Ceramic More Art

Pichet Gothique aux feuilles, Picasso, Pitcher, Ceramic, Design, Deco, Leaves Pichet Gothique aux feuilles Ed. 76/100 pcs 1952 White earthenware with cut engobed decoration in blue,...

Complete Set of 6 Guggenheim Museum Retrospective Limited Edition Robert Rauschenberg porcelain plates dated 1997. Each plate features a different screen-printed image of Rauschenber...

Beautiful antique Peruvian face vessel. Chimu Inca, c.1500 Terracotta, measures h. 8 in., w. 4 7/8 inches. No repair or conservation.

Mystic Plate is an original decorative limited edition porcelain plate realized in the 1990s. This very rare plate was produced for House Of Ertè in fin...

Young Wood Owl, Pablo Picasso, 1950's, Multiples, Design, Postwar, Pitcher Young wood-owl Ed. 500 pcs 1952 White earthenware clay, partly polychromed and glazed 26.5 x 9.5 cm Stampe...

PABLO PICASSO (1881-1973) Pichet aux oiseaux (A.R. 456) stamped, marked and numbered 'Edition Picasso / Madoura Plein Feu / Edition Picasso / 124/200 / Madoura' (underneath) white ea...

Scène de Tauromachie, Picasso, Edition, 1950's, Bull, Plate, Design, Animal Scène de tauromachie Ed. 193/500 pcs 1957 Red earthenware clay, engobe decoration, knife engraved D.24 cm...

Picador, by Pablo Picasso, 1950's, Bowl, Sculpture, Design, Edition, Earthenware Picador Ed. 500 pcs 1955 White earthenware clay, decoration in engobes and paraffin, white enamel 12...

Taureau gravé, Pablo Picasso, 1940's, plate, Sculpture, Design, Bull Taureau gravé Ed. 84/200 pcs 1947 White earthenware clay, engobe decoration, engraved under yellow glaze 32 x 39...

Two Tulips in a Color Field, 2019

Hibou noir perché, Picasso, 1950's, Owl, Plate, Ceramic, Design, Animals, Black Hibou noir perché Ed.52/100 pcs 7.05.1957 Red earthenware clay, engobe decoration, knife engraved D. ...

Playing With My Moods, 2018

Beautifully decorated vintage porcelain charger or centerpiece made by the company Castilian. Condition is excellent. Circa 1985. Blue, orange, gree...

Visage Solaire, Picasso, Unique work, Design, 1950's, Sun face, Ceramic Visage Solaire Unique work 27.01.1956 Painted and partially glazed ceramic 20.4 x 20.4 cm Dated and stamped o...

PABLO PICASSO (1881-1973) Hibou brillant (A.R. 285) stamped 'Madoura Plein Feu / Edition Picasso' (underneath) white earthenware ceramic plate, partiall...

The ‘Reflection’ by visionary artist Alexander Ney was handcrafted using italian white terra cotta in 2019. Ney began his professional career as a highly productive visual artist, as...

White Earthenware 49 x 30 x 15 cm 19 1/4 x 11 3/4 x 5 7/8 in ----------- "Working as a hybrid artist and curator, the core of my practice is unpicking the work of establishment organ...

Tête de Faune, Pablo Picasso, Unique piece, Design, Terracotta, Tile, Mythology Tête de faune Unique work 08.08.1956 Painted and glazed terracotta tile...

PABLO PICASSO (1881-1973) Joueur de flûte et chèvre (A.R. 382) stamped 'Madoura Plein Feu / Empreinte Originale de Picasso' (on the reverse) white earthenware ceramic plaque with bla...

Eyes is a beautiful hand-made flat ceramic dish realized by the Russian artist, Anastasia Kurakina in 2019. On the back at the center the blue stamp "Ceramiche Nicola Fasano...

This is a one of a kind original functional vessel by local San Diego artist, Ron Carlson. This is an oversized teapot depicting American President A...

TANYA GOMEZ Cliff, 2020 Material: Porcelain. Thrown on a wheel. Fired multiple times 1280° 43 x 22 cms 16 93/100 x 8 33/50 inches (TG003) Tanya Gomez is a celebrated ceramist renown...

TANYA GOMEZ Glacier I Chun, 2021 Material: Porcelain. Thrown on a wheel. Fired multiple times 1280° 29 x 27 cms 11 21/50 x 10 63/100 inches (TG004) Tanya Gomez is a celebrated ceram...

White Earthenware 49 x 30 x 13 cm 19 1/4 x 11 3/4 x 5 1/8 in ----------- "Working as a hybrid artist and curator, the core of my practice is unpicking the work of establishment organ...

A Large Minoan style vessel inspired by the views, constantly changing light and rugged beauty of the Atlantic Ocean and coastal moorland of Wes...

Although this whimsical sculpture by Allan Winkler has the look of outsider art, this ceramic work stems from the art school-trained artist’s interest in...

The rich tones of the stoneware clay come through the soft creamy glaze that drips over the surface like melted vanilla ice cream over red devil cake. This beautifully rendered ceramic vessel is perched on little decorative feet that poke out of the body of the piece. Of particular interest and commanding presence are the decorative forms attached to the top and sides. They twisted shapes of bent organic growth and provide endless entertainment for the creative imagination. American Post War and Contemporary Artist, Gawaine Dart...

Robert Fournier (1915-2008), stoneware, tall flattened, bottle, circa 1960-1965 - This bottle is from the same series as No.2008.658.18 in the Metrop...

Tête Solaire, Pablo Picasso, Unique Ceramic, 1950's, Earthenware, Design, Tile Tête solaire II Unique work 27.01.1956 Large white earthenware tile, green stripes on white enamel on ...

H&C Heinrich, massive, white, porcelain, sculpted, floor standing, vase, circa 1960 - The massive height, white monochrome and sculpted surface create a rare, floor standing, ceram...

Visage, Pablo Picasso, Face, 1950's, Ceramic, Madoura, Sculpture, Earthenware Ed. 500 pcs White earthenware clay, decoration in engobes under glaze Inscribed on the reverse: Edition...

This is a one of a kind original functional vessel by local San Diego artist, Ron Carlson. This is a lidded container able to be used for holding coin...

Pair of Antique Hand Painted Chinese Vases with Foo Dogs and Inscriptions China, early 20th century Porcelain 17 x 8 x 8 inches Painted in iron red, these Foo Dogs or Imperial Guardian Lions are strong Feng Shui protection symbols which were traditionally placed in front of Imperial palaces, temples, and government offices. They were also a traditional symbol of family wealth and social status and were placed in front of wealthy homes. It is widely accepted that foo dogs were created sometime after real lions...

Willow Tree Plate is an original decorative limited edition porcelain plate realized in the 1990s. This beautiful and very rare plate was produced for Hous...

This is a one of a kind original functional vessel by local San Diego artist, Ron Carlson. This lidded container depicts American pop culture icon Marilyn ...

Bernard Rook (b.1938): Organic Waterscape Vase, 1960-1965 -Rare example of Rooke’s oeuvre demonstrating his inventive artistic talents to the full - A ...

Bust of a Lady, thought to be Elisabeth Petrowna, also known as Elisabeth of Russia Depicted before she was crowned Terracotta Bust Elizabeth Petrovna (Russian: Елизаве́та (29 Decem...

Corrida Scenes, Pablo Picasso, Set, Ceramics, Design, Art, Sculpture, Postwar Corrida Scenes of 8 pieces : Paseo, Pase de cape, Picador, Banderilleros, Pase de muleta, Cogida, Estoc...

This is a Persian tile mural from a private collector in New Hope, Pennsylvania, who owned it for 30 years. It consists of 52 individual 6.5"x6.5" tiles for a total size of approximately 26.5" H x 86.5" L. The mural is assembled and mounted to board for stability. The tile panel is created in bright blues, yellows, and reds, colors of Qajar, Iran. The style is that of the Safavid period, but executed during the Qajar period. The tiles are late 19th or 20th century reproductions of l7th century Safavid "cuerda seca" figural tiles...

Joueur de flûte, Picasso, Limited Edition, Sculpture, Design, 1950's, Ceramic Joueur de flûte Ed. 40 pcs 1951 Earthenware clay covered with enamel D. 24.5 cm Stamped on the back : M...

White Earthenware 49 x 30 x 15 cm 19 1/4 x 11 3/4 x 5 7/8 in ----------- "Working as a hybrid artist and curator, the core of my practice is unpicking the work of establishment organ...

Scène de Tauromachie, Pablo Picasso, 1957, Plate, Ceramic, Design, Postwar, Toro Scène de tauromachie Ed. 500 pcs 1957 Red earthenware clay, engobe decoration, knife engraved D.24 c...

Sea Ice Detail II Framed price is listed Image size: 13.5 x 9" Framed size: 17 x 21.5" $90 Unframed Please contact us for more information on purchasing an ...

This unique, original ceramic artwork by Jared FitzGerald is the perfect blend of a refined antique, Eastern look merged with a Contemporary, Western aesthetic and brush work. The fo...

Framed price is listed Image size: 13.5 x 9" Framed size: 21.5 x 17" $90 Unframed Please contact us for more information on purchasing an unframed print

Framed price is listed Image size: 9 x 13.5" Framed size: 17 x 21.5" $90 Unframed Please contact us for more information on purchasing an unframed print

Octopus Sake Set Porcelain, decal and red enamel underglaze tallest- 4.25" x 3.75” date unkown Ron Nagle is one of the most important sculptors in the United States. He work is highly collected and included in museum collections such as Shigaraki Museum, Japan; Los Angeles County Museum of Art; Musée de Plastique, Paris; San Francisco Museum of Modern Art; and the Stedelijk Museum in the Netherlands. He was born in San Francisco and began working with ceramics during the 1950s as a high school student. In 1961 he apprenticed to Peter Voulkos at the University of California, Berkeley, and later exhibited his work alongside Voulkos, Ken Price, and other innovative West Coast artists working in clay. His work is inspired by such artists as Giorgio Morandi, Phillip Guston, and George Herriman...

Imari vase with fluted neck and ruffled edge, red, gold, blue, orange 40 lbs Japan

Michael Lucero (b. 1953) was born in Tracy, California and earned a BA degree from Humboldt State University in 1975. In 1978, he earned an MFA at the University of Washington in Sea...

White Earthenware 58 x 30 x 15 cm 22 7/8 x 11 3/4 x 5 7/8 in. ----------- "Working as a hybrid artist and curator, the core of my practice is unpicking the work of establishment orga...

Artist : Yoonjee Kwak Title : Bottomless Pit 1 Materials : Porcelain, gold luster, Hand-building Date : 2020 Dimensions : H9.5” W7.5” D7.5” Inch Signed, COA provided Yoonjee Kwak makes sculptural vessels to represent human beings as iconic symbols from the Korean culture. In Korea, when people talk about someone’s personality, they often use “vessel...

Framed price is listed Image size: 18 x 12" Framed size: 26 x 20" $160 Unframed Please contact us for more information on purchasing an unframed print

Framed price is listed Image size: 12 x 18" Framed size: 20 x 26" $160 Unframed Please contact us for more information on purchasing an unframed print

Artist : Yoonjee Kwak Title : (5) The night of counting stars Materials : Porcelain, gold luster, Hand-building Date : 2020 Dimensions : Vessel – H8.25" W8.75" D8.75", Pedestal – H1.75" W4.5" D4.5" Inch Signed, COA provided Yoonjee Kwak makes sculptural vessels to represent human beings as iconic symbols from the Korean culture. In Korea, when people talk about someone’s personality, they often use...

Harding Black San Antonio (1912 - 2004) Huge Heavy Crackle Vase 1985 Height 14'' Across Widest 8" Biography Harding Black San Antonio (1912 - 2004) Harding Black was born on a farm in Nueces County between Ingleside and Aransas Pass and moved with his family to San Antonio in 1916. There he graduated from Brackenridge High School and attended San Antonio Junior College (1929-30). In 1931 Black joined an archaeological expedition to the Big Bend area sponsored by the Witte Memorial Museum. Initially a painter, he was taught by Rudolph Staffel in 1933 to make wheel- thrown pottery and in the same year began to teach children's ceramic classes at the Witte. Between 1937 and 1939, Black directed ceramic installation in a San Antonio reconstruction project sponsored by the National Youth Administration and the Works Progress Administration art program. In 1955 he retired from teaching and devoted his time to ceramics. Black became a well-known ceramist from his research, innovations, and writings in the field. Exhibitions: San Antonio Local Artists Annual Exhibition (1939-42, 1945, 1947); Texas General Exhibition (1940 award, 1942, 1948 honorable mention); National Ceramic Annual Exhibition, Syracuse Museum of Art (1947-54); River Art Group, San Antonio (1948-49); National Collection of Fine Arts, Washington D.C. (1951, 1956); Dallas Museum of Fine Arts (1952 one-man); Martin Museum of Art, Baylor University (1991 one-man); San Antonio Museum of Art (1995 retrospective); National Museum of Art, Washington, D.C. (1995); University of Texas at Dallas, Irving (1998 retrospective). Collections: Dallas Museum of Art; Museum of Fine Arts, Houston; San Angelo Museum of Fine Arts; San Antonio Museum of Art; Martin Museum of Art, Baylor University, Waco; National Museum of American Art, Washington D.C.; New Orleans Museum of Art; Everson Museum of Art, Syracuse, new York; Alfred University (New York). Harding Black resided in San Antonio Texas where he worked as a potter for over 60 years and far as anyone knows he was completely self taught. I find it amazing that anyone could ever accomplish what he did with with no formal training in either ceramics or chemistry. It was a long and prolific journey from the early hand built earthenware pottery to become recognized as a master of glazes. While I feel that his forms often could be better this is more than compensated for by the spectacular glazes he developed. Constant experimentation and his acquired knowledge of chemistry were the foundations for the wonderful glazes that adorn his pottery. The following quote is from an interview with Rudolf Staffel His copper reds are unbelievably beautiful. Harding was a master of glazes and one of the most generous human beings in the ceramic field that I've known. He had literally a room full of beautifully organized test tiles of all his glazes, and he would just throw the room open to anybody who wanted to rummage through his tiles. All the recipes were there and he shared them with anyone who was interested. It was wonderful to go and visit him. Although accurate records of all test firings were kept for reference it I have been told that it would be difficult to reproduce many of these glazes because of the kiln he built and clays he used. This may not be the case because in a recent phone conversation (4/11/2007) with Peter Pinnell he told me that some of his students had success replicating some glazes using Harding's formulas By concentrating on the bowl and vessel forms Harding remained true to the historical traditions of pottery making. The magnificent Harding Black journey began in 1932. At that time he joined the Witte Museum Archaeological Society which provided him with access to their collections of Native American pottery. Harding became fascinated by these pollychromed vessels and he began attempting to create hand built pots. He had very little or no success but a life long of working in clay had begun. It was about this time that he met up with Rudolf Staffel and it was from him that Harding learned wheel throwing and developed ideas of how to operate a studio. Harding was given access to working space at the Witte where he built a wheel and in 1933 he was given a position as ceramic instructor. In this position it was his responsibility to establish a ceramics department. The first kiln Harding built was using plans that were obtained from Newcomb College. He scrounged parts from a junkyard which were used in its construction. This project was not totally successful because of problems reaching required temperatures. As usual this did not deter Harding. He seemed to have a wonderful ability to learn from failure and move on. In the early 1940's Harding began working with formulas for copper red glazes prepared by Arthur Baggs and Edgar Littlefield. This work only added to his interest in Oriental pottery and fostered a desire to rework many old glazes. Being greatly influenced by A Potters Book published in 1940 by Bernard Leach Harding was now on his way seeking to incorporate form, function and surface treatment into a single entity where the whole is greater than the sum of the parts. In the 1950's Harding left the Witte and built his own studio where he spent the rest of his life creating his wonderful art. The body of his work is a living tribute to the Harding Black lifelong love of ceramics. Along with being a researcher he was also a teacher always willing to share his knowledge with others. He spent his life producing pots and occasionally taking time off to do a bit if fishing. According to Harding Black - Harding Black 11/14/90 "I am one of the lucky ones. When I get up in the morning I can hardly wait to get to work." 1912 Born April 15 near Aransas Pass, Texas 1916 Family moved to San Antonio 1929 Graduated from Breckenridge High School 1929-30 Attended San Antonio Junior College 1931 Joined Archaeological Society of the Witte Museum, San Antonio, and participated in excavations of ancient Basket maker Indian mounds and caves in the Big Bend area of Texas 1933 Taught by Rudolf Staffel to make wheel-thrown pottery. Set tip studio in a streetcar behind Witte Museum and began teaching children’s ceramic classes 1937-39 Appointed Superintendent of Ceramic Installation for N Y A /W P A reconstruction project in San Antonio 1943 Moved from streetcar studio to new facilities in the reconstructed Ruiz House on the grounds of the Witte Museum Began firing to stoneware temperatures 1947-54 Exhibited each year in the annual National Ceramic Exhibition, Syracuse Museum of Art 1951 Exhibited at the National Museum of Art, Washington, DC 1952 Toured ceramic centers throughout the United States 1953 “Opening the Door to Copper-Reds” by Harding Black, published in January issue of Ceramics Monthly “Harding Black Profile” published in February issue of Ceramics Monthly 1954 “Iron Spotted Glazes” by Harding Black, published in February issue of Ceramics Monthly 1955 Built present studio at 8212 Broadway, San Antonio Retired from teaching at the Witte Museum 1956 Exhibited at the National Museum of Art, Washington, DC 1961 “Lava Glazes” by Harding Black, published in October issue of Ceramics Monthly 1964 “Harding Black Texas Potter” by Jean R Lange, published in November issue of Ceramics Monthly 1971 The Meyer Family Master Potters of Texas, co-authored by Harding Black and Georgeanna H Greet 1980 Harding Black’s biographical information entered into the archives of the Smithsonian Institution, Washington, D C 1983 Harding Black traveled throughout China 1984 Awarded Glaze Research Grant by Southwest Craft Center, San Antonio 1985 Solo exhibition at the Southwest Crafts Center 1987 Selected as Artist of the Year by the San Antonio Art League 1988 Incarnate Word College, San Antonio, establishes Harding Black Fund to aid ceramics students 1990 “Harding Black Pottery...

Directoire Plate is an original decorative limited edition porcelain plate realized in the 1990s. This very rare plate was produced for House Of Ertè in...

Rare and wonderful mid-century modern ceramic wall hanging by Marianna von Allesch. Incised design on ceramic panel. Signed lower right corner. Me...

Pampa Panwar Untitled, Acrylic on Paper 15 x 11 inches ; 2007 (each) (without frame) Inclusive of shipment in roll form. Mahajabin Majumdar Untitled, Mixed media on Paper 15 x 11 ...