Circles), Stoneware by William Plumptre, 2019 Additional information: Medium: Stoneware with blue, white and brown slip under a wood-ash glaze Height 35.6...

Stunning glazed ceramic vase by artist Gilbert Portanier

GREY BLACK AND RED VASE #3 Certified Grey, Black and Red Vase #3. Mata Ortiz, Chihuahua, Mexico.

In the world of artistic collaboration, Zao Wou-Ki's limited edition plate, "Pierre de Feu" crafted by Bernardaud, emerges as a symphony of Limoges porcelain—a masterpiece that trans...

Harding Black San Antonio (1912 - 2004) Huge Heavy Crackle Vase 1985 Height 14'' Across Widest 8" Biography Harding Black San Antonio (1912 - 2004) Harding Black was born on a farm in Nueces County between Ingleside and Aransas Pass and moved with his family to San Antonio in 1916. There he graduated from Brackenridge High School and attended San Antonio Junior College (1929-30). In 1931 Black joined an archaeological expedition to the Big Bend area sponsored by the Witte Memorial Museum. Initially a painter, he was taught by Rudolph Staffel in 1933 to make wheel- thrown pottery and in the same year began to teach children's ceramic classes at the Witte. Between 1937 and 1939, Black directed ceramic installation in a San Antonio reconstruction project sponsored by the National Youth Administration and the Works Progress Administration art program. In 1955 he retired from teaching and devoted his time to ceramics. Black became a well-known ceramist from his research, innovations, and writings in the field. Exhibitions: San Antonio Local Artists Annual Exhibition (1939-42, 1945, 1947); Texas General Exhibition (1940 award, 1942, 1948 honorable mention); National Ceramic Annual Exhibition, Syracuse Museum of Art (1947-54); River Art Group, San Antonio (1948-49); National Collection of Fine Arts, Washington D.C. (1951, 1956); Dallas Museum of Fine Arts (1952 one-man); Martin Museum of Art, Baylor University (1991 one-man); San Antonio Museum of Art (1995 retrospective); National Museum of Art, Washington, D.C. (1995); University of Texas at Dallas, Irving (1998 retrospective). Collections: Dallas Museum of Art; Museum of Fine Arts, Houston; San Angelo Museum of Fine Arts; San Antonio Museum of Art; Martin Museum of Art, Baylor University, Waco; National Museum of American Art, Washington D.C.; New Orleans Museum of Art; Everson Museum of Art, Syracuse, new York; Alfred University (New York). Harding Black resided in San Antonio Texas where he worked as a potter for over 60 years and far as anyone knows he was completely self taught. I find it amazing that anyone could ever accomplish what he did with with no formal training in either ceramics or chemistry. It was a long and prolific journey from the early hand built earthenware pottery to become recognized as a master of glazes. While I feel that his forms often could be better this is more than compensated for by the spectacular glazes he developed. Constant experimentation and his acquired knowledge of chemistry were the foundations for the wonderful glazes that adorn his pottery. The following quote is from an interview with Rudolf Staffel His copper reds are unbelievably beautiful. Harding was a master of glazes and one of the most generous human beings in the ceramic field that I've known. He had literally a room full of beautifully organized test tiles of all his glazes, and he would just throw the room open to anybody who wanted to rummage through his tiles. All the recipes were there and he shared them with anyone who was interested. It was wonderful to go and visit him. Although accurate records of all test firings were kept for reference it I have been told that it would be difficult to reproduce many of these glazes because of the kiln he built and clays he used. This may not be the case because in a recent phone conversation (4/11/2007) with Peter Pinnell he told me that some of his students had success replicating some glazes using Harding's formulas By concentrating on the bowl and vessel forms Harding remained true to the historical traditions of pottery making. The magnificent Harding Black journey began in 1932. At that time he joined the Witte Museum Archaeological Society which provided him with access to their collections of Native American pottery. Harding became fascinated by these pollychromed vessels and he began attempting to create hand built pots. He had very little or no success but a life long of working in clay had begun. It was about this time that he met up with Rudolf Staffel and it was from him that Harding learned wheel throwing and developed ideas of how to operate a studio. Harding was given access to working space at the Witte where he built a wheel and in 1933 he was given a position as ceramic instructor. In this position it was his responsibility to establish a ceramics department. The first kiln Harding built was using plans that were obtained from Newcomb College. He scrounged parts from a junkyard which were used in its construction. This project was not totally successful because of problems reaching required temperatures. As usual this did not deter Harding. He seemed to have a wonderful ability to learn from failure and move on. In the early 1940's Harding began working with formulas for copper red glazes prepared by Arthur Baggs and Edgar Littlefield. This work only added to his interest in Oriental pottery and fostered a desire to rework many old glazes. Being greatly influenced by A Potters Book published in 1940 by Bernard Leach Harding was now on his way seeking to incorporate form, function and surface treatment into a single entity where the whole is greater than the sum of the parts. In the 1950's Harding left the Witte and built his own studio where he spent the rest of his life creating his wonderful art. The body of his work is a living tribute to the Harding Black lifelong love of ceramics. Along with being a researcher he was also a teacher always willing to share his knowledge with others. He spent his life producing pots and occasionally taking time off to do a bit if fishing. According to Harding Black - Harding Black 11/14/90 "I am one of the lucky ones. When I get up in the morning I can hardly wait to get to work." 1912 Born April 15 near Aransas Pass, Texas 1916 Family moved to San Antonio 1929 Graduated from Breckenridge High School 1929-30 Attended San Antonio Junior College 1931 Joined Archaeological Society of the Witte Museum, San Antonio, and participated in excavations of ancient Basket maker Indian mounds and caves in the Big Bend area of Texas 1933 Taught by Rudolf Staffel to make wheel-thrown pottery. Set tip studio in a streetcar behind Witte Museum and began teaching children’s ceramic classes 1937-39 Appointed Superintendent of Ceramic Installation for N Y A /W P A reconstruction project in San Antonio 1943 Moved from streetcar studio to new facilities in the reconstructed Ruiz House on the grounds of the Witte Museum Began firing to stoneware temperatures 1947-54 Exhibited each year in the annual National Ceramic Exhibition, Syracuse Museum of Art 1951 Exhibited at the National Museum of Art, Washington, DC 1952 Toured ceramic centers throughout the United States 1953 “Opening the Door to Copper-Reds” by Harding Black, published in January issue of Ceramics Monthly “Harding Black Profile” published in February issue of Ceramics Monthly 1954 “Iron Spotted Glazes” by Harding Black, published in February issue of Ceramics Monthly 1955 Built present studio at 8212 Broadway, San Antonio Retired from teaching at the Witte Museum 1956 Exhibited at the National Museum of Art, Washington, DC 1961 “Lava Glazes” by Harding Black, published in October issue of Ceramics Monthly 1964 “Harding Black Texas Potter” by Jean R Lange, published in November issue of Ceramics Monthly 1971 The Meyer Family Master Potters of Texas, co-authored by Harding Black and Georgeanna H Greet 1980 Harding Black’s biographical information entered into the archives of the Smithsonian Institution, Washington, D C 1983 Harding Black traveled throughout China 1984 Awarded Glaze Research Grant by Southwest Craft Center, San Antonio 1985 Solo exhibition at the Southwest Crafts Center 1987 Selected as Artist of the Year by the San Antonio Art League 1988 Incarnate Word College, San Antonio, establishes Harding Black Fund to aid ceramics students 1990 “Harding Black Pottery...

Impressive group of porcelain Clipper ship plaques expertly hand painted and glazed, reproduced from the original paintings with permission from the Peabody Museum England. Presented...

This masterpiece is exhibited in the Zimmerman Gallery, Carmel CA. Dive into the whimsical realm of mystique with this utterly enchanting totem. Crafted with meticulous detail, this...

Stunning ceramic mirror by French ceramist Mithé Esplet

This large ceramic vase from the Carstens Luxus line features a rugged volcanic lava finish in an earthy shade of garnet. Stamped in the base, and numbered, with original Carstens Lu...

The rich tones of the stoneware clay come through the soft creamy glaze that drips over the surface like melted vanilla ice cream over red devil cake. This beautifully rendered ceramic vessel is perched on little decorative feet that poke out of the body of the piece. Of particular interest and commanding presence are the decorative forms attached to the top and sides. They twisted shapes of bent organic growth and provide endless entertainment for the creative imagination. American Post War and Contemporary Artist, Gawaine Dart...

This masterwork is currently on display at the Zimmerman Gallery in Carmel, CA Please note: The base is not included. We will guide you through a simple installation process for out...

Albrecht was half way through his MFA program (ceramics) at the University of Iowa when he was deployed to Iraq (03-04 medic/security work). His work explores the collision of war m...

Plum Blossom Plate is an original decorative limited edition porcelain plate realized in the 1990s. This charming and very rare plate was produced for H...

Mystic Plate is an original decorative limited edition porcelain plate realized in the 1990s. This very rare plate was produced for House Of Ertè in fin...

Sublime ceramic ring holder dish by French ceramicist Mithé Esplet

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This Totem by Marc Zimmerman is currently on display at Earthbound Farm, nestled in California's Carmel Valley. Farm features including chickens ,birds and various produce form the ...

Mug with dinosaurs. porcelain h 11,5 cm; d 8,5 cm

Kuznetsov porcelain - Butter dish duck, porcelain h 13 cm; L 19 cm; W 10 cm Kuznetsov Porcelain Factory in Riga was founded in 1841 as a factory ...

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This masterpiece is exhibited in the Zimmerman Gallery, Carmel CA. Please note: The base is not included. We will guide you through a simple installation process for outdoor or indo...

The ceramic sculptures of Wisconsin artist Michael Gross are personal narratives that reveal an unusual mix of earthly magic and primal vitality. The artist works in a variety of forms, including figurines, large vessels and furniture. The present vase is among the top tier of his works from the 1980s, showing multiple playful figures in relief around the vessel. In his Neo-Expressionist style, hearkening to the works of Keith Haring and Jean-Michel Basquiat, the figures are colored in painterly polychrome. Also, not unlike the painted narrative vessels of Ancient Greece, though much more subversive, many of the figures and stories are identified with text: 'King of Fart,' 'Dance Little Sister,' 'Girls for Every Boy,' and 'Beach Boy.' 22 x 13 x 12 inches overall Signed 'Gross' near base Dated 1986 near upper rim SELECTED COLLECTIONS INCLUDING WORKS BY GROSS: Smithsonian American Art Museum, Washington, D.C.; Sharon Lynne Wilson...

This masterwork is currently on display at the Zimmerman Gallery in Carmel, CA Please note: The base is not included. We will guide you through a simple installation process for out...

Love Forever ceramic heart container by Yayoi Kusama

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Footed Bowl with Rushes, Stoneware with Glazes by Jim Malone Additional information: Medium: Stoneware with Glaze Diameter 14 cm (5 1/2 in) Signed with mak...

Artists Statement: My interest is in exploring ways of building structural forms in ceramics. Many ideas for the forms come from architecture while the inherent organic quality of th...

Subrata Biswas - Untitled Vitrified Terracotta H 24.25 x W 14.5 x D 9.5 inches ( Delivered ) Style : The motive of a child in its most basic form appears quite repeatedly in the wor...

stoneware, glaze signed by artist

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John Gill PLATTER clay, underglaze and glaze 3.75 x 27 x 13.5” 2016 signed *restoration to small chip on rim

Bolero mallorquin. Original multiple ceramic piece Spanish painter maximum representative of the art of Mallorca at the end of the 20th century. Costumbrista work. With different own...

The easy to live with brown and blue color theme delights the more conservative eye. The scrafitto carving and textures create liveliness to the shapes including the playful little c...

Smiling Woman is a hand-made ceramic dish, hand-painted and realized by the artist, Anastasia Kurakina in 2019. Signed and dated on the back at the center. This is a wonderful art...

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