Ceramic More Art

In Koons’ hands even the most familiar, everyday items transcend commonality to become true icons manifesting the essence of American popular culture. Jeff Koons Balloon Dog (Blue) ...

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

"Meditate" by Carolyn Barlock One-of-a-kind Luster and Gold on Porcelain 3x3" each, demitasse teacups with pansy floral design hand-carved, gilt and glazed signed and numbered on th...

bone china with lustre rim 21 cm diameter Grayson Perry hallmark on the back. These decorative plates are inspired by the artwork The Great Beauty, 2024. The original piece is a cab...

Albrecht was half way through his MFA program (ceramics) at the University of Iowa when he was deployed to Iraq (03-04 medic/security work). His work explores the collision of war m...

Michael Lucero (b. 1953) was born in Tracy, California and earned a BA degree from Humboldt State University in 1975. In 1978, he earned an MFA at the University of Washington in Sea...

Inese Margevica (1960) Education: 2004 – LU, master's degree of educational sciences in art pedagogy; 2001 – LMA, Master of Arts degree; 1990 – LMA, Department of Applied Decorative...

Albrecht was half way through his MFA program (ceramics) at the University of Iowa when he was deployed to Iraq (03-04 medic/security work). His work explores the collision of war m...

This Lichtenstein plate, commissioned by Rosenthal/Germany, is hand-colored porcelain, stamp signed and inscribed  “Kunstlerplatzteller" / "Rosentha...

PABLO PICASSO (1881-1973) LE BARBU (A.R. 217) stamped and marked 'Edition Picasso/Madoura Plein Feu/Edition Picasso/Madoura' (underneath) white earthenware ceramic pitcher, partially engraved, with colored engobe and glaze Height: 12¾ in. (31.5 cm.) Conceived in 1953 and executed in an edition of 500 LITERATURE: - Ramié, Alain: Picasso, Catalogue of the Edited...

Contemporary Porcelain Wall Art by World Renowned Ceramic Artist, Paula Murray Contemporary Porcelain wall art from the 'Peace Study' series by world renowned ceramic artist, Paula ...

This is a one of a kind original functional vessel by local San Diego artist, Ron Carlson. This is an oversized teapot depicting American President A...

PABLO PICASSO (1881-1973) Cavalier et cheval (A.R. 138) stamped, marked and numbered 'Edition Picasso / Madoura Plein Feu / Edition Picasso / Madoura / 199/300' (underneath) white ea...

"Guardian Angel" late 19th c. Original hand-painted KPM Porcelain In Jewel Encrusted Frame approx. 6 3/8 x 5 inches

Griselda Comacho de Silveria "Pot with Red & Black Motif Earthenware 4.5 x 6.5 inches Signed on Bottom

YOBITSUGI STYLE VASE (INV# NP2717) Aaron Scythe porcelain, clay, underglaze, glaze 8 x 6 x 6” 2020 This vase is made of several different vases, cut apart and enameled back together!

Harding Black San Antonio (1912 - 2004) Huge Heavy Oxblood Vase 1984 Height 17'' At widest 5'' Biography Harding Black San Antonio (1912 - 2004) Harding Black was born on a farm in Nueces County between Ingleside and Aransas Pass and moved with his family to San Antonio in 1916. There he graduated from Brackenridge High School and attended San Antonio Junior College (1929-30). In 1931 Black joined an archaeological expedition to the Big Bend area sponsored by the Witte Memorial Museum. Initially a painter, he was taught by Rudolph Staffel in 1933 to make wheel- thrown pottery and in the same year began to teach children's ceramic classes at the Witte. Between 1937 and 1939, Black directed ceramic installation in a San Antonio reconstruction project sponsored by the National Youth Administration and the Works Progress Administration art program. In 1955 he retired from teaching and devoted his time to ceramics. Black became a well-known ceramist from his research, innovations, and writings in the field. Exhibitions: San Antonio Local Artists Annual Exhibition (1939-42, 1945, 1947); Texas General Exhibition (1940 award, 1942, 1948 honorable mention); National Ceramic Annual Exhibition, Syracuse Museum of Art (1947-54); River Art Group, San Antonio (1948-49); National Collection of Fine Arts, Washington D.C. (1951, 1956); Dallas Museum of Fine Arts (1952 one-man); Martin Museum of Art, Baylor University (1991 one-man); San Antonio Museum of Art (1995 retrospective); National Museum of Art, Washington, D.C. (1995); University of Texas at Dallas, Irving (1998 retrospective). Collections: Dallas Museum of Art; Museum of Fine Arts, Houston; San Angelo Museum of Fine Arts; San Antonio Museum of Art; Martin Museum of Art, Baylor University, Waco; National Museum of American Art, Washington D.C.; New Orleans Museum of Art; Everson Museum of Art, Syracuse, new York; Alfred University (New York). Harding Black resided in San Antonio Texas where he worked as a potter for over 60 years and far as anyone knows he was completely self taught. I find it amazing that anyone could ever accomplish what he did with with no formal training in either ceramics or chemistry. It was a long and prolific journey from the early hand built earthenware pottery to become recognized as a master of glazes. While I feel that his forms often could be better this is more than compensated for by the spectacular glazes he developed. Constant experimentation and his acquired knowledge of chemistry were the foundations for the wonderful glazes that adorn his pottery. The following quote is from an interview with Rudolf Staffel His copper reds are unbelievably beautiful. Harding was a master of glazes and one of the most generous human beings in the ceramic field that I've known. He had literally a room full of beautifully organized test tiles of all his glazes, and he would just throw the room open to anybody who wanted to rummage through his tiles. All the recipes were there and he shared them with anyone who was interested. It was wonderful to go and visit him. Although accurate records of all test firings were kept for reference it I have been told that it would be difficult to reproduce many of these glazes because of the kiln he built and clays he used. This may not be the case because in a recent phone conversation (4/11/2007) with Peter Pinnell he told me that some of his students had success replicating some glazes using Harding's formulas By concentrating on the bowl and vessel forms Harding remained true to the historical traditions of pottery making. The magnificent Harding Black journey began in 1932. At that time he joined the Witte Museum Archaeological Society which provided him with access to their collections of Native American pottery. Harding became fascinated by these pollychromed vessels and he began attempting to create hand built pots. He had very little or no success but a life long of working in clay had begun. It was about this time that he met up with Rudolf Staffel and it was from him that Harding learned wheel throwing and developed ideas of how to operate a studio. Harding was given access to working space at the Witte where he built a wheel and in 1933 he was given a position as ceramic instructor. In this position it was his responsibility to establish a ceramics department. The first kiln Harding built was using plans that were obtained from Newcomb College. He scrounged parts from a junkyard which were used in its construction. This project was not totally successful because of problems reaching required temperatures. As usual this did not deter Harding. He seemed to have a wonderful ability to learn from failure and move on. In the early 1940's Harding began working with formulas for copper red glazes prepared by Arthur Baggs and Edgar Littlefield. This work only added to his interest in Oriental pottery and fostered a desire to rework many old glazes. Being greatly influenced by A Potters Book published in 1940 by Bernard Leach Harding was now on his way seeking to incorporate form, function and surface treatment into a single entity where the whole is greater than the sum of the parts. In the 1950's Harding left the Witte and built his own studio where he spent the rest of his life creating his wonderful art. The body of his work is a living tribute to the Harding Black lifelong love of ceramics. Along with being a researcher he was also a teacher always willing to share his knowledge with others. He spent his life producing pots and occasionally taking time off to do a bit if fishing. According to Harding Black - Harding Black 11/14/90 "I am one of the lucky ones. When I get up in the morning I can hardly wait to get to work." 1912 Born April 15 near Aransas Pass, Texas 1916 Family moved to San Antonio 1929 Graduated from Breckenridge High School 1929-30 Attended San Antonio Junior College 1931 Joined Archaeological Society of the Witte Museum, San Antonio, and participated in excavations of ancient Basket maker Indian mounds and caves in the Big Bend area of Texas 1933 Taught by Rudolf Staffel to make wheel-thrown pottery. Set tip studio in a streetcar behind Witte Museum and began teaching children’s ceramic classes 1937-39 Appointed Superintendent of Ceramic Installation for N Y A /W P A reconstruction project in San Antonio 1943 Moved from streetcar studio to new facilities in the reconstructed Ruiz House on the grounds of the Witte Museum Began firing to stoneware temperatures 1947-54 Exhibited each year in the annual National Ceramic Exhibition, Syracuse Museum of Art 1951 Exhibited at the National Museum of Art, Washington, DC 1952 Toured ceramic centers throughout the United States 1953 “Opening the Door to Copper-Reds” by Harding Black, published in January issue of Ceramics Monthly “Harding Black Profile” published in February issue of Ceramics Monthly 1954 “Iron Spotted Glazes” by Harding Black, published in February issue of Ceramics Monthly 1955 Built present studio at 8212 Broadway, San Antonio Retired from teaching at the Witte Museum 1956 Exhibited at the National Museum of Art, Washington, DC 1961 “Lava Glazes” by Harding Black, published in October issue of Ceramics Monthly 1964 “Harding Black Texas Potter” by Jean R Lange, published in November issue of Ceramics Monthly 1971 The Meyer Family Master Potters of Texas, co-authored by Harding Black and Georgeanna H Greet 1980 Harding Black’s biographical information entered into the archives of the Smithsonian Institution, Washington, D C 1983 Harding Black traveled throughout China 1984 Awarded Glaze Research Grant by Southwest Craft Center, San Antonio 1985 Solo exhibition at the Southwest Crafts Center 1987 Selected as Artist of the Year by the San Antonio Art League 1988 Incarnate Word College, San Antonio, establishes Harding Black Fund to aid ceramics students 1990 “Harding Black Pottery...

PABLO PICASSO (1881-1973) Femme au chapeau fleuri (A.R. 521) stamped and numbered 'Madoura Plein Feu / Empreinte Originale de Picasso / 97/100' (on the reverse) terracotta plaque, pa...

Philip Guston (American, b. 1970) Untitled, 2023 Medium: Porcelain plate (fine bone china) Dimensions: 26.7 cm diameter (10 1/2 in) Edition of 250: Printed signature and edition deta...

A highly decorated Bauhaus inspired vase by California woman artist Marguerite Wildenhain. This vase was created while Wildenhain was teaching at Pond Farm, in Guerneville, CA. Wild...

Mother Goddess Figurine Early Indus Valley Civilization (circa 3500 - 2800 BC) Handmade pottery, 140 mm x 45 mm, 60 g Provenance: Prince Collection, 1990s-2014; Pierre Bergé Colle...

Frankenthal Porcelain Plate. 18th Century Floral Decoration with Woven Relief lip. Diameter 34.5 cm. Large hard-paste porcelain plate from Frankenthal with shaped border decorated ...

Ceramic signed by Jacotte Capron

​Interesting Pop Art tile Sculpture plaque by Guillermo Wagner Granizo (American, 1923-1995). A colorful woman with a beehive hairdo is surround by a fe...

RARE TRIBAL BIRD DRAWING ON JAR (INV# NP5076) MAGDALENA SUAREZ FRIMKESS & MICHAEL FRIMKESS stoneware and glaze 5.75 x 8.5 x 8.5” 1997 signed by artist pro...

Helio Gutiérrez is an acclaimed award-winning ceramic artist born in San Juan de Oriente, Nicaragua. His pieces may be found internationally in both private and public collections. H...

Magdalena Suarez Frimkess stoneware and glaze 5 x 5.25 x 4.75” 2003 signed by artist

This masterpiece is exhibited in the Zimmerman Gallery, Carmel CA. Please note: The base is not included. We will guide you through a simple installation process for outdoor or indo...

This masterpiece is exhibited in the Zimmerman Gallery, Carmel CA. Please note: The base is not included. We will guide you through a simple installation process for outdoor or indo...

Ceramic vase in a blue and green metallic lustre glaze by master of iridescence Clement Massier, with clusters of grapes and leaves in deep purple. Signed MCM in the base, and number...

Slide is a work by British artist Patricia Volk. Dimensions are 32 × 50 × 7 cm (12.6 × 19.7 × 2.8 in). It is a unique signed piece and comes with a certificate of authenticity signe...

Vintage circa 1940s Delft Royal Sphinx Petrus Regout of Maastricht Big Wall Plate. A rare vintage collectible. Hand-painted by a Dutch artist. Plate diameter: 39.5 cm, height: 5.5 cm...

Outstanding sculpture depicting a panther in an attacking position, standing on a rock. The sculpture has a beautiful patina. It displays excellent muscular proportions. Made from ...

Substantial vase with Roy Lichtenstein-esque pop art figurative of Bill and Hillary Clinton and the scandal that lead to his impeachment. By ceramic ar...

Allyson George Not the Priceless Historical Ceramic Jar! (Funny, Witty, Installation) Porcelain, glaze, stoneware, enamel spray paint, epoxy Year: 2025 Size Large Sitting Cup: 20 x 1...

Isaac Grünewald ( 1889-1946 ) Swedish & jewish Expressionist painter . Rare & unique ceramic work circa 1940 Glazed stoneware . signed . decorated with nude male and f...

Stunning glazed ceramic vase by artist Gilbert Portanier

“Lark” is a one-of-a-kind sculptural vessel from Heather Knight’s Coeur Collection, created in her Savannah-based Element Clay Studio . Elegant in proportion and quietly architectur...

PABLO PICASSO (1881-1973) Corrida Sur Fond Noir (A.R. 198) dated '25.9.53.' (upper centre); stamped 'Madoura Plein Feu / Edition Picasso' (undern...

In the world of artistic collaboration, Zao Wou-Ki's limited edition plate, "Pierre de Feu" crafted by Bernardaud, emerges as a symphony of Limoges porcelain—a masterpiece that trans...

Sublime mirror by French ceramist Mithé Espelt measuring 26 x 21.5 x 1 cm

"Judith" by Théodore DECK (1823-1891) and Albert ANKER (1831-1910) Important and rare polychromatic enamelled earthenware pannel Titled "Judith" Signed in the decor "Anker". Tripar...

Lace "Eagle" Vase #2. Mata Ortiz, With brown background and white lace and "eagles". Chihuahua, Mexico.

“Aubrieta” is a contemporary porcelain wall sculpture by Heather Knight, founder of Element Clay Studio (est. 2007), a Savannah-based studio recognized for organic modern ceramic wor...

PABLO PICASSO (1881-1973) Hibou brillant (A.R. 285) stamped 'Madoura Plein Feu / Edition Picasso' (underneath) white earthenware ceramic plate, partiall...

Sublime ceramic mirror by French ceramic artist Mithé Espelt

PABLO PICASSO (1881-1973) Joueur de flûte et chèvre (A.R. 382) stamped 'Madoura Plein Feu / Empreinte Originale de Picasso' (on the reverse) ...

A wonderful and classic Bauhaus inspired low bowl form created by Marguerite Wildenhain, at Pond Farm, in Guernville, CA. Wildenhain was trained at the German Bauhaus, before moving ...

Shoreline is a one-of-a-kind ceramic wall installation composed of fifteen hand-sculpted porcelain tiles, each exploring a distinct texture inspired by coastal landscapes, botanical ...

Robert Rauschenberg Rare lifetime edition Untitled Limited Edition Porcelain Plate (Guggenheim Museum), 1997 Porcelain Plate (Limited Edition Exclusively for Guggenheim) 10 2/5 in di...

Belen Tapia Pottery Santa Clara Bowl. In good condition measures 7x7

TERRACOTTA FIGURINE OF A COMIC ACTOR , Greece, c. 350 B.C. Labeled to the reverse, 'LAWRENCE COLL./LOT 426. SOTHEBY./APR. 1892. P. 816.'; Terracotta height 15.2 cm height 6 in Prove...

Humanity is more alike than we often realise. We all share the same basic needs, desires, and concerns, no matter our background or culture. This series pays homage to the craft of c...

Alan Wallwork (1931-2019): Organic landscape sculptural vessel, 1960-1965 -Exhibiting the articulated, inventive, organic qualities & tactility of Wallwork’s early oeuvre for which he is best known - This sculptural landscape vessel has been handmade by coiling, slabbing and shaping the clay. The totemic form and pitted and pierced surfaces draw on the abstract landscape and tactility of elements in nature. matte glazes and oxides have been skillfully used to enhance the rich textures of the surfaces and the organic aesthetic. - Wallwork is one of the great individualists in British pottery, developing an archetypal language that echoed some of the wider artistic obsessions of that period, what the art critic Herbert Read called the “postwar ferment” of sculptural activity. - This piece was made during 1960-1965, the time that Wallwork was sharing a studio in Greenwich with Bernard Rooke and comes from a private collection along with a waterscape vase by Rooke and a bottle by Robert Fournier...

Five-sided Vessel, Stoneware with Dry Glazes by Paul Philp Additional information: Medium: Stoneware with Dry Glazes Height 52 cm (20 1/2 in) Width 29 cm (11 4/1in) Signed by impres...

Albrecht was half way through his MFA program (ceramics) at the University of Iowa when he was deployed to Iraq (03-04 medic/security work). His work explores the collision of war m...

Glazed ceramic signed by Gilbert Portanier

Contemporary hand built ceramic figurative sculpture characterized by volcanic texture, earth-toned glaze, and vertical sculptural presence. Extravagant Volcano belongs to the serie...

Dark Slab Bottle I, Stoneware with Tenmoku and Nuka Glazes Additional information: Medium: Stoneware with tenmoku and nuka glazes Height, 26 cm (10 1/4 in) Signed with potter's mark

Taizan Tile, Portrait of a Woman Mosaic Panel, mid-20th century, signed "Taizan" lower left, giltwood frame. Image: 11.5" H x 9" W; frame: 21.5" H x 18.5" W x 2" D. Provenance: Fro...