Horizontal Paintings

Paired Studies of Lions in Profile 1960's British Modernist Drawing by Irina Hale (British 1932-2022) oil crayon drawings on brown artist paper stuck on A4 artist paper, unframed ove...

"In The Distance (mini v3)" is a one-of-a-kind original work by Amanda Marie (Mando), created using acrylic and aerosol on paper. The piece measures 9"h x 12.5"w framed and shipped i...

The oil painting "Poppy Field in Grabs" was painted in the open air in the Rhine Valley in Switzerland in 2018 in the style of modern impressionism. "In my work I capture the vivid ...

Charming 19th century oil on canvas of bunny rabbits. The painting appears to be unsigned. It measures 15 inches wide by 10 inches high. The period frame...

UNIDENTIFIED "ABSTRACT FIGURE" OIL ON CANVAS, UNSIGNED AMERICAN, C.1960S 27.5 X 35 INCHES Fine Condition

Several free range chicken can be seen scratching the foreground of this peaceful cottage scene, with female figure resting on the farmyard gate. Unsigned. Well-presented in a heavy ...

Cattle By Pond At Dusk, Mid-19th Century Tonalist Landscape by William Keith Gorgeous mid-19th century landscape painting by William Keith (American, 1838-1911), circa 1860. This impressive Tonalist landscape, titled "In the Woods", depicts cattle beside a pond in the forest at dusk. Keith uses loose, blended brush strokes and a muted earthy palette to create an atmospheric mood that Tonalism is known for. Signed "W. Keith" lower left. Museum label on verso from Santa Barbara Museum of Art. Presented in an antique giltwood frame. Image size: 9"H x 13"W. With frame measures: 16"H x 20"W x 3"D. Provenance: Mrs. Eugene Patterson; Santa Barbara Museum of Art. Authenticity guaranteed and certificate include. Condition: Very good. Cleaning and restoration required signature to be re-touched, original images pre-restoration available. About the Artist: Brought to New York City in 1850, William Keith was apprenticed to a wood engraver in 1856 working for "Harper's" magazine. In 1858 (or 1859) he visited California for "Harper's" and then after a trip to Great Britain, settled in California as an engraver in 1862. He began exhibiting paintings in 1864 in San Francisco where he opened his studio, after having been taught painting by his wife. The Northern Pacific Railroad...

The Woodland Path circle of George Turner (English 1841-1910) oil painting on canvas, framed framed: 19 x 25.5 inches canvas: 14 x 21.5 inches condition: very good provenance: privat...

"Purple Desert Mirage" is a hand-painted acrylic painting on high-quality 300g paper by artist Ryan Rivadeneyra. These painting, influenced by modernist artists of the 50's, 60's, a...

Antique English landscape oil painting. Oil on canvas. Signed. Framed. In excellent original condition. Handsomely framed in a wood molding. Excellent condition, ready to hang and...

This striking original vintage oil painting on canvas captures the dramatic energy of the sea. Against a turbulent sky of layered blues and storm‑laden clouds, a majestic sailing shi...

Classical Still Life of Fruit in Basket with other objects Italian artist, 18th century oil on canvas, unframed canvas: 24.5 x 33 inches provenance: private collection, UK condition:...

Artist Comments
"The green and blue hues give a peaceful and comforting feeling to this piece," says artist Janet Hamilton. Janet's ongoing Stripes collection is a heavily te...

Joost Verhagen Pilbara Horizon 85 x 120 cm Acrylic paint on canvas Shipping on a roll in a tube we can offer, worldwide, for free. We also ship worldwide in a wooden crate, framed ...

Maruzzella is one of the best works by the artist Marco Fariello realized in 2021. It is an academic drawing of a Portrait of a young woman with an enc...

The artist painted this sketch from life in Kolomenskoye Park in 2014. This exquisite artwork captures a serene landscape, where the delicate interplay of light and shadow brings a g...

Artist: Vahe Yeremyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Canvas Year: 2024 Style: Impressionism, Subject: Meadow, Size: 28" x 39" x 1'' i...

A beautifully atmospheric 19th-century English pastoral landscape depicting cattle resting peacefully within an expansive rural setting at sunset. Rich in warmth, light, and idyllic ...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

Unframed this painting is 30 x 40. Morning Glow is a luminous coastal landscape by Millie Gosch, known for her evocative interpretations of sea and sky. Layers of oil paint create a...

Fauvist Grapes and Bananas, Mid Century Modern Impasto Fruit Still-Life Wonderful vibrant fauvist mid century modern still-life of a plate with grapes and bananas by California arti...

A magnificent Italian painting from the mid-19th century. Oil on canvas, first canvas, painting depicting a mythological scene of great charm and refinement. It is the iconographic p...

Canvas, acrylic, structural acrylic paste, sand, epoxy resin "Memory of Rain" is a textured contemporary abstraction in which the elements of nature are transformed into rhythm, lig...

Eva Sikorski (1917-1990) abstract portrait painting by listed German born California artist. Classic impressionistic style with muted colors. Oil on canvas. Excellent condition in li...

Oil on artist board painting by the American artist, Paul Wesley. Signed lower right. Titled and signed verso. Circa 1930. Condition: excellent. Provenance: A private estate, East ...

This contemporary abstract acrylic painting on paper is by Milly Ristvedt. Few artists ever attain the kind of notoriety and accolades that Milly Ristvedt has rightly achieved. Sin...

'Migration: In Flux Collection,' by Peter Healy, Watercolor Painting, 2020 This framed 27" x 37" watercolor painting is from the 'In Flux' Collection by I...

"Triple Windows," is a mixed media painting depicting the interior of a dimly lit room with three large, arched windows. The windows occupy the upper half of the composition and reveal abstracted cityscape forms in muted blues and grays. Below the windows, a curved blue banquette...

Ricky Hunt’s mixed media minimalist paintings are influenced by his tumultuous past that led to a paradigm shift in his creative practice. His works evoke the many layers of his life...

The splendour of the tragic sea Francesco Guardi and maritime painting in Venetian art No Venetian painter was a stranger to the sea. After all, Venice was not only one of the most prominent ports of the Mediterranean, but indeed a city literally submerged in the ocean from time to time. Curiously however, the famous Venetian school of painting showed little interest in maritime motifs, favouring scenes from the iconic architecture of the city rather than seascapes. That is why this painting is a particularly interesting window into not only the painter Francesco Guardi himself – but to the significance of the element of water in art history, in absence as well as in the centre of attention. Whether it be calm, sunny days with stunning views of the palaces alongside the canals of Venice or – more rarely – stormy shipwrecking tragedies at sea, water as a unifying element is integral to the works of painter Francesco Guardi (1712–1793). During his lifetime, Venetian art saw many of its greatest triumphs with names like Tiepolo or Canaletto gaining international recognition and firmly establishing Venice as one of the most vibrant artistic communities of Europe. While the city itself already in the 18th century was something of an early tourist spot where aristocrats and high society visited on their grand tour or travels, the artists too contributed to the fame and their work spread the image of Venice as the city of romance and leisure to an international audience, many of whom could never visit in person. Still today, the iconic image of Venice with its whimsical array of palaces, churches and other historic buildings is much influenced by these artists, many of whom have stood the test of time like very well and remain some of the most beloved in all of art history. It was not primarily subtility, intellectual meanings or moral ideals that the Venetian art tried to capture; instead it was the sheer vibrancy of life and the fast-paced city with crumbling palaces and festive people that made this atmosphere so special. Of course, Venice could count painters in most genres among its residents, from portraiture to religious motifs, history painting and much else. Still, it is the Vedutas and views of the city that seems to have etched itself into our memory more than anything else, not least in the tradition of Canaletto who was perhaps the undisputed master of all Venetian painters. Born into his profession, Francesco lived and breathed painting all his life. His father, the painter Domenico Guardi (1678–1716) died when Francesco was just a small child, yet both he and his brothers Niccolò and Gian Antonio continued in their fathers’ footsteps. The Guardi family belonged to the nobility and originated from the mountainous area of Trentino, not far from the Alps. The brothers worked together on more challenging commissions and supported each other in the manner typical of family workshops or networks of artists. Their sister Maria Cecilia married no other than the artist Giovanni Battista Tiepolo himself, linking the family to the most renowned Venetian name of the time. During almost a decade, Guardi worked in the studio of Michele Giovanni Marieschi, sometimes simply known as Michiel, a painted similar in both style and motif. Canaletto is, however, the artist Guardi is most often compared to since they shared a mutual fascination for depicting the architecture and cityscape of Venice. During the course of his career, Guardi tried his hand in many different genres. He was as swift in painting landscapes, Vedutas of Venice, sacred motifs, interiors and architectural compositions as he was in a number of other motifs. His style is typical of the Venetian school but also distinct and personal once we look a little closer. There is an absolute certainty in the composition, the choice of which sometimes feels like that of a carefully calculated photograph – yet it is also very painterly, in the best sense of the word: fluid, bold, sensitive and full of character. The brushwork is rapid, intense, seemingly careless and extraordinarily minute at the same time; fresh and planned in a very enjoyable mixture. His interiors often capture the breath-taking spacious glamour of the palaces and all their exquisite decor. He usually constructed the motif through remarkably simple, almost spontaneous yet intuitively precise strokes and shapes. The result was a festive, high-spirited atmospheric quality, far away from the sterile and exact likeness that other painters fell victim to when trying to copy Canaletto. The painting here has nothing of the city of Venice in it. On the contrary, we seem to be transported far away into the solitary ocean, with no architecture, nothing to hold on to – only the roaring sea and the dangerous cliffs upon which the ships are just moments away from being crushed upon. It is a maritime composition evoking both Flemish and Italian precursors, in the proud tradition of maritime painting that for centuries formed a crucial part of our visual culture. This genre of painting is today curiously overlooked, compared to how esteemed and meaningful it was when our relationship to the sea was far more natural than it is today. When both people and goods travelled by water, and many nations and cities – Venice among them – depended entirely on sea fare, the existential connection to the ocean was much more natural and integrated into the imagination. The schools and traditions of maritime art are as manifold as there are countries connected to the sea, and all reflect the need to process the dangers and wonders of the ocean. It could symbolize opportunity, the exciting prospects of a new countries and adventures, prospering trade, beautiful scenery as well as war and tragedy, loss of life, danger and doom. To say that water is ambivalent in nature is an understatement, and these many layers were something that artists explored in the most wondrous ways. Perhaps it takes a bit more time for the modern eye to identify the different nuances and qualities of historic maritime paintings, they may on first impression seem hard to differentiate from each other. But when allowing these motifs to unfold and tell stories of the sea in both fiction and reality – or somewhere in between – we are awarded with an understanding of how the oceans truly built our world. In Guardi’s interpretation, we see an almost theatrically arranged shipwrecking scene. No less than five ships are depicted right in the moment of utter disaster. Caught in a violent storm, the waves have driven them to a shore of sharp cliffs and if not swallowed by the waves, crushing against the cliffs seems to be the only outcome. The large wooden ships are impressively decorated with elaborate sculpture, and in fact relics already during Guardi’s lifetime. They are in fact typical of Dutch and Flemish 17th century ships, giving us a clue to where he got the inspiration from. Guardi must have seen examples of Flemish maritime art, that made him curious about these particular motifs. One is reminded of Flemish painters like Willem van de Velde and Ludolf Backhuysen, and this very painting has indeed been mistakenly attributed to Matthieu van Plattenberg...

Vintage American impressionist landscape oil painting. Oil on board. Framed. Signed. Provenance from a Sag Harbor, NY collection. Measuring: 20 by 18 inches overall. Handsomely fr...

Unique piece in this size More sizes and an Essay from Lyle Rexer about this series on request. Joachim Schmeisser’s work rescues photography from the centuries-old straightjacket ...

A stunning jewel and pertinent example of Berthelsen's charming New York City scenes. Here we find a The Plaza hotel and the Manhattan buildings depicted in the far background with pops of colors shinning through the lights and magic of the city. The artist was truly a master of capturing New York in all of its glory throughout the seasons. This piece is executed whimsically, yet dramatically evoking an emotion of wonder and beauty. This piece is signed lower right by the artist and it also bears the reproduction right's stamp on the reverse. It is titled on the back and it comes housed in a beautiful French giltwood frame with linen liner and hanging wire on verso ready to be displayed. Art measures 6 x 8 inches Frame measures 12 x 14 inches Johann Berthelsen was born in Copenhagen in 1883, the 7th of seven children, to Conrad and Dorothea Karen Berthelsen. His parents were involved in artistic and professional circles. In 1890, his mother brought the children to America, settling in Manistee, Michigan, with her sister's family. They would eventually move to Manitowoc, Wisconsin, a city on the shore of Lake Michigan. As a teenager, Johann was actively involved in choirs and singing groups. And he always loved to draw and paint, and while he was too impatient to take well to schoolwork, and never went beyond the 5th grade. Although he worked in several trades, Johann's mind and heart were always with the arts. As his voice matured, he also always wanted to be an actor, and at the age of 18 moved to Chicago where he reconnected with an old friend who was studying voice at the Chicago Musical...

"Crested Ibis", 110x135 cm, acrylic / canvas

Contemporary landscape oil painting of a pond and the Catskill Mountains in the distance with Billowing White Clouds 'Pond at Livingston' by Joseph Rapp 12 x 16 inches, oil on canvas...

Masri (Lebanese, born 1965) "Colorful Stories" 2018 Acrylic paint, Oil paint, Mixed Media, Canvas, Stretcher bars The artist signed the back of the painting. "Colorful Stories" by M...

A charming scene of a man leading his horse down a country lane near a red barn in Volcano, CA by listed artist Frederick Colbus (American, 1917-1986). Signed and dated "F. Colbus, 1978" lower right. On verso titled "Days End" (Volcano, CA), signed F. Colbus, and dated July 30, 1978. Presented in a wood frame with linen liner. Image size: 12"H x 24"L Frederick Colbus was born in Daly City...

Signed Adolfo Perez Frameless

Oil on canvas, 28 x 31 inches overall, 25 x 30 inches image size. A dynamic abstract expressionist composition with an energetic interplay of saturated primaries and gestural impasto...

Very impressive signed 1967 abstract landscape. Appears to be an abstract coastal scene. Framed.

'Rivière de Mon Paix' by Raoul André Ulmann. Pair of Fine French Impressionist Oils, Musée d'Orsay, Luxembourg Museum. Sold as a pair. --- Raoul André Ulmann (French, 1867-1941) Ea...

Very impressive and amazing mid 1900s abstract expressionist oil painting. Oil on canvas. No signature found. Framed.

Artist Comments
In this painting, artist Doug Cosbie features small-scale American tobacco farms with their fields. Each has a curing shed that is attached to the main structure. "The atmosphere is humid after the rain, and the air has an overwhelming but delightfully sweet and pungent smell."

About the Artist
Artist Doug Cosbie presents the vibrancy found in nature with his impressionist, rural architecture centered artwork. Longing to create something that connects with people, Cosbie spent countless years perfecting how he portrays the world on canvas. Within his journey, he studied as an apprentice in the studios of Sam Black and Jack Shadbolt. As a plein air artist, Doug's studio is a portable pochade box...

A wonderful composition of one of Slonem's most iconic subjects of Birds and Monarch butterflies. They are placed in a wonderful golden background with black marks representing the "...

'There is a language in the space between our breaths a quiet pull, stronger than gravity stronger than doubt' This is a beautiful oil painting of an array of flowers in a vase in f...

5168 American Impressionist landscape oil painting Image size 18x23" Gilt frame

Gerald Coulson was an English painter in the mid to latter part of the 20th century. Gerald Coulson has been painting professionally for over 47 years ...

Mediterranean Olive Grove with Winding Country Road and Distant Hills Pierre Neveu (French, b. 1929) Signed lower left. Medium: watercolour on artist paper. Size: 19.5 × 25.5 inches....

Artist Comments
Deep blue and navy tones define this acrylic pour painting. White negative space emphasizes the fluid movement and texture of the paint. The poured layers creat...

View of Riva degli Schiavoni is an original old master artwork realized in the late 18th century by a follower of the School of the italian painter Canaletto. Oil on canvas. An imp...

Large 17th-century Italian painting. This oil-on-canvas painting depicts a rich composition of fruit arranged on stone steps against a sweeping landscape. The artist constructs the s...

Charming Countryside Cottage Scottish School, late 19th/ early 20th century oil on canvas, framed Framed: 24 x 33.5 inches Canvas : 20 x 30.5 inches Provenance: private collection, E...

Scottish Highland Loch Landscape by Jack Maurice Ducker, British 1920's signed, titled and dated verso oil on canvas, framed framed: 21 x 29 inches canvas: 16 x 24 inches provenance:...

Size: 95×95 cm (overall size with stretching 105×105 cm) Year: 2026 Materials: acrylic on canvas Shipping: rolled Series: Trust This work continues the “Trust” series, developing the...

This stunning large British Victorian Scottish landscape oil painting is by noted Kent artist William Sidney Cooper. William trained with his great-uncle Thomas Sidney Cooper at his ...

Surreal Dreamlike Village Scene with Figures, Dog & Moonlit Sky by British Artist, John Charlesworth (British, b. 1947) Art measures 7 x 5 in (17.8 x 12.7 cm) Fram measures 10 x 8 i...

This still life painting captures freshly caught fish arranged in a loose, organic composition on a wooden surface. The artist's brushwork brings out the shimmering textures and cool...

* No US duty or taxes to pay on this item * A beautiful mid 20th century post-impressionist oil on panel depicting a tennis match in the park with a smartly dressed lady in the fore...

French pastel on paper portrait of a sleeping cat by Renée Jullien. The drawing is signed bottom left and presented in a custom wood frame with cut card mount under glass. A charmin...

2 - 40 x 30" panels. Making a 60 x 40" sized diptych, but spacing can vary in between the paintings. My paintings begin with an idea or feeling. It could be a memory of a time and p...