Horizontal Paintings

A wonderful composition of one of Slonem's most iconic subjects, Bunnies. This piece depicts gestural figures of white bunnies on an Ultramarine blue background with thick use of pai...

Summer Light Landscape Signed by Fanch Lel Size: 13 x 16 inches (height x width) Oil painting on board, unframed Inscribed verso Condition: Good condition overall with minor surface ...

Incredible early American Hudson River School landscape painting by William Hart (1823 - 1894). Oil on board. Framed. Signed. Measuring 15 by 17 inches overall and image size, 1...

Excellent example of Cortès Paris scene. Provenance: Galerie Haussmann, Paris.Herbert Arnot, Inc., New York, New York (May 29, 1964).Country Store Gallery, Austin, Texas (February 2...

“Herd of Horses in a Marshy Landscape” Frances Mabel Hollams (England 1877-1963) Oil on canvas on board 14 x 20 (24 x 30 frame) inches Signed “FM...

“The Holy Hour” German School, circa 1930's signed lower corner oil painting on canvas, framed The painting is a copy after the earlier work: THE HOLY HOUR; DIE HEILIGE STUNDE. by LUDWIG FAHRENKROG (1867-1952). painting: 51cm x 81cm provenance: private collection, Germany Fine quality Symbolist oil painting from the 1930...

Richard Ballinger b. 1957 Forgotten Boundries, 2024 oil on paper 24 x 36.5 cm 9 1/2 x 14 3/8 in signed with monogram Richard Ballinger is a British landscape and still-life painter....

A fine and pertinent example of Nathan Hoffman's charming New York City scenes. Here we find a Central Park pathway looking South East and the General Motors Bulging along with some ...

This dynamic oil painting by MJ Kotwas captures the energy and speed of a racehorse mid-stride, depicting Cribnote during his victory at Saratoga Race Course on July 27, 2008. The jo...

These series of paintings by Natalia Roman gather their inspiration from geometric, minimalist shapes and paintings from the beginning of Modernism, with...

This is a large, glorious and dramatic oil painting of a dark, cloud-filled sky. It is painted on all edges so there is no need for framing. It is wired with all installation hardware and ready to hang. Signed on the back. Bucks County, PA landscape artist Kirby Fredendall...

Title: Boulders Medium: Oil on canvas Size: 19.5 x 23.5 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This painti...

A stunning exhibited 1934 nude female portrait by Dora Crocket (Countess Lewenhaupt). The portrait depicts a nude woman reclining in a sensual pose against a background of red and bl...

"I painted the painting “July Mood” en plein air." said Anna Shesterikova about this artwork. "The Rhine is shown here, which crosses the Rhine Valley and separates the countries of ...

Thomas Gooch (1750-1802) 'Waggoner', a greyhound in a landscape Signed and dated 'T. Gooch 1799' lower right Oil on canvas Painting Size - 14 x 17 1/2 in ...

Work on canvas

Antique Still Life with Fruit and Melon Traditional European style still life with harvest fruits, figs, pears, grapes, and cantaloupe. The range of to...

James Seymour (1702-1752) & Thomas Spencer (1700-1753) An elegant lady and gentleman hare coursing in an extensive landscape Oil on canvas Canvas Size - 33 x 50 in Framed Size - 41 x...

Canvas Size: 28 x 36" (71 x 91cm) Outside Frame Size 36 x 44" (91 x 111cm) It is signed on the middle right on the wooden window. This is a stunning painting of a racehorse signed and dated J F Herring Sen 1842. The horse is named above the water trough as Attilla. As Herring was a renowned painter of racehorses it is likely that this was done for a wealthy patron who owned several. Although he painted many of the winners of the St. Ledger Cup Attilla was not one of these. Free carriage worldwide John Frederick HERRING Snr 1795 – 1865 A sporting painter, born in Surrey of American/Dutch extraction. At first he was a sign and coach painter. He then worked as a stable boy and coachman in Yorkshire until with the help of patrons he was able to study with Abraham Cooper RA, the only art education he appears to have had. He specialised in racing subjects and his few hunting scenes are rare. Herring painted the start of the 1844 Derby, which became known as ‘the dirtiest Derby in history’. He sometimes collaborated with his three sons, J.F.Jnr, Benjamin Jnr and Charles. He also collaborated with James Pollard on a number of racing scenes inc. ‘The Doncaster Gold Cup’, 1838, ‘The Emperor of Russia’s Cup at Ascot’ 1845 and ‘The Dead Heat for the Doncaster Great St. Ledger’ 1849 Herring painted 33 successive winners of the St. Ledger and not surprisingly lived a large part of his life in the Doncaster area before settling in Newmarket in 1830 and then in London in 1835. He suffered serious financial difficulties after his move to London which, thanks to a great friend and patron William Taylor Copeland (1797 – 1868) head of the Spode Porcelain factory at Stoke on Trent, was resolved. He painted many pictures of the Copeland family, some of which were adapted and used as designs on the Spode china...

Famous Edinburgh scene with the foggy Castle on the Mount from the North Bridge, and a bustling city scene below. Impressionist style, dating to mid 1920s/1930s, presenting a glimps...

Contemporary Art, Abstract Painting Acrylic on canvas 125 x 210 cm Signed FREE SHIPPING ROLLED UP About the artist Enrique Pichardo (Mexico City, 1973) graduated from Escuela Naci...

This superb Dutch Old Master marine oil painting is attributed to the circle of Jacob de Heusch. Painted circa 1690 the setting is an Italian coast with fish...

Green, Yellow, Red - Textured Expressionist Composition in Acrylic on Canvas Textured abstract composition by California artist Charles "Dave" Francis (American, 1951-2018). Blended...

The Orchestra, 1950, oil on canvas, signed and dated lower left, 21 1/2 x 25 3/4 inches, labeled verso “Brown University, Trustee, The Walter Feldman Trust for Artwork” titled verso,...

Dutch School, late 20th century oil on canvas, framed framed: 32 x 43 inches canvas: 26 x 36 inches provenance: private collection, UK The painting is in very good and presentable c...

Vue sur la Ville au Toit Rouge (View Over the City of Red Roofs), oil on canvas, by Guy Le Péqueux (circa late 1960s). The artist channels his expressionist sensibility into a vivid,...

Markers & acrylic on paper Shipped well protected, unframed

* No US duty or taxes to pay on this item * A superb mid 20th century French naïf oil on panel depicting two hunters in a jungle, by Fernand Boilauges. The work is signed lower right and presented in a fine carved wood frame by Emile Bouche...

'Calvary' by Pietro Sassi (1834-1905). This monumental exhibition oil painting – which depicts the Light of Heaven shining upon Christ at Calvary with thousands of people outside t...

Oscar Jansson, Arvika, Sweden Sunburst, 1906 (Swedish original title: Solbrytning) oil on canvas signed and dated OSCAR JANSON 1906 unframed: 99.5 x 120 cm (39 1/4 x 47 1/4 inches...

Artist/ School: British School, late 19th century, with name plaque to frame: 'W. Richards" Title: The Riverside Pathway Medium: Oil on canvas, framed framed: 13 x 21 inches canva...

Untitled (also known as "1811 THE BACKWOODSMAN'S CHRISTMAS") Oil on canvas, c. 1875-1925 Unsigned Provenance: Found in Ohio A charming American naive nocturn of a hunter and his two ...

Title: French Impressionist Village Harbour with Boats at Dusk by Fanch Lel By Fanch Lel Signed: Yes Size: 19.25 x 20.5 inches (height x width) Oil painting on cardboard, unframed C...

William Ballantine Dorsey (1942-2019) California Artist Size: 11 x 14 Frame: 17.5 x 20.5 Medium: Oil on Canvas "Early Santa Barbara" Biography William Ballantine Dorsey (1942-2019) O...

"Girl With Straw Hat" is an beautiful large oil painted from life by Maria Bertran. This Contemporary Impressionist painting captures a sensitive, ...

Provenance Acquired by the gallery directly from the artist. FRAMED: 28.125" x 32.125" x 1.25" UNFRAMED:20" x 24" Artist Statement "I am always looking for different ways to capture the beauty of the San Gabriel Mountains as they loom above Pasadena. I found this view while scouting and exploring the Arroyo Seco...

A lovely little Impressionist landscape of Paysage au Crépuscule (Landscape at Twilight) painted by William Samuel Horton (1856-1936). William Horton, primarily a landscape painte...

Fishing Boats Simone Forge 1930's French Impressionist oil on board unframed board: 13 x 16 inches Provenance: private collection, Paris Condition: overall good and sound condition...

Italianate landscape garden with classical ornament, including Giambologna's Sabine women and a classical urn, view to a bay beyond Coplestone War...

The inspiration for this work is a recent trip I made to the fiordes on Norways north west coast . Beautiful houses in white and red line the waters edge . This restricted palette of...

Alpine School Oil Painting, Signed L. Jurt, 1964 — Mountain Stream and Village Landscape Switzerland, 1960s Oil on canvas Canvas size: 54 × 40 cm Framed size: 60 × 46 × 4 cm This ex...

Abstract Expressionist Composition signed by Gilbert Pelissier (French born 1924) dated 68 oil painting on canvas, unframed canvas size: 26 x 36 inches condition: overall very good, ...

This superb Dutch 17th century Golden Age Old Master cityscape oil painting of Amsterdam is by noted artist Jacobus Storck. Painted circa 1670, ...

FLORENCE is a unique acrylic on canvas painting by contemporary artist Ramon Enrich, dimensions are 170 × 240 cm (66.9 × 94.5 in). The artwork is signed, sold unframed and comes wi...

Dynamic, colorful painting of a man floating in a pool by Marc Foster Grant (American, b. 1947). Signed, titled and dated, "Monster Five," and "Grant...

Rare early American fauvist interior scene. Great colors and composition. Oil on canvas. Nicely framed. Measuring 20 by 24 inches.

Abstract by Yvette Dubois-Habasque (1929-2016) signed with initials in the lower right, dated and signed verso oil painting on artists board, unframed painting measures: 10.75 x 16....

Title: Original Watercolour Southwold Harbour Boats and Fishing Huts Scene By Tony Herbert (1927-2024) Medium: Watercolor on artists paper Size: 11 x 15 inches Condition: Good overal...

Jack Kleinberg (1946 – 2022), oil on canvas, 29”x 70”, estate stamped, unframed Jack Kleinberg was a well known scene painter in New Orleans, and was known as an eccentric artist w...

Stilla sommarkväll (1851) by Adolf Julius Berg captures a tranquil summer evening by the water, suffused with the golden glow of sunset. In the foreground, two small boats drift on g...

An oil on canvas, signed lower right. Measuring 36" x 46" including the frame. Mr. Valery Tsarikovsky is an internationally respected artist known as Tsar - impressionism today, reflecting our environment vibrancy of the cities, harmony of any weather conditions, creating atmosphere of the present moment. Born in 1952 in Kiev (Ukraine), Val Tsar...

Artist/ School: J. Langlois, British 1855-1904, signed lower corner Title: Chasing the Mouse! Medium: oil on board, framed framed: 6 x 7.5 inches board: 4.75 x 6.75 inches Proven...

Signed watercolour on paper landscape by American post impressionist painter Maurice Brazil Prendergast. The work depicts children playing on the beach in Saint Malo, France as boats sail in the blue sea and white clouds role through the sky overhead. This work has remained in the Prendergast family for 3 generations and depicts a rare view of Saint-Malo executed during Prendergast's visit to the french coastal town in 1907 Signature: Signed lower left Dimensions: Framed: 21"x22" Unframed: 13'x14" Proveance: The collection of Charles Prendergast (1863-1948) The collection of Eugénie Prendergast-Van Kemmel (1895-1994) -wife and inheritor of the estate of Charles Prendergast The collection of Henri Van Kemmel (Lille, 1903-1963) - cousin of Eugenie Prendergast
- Madame Henri Van Kemmel Maurice Prendergast came with his family to Boston in 1861. Working in a textile store, Maurice Prendergast was at first self-taught in painting, making souvenir cards and shop signs. He went to Britain in 1886, then to Paris in 1891 and registered at the Académie Julian with Jean-Paul Laurens, Benjamin-Constant, and Charles Blanc as teachers, working also with Gustave Courtois at the Académie Colarossi. More importantly he saw the Impressionists’ paintings and the Nabis at the Galerie Durand-Ruel. He returned to the United States in 1895, settling in Winchester (Massachusetts) and went frequently to New York. In 1898 he again went to Europe where he stayed until 1900, visiting Paris, Florence, Siena, Rome, Capri, and Venice, where he spent six months. Between 1907 and the beginning of World War I he went again four times to Europe but never returned there after the war. In New York where he finally settled, with William Glackens, Robert Henri, and John Sloan among others, Prendergast was one of the members ofThe Eight, gathered by Robert Henri to counter the pervading academicism. The group exhibited in 1908 at the Macbeth Galleries and took part in the Armory Show of 1913. After that Prendergast did not exhibit again with the group. In 1914 he left Boston definitively for New York. Prendergast was in his thirties before he began to devote himself to painting. In his late beginnings he painted in the open air as the Impressionists did, mainly in watercolours with clear brushstrokes and an elegant virtuosity recalling his then admiration for James Whistler and Claude Monet. Between 1892 and 1905 he carried out two hundred monotypes, a technique of which he was the undisputed master in America at that time and which expressed the influence of Japanisme. During his stays in France he painted views of Paris, but also Brittany and Normandy. In this period, in 1896, he was chosen to illustrate My Lady Nicotine by Matthew Barrie. During his third stay in Europe, from 1898 to 1900, he painted in Paris, at Saint-Malo, and mainly in Venice, where, influenced by Vittore Carpaccio he introduced brightly coloured banners into his animated compositions. In oils he painted slowly, touching up his paintings by superimposed brushstrokes, sometimes over several years. He chose to use the divided stroke in an early period, a technique which had similarities with Post-Impressionism. After his travels in Europe and his discovery of Paul Cézanne, he evolved in the direction of the neo-Impressionism of Georges Seurat, placing little dots of colours with a knife, then of the Nabis and even later Fauvism, painting large brushed surfaces in bright colours. After 1899, his Ponte della Paglia in Venice freed itself from strict divisionism, adopting the dense composition in vertically superimposed planes of the Nabis. Like the members of the group of eight, he took his subjects from the daily life of ordinary people, in scenes in the parks or on the beaches of New England, picnics or sometimes circuses. Nevertheless the happy vision that he had of the world separated him strongly from the evolution that led his companions to paint the most miserable and populous milieus, which gave them the name of The Ashcan School. His compositions are arranged in surfaces superimposed vertically, without depth; while the Impressionists and Post-Impressionists were influenced by the layout of Japanese prints, Prendergast was inspired more by Persian miniatures. The decorative elements and the build-up of characters in crowds are placed frontally, like garlands on a tapestry, particularly as he seeks a texture effect, covered entirely by the subject without any empty spaces. His attraction to colours caused him to research all the motifs that he introduced into these compositions: umbrellas, parasols, balloons, draperies. In 1911–1912, he experimented with pastel and treated new subjects, nudes and still-lifes. After 1913, in sympathy with the Symbolists, he put nude figures and everyday characters side by side in the same composition. In his last years, and above all in the watercolours, he discarded the divided stroke and applied larger brushstrokes, similar to the technique of Henri Matisse. Fidelity to the leisurely settings and elegant grooming of the period gave his works, apart from their artistic value, a charming sociological aspect. Singular, almost marginal in his time, his paintings stand out by the density of their composition, in form and colouring, characterised by the accumulation of detail, minutiae of scenery, the serried ranks of people that animate them, the chromatic polyphony of elegance, umbrellas, parasols, and flags. He is a complete painter, particularly generous, who would never be happy to provide only samples of his art. Following Whistler and Mary Cassatt, Maurice Prendergast is one of the most interesting and original Post-Impressionist American painters, and perhaps marks exactly the boundary between the 19th and the 20th centuries. He was considered to be an ‘old master’ from 1920 on, and his works appeared in very many exhibitions of modern American painting. He had his first solo exhibition in 1897 at the Chase Gallery of Boston, where his works were noticed by Madame Montgomery Sears, who made a collection, taking the advice of Mary Cassatt. In 1915 six paintings and watercolours exhibited at the Carroll Gallery of New York established his success and drew the great collectors to him, among whom were Albert Barnes and John Quinn. Group Exhibitions 1974, Ten Americans, Andrew Crispo Gallery, New York 1976, Art of Impulse and Color, University of Maryland Art Gallery, College Park (Maryland) 1982, American Impressionists, Smithsonian Institution, Washington, DC (also presented at the Musée du Petit Palais, Paris) 1999, Town and Country: American Artists, 1870–1920 (Ville et campagne: les artistes américains, 1870–1920), Musée d’Art Américain, Giverny 2002, Japonisme in America: Works on Paper, 1880–1930 (Le Japonisme en Amérique: œuvres sur papier, 1880–1930), Musée d’Art Américain/Terra Foundation for the Arts, Giverny 2007, American Impressionists: Painters of Light and the Modern Landscape, Phillips Collection, Washington, DC 2008, Coming of Age: American Art 1850–1950, Paintings from the Addison Gallery of American Art, Massachusetts, Dulwich Picture Gallery, London 2008, Portrait of a Lady: Paintings and Photographs of American Women in France 1870–1915, Musée des Beaux-Arts, Bordeaux Solo Exhibitions 1934, Maurice Prendergast Memorial Exhibition, Whitney Museum of American Art, New York 1938, Retrospective Exhibition of the Work of Maurice and Charles Prendergast, Addison Gallery of American Art, Andover, MA 1960, Maurice Prendergast, 1859–1924, Museum of Fine Arts, Boston 1990, Art Institute of Chicago 2009, Prendergast in Italy, Peggy Guggenheim Collection, Venice Museum and Gallery Holdings Andover, MA (Addison Gal. of American Art): At the Shore, St. Malo No. 1 and 2 (c. 1907, watercolour and graphite on wove paper, 2 works); Along the Cove (1910–1913, oil on canvas); seven sketches of Paris (1893, oil on wood) Chicago (AI): In the Park (1918–1919) Chicago (Terra Foundation for American Art Collection): Festa del redentore (c. 1899, monotype); The Opera Cloak...

"Snowy City Scene" American Scene Social Realism WPA Era Mid-20th Century Modern Syd J. Browne (1907-1991) "Snowy City Scene" 22 x 30 inches Oil on canvas. c. 1930s Signed lower lef...

Interesante óleo sobre lienzo, que representa a un pájaro. Firmado y fechado arriba en la parte central. En buen estado general solo convendría una limpieza para relucir más los co...

A charming 18th-century tavern scene, depicting peasants gathered around a table enjoying a meal. Unsigned. Presented in gilt frame with unique corner ornaments featuring phoenix, ac...

Boris Buchet (French, 1917 – 1999) Grapes, apples, tea cup and a tea pot Oil on canvas Signed and dated ‘B. Buchet.60’ (lower right) 13 x 16.1/4 in. (33 x 41 cm.)

John Rabone Harvey ( 1966 - 1922) graphic and chalk deep green artist paper , unframed artist paper : 5.5 x 7 inches Provenance: private collection Condition: very good condition Ha...