1990s More Art

Studio: Walt Disney Medium: Two Production Cel Set-up on Production Background from Sotheby's Auction, Lot 57 Film: Aladdin Year: 1992 Character: Aladdin, Prince Achmed Unframed Size...

Studio: Walt Disney Medium: Production cel on Production Background from Sotheby's Auction, Lot 150 Film: Beauty and the Beast Year: 1991 Character: Le Fou Unframed Size: 12 1/2" x 1...

Lia Cook (American, b. 1942), "Little Tunnel E", 1990, signed, dated, and titled verso, woven fiber in shadowbox frame. Overall: 22.5" H x 16.5" W x 1.75" D. Provenance: From the C...

Signed lower right, 'Maria Winkler' (American, 20th century) and dated 1991. Professor Emeritus of the Art Department at California State University, Sacramento, Maria Winkler earne...

Peter Halley New Works, The Butler Institute of American Art (Hand Signed), 1999 Offset lithograph poster (signed by Peter Halley) 38 × 21 1/2 inches Boldly signed in black marker by...

Anthony Caro Bronze Belt Buckle, 1993 Bronze sculpted belt buckle. Stamped on the verso 3 × 4 1/2 inches Exhibition History: Victoria and Albert Museum, L...

Beautifully executed cross stitch chinese embroidery of a field of irises. Artist red seal lower left with calligraphy above. Condition is excellent. Circa 1990. Artist unknown. Unde...

Spring 1991. Cardboard, oil, 94.5x70 cm

Plum Blossom Plate is an original decorative limited edition porcelain plate realized in the 1990s. This charming and very rare plate was produced for H...

When David Sorensen visited Havana, Cuba in 1999 he was captivated by the rich textural atmosphere of the city. Using a spatula and paintbrush he created a series of abstract paintings in bright colours and graphic form. No 5 features a sky-blue square in the center, laid over a field of similar shapes in various sizes. Thick lines that run both vertically and horizontally across the canvas add drama. The colour palette—orange, yellow, red, and indigo is both joyful and intense. “Through the medium of his art, a bridge is built between inner sensation and outer world experience, illusion and reality, what we cannot see and what we see, life and afterlife.” John K. Grande, Montreal poet and writer Born in Vancouver Sorensen (1937-2011) studied at UBC and the Vancouver School of Art. His teachers were renowned—Arthur Erikson...

MEDIUM: ​Original Production Cel on Original Background IMAGE SIZE: 10.5" x 9" PRODUCTION: Batman The Animated Series, What is Reality? SKU: IFA6678 ABOUT THE IMAGE: Batman: The An...

Mystic Plate is an original decorative limited edition porcelain plate realized in the 1990s. This very rare plate was produced for House Of Ertè in fin...

"Grindelwa" Small Collage by Michael Pauker Small abstract paper collage by Bay Area artist Michael Pauker (American, b. 1957). This piece is created from a few pieces of antique pa...

A vibrant culture is captured in colour and dynamic form in this lively abstract painting by David Sorensen. After visiting Cuba in 1999, the Canadian artist created a series of paintings. The light, the bright colours and the rich atmosphere of life in Havana inspired Sorensen’s colour palette—a brilliant square of yellow in the center, surrounded by graphic shapes in red, orange, lime green, blue and black. Lines of blue and black create a grid-like pattern that runs both horizontally and vertically across the canvas. “Through the medium of his art, a bridge is built between inner sensation and outer world experience, illusion and reality, what we cannot see and what we see, life and afterlife.” John K. Grande, Montreal poet and writer Born in Vancouver Sorensen (1937-2011) studied at UBC and the Vancouver School of Art. His teachers were renowned—Arthur Erikson...

Robert Indiana Deluxe Limited Edition with Slipcase: Robert Indiana Early Sculpture 1960-1962 (Hand signed and inscribed with heart drawing by Robert Indiana ), 1991 Hardback monogra...

Judy Chicago Logo Pin and Pendant, 1993 Enameled pin with pendant loop in original presentation box 2 1/2 × 2 1/2 × 1/5 inches Judy Chicago's incised name and date on the verso Comes...

Basket, Wounaan Tribe Panama Darien Rainforest, gold, black, red, white

MEDIUM: ​Original Production Cel on Printed Background IMAGE SIZE: 12.5" x 10.5" PRODUCTION: Tiny Toon Adventures, Life In The 90s SKU: IFA9606 ABOUT THE IMAGE: Steven Spielberg Pre...

Wounaan Tribe Panama Rainforest Basket black, white geometric rectangle hand woven, palm fibers natural dye Tribal artwork The baskets are made by ...

Cottonwoods in Jemez Canyon mono print by John Hogan New Mexico landscape green framed John Hogan A graduate of Northeast Louisiana State University with a bachelor's degree and New...

Wounaan Tribe Panama Rainforest Basket, gold, black, red geometric hand woven natural dyes The baskets are made by the Wounaan and Embera Indians from the Darien Rainforest in Panam...

Fountain By Marcel Duchamp 1997 Medium: Offset Lithograph Paper Size: 33 x 23.25 inches ( 84 x 59 cm ) Image Size: 22 x 15.25 inches ( 56 x 39 cm ) Edition Size: 500

Best Buddies By Julian Schnabel 1992 Signed Medium: Serigraph Paper Size: 58 x 44 inches ( 147 x 112 cm ) Image Size: 58 x 44 inches ( 147 x 112 cm ) Edition Size: 90

Andalusia Rose By John Kelley 1990 Medium: Serigraph Paper Size: 33 x 40 inches ( 84 x 102 cm ) Image Size: 25 x 33.5 inches ( 64 x 85 cm ) Edition Size: 800

The Lamp By Roy Lichtenstein 1995 Medium: Offset Lithograph Paper Size: 39.5 x 27.5 inches ( 100 x 70 cm ) Image Size: 32.5 x 23.75 inches ( 83 x 60 cm ) Edition Size: 1000

Louise Bourgeois Homely Girl, A Life, Volumes I and II (Literary books with 10 original etchings) Hand signed by both artist Louise Bourgeois and Pulitzer winning playwright Arthur M...

Hey, Let's Go for a Ride By James Rosenquist 1992 Medium: Offset Lithograph Paper Size: 28 x 20 inches ( 71 x 51 cm ) Image Size: 17 x 15 inches ( 43 x 38 cm ) Edition Size: 1000

Architektur II By Gunther Forg 1993 Signed Medium: Offset Lithograph Paper Size: 37.8 x 27 inches ( 96 x 69 cm ) Image Size: 37.8 x 27 inches ( 96 x 69 cm ) Edition Size: 60

MEDIUM: ​Original Production Cel on Original Background IMAGE SIZE: 12.5" x 10.5 PRODUCTION: Animaniacs, One Flew Over the Cuckoo Clock SKU: IFA9026 ABOUT THE IMAGE: Blending wit, s...

Night Fall From Studio, John Hogan, Santa Fe landscape rose blue yellow etching hand pulled 7 color etching edition 50 22 x 30 paper size 17.5 x 2...

Roland Garros French Open By Antonio Saura 1997 Medium: Offset Lithograph Paper Size: 29.5 x 22.5 inches ( 75 x 57 cm ) Image Size: 29.5 x 22.5 inches ( 75 x 57 cm ) Edition S...

DIEBENKORN, Richard. Poems of W.B. Yeats. Selected and introduced by Helen Vendler. xxv, [3], 171, [2] pp. 4to, 260 x 205 mm, bound in half red morocco over green cloth, in a gre...

Mao By Andy Warhol 1996 Medium: Offset Lithograph Paper Size: 37.25 x 26.25 inches ( 95 x 67 cm ) Image Size: 30.5 x 23.25 inches ( 77 x 59 cm ) Edition Size: Unknown

Goethe Black And Yellow By Andy Warhol 1990 Medium: Offset Lithograph Paper Size: 35.5 x 34.5 inches ( 90 x 88 cm ) Image Size: 35.5 x 34.5 inches ( 90 x 88 cm ) Edition Size:...

Ads: Rebel Without a Cause (James Dean) By Andy Warhol 1990 Medium: Offset Lithograph Paper Size: 15.75 x 12.25 inches ( 40 x 31 cm ) Image Size: 13.25 x 9.5 inches ( 34 x 24 c...

American Dance Festival 1993 By Alex Katz 1993 Signed Medium: Lithograph Paper Size: 60 x 24 inches ( 152 x 61 cm ) Image Size: 60 x 24 inches ( 152 x 61 cm ) Edition Size: 100

Pearls Before Swine, Flowers Before Flames By James Rosenquist 1990 Medium: Offset Lithograph Paper Size: 27 x 36 inches ( 69 x 91 cm ) Image...

John Walker British (b. 1939) Salsipuedes Forms (1991) Monoprint relief print with dry pigment, monotype Hand signed lower right Provenance: Garner Tullis Workshop A monotype is literally one of a kind; it is not a method of multiplication. The artist makes an image with a liquid medium on wood, metal or glass, and paper is laid over the moist image and bonded under pressure the paper is then removed bringing with it the transposed monotype. John Walker (born 1939) is an English painter and printmaker. He has been called "one of the standout abstract painters of the last 50 years." Walker studied in Birmingham at the Moseley School of Art, and later the Birmingham School of Art and Académie de la Grande Chaumière in Paris. Some of his early work was inspired by abstract expressionist art and post-painterly abstraction, and often combined apparently three-dimensional, sculptural shapes with "flatter" elements. These pieces are usually rendered in acrylic paint. In the early 1970s, Walker made a series of large Blackboard Pieces using chalk first exhibited at the opening of Ikon Gallery, in Birmingham Shopping Centre, Birmingham in 1972 and the Juggernaut works which also use dry pigment. From the late 1970s, his work marked allusions to earlier painters, such as Francisco Goya, Edouard Manet and Henri Matisse, either through the quoting of a pictorial motif, or the use of a particular technique. Also during this time, he began to use oil paint more in his work. His paintings of the 1970s are also notable for what has come to be termed canvas collage, the application of glued-on, separately painted patches of canvas to the main canvas. Beginning in the 1970s John Walker was one of the most influential and imitated painters working in the UK; he exhibited alongside Andy Warhol and Roy Lichtenstein, represented his country at the 1972 Venice Biennale, had extensive survey shows at both the Tate and Hayward galleries and was nominated for the Turner Prize in 1985. After spending some time in Australia, Walker got a position at the Victoria College of the Arts in Melbourne. He produced the Oceania series around this time which incorporates elements of native Oceanic art. Walker is currently the head of the graduate painting program at Boston University. Walker won the 1976 John Moores Painting Prize and was nominated for the Turner Prize in 1985. In September 2010, Walker and five other British artists including Howard Hodgkin, John Hoyland, Ian Stephenson, Patrick Caulfield and R.B. Kitaj were included in an exhibition entitled The Independent Eye: Contemporary British Art From the Collection of Samuel and Gabrielle Lurie, at the Yale Center for British Art. His art was influenced by Boston Expressionism. Along with Aaron Fink, Gerry Bergstein, Jon Imber, Michael Mazur, Katherine Porter, Jane Smaldone, John Walker, and Philip Guston. Through Garner Tullis at Experimental Press he met Sean Scully, Friedel Dzubas, Helen Frankenthaler, Sam Francis, William Wiley, and others. Select Group Exhibitions (partial list) 1965 John Moores Liverpool Exhibition. Walker Art Center, Liverpool. 1966 Recent Aspects of British Art. Australia and New Zealand (traveled). 1967 4 Artists. Betty Parsons Gallery, New York. John Walker, Michael Kidner, Bruce Tippett, Michael Tyzack...

John Walker British (b. 1939) Salsipuedes Forms (1991) Monoprint relief print with dry pigment, monotype Hand signed lower right Provenance: Garner Tullis Workshop A monotype is literally one of a kind; it is not a method of multiplication. The artist makes an image with a liquid medium on wood, metal or glass, and paper is laid over the moist image and bonded under pressure the paper is then removed bringing with it the transposed monotype. John Walker (born 1939) is an English painter and printmaker. He has been called "one of the standout abstract painters of the last 50 years." Walker studied in Birmingham at the Moseley School of Art, and later the Birmingham School of Art and Académie de la Grande Chaumière in Paris. Some of his early work was inspired by abstract expressionist art and post-painterly abstraction, and often combined apparently three-dimensional, sculptural shapes with "flatter" elements. These pieces are usually rendered in acrylic paint. In the early 1970s, Walker made a series of large Blackboard Pieces using chalk first exhibited at the opening of Ikon Gallery, in Birmingham Shopping Centre, Birmingham in 1972 and the Juggernaut works which also use dry pigment. From the late 1970s, his work marked allusions to earlier painters, such as Francisco Goya, Edouard Manet and Henri Matisse, either through the quoting of a pictorial motif, or the use of a particular technique. Also during this time, he began to use oil paint more in his work. His paintings of the 1970s are also notable for what has come to be termed canvas collage, the application of glued-on, separately painted patches of canvas to the main canvas. Beginning in the 1970s John Walker was one of the most influential and imitated painters working in the UK; he exhibited alongside Andy Warhol and Roy Lichtenstein, represented his country at the 1972 Venice Biennale, had extensive survey shows at both the Tate and Hayward galleries and was nominated for the Turner Prize in 1985. After spending some time in Australia, Walker got a position at the Victoria College of the Arts in Melbourne. He produced the Oceania series around this time which incorporates elements of native Oceanic art. Walker is currently the head of the graduate painting program at Boston University. Walker won the 1976 John Moores Painting Prize and was nominated for the Turner Prize in 1985. In September 2010, Walker and five other British artists including Howard Hodgkin, John Hoyland, Ian Stephenson, Patrick Caulfield and R.B. Kitaj were included in an exhibition entitled The Independent Eye: Contemporary British Art From the Collection of Samuel and Gabrielle Lurie, at the Yale Center for British Art. His art was influenced by Boston Expressionism. Along with Aaron Fink, Gerry Bergstein, Jon Imber, Michael Mazur, Katherine Porter, Jane Smaldone, John Walker, and Philip Guston. Through Garner Tullis at Experimental Press he met Sean Scully, Friedel Dzubas, Helen Frankenthaler, Sam Francis, William Wiley, and others. Select Group Exhibitions (partial list) 1965 John Moores Liverpool Exhibition. Walker Art Center, Liverpool. 1966 Recent Aspects of British Art. Australia and New Zealand (traveled). 1967 4 Artists. Betty Parsons Gallery, New York. John Walker, Michael Kidner, Bruce Tippett, Michael Tyzack...

Oleg Sohanievich (Soviet Ukrainian, American 1935-2017) Corten steel, U-beams and rods Steel Stress Sculpture, 1994, Hand signed in Cyrillic and dated 94, Dimensions: 15" h., 16" w...

Mosaic realized by Tommaso Cascella in 1990s. Mounted on a wooden panel. Excellent condition.

Sandro Chia Kunstlerplatzteller Artists Plate, ca. 1995 Ceramic Plate. Artist Signature Fired into Plate. Artist signature fired into the plate on the front and back 12 1/4 inches di...

Susan Fateh Sol Posto III Mixed Media Year: 1992 Signed, dated and titled by hand Unique Size: 19.0×12.2in COA provided Ref.: 924802-1173 Susan Fateh (1958) is a Scottish/Iranian co...

Girona. Original unique ceramic piece. La Bisbal d'Empordà, capital of the Baix Empordà region, is a town with a long pottery and pottery tradition for centuries, as well as one of t...

Richard Serra Drawings Zeichnungen 1969-1990 (Hand signed by Richard Serra), 1990 Softback monograph Book (Hand signed by Richard Serra) Hand signed by Richard Serra on the half titl...

David Rankin American (b. 1946) Untitled (Black on gray) (1990) Gouache and charcoal on paper signed lower left 19 x 15 inches Rankin is a New York-based, British-born Australian p...

John Cage I–VI (Hand signed box set), 1990 Boxed set: Mixed media hand signed hardback monograph accompanied with 2 audio cassettes and dust jacket and ...

Frank Philip Stella (born May 12, 1936) is an American painter, sculptor and printmaker, noted for his work in the areas of minimalism and post-painterly abstraction. Stella lives and works in New York City. This hand signed silk textile scarf work is acquired directly from the publisher. Extremely uncommon to find this piece in new condition and comes in the original red silk box. This art piece can be framed and hung on the wall or be a worn as a wearable art piece. This dazzling, large, hand signed, silkscreen on 100% Italian silk shawl was created by Frank Stella in collaboration with his longtime publisher Kenneth Tyler of the famed Tyler Graphics Studio. "The Whale Watch...

Color etching, spite bite and aquatint on cream wove paper. Full margins. Initialed by the artist, dated, and numbered 15/75 in pencil in lower right. Printed by Crown Point Press,...

Picasso in His Posters - Image and Work, Volume IV by Luis Carlos Rodrigo, published by Arte Ediciones in 1992, is a significant volume in the comprehensive series dedicated to Pica...

Lisa Dinhofer's work is presented in a realist style, deftly creating meticulous portraits of creatures - dragonflies, turtles, birds, bats and grasshoppers - that comprise her surro...

A very rare original Price Price mug! Ken Price Wave Cup clay and glaze 3.5 x 5 x 4.25” 1992 Ken Price (1935 - 2012) received a BFA from the University of Southern California after ...

Antony Gormley A Moment for Steve (Hand Signed and Inscribed postcard), 1991 Two sided offset lithograph postcard Boldly inscribed and signed by Antony Gormley: "A moment for Steve" ...

Chuck Close Chuck Close Recent Works (Hand Signed), 1993 Large Illustrated Exhibition Catalogue Boldly hand signed in black marker on the title page by the artist Published by PACE Gallery, New York 14 3/10 x 12 inches Unframed This oversized illustrated softcover exhibition catalogue with stiff wraps is boldly signed by Chuck Close in black marker on the title page. The catalogue itself has 44 pages and is lavishly illustrated with large full color reproductions. It is extremely scarce when hand signed by the artist. Chuck Close signed...

Heinz Gappmayr (1925 Innsbruck - 2010 ibid), Colors, 1993. Linen box with ten aquatint etchings on handmade paper and two text sheets. Published by Dorothea van der Koelen, Mainz. Co...

Anish Kapoor Anish Kapoor (Hand signed and inscribed to Nadine by Anish Kapoor), 1998 Hardback monograph (Hand signed and inscribed to Nadine by Anish Kapoor) Hand signed and inscri...

Original UK Lobby Card of Roger Spottiswoode´s movie "James Bond 007 - Tomorrow never dies", UK 1997. Actors: Pierce Brosnan Keywords: James Bond, 007, action, Thriller, Great Brita...

Directoire Plate is an original decorative limited edition porcelain plate realized in the 1990s. This very rare plate was produced for House Of Ertè in...

Jean-Michel BASQUIAT Oeuvres sur papier / Works on paper: Rare 1990s Basquiat Navarra Exhibition Catalogue (Galeries Lucien Durand & Enrico Navarra, 1996). A comprehensive survey of...

La Merveilleuse Plate is an original decorative limited edition porcelain plate realized in the 1990s. This very rare plate was produced for House Of Ertè...