Ceramic More Art

with signature (on a salmon swimming the opposite direction), with the artist's thumbprint (on the reverse) screen print on earthenware, with underglaze paint 37 cm. (14 ½ ) diam. ...

Black Melantha is a one-of-a-kind contemporary ceramic wall sculpture from Heather Knight’s Flora Collection, a body of work inspired by the layered geometry of succulents, botanical...

Really lovely bowl by this well collected and exhibited British potter Good condition 17cm high diameter 38cm 1980s

Standing atop a textured, frothy pastel sea, a classic green Art Nouveau maiden stands cradled by figural waves with an offering of a lily pad. An excellent example of the "ivory por...

Maurizio Cattelan Untitled limited edition porcelain plate in bespoke gift box, 2020 Silkscreen on Fine Bone China, held in specially designed gift box with artist's authorized signature Signed in plate, Artist signature fired onto the back, Edition of 175 10 1/2 × 10 1/2 inches (plate alone) Publisher Prospect, NY Artist signature fired onto the back of the plate and on the bespoke box. The underside of the plate and box expressly states that it was produced in a limited edition of 175 Makes a superb gift. Originally purchased to support the Coalition for the Homeless. The contemporaneous statement from the Coalition for the Homeless, New York: In lieu of our 26th annual ARTWALK NY event in 2020, which was cancelled due to the COVID-19 pandemic, the Coalition for the Homeless created Artist Plate Project to support our lifesaving work. The Coalition is honored to have worked with 50 world-renowned artists to create beautiful limited-edition dinner plates. The plates were produced by Prospect and available for purchase on Artware Editions from November 16 through December 31, 2020. The innovative project was featured in the New York Times, T Magazine, Town and Country Magazine...

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Hand-glazed, ammonite-shaped vase in a deep rust color made by Helmut Schäffenacker. Numbered in the base. Form V-6. Helmut Schäffenacker founded Atelier Schäffenacker in West Germ...

Rare and impressive pair of 18th century Dutch Delft tile grouping displaying their unique architectural subjects and distinctive alluring blue and white palette. Presenting five in ...

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Framed price is listed Image size: 13.5 x 9" Framed size: 21.5 x 17" $90 Unframed Please contact us for more information on purchasing an unframed print

PABLO PICASSO (1881-1973) Pichet espagnol (A.R. 244) stamped, marked and numbered 'Edition Picasso / Madoura Plein Feu / Edition Picasso / 97/300 / Mad...

“Aubrieta” is a contemporary porcelain wall sculpture by Heather Knight, founder of Element Clay Studio (est. 2007), a Savannah-based studio recognized for organic modern ceramic wor...

Unique Royal Delft's big wall plate = Dutch Delft Bottle Wall Plate After Michael Sweerts“Portrait of a Young Boy with a Hat” Plate measurement is 40....

THIS PIECE IS MADE TO ORDER. LEAD TIME MAY VARY DEPENDING ON THE ARTIST'S AVAILABILITY. PLEASE INQUIRE. CUSTOMIZATION SUCH ADDING PATTERNS, LETTERS, NAMES, ETC. IS POSSIBLE. Hand Bu...

Keith Haring (US American, 1958–1990) Title: Untitled, 1985 Created: 2020 Medium: Fine bone china Dimensions: 26.7 cm diameter (10 1/2 in diameter) Edition of 175: Signed in plate, b...

Production period: 1921-1945. The RAM factory was founded in 1921 in Arnheim. In 1945, the original RAM production in Arnheim ceased, and RAAM Delfter Faience was established. Manufacturer: RAM Factory (Arnhem, Holland), known for its hand-painted ceramics and earthenware. Technique: Handgeschilderd, which means hand-painted in Dutch. Subject: The front of the plate depicts a portrait known as Rembrandt...

Harding Black San Antonio (1912 - 2004) Huge Heavy Crackle Vase 1985 Height 14'' Across Widest 8" Biography Harding Black San Antonio (1912 - 2004) Harding Black was born on a farm in Nueces County between Ingleside and Aransas Pass and moved with his family to San Antonio in 1916. There he graduated from Brackenridge High School and attended San Antonio Junior College (1929-30). In 1931 Black joined an archaeological expedition to the Big Bend area sponsored by the Witte Memorial Museum. Initially a painter, he was taught by Rudolph Staffel in 1933 to make wheel- thrown pottery and in the same year began to teach children's ceramic classes at the Witte. Between 1937 and 1939, Black directed ceramic installation in a San Antonio reconstruction project sponsored by the National Youth Administration and the Works Progress Administration art program. In 1955 he retired from teaching and devoted his time to ceramics. Black became a well-known ceramist from his research, innovations, and writings in the field. Exhibitions: San Antonio Local Artists Annual Exhibition (1939-42, 1945, 1947); Texas General Exhibition (1940 award, 1942, 1948 honorable mention); National Ceramic Annual Exhibition, Syracuse Museum of Art (1947-54); River Art Group, San Antonio (1948-49); National Collection of Fine Arts, Washington D.C. (1951, 1956); Dallas Museum of Fine Arts (1952 one-man); Martin Museum of Art, Baylor University (1991 one-man); San Antonio Museum of Art (1995 retrospective); National Museum of Art, Washington, D.C. (1995); University of Texas at Dallas, Irving (1998 retrospective). Collections: Dallas Museum of Art; Museum of Fine Arts, Houston; San Angelo Museum of Fine Arts; San Antonio Museum of Art; Martin Museum of Art, Baylor University, Waco; National Museum of American Art, Washington D.C.; New Orleans Museum of Art; Everson Museum of Art, Syracuse, new York; Alfred University (New York). Harding Black resided in San Antonio Texas where he worked as a potter for over 60 years and far as anyone knows he was completely self taught. I find it amazing that anyone could ever accomplish what he did with with no formal training in either ceramics or chemistry. It was a long and prolific journey from the early hand built earthenware pottery to become recognized as a master of glazes. While I feel that his forms often could be better this is more than compensated for by the spectacular glazes he developed. Constant experimentation and his acquired knowledge of chemistry were the foundations for the wonderful glazes that adorn his pottery. The following quote is from an interview with Rudolf Staffel His copper reds are unbelievably beautiful. Harding was a master of glazes and one of the most generous human beings in the ceramic field that I've known. He had literally a room full of beautifully organized test tiles of all his glazes, and he would just throw the room open to anybody who wanted to rummage through his tiles. All the recipes were there and he shared them with anyone who was interested. It was wonderful to go and visit him. Although accurate records of all test firings were kept for reference it I have been told that it would be difficult to reproduce many of these glazes because of the kiln he built and clays he used. This may not be the case because in a recent phone conversation (4/11/2007) with Peter Pinnell he told me that some of his students had success replicating some glazes using Harding's formulas By concentrating on the bowl and vessel forms Harding remained true to the historical traditions of pottery making. The magnificent Harding Black journey began in 1932. At that time he joined the Witte Museum Archaeological Society which provided him with access to their collections of Native American pottery. Harding became fascinated by these pollychromed vessels and he began attempting to create hand built pots. He had very little or no success but a life long of working in clay had begun. It was about this time that he met up with Rudolf Staffel and it was from him that Harding learned wheel throwing and developed ideas of how to operate a studio. Harding was given access to working space at the Witte where he built a wheel and in 1933 he was given a position as ceramic instructor. In this position it was his responsibility to establish a ceramics department. The first kiln Harding built was using plans that were obtained from Newcomb College. He scrounged parts from a junkyard which were used in its construction. This project was not totally successful because of problems reaching required temperatures. As usual this did not deter Harding. He seemed to have a wonderful ability to learn from failure and move on. In the early 1940's Harding began working with formulas for copper red glazes prepared by Arthur Baggs and Edgar Littlefield. This work only added to his interest in Oriental pottery and fostered a desire to rework many old glazes. Being greatly influenced by A Potters Book published in 1940 by Bernard Leach Harding was now on his way seeking to incorporate form, function and surface treatment into a single entity where the whole is greater than the sum of the parts. In the 1950's Harding left the Witte and built his own studio where he spent the rest of his life creating his wonderful art. The body of his work is a living tribute to the Harding Black lifelong love of ceramics. Along with being a researcher he was also a teacher always willing to share his knowledge with others. He spent his life producing pots and occasionally taking time off to do a bit if fishing. According to Harding Black - Harding Black 11/14/90 "I am one of the lucky ones. When I get up in the morning I can hardly wait to get to work." 1912 Born April 15 near Aransas Pass, Texas 1916 Family moved to San Antonio 1929 Graduated from Breckenridge High School 1929-30 Attended San Antonio Junior College 1931 Joined Archaeological Society of the Witte Museum, San Antonio, and participated in excavations of ancient Basket maker Indian mounds and caves in the Big Bend area of Texas 1933 Taught by Rudolf Staffel to make wheel-thrown pottery. Set tip studio in a streetcar behind Witte Museum and began teaching children’s ceramic classes 1937-39 Appointed Superintendent of Ceramic Installation for N Y A /W P A reconstruction project in San Antonio 1943 Moved from streetcar studio to new facilities in the reconstructed Ruiz House on the grounds of the Witte Museum Began firing to stoneware temperatures 1947-54 Exhibited each year in the annual National Ceramic Exhibition, Syracuse Museum of Art 1951 Exhibited at the National Museum of Art, Washington, DC 1952 Toured ceramic centers throughout the United States 1953 “Opening the Door to Copper-Reds” by Harding Black, published in January issue of Ceramics Monthly “Harding Black Profile” published in February issue of Ceramics Monthly 1954 “Iron Spotted Glazes” by Harding Black, published in February issue of Ceramics Monthly 1955 Built present studio at 8212 Broadway, San Antonio Retired from teaching at the Witte Museum 1956 Exhibited at the National Museum of Art, Washington, DC 1961 “Lava Glazes” by Harding Black, published in October issue of Ceramics Monthly 1964 “Harding Black Texas Potter” by Jean R Lange, published in November issue of Ceramics Monthly 1971 The Meyer Family Master Potters of Texas, co-authored by Harding Black and Georgeanna H Greet 1980 Harding Black’s biographical information entered into the archives of the Smithsonian Institution, Washington, D C 1983 Harding Black traveled throughout China 1984 Awarded Glaze Research Grant by Southwest Craft Center, San Antonio 1985 Solo exhibition at the Southwest Crafts Center 1987 Selected as Artist of the Year by the San Antonio Art League 1988 Incarnate Word College, San Antonio, establishes Harding Black Fund to aid ceramics students 1990 “Harding Black Pottery...

Twilight Plate is an original decorative limited edition porcelain plate realized in the 1990s. This plate was produced by Royal Doulton, an English ceramic manufacturing company fo...

Royal Copenhagen Vase, 1909 – View of the Danish Newspaper Politiken Headquarters (1884–1909) Rare hand-painted porcelain vase produced by Royal Copenhagen in 1909 to mark the 25th ...

A large Aldermaston Pottery Bowl, Earthenware by Aldermaston Pottery, 1997 Circa Additional information: Medium: Earthenware with painted ruby lustre over tin-glaze Diameter 36 cm (...

This masterpiece is exhibited in the Zimmerman Gallery, Carmel CA. Please note: The base is not included. We will guide you through a simple installation process for outdoor or indo...

Round red lips clay mosaic wall sculpture in high relief composed of individually hand molded and fired ceramic elements. This circular wall relief reconstructs the lips motif throug...

Ceramic vase designed by Paul Dachsel for Amphora featuring delicate gold cross-hatching and relief elements to evoke peacock feathers. Polished gold glaze around mouth, on handles, and base relief...

In the world of artistic collaboration, Zao Wou-Ki's limited edition plate, "Pierre de Feu" crafted by Bernardaud, emerges as a symphony of Limoges porcelain—a masterpiece that trans...

From the Amphora series that came to be known as the Confetti Decor; a delightfully petite vase featuring cobalt underglaze painting with large crackling that reveals spots of green,...

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork.This exceptional artwork is currently on display and available for sale at Signet Co...

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

Drop. Small abstract sculpture from porcelain, h 16 cm Elina Titane represents the younger generation of modern ceramic art in Latvia. Emoti...

Following the release of the first “Upside Down Face Vase”, Parra presents the latest addition to the series. This female counterpart marks the conclusion of these iconic vases. Where the first edition stood out because of its boldness, this bird girl exhibits remarkable elegance and sophistication. Long red flowing hair forms the base of the hand painted ceramic sculpture, with her graceful neck embracing your bouquet of flowers. Dutch illustrator, painter, and animator Piet Parra...

Johannes Nagel 1979 - Current Armoured Vessel, 2020 Porcelain 56 x 40 x 40 cm 22 x 15 3/4 x 15 3/4 in

Jean Cocteau "L'Homme Fleur" 7/50 from an edition of 50 Ceramic pitcher, conceived in 1958 Hand signed and inscribed on the base, " Edition originale de Jean Cocteau, Atelier Madelin...

Airplane, 12x9cm, porcelain Limited edition 1

The rich tones of the stoneware clay come through the soft creamy glaze that drips over the surface like melted vanilla ice cream over red devil cake. This beautifully rendered ceramic vessel is perched on little decorative feet that poke out of the body of the piece. Of particular interest and commanding presence are the decorative forms attached to the top and sides. They twisted shapes of bent organic growth and provide endless entertainment for the creative imagination. American Post War and Contemporary Artist, Gawaine Dart...

The artist creates fragile works of art during the war. Sofia lives and works in Kyiv as much as conditions allow, where people attend her ceramics classes. Unfortunately, having a s...

In the realm of artistic alchemy, Zao Wou-Ki's limited edition plate, "Pierre de Ciel," crafted by Bernardaud, unfolds as a poetic composition in Limoges porcelain—a masterpiece that...

Albrecht was half way through his MFA program (ceramics) at the University of Iowa when he was deployed to Iraq (03-04 medic/security work). His work explores the collision of war m...

Willow Tree Plate is an original decorative limited edition porcelain plate realized in the 1990s. This beautiful and very rare plate was produced for Hous...

“Summit” is a one-of-a-kind sculptural vessel from Heather Knight’s Coeur Collection, created in her Savannah-based Element Clay Studio (est. 2007). Inspired by mountain ridgelines ...

Acrylic on Ceramic Plate 8.5 x 8.5 in (21.59 x 21.59 cm)

PABLO PICASSO (1881-1973) "Oiseau sur la branche" (A.R. 175) stamped and marked “Edition Picasso / Madoura Plein Feu / Edition Picasso” (on the reverse) ceramic Diameter: 6-1/8 inche...

Edmund De Waal 1964 - Current Lidded bottle, 1990 - 2005 Light celadon porcelain bottle with two red recessed marks and its lid 22.4 x 5 cm 8 7/8 x 2 in

Skuldelev Vessel Stoneware with tenmoku glaze

'April Requiem', 2021, by Sunni Mercer, is a human-scale, Mixed Media, Sculptural Assemblage featuring Clay, Gauze Bandages, Deer Hide, Copper and Paint. The sculpture depicts a fema...

Brian Rochefort Untitled, 2014 Glazed stoneware 21.6 x 14 x 14 cm 8 1/2 x 5 1/2 x 5 1/2 in

"Remains (Stack of Cups)" is an original ceramic sculpture by Yoonmi Nam made from directly slip casting the negative space of precariously stacked to-go cups in a tray and wood firi...

Diva II Plate is an original decorative limited edition porcelain plate realized in the 1990s. This very rare plate was produced for House Of Ertè in fi...

LARGE ABSTRACT BOWL (INV# NP3674) Chris Gustin wood fired stoneware and glaze 10.25 x 15.25 x 13.25” 2003 signed

Inese Margevica (1960) Education: 2004 – LU, master's degree of educational sciences in art pedagogy; 2001 – LMA, Master of Arts degree; 1990 – LMA, Department of Applied Decorative...