Horizontal Paintings

Dimensions: 83 × 97 cm Medium: Acrylic on canvas Support: Stretched canvas Ready to hang In this work, the artist seeks to convey a feeling of quiet happiness, closeness, and sereni...

This small Italian still life was painted from life after a trip to Italy, using large lemons brought from Bergamo. "I wanted to preserve the feeling of old, classical Italy, so I ...

Title: Enchanted - Joy-bringers in Pink - Floral Meadow Flowers Soft Abstract Invest Nature Joy Stillness In this vibrant acrylic painting, I've poured my passion for the abstrac...

Figure in the Jardin du Luxembourg Paris Laure Noetzlin-Azam (French, 1929–2024), pupil of André Lhote Canvas: 9.5 x 13 inches Medium: Oil on canvas, unframed. Provenance: From the a...

Immerse yourself in the breathtaking beauty of the Australian coast with "Everything Everywhere All at Once: Cerulean Blue." This captivating acrylic on canvas painting is a masterfu...

Tatiana said following about this artwork. "I created Where Wonder Remains as a reflection on the part of us that remains connected to childhood, dreams, imagination, and the simple...

Two Ladies Dining in a Paris Park French Laure Noetzlin-Azam (French, 1929–2024), pupil of André Lhote Canvas: 9.5 x 13 inches Medium: Oil on canvas, unframed. Provenance: From the ...

Catalan School – Virgin of Montserrat with Child – Oil on Canvas – 45.5 × 56.5 cm An antique religious oil painting from the Catalan S...

Cattle Watering in a North Country Landscape by William Mellor British Oil Painting by William Mellor (British, 1851–1931) signed oil on panel, framed Framed size: 13 x 17 inches Pan...

Details: Title: Mobile Shapes on Pink Medium: Acrylic on Paper Size: 40x83 inches (each panel measures 40x28 inches), 100x210 cm (each panel measures 100x70 cm) Year: 2026 * Frame ...

Artist: Alexander Shandor Title: October Medium: Oil on Canvas Year: 2023 Style: Impressionism Dimensions: 23.5" x 31.5" x 1" inch (60 x 80 x 2cm) Presentation: Unframed, Gallery Wr...

This painting captures an intimate, seemingly ordinary evening that gradually reveals a quiet psychological tension. A young woman sits on the floor beside a bed, dressed in vivid tu...

Italian artist Fabio Coruzzi merges painting and photography into one imaginative image that offers a new outlook on an otherwise ordinary urban scene. His artworks represent an auth...

15th-century Spanish School The Virgin and Child Enthroned with Saints Carved and painted wooden altarpiece adorned with coats of arms, opening with two doors Tempera on panel and o...

Figures Seated in a Mediterranean Garden Laure Noetzlin-Azam (French, 1929–2024), pupil of André Lhote Canvas: 9.5 x 13 inches Medium: Oil and pencil on canvas, unframed. Provenance...

Sandra Pratt (American, b. 1978) "Blue Light," 2026 Oil on wood panel 6 x 8 in (15.24 x 20.32 cm) Signed lower right Framed, 7.5 x 9.5 in (19.05 x 24.13 cm). A white barn with a pal...

The paintings of Bruce Rubenstein seamlessly marry sophistication with accessibility. Rubenstein’s original art merges the creative attitudes of New York and Los Angeles, combining s...

Abstract contemporary floral decor Blue flowers still-life. Original floral abstract expressionism oil painting on canvas. XXXL Extra-large original artwork. Artist: Katarina Joy...

This painting depicts an impressionistic scene of Monet's Lily Pond in Giverny, a poetic piece with beautiful details. The work reminds us of Claude Monet, with impressions captured ...

A whimsical oil painting depicting an interior of a grand ball room Scene in Paris. Figures are situated through out, as we can feel the energy and excitement of the night. A truly i...

"Artist Pallet" is an oil on wood board painting inspired by use of the artist pallet. With layers of bright oils, whisking brush strokes, and mixed paint, Shaoul captures a love st...

Artist: Alexander Shandor Title: Castle in contre Medium: Oil on Cardboard Year: 2019 Style: Impressionism Dimensions: 10" x 15.5" x 0.2" inch ( 25 x 40 x 1cm) Presentation: Unframe...

Details: Title: Modernist Windows Medium: Acrylic on Watercolor Paper Size: 40x55.2 inches total (100x140 cm). Each panel measures 40x28 inches (100x70 cm) Year: 2026 Artist: Natal...

Tall ship at sunset, oil on canvas, signed and dated “Otto Lindberg 1925” A tranquil maritime scene rendered in a delicate palette of violet, rose, lavender and warm yellow. Against ...

Artist: Alexander Shandor Title: Stream Medium: Oil on Hardboard Year: 2015 Style: Impressionism Dimensions: 14 x 23.5" x 0.2" inch (35 x 60 x 1 cm) Presentation: Unframed, Type: O...

Hills in Tahiti by Bernard Lamotte oil on board. A fantastic post impressionist painting for any collection. Oil on canvas laid to board, 7.25" x 9.5", 11.75" x 14.25" framed estat...

MAGGY CLARYSSE Pointillist Landscape Circa 2000 Oil on board Signed lower right Label on reverse Presented in an ornate frame with scrolling foliate decoration and a gilt inner slip...

"In The Distance (mini v3)" is a one-of-a-kind original work by Amanda Marie (Mando), created using acrylic and aerosol on paper. The piece measures 9"h x 12.5"w framed and shipped i...

Artist: Alexander Shandor Title: Breath of Autumn Medium: Oil on Canvas Year: 2025 Style: Impressionism Dimensions: 16" x 23.5" x 1" inch (40x 60x 2cm) Presentation: Unframed, Galle...

Details: Title: Sweet Harmony Medium: Acrylic Painting on Watercolor Paper Size: 100x 140 cm (40x 55.3 inches). Year: 2026 Artist: Alberto de Blobs Artist's signature: Right corner ...

Blooming Garden II is a poetic composition featuring delicate pink blossoms, intertwined branches, and small birds resting among the foliage. The painting combines decorative rhythm ...

Katherine Bello Reflection Mixed Media on Canvas 2020 Size: 30 x 48 x 1.5 inches (76.20 x 121.92 x 3.81 cm) Signed, titled and dated verso COA provided *On Stretcher Frame, Gallery-...

Italian artist Fabio Coruzzi merges painting and photography into one imaginative image that offers a new outlook on an otherwise ordinary urban scene. His artworks represent an auth...

Details: Title: Rain Drops on Rose Window Medium: Acrylic on Watercolor Paper Size: 40x83 inches total, (40x28 inches, each panel), 100x210 cm total (100x70 cm, each panel) Year: 20...

Prize Bay Horse By Albert Clark (British, 1821–1909) Oil on canvas, framed. Framed: 17 x 21 inches Canvas: 12 x 16 inches Provenance: private collection, UK. Condition: overall good ...

A striking vintage oil painting on wood panel depicting a traditional English fox hunting scene with mounted riders and a pack of hounds moving through an expansive countryside lands...

"Dimensions: 65 × 93 *2 cm Medium: Acrylic on canvas Support: Stretched canvas Orientation: Horizontal Ready to hang In this work, the artist seeks to convey a special state of tra...

Abstract Landscape of Pendle Hill in the English Countryside by British Artist, Angela Wakefield. Art measures 24 x 18 inches Frame measures 30 x 24 inches A striking original abst...

This original abstract painting by Stanley Bate is a striking exploration of texture, atmosphere, and restrained color, where a brilliant band of luminous orange crowns a richly laye...

Lord Byron Standing on the Shore British School, circa 1919 Oil on panel, framed inscirbed/ signed? lower left and indistinctly dated Frame: 7 × 8 inches Panel: 6 × 7 inches Provenan...

Artist: Alexander Shandor Title: Autumn Evening Medium: Oil on Canvas Year: 2025 Style: Impressionism Dimensions: 23.5" x 25.5" x 1" inch (60 x 65 x 2cm) Presentation: Unframed, Gal...

"Premonition of Eternity" – Contemporary abstract oil painting on canvas. The surface is constructed through successive layers of greens, gold, sepia, and magenta, incorporating tran...

Figures Resting in an Expansive Mountain Valley Landscape 19th Century British School, indistinctly signed Medium: oil on canvas, framed. Framed: 29 × 41 inches. Canvas: 24 × 36 inch...

Hackney Horse in a Country Landscape By Albert Clark (British, 1821–1909) Oil on canvas, framed. Framed: 17 x 21 inches Canvas: 12 x 16 inches Provenance: private collection, UK. Con...

This contemporary figurative abstract painting presents a fantasy landscape where nature, human figures, animals and geometric forms coexist. The composition combines vibrant yellows...

Artist Comments
On a first date, an intimate dinner conversation unfolds between an elegant young woman and a somewhat older companion. They share a love of Italian reds, Shake...

Harrison Gilman's large original artworks begin with a layer of fast-paced gestural abstraction followed by organic shapes and geometric structures. Some of his paintings remain in t...

Catalan Post-Impressionist Mountain Landscape, El Montmell Spain Artist: Mossèn Ramon Gimbert Canals Title: Font de Volta, Montmell Medium: Oil on canvas Dimensions: 60 x 73 cm / 23.62 x 28.74 in Signature: Signed lower right, “R. Gimbert” Date: 1965 Frame: Unframed Condition: Good vintage condition, consistent with age. Please see photographs for full details. Inscription: Inscribed, titled and dated on the reverse: “Font de Volta – Montmell – 1965” Origin: Catalonia, Spain Description Atmospheric 1965 Catalan Post-Impressionist landscape by Mossèn Ramon Gimbert Canals, depicting the mountainous surroundings of El Montmell in the Baix Penedès region of Tarragona, Catalonia. The painting is specifically identified on the reverse as “Font de Volta – Montmell – 1965”. The Font del Montmell is located in the recreational area of La Joncosa del Montmell, a mountainous landscape in southern Catalonia traditionally associated with the walking route known as the Volta al Montmell. Gimbert presents the landscape through an intensely Mediterranean palette of emerald greens, turquoise blues, ochres and luminous whites. The composition opens from a secluded foreground garden bordered by stone walls and dense vegetation toward the monumental mountain range beyond. A large tree rising at the right edge acts almost as a natural architectural element, framing the view and creating a powerful sense of depth. The handling of the paint is especially attractive. Areas of broad, vigorous brushwork alternate with thicker passages of impasto, particularly across the mountains, vegetation and cloudy sky. Rather than describing every detail literally, Gimbert builds the landscape through colour, texture and light, giving the scene a distinctly modern and expressive character. Painted in 1965, only four years before the artist’s death, the work belongs to Gimbert’s late period and shows the confidence of a painter deeply familiar with the Catalan countryside. El Montmell was not an isolated subject in his production. Other documented works by the artist depict the same area, confirming its importance within his landscape painting. The combination of identifiable location, original reverse inscription, strong Mediterranean character and substantial 60 x 73 cm format makes this a particularly representative example of mid-20th-century Catalan landscape painting. Biography Mossèn Ramon Gimbert Canals was born in Sant Quirze del Vallès on 25 May 1882 and died in Barcelona on 31 July 1969. He was ordained as a Catholic priest in 1908 while simultaneously developing a sustained career as a painter. These biographical dates are recorded by the Arxiu Diocesà de Barcelona. His artistic production concentrated principally on landscape, especially views of Catalonia, rural architecture, gardens, mountain scenery and coastal subjects. El Montmell appears repeatedly among his known works, alongside subjects including Horta, Camprodon and maritime scenes. Gimbert participated actively in the Barcelona art world. His most significant documented exhibition was a solo presentation at the prestigious Galeries Laietanes in Barcelona from 28 December 1935 to 10 January 1936. The exhibition is recorded in the Institut d’Estudis Catalans repertory of individual art exhibitions in Catalonia and included a catalogue listing the exhibited works and their prices. His paintings belong to the broader tradition of 20th-century Catalan landscape painting, combining naturalistic observation with increasingly free brushwork, expressive colour and a distinctly Mediterranean sensitivity to light. Artistic Inspiration The work belongs to the rich tradition of Catalan modern landscape painting developed from the late 19th century onward. Its expressive treatment of colour and vegetation recalls the Mediterranean landscapes of Joaquim Mir, while its luminous atmosphere and direct observation of nature can also be related to painters such as Eliseu Meifrèn, Santiago Rusiñol and Joaquim Sunyer. Rather than suggesting direct stylistic dependence, these comparisons place Gimbert within the wider Catalan and Spanish tradition in which landscape became a vehicle for colour, atmosphere and personal expression. Landscape Paintings Mountain Paintings Post-Impressionist Paintings Spanish Paintings Catalan Art Modern European Paintings Mediterranean Landscape Paintings Post-Impressionism Catalan Modernism Spanish Modern Art Mediterranean Landscape Painting Catalan landscape, Spanish landscape painting, El Montmell, Baix Penedès, Tarragona landscape, Catalonia painting, Mediterranean landscape, mountain landscape, Post-Impressionist landscape, Spanish Post-Impressionism, Catalan Post-Impressionism, 1960s Spanish painting...

Artist: Alexander Shandor Title: Normandy Etretat Etude 1 Medium: Oil on Canvas Hardboard Year: 2026 Style: Impressionism Dimensions: 7.5 x 10" x 0.2" inch (19 x 26 x 1cm) Presentat...

Edgar A. (Ted) Batzell (1915=1996) Cubist Tabletop Still Life Composition, ca. 1960. Oil on artist board measuring 16 x 20 inches. Measuring 24 x 28 inches in a wide white frame. Signed by the artist lower right. Ted Batzell, was listed in Who's Who in American Art in 1957, and is now listed in Who Was Who in American Art. First in his class in the Master's of Fine Art program at Syracuse University he was awarded the highest honor along with the Augusta Hazard scholarship to study abroad. In high school he entered a nationwide poster contest and won a four year scholarship to Syracuse, where today for one year's tuition the cost is $45,000. But he never got to use the Augusta Hazard award because World War II broke out and he went to New York City where he studied at the Art Students League and with artist Walt Kuhn as well as others. Hired by the General Electric company art department in Schenectady, N.Y. , he progressed over the 35 years he was there (the only job he had until retirement), to an art director. At General Electric he was a "Madison Avenue Ad Man" for many years, like those in the series "Mad Men", spending every week at General Electric headquarters in New York City. He was known to his fellow artists, many also renowned, as "the Renaissance Man" having a voracious appetite for reading and collecting art books...

Artist: Alexander Shandor Title: Hot Summer Medium: Oil on Canvas Year: 2022 Style: Impressionism Dimensions: 45" x 47" x 1" inch ( 115 x 120 x 2cm) Presentation: Unframed, Gallery ...

Large, brightly saturated red color field abstract geometric painting in various shades of bright green, blue, purple and deep red. "Memory Wall #12" made by Hudson Valley artist, Vi...

"Size: 90 × 90 cm Medium: Acrylic on canvas Support: Stretched canvas Year: 2026 In this painting, the artist explores the delicate balance between solitude and connection, revea...

Fauvist Spanish Wildflower Landscape in Jaén, Mediterranean Oil Painting Artist: Rafael Duran Benet (Spanish, 1931–2015) Title: Campos de Jaén Medium: Oil on canvas board Dimensions...

After Amaldus Nielsen (1838–1932) Norway Evening at Fredrikstad, 1918 signed indistinctly, possibly “Hj. U…”, and dated “18” lower right oil on board unframed 42 × 55 cm (16.5 × 21.7 in) framed 53 × 65 cm (20.9 × 25.6 in) Comparative work: Amaldus Nielsen, Aften ved Fredrikstad (Evening at Fredrikstad), 1909, oil on canvas, present location unknown. Condition report: Very good condition with bright and clear colors. Ready to hang. Please contact the gallery for a detailed condition report. Essay: This atmospheric evening seascape was painted in 1918 by an as yet unidentified artist and closely follows Amaldus Nielsen’s Aften ved Fredrikstad of 1909. The relationship between the two compositions is unmistakable. In both, a sailing boat occupies the central waters beneath an expansive and dramatically clouded sky, while a narrow strip of intense evening light separates sea from horizon. Smaller vessels recede into the distance, establishing both scale and a sense of stillness across the broad surface of the water. The present painting is nevertheless not a mechanical copy. The unidentified artist has altered several details and developed the scene through a more concentrated and chromatically intense palette. The central vessel is brought into sharper prominence, its sails forming a strong silhouette against the illuminated horizon. Deep blues dominate the foreground water and the upper sky, while streaks of orange, ochre and pale turquoise register the last light of sunset. The sky occupies approximately two thirds of the composition and becomes almost a subject in itself. Heavy clouds gather above the tranquil water, their dark masses opening intermittently to reveal passages of luminous blue and warm reflected light. The model for the composition was created by Amaldus Nielsen, one of the most important Norwegian painters of the coast during the nineteenth and early twentieth centuries. Born at Halse near Mandal in 1838, Nielsen studied in Copenhagen before continuing his training with Hans Gude at the Düsseldorf Academy. Gude’s emphasis on close observation of landscape remained fundamental to Nielsen, but he gradually moved away from the constructed romantic landscape towards an increasingly direct study of nature. Nielsen became especially associated with the coastlines of southern and western Norway and has often been described as one of Norway’s earliest naturalist landscape painters. From the 1860s onward he frequently completed paintings outdoors before the motif, an unusually direct working method in Norwegian art of the period. Light, weather and changing atmospheric conditions became central to his practice. The same location might be returned to repeatedly under different conditions of morning, evening, mist or changing weather. Fredrikstad and its surrounding archipelago formed part of this geography. Nielsen is documented working at Arisholmen near Fredrikstad as early as 1884, and surviving paintings demonstrate his continued interest in the coastal landscape of Østfold. By the time he painted Aften ved Fredrikstad in 1909, the theme of boats at rest or moving quietly across evening water had become deeply embedded within his art. The 1909 painting...

Capturing the romantic city of lights, Dietz Edzard's celebrated canvases depict the times of his generation, portraying life in all its glory, even amid hardship and war. Returning...

Figure beside a Bridge on the Seine Paris French Modernist Cubist Charcoal Drawing Laure Noetzlin-Azam (French, 1929–2024) Pupil of André Lhote. Medium: charcoal on artist paper, unf...

Seth Winegar (American, b. 1974) "Spring Full Bloom," 2026 Oil on board 42 x 48 in (106.68 x 121.92 cm) Signed lower right. Framed, 50.5 x 56.5 in (128.27 x 143.51 cm). A row of tre...

Unique piece More sizes and an Essay from Lyle Rexer about this series on request. Joachim Schmeisser’s work rescues photography from the centuries-old straightjacket of realism to...

Ukrainian artist, painter. Born in 1924 in Lustdorf (Chornomorka), a suburb of Odesa. From 1940 to 1947 he studied at the Odesa Art School under A. Postel, I. Hurskyi and D. Krainev....