Horizontal Paintings

Figurative Abstract French School small frame oil painting on board painting: 20.5 x 21 inches overall size: 21x 21 inches condition: overall very good and pleasing provenance: from ...

Jean Porcher, French, 1927, La vieille 'Fiat abandonnée', Oil on canvas modernist painting Provenance: verso gallery label "Galerie Drouant-David St Honore Paris" Hand signed and dated verso and along top to upper left 19 3/4 x 29, framed 22 x 31 1/2 It depicts an antique abandoned Italian Fiat car...

Irene Georgopoulou's "Vintage Catch" (2024) is an original soft pastels on paper artwork, measuring 8.50 x 11.50 inches. Part of her solo exhibition "Nostalgic Treasures: A Journey Through Time," this intricate still life features a lovingly detailed vintage baseball glove...

Antique French impressionist seascape signed oil painting. Oil on board. Signed. Framed. Image size, 28L x 20H.

Signed and titled pastel on paper circa 1970 by French artist Hugues Claude Pissarro. The piece depicts a view of the Viaduct de Clecy - a bridge over the River Orne in Clecy in the ...

Contemporary Art, Abstract Painting Acrylic on canvas 220x225cm Signed FREE SHIPPING: Ships rolled up About the artist Enrique Pichardo (Mexico City, 1973) graduated from Escuela Nacional de Pintura, Escultura y Grabado (ENPEG) “La Esmeralda”. As a Mexican Contemporary Expressionism artist, Pichardo reminisces about the Pre-Hispanic past and indigenous traditions by using symbolisms of a time when the civilizations believed in magic, rituals and created beautiful colors. Through his work, he also pays tribute to world renowned Mexican artists such as Rufino Tamayo, Francisco Toledo, Rodolfo...

Jean Krillé’s paintings are known for their expressive use of color and dynamic, abstract forms, blending realism with abstraction in his depictions of nature. His landscapes often f...

Waiting for their Master by Robert Cleminson (British 1864-1903) signed oil painting on canvas, unframed painting: 30 x 50 inches Lovely British sporting art oil painting on canvas...

This stunning Scottish oil painting is by noted landscape artist Douglas Falconer. Painted circa 1960 the composition is of a seated golden eagle in a mountainous highland landscape....

Summer Scene on a Tree Lined River with Cattle in the English Countryside in beautiful Sunshine, by 20th Century British Artist, Christopher Osborne. Art measures 12 x 8 inches Fram...

Jack Russell Terrier Dogs English artist, signed and dated 1913 signed oil painting, framed framed: 15 x 18 inches painting: 12 x 15 inches Provenance: private collection, UK Condit...

Like every true master painter, André Bourrie had a unique, distinctive style - an inimitable blend of neo-impressionism and pointillism which, while dra...

Alexander John Drysdale (1870-1934) New Orleans Louisiana / New York Artist Size: 20 x 30 Frame: 26 x 36 Medium: Oil Wash? Watercolor? Dated: 1917 "Misty Bayou" Housed in the original magnificent frame. Alexander John Drysdale (1870-1934) New Orleans Louisiana / New York Artist Alexander John (A.J.) Drysdale was an early 20th century Louisiana artist who specialized in landscapes using the technique of oil wash, that gave his works a characteristic of a hazy look. Drysdale made use of this technique by diluting the oil paint with kerosene and applying it with cotton balls. Alexander John Drysdale, born in Marietta, Georgia on March 2, 1870, came to New Orleans at the age of fifteen with his parents. His father, Reverend Alexander J. Drysdale, became the rector of Christ Church Cathedral. Alex received private tutoring from a Professor Mehado and art lessons from Ida Hackell at the Southern Art Union. Later in New Orleans (1887) he studied art under Paul Poincy (1833-1909). The exact date of Drysdale's arrival in New York is unknown, but he enrolled in the Art Students League where he received instruction from Charles C. Curran and Frank Vincent DuMond. Apparently, he remained in New York for about five years and did not go to Europe for further study. After some time, Drysdale began specializing in landscapes, executed in a tonalist manner. Back in New Orleans, Drysdale was inspired by local subjects, especially swamp or bayou areas and other desolate wetlands. Over a period of many years Drysdale's landscapes evolved to a unique stylistic maturity. In 1909 he received a gold medal from the New Orleans Art Association. It is easy to see the influence of two artists that he admired: Corot and Inness. Working equally well in oil and watercolor (he also did scenes in charcoal), Drysdale usually divided his scene into halves or thirds, typically, a foreground consisting of tall swamp grasses achieved with broad vertical strokes; a middle ground consisting of a backdrop row of trees at the horizon line executed with staccato, jabbing strokes resulting in textural contrast; and a background devoted totally to a tonalist-like moisture-laden sky often hazy with no clouds or only a slight indication of them. This formulaic compositional format rendered with an economy of technique resulted in imagery with repetitious forms and shapes diffused in a nebulous space. In this regard, Drysdale's works are impressionistic; he also tended to use the violets and blues of the impressionist palette. Yet he lacked a specific interest in color and light. Although his expression of the Louisiana scenery is very personal, even mystical, the artist appears to have been very limited in subject matter. One of his last works was a mural for the Shushan (New York) Airport administration building, and shortly before his death he was employed as an artist by the Civil Works Administration. Drysdale was a member of the Arts and Crafts Club of New Orleans, and his work was in the permanent collection of the Delgado Museum for many years. The artist worked at his studio at 320 Exchange Place in the picturesque Vieux Carré until his death at the age of sixty-three. Stewart (in Painting in the South, 1983), describes how Drysdale was a shrewd businessman. He would solicit new homeowners who might need a canvas to decorate a wall, or a cotton broker who recently made the headlines. Drysdale died in New Orleans, on February 9, 1934. Sources: Louisiana Artists from the Collection of Dr. and Mrs. James W. Nelson. Baton Rouge, LA: Louisiana State University, 1968; Wiesendanger, Martin and Margaret Wiesendanger, Nineteenth Century Louisiana Painters and Paintings from the Collection of W. E. Groves. New Orleans: W. E. Groves Gallery, 1971, pp. 44-45; Painting in the South: 1584-1980, Exh. cat. Richmond, VA: Virginia Museum, 1983, pp. 106-107, 114, 276; Chambers, Bruce W., Art and Artists of the South: The Robert P. Coggins Collection of American Paintings. Exh. cat. Rochester, NY: Memorial Art Gallery of the University of Rochester, 1984, p. 88; Zellman, Michael David, 300 Years of American Art. Seacacus, NJ: Wellfleet Press, 1987, p. 634; Gerdts, William H., Art across America: Two Centuries of Regional Painting, 1710-1920. New York: Abbeville Press, 1990, vol. 2, pp. 110-111. Submitted by Richard H. Love and Michael Preston Worley, Ph.D. Biography from The Johnson Collection ALEXANDER JOHN DRYSDALE (1870–1934) Born in Marietta, Georgia, Alexander John Drysdale was the only son of an ordained Episcopal priest whose ministry required frequent moves to parishes in Georgia, Alabama, and Tennessee. In 1883, he accepted the call to become dean of Christ Church Cathedral, New Orleans, and was later elected a bishop. Alexander, thirteen years old when the family settled in New Orleans, began his art studies under the instruction of Ida C. Haskell, a California-born artist who was on the faculty of the recently established Southern Art Union. The local academy had been founded by several leading artists, including Andres Molinary, William Henry Buck...

Portrait of a Horse British School, 20th century oil painting on panel, unframed paintings size: 8 x 10 inches condition: excellent provenance: from a private collection here in England A very fine equestrian portrait of this horse. Painted with tremendous detail and finesse, the horse is accentuated against its clear background - a technique enjoyed many George Stubbs in the 18th century and Francis...

This large abstract statement painting by Kelly Rossetti is made with oil paint on gallery wrapped canvas. It features cool blue palette with light pink and dark charcoal accents and...

August Vilhelm Nikolaus Hagborg (Swedish, 1852-1921) In the Garden of His Eminence Oil on wood panel Signed lower left 21 x 25.5 inches 34 x 38.25 inches, framed August Vilhelm Nikolaus Hagborg was a Swedish painter who spent most of his life in France. His father was an associate professor. Against the wishes of his parents, he decided on a career in art and, from 1872 to 1874, he studied at the Royal Swedish Academy of Fine Arts in Stockholm with Vicente Palmaroli...

Dutch/ Flemish School, early 1800's oil on canvas, framed framed: 19 x 24 inches canvas: 13.5 x 18.5 inches provenance: private collection, France condition: good and sound condition...

Very nicely painted mid century abstract beach scene. Oil on canvas. Signed illegibly. Framed elegantly.

The Country lane by Frans Hopfner (1840-1893) German signed oil on canvas, framed framed: 23.5 x 41.5 inches canvas: 18 x 36 inches provenance: private collection, UK condition: very...

Ciro Ferri (Rome 1634 - 1689) circle of - San Giovanni Battista. 80 x 103 cm without frame, 94 x 118 cm with frame. Antique oil painting on canvas, in an antique 17th century frame...

Oil on Canvas. North Italian school of the late 1700s-early 1800s. In the 'wide landscape, which lets the eye sweep over a vast plain with shaded hills looming on the horizon, an arc...

"In A Mood" 2023, 72" H x 96" W. Large scale abstract painting consisting of acrylic, pencils, and oil pastels on canvas by Argentine-born artist Karina Gentinetta (featured in Elle ...

Created by Richard Britell (American, born 1944) circa 1990. Accompanied by a certificate of authenticity from the Richard Britell Archive of Works, signed by the artist and noting title. Born in New York, Richard Britell first studied at the Pratt Institute with Philip Pearlstein and Walter Erlebacher (1962-1964) before attending Syracuse University ( 1964-1966). He received his BFA from the University of Massachusetts, Amherst in 1972. Britell was the recipient of the 1985 artist residency by Dartmouth College and has exhibited widely and with success, including in New York, Massachusetts and Italy. Solo Exhibitions: 2011 “Measuring the Universe” Lauren Clark Fine Art, Housatonic, MA 2010 “And Now For Some things Completely Different” Lauren Clark Fine Art, Housatonic, MA 2010 “The Figure, The Figure, The Figure and The Figure” Lauren Clark Fine Art, Housatonic, MA 2009 “A nest of robins in her hair” Lauren Clark Fine Art, Housatonic, MA 2007 “NY, NY” Lauren Clark Fine Art, Housatonic, Ma 2003 “Image and Text” Tokonoma Gallery, Housatonic, MA 1999 “From Architecture to Abstraction” Tokonoma Gallery, Housatonic, MA 1998 “New Work” Carrie Haddad Gallery, Hudson, NY 1998 “New Figures” Ute Stebich Gallery, Lenox, MA 1995 “Richard Britell, New Work” Katharina Rich Perlow Gallery, New York, NY 1993 “New Work on Gilded Panel” Phyllis Kind Gallery, New York, NY 1985 “Fresco Panels...

Calvin Lai's (US based) "Tipping the Scale" is an original, handmade oil painting that depicts a nude female with an orange and white background. Artist Bio: Calvin Lai's art is ...

Rocks & Trees Oil/Board 12 x 16 image unframed, 18.75 x 22.75 framed Signed lower left although hard to read. No restoration housed in a reproduction frame. The painting is in beauti...

Signed lower left, 'Mogens Hertz' (Danish, 1909-1999) and painted circa 1935. This notable Impressionist first studied with the classically-trained Academician, Laurits Ring and, su...

"With shades of Pierre Bonnard’s Parisian street vistas and Edward Hopper’s New York shopfronts, American impressionist Cindy Shaoul’s oil paintings depict the much-loved locales and...

"Secret Beach Panorama in Early Autumn" is an oil painting by American Impressionist Ben Fenske. A large scale composition of a Sag Harbor beach vista. The foreground shows green gra...

In this vibrant tapestry of colors and forms, I've channeled my passion into every stroke, blending acrylics, oils, and colored pencils to craft a symphony of abstract energy. This p...

Los Angeles artist Amber Goldhammer paints dramatic abstract compositions in acrylic on canvas featuring energetic brushstrokes. Goldhammer uses her contemporary paintings to express...

John White Alexander's graceful depictions of beautiful women earned him critical acclaim both in Europe and America. However, his career did not get off to an easy start—Alexander b...

Oil painting after Jacob Armstead Lawrence . He was an American painter known for his portrayal of African-American historical subjects and contemporary life. Lawrence referred to his style as "dynamic cubism," an art form popularized in Europe which drew great inspiration from West African and Meso...

No title 2 and 3, Diptych, 2018 by Rodrigo Zampol Black ink on paper Overall size: 67 cm H x 100 cm W Individual size: 67 cm H x 50 cm W Unframed Unique piece Signed on back The pi...

G. Harvey (Gerald Harvey Jones) (1933-2017) San Antonio, Austin, and Fredericksburg Artist Image Size: 20 x 24 Frame: 30 x 34 Medium: Oil On Canvas "Gathering Strays" Hereford Cattle...

A late 19th century oil painting depicting a serene riverside scene, with a rustic thatched cottage nestled among lush trees on the bank. The composition beautifully captures the int...

Antique American impressionist landscape oil painting. Signed verso. Really nicely framed. Great color and thick impressionist impasto. Image size, 10L x 8H.

Sunlit Field Landscape dated 1994 signed by Georges Bordonave (French contemporary) oil painting on canvas, unframed canvas: 20 x 25.5 inches condition: very good provenance: from a ...

A vibrant and colorful Parisian city scene by Australian Mollie Flaxman. Captured in a very impressionist manner 'The Bastille' which was a fortress in Paris, known formally as the B...

Untitled Judy Wahl Date: 1980 Acrylic on Canvas, signed lower right Size: 47.5 x 71 in. (120.65 x 180.34 cm) Frame Size: 48 x 71.5 inches

"In my Garden" is a colorful flower painting from my "Colours of Summer" Collection. I created this artwork because the beauty of my own gar...

This painting is in excellent condition and has only been shown in a gallery setting. Please note that given the characteristics of the silver and gold leafing the work will photogr...

MODERNIST FOREST Oil on canvas Size: 49 x 60 cm (including frame) A very pleasant modernist landscape oil composition dated 1977, and painted by the established Swedish artist Ture ...

Helen Foy Dreams of Old Pioneers, 20th Century Acrylic (?) on canvas 23 3/4 x 36 in. Signed lower right: Helen Foy Titled and signed verso: Dreams of Old Pioneers by Helen Foy Hele...

Vintage American modernist abstract oil painting. Oil on canvas. Signed.

FLORENCE is a unique acrylic on canvas painting by contemporary artist Ramon Enrich, dimensions are 170 × 240 cm (66.9 × 94.5 in). The artwork is signed, sold unframed and comes wi...

This original, unframed oil on board requires a frame to hang. Created by Sandra Pratt in 2024, it measures 36 x 48 and captures a serene winter landscape in cool blues and pristine ...

"With shades of Pierre Bonnard’s Parisian street vistas and Edward Hopper’s New York shopfronts, American impressionist Cindy Shaoul’s oil paintings depict the much-loved locales and...

Gabriel Casarrubios Martín (1953) - Fishermen - Oil on canvas Oil size 60x73 cm. Frameless. Gabriel Casarrubios Martín (1953) The Toledo artist trained in Fine Arts in Madrid, at t...

MARZENA MISKIEWICZ She graduated from the Faculty of Fine Arts at UMCS in Lublin. She is a member of ZPAP (Association of Polish Artists and Designers). She is an author of more than...

Antique American modernist cityscape oil painting. Oil on canvas. Framed. No signature found.

This charming naivist painting by Swedish artist Olof (Olle) Casimir Ågren (1874–1962) depicts a horse standing gracefully beside a tree. Executed with bold, textured brushstrokes an...

Impressive early American modernist abstract painting. Framed. Oil on board. Image size, 16H by 20L.

Published in a monographic catalogue Georgij MOROZ (Dneprodzerzinsk, Ucraina, 1937 - St. Petersburg, 2015) 1937: he was born in Dneprodzerzinsk, Ucraina. 1949-56: he began artistic...

English Harvest - Vintage 20th Century Impressionist Oil Painting with Horses & Figures by British Artist, David Hyde Art measures 16 x 12 inches Frame m...

Ventura A. Pérez (1992) is one of the most seductive artists on the contemporary Spanish scene. After earning a doctorate in contemporary art from the University of Vigo, he moved to...

Porfirio Salinas (1910-1973) San Antonio Artist Image Size: 25 x 30 Frame Size: 34 x 39 Medium: Oil on Canvas Circa 1950 "Lazy Day Blues" Texas Bluebonnet Biography Porfirio Salinas (1910-1973) Porfirio Salinas was a self-taught artist who painted landscapes of Central Texas with an emphasis on the vast bluebonnet fields that grow there in the springtime. Born in 1910 in Bastrop, Texas, he attended public schools in San Antonio. He also observed works in progress by the director of the San Antonio Art School, Jose Arpa, as well as landscape painter, Robert Wood. Wood is said to have paid Salinas five dollars a picture to paint bluebonnets because "he hated to paint bluebonnets". Salinas served in the military from 1943 to 1945. Although he was assigned to Fort Sam Houston, he was allowed to live at home. At the fort, Colonel Telesphor Gottchalk assigned him to paint murals for the officer's lounge and various other projects, and Salinas continued to be able to paint during his entire conscripted period. Even before he achieved notoriety among galleries, dealers, and museums, Salinas was widely followed and appreciated by many Texans, including former President Lyndon B. Johnson, who may be considered responsible for launching Salinas popularity beyond the boundaries of Texas. In 1973, Texas capital, Austin, honored Salinas for having "done much to bring the culture of Mexico and Texas closer together with his paintings". Salinas died in April 1973 in San Antonio, Texas. From the years of the Great Depression through President Lyndon Johnson's Great Society of the 1960s, Texan Porfirio Salinas (1910-1973) remained one of the Lone Star State's most popular artists. Today, his works remain popular with Texas collectors and those who love landscapes of the beautiful "Hill Country" that lies in the center of the state. One of the first Mexican American painters to become widely recognized for his art, Salinas was a favorite of President Lyndon Johnson and his wife, Lady Bird Johnson, as well as of Sam Rayburn, the longest-serving Speaker of the House of Representatives, and Texas Governor John Connelly. In fact, President Johnson was so enamored with his Salinas paintings that the artist will forever be associated with America's first Texas-born President. Works by Porfirio Salinas is in a number of museum collections, grace the halls of the Texas State Capitol and the Governor's Mansion in Austin, and are included in virtually every major private collection of Early Texas Art. Porfirio Salinas was born on November 6, 1910, near the small town of Bastrop, Texas, about thirty miles from Austin. His father, Porfirio G. Salinas (1881-1967), and his mother, Clara G. Chavez, struggled to make a hardscrabble living as tenant farmers, but eventually were forced to give up farming. The family moved to San Antonio, where Salinas' father was able to get a job working as a laborer for the railroad, but the scenic area around Bastrop, with its pine trees and the wide expanse of the Rio Grande River, would forever remain a touchstone for the artist. For the rest of his life, Salinas and his brothers went back frequently to visit their grandmother in her little farmhouse. When in Bastrop, Porfirio painted on the banks of the Rio Grande or in the groves of pine trees. The Salinas family was close-knit, and Porfirio was the middle child of five children, so he had an older brother and sister as well as a younger brother and sister. His mother was a native of Mexico, so throughout his childhood the family made the long drive to Mexico to visit Clara Salinas' family. As a child growing up in the bi-lingual section of San Antonio, Salinas drew and painted incessantly and by the time he was ten, he was already producing work that was mature enough to sell to his schoolteachers. Many years later in an article in the New York Times he was described as a "boy whose textbooks were seldom opened and whose sketchbook was never closed." Instead of studying, the young artist spent his spare time watching artists paint in and around San Antonio. As an aspiring painter, Salinas was fortunate to grow up in the historic city, which had the most active art scene in Texas. It was his exposure to older, professional painters that encouraged the precocious young painter to leave school early in order to help his family and pursue a career as a professional artist, despite his father's inability to see art as a career with any future for his son. When Salinas was about fifteen he came to know the artist Robert W. Wood (1889-1979). He met Wood while he was employed in an art supply store and he soon began to work as an assistant to the English-born painter, who had moved from Portland to San Antonio in 1924. Although the diminutive Englishman was already an established professional artist, he did not have a great deal of formal art training and so he was then studying with the academically trained Spanish painter Jose Arpa (1858-1952) in order to augment his knowledge and give his work a more polished look. Salinas was an eager young man, and while working in Wood's downtown San Antonio studio he learned to stretch canvases, frame paintings and to sketch in larger compositions from small plein-air studies for the English artist. He began to accompany Wood and Arpa to the hills outside San Antonio, where they painted small Plein-air studies of fields of blue lupin - the state flower, the famous "Bluebonnets" of Texas - in the springtime and scenes of the gnarled Red Oaks as they changed color in the fall. He was soon assisting Wood in the tedious work of painting the tiny blue flowers that collectors wanted to see in the landscapes they purchased of central Texas. According to a 1972 newspaper story, "Legend has it that one day in the 1920s artist Robert Wood decided he could not bear to paint another bluebonnet in one of his landscapes. He hired young Porfirio Salinas to paint them in for him at five dollars a painting." Whether this story is accurate or apocryphal isn't clear, but the ambitious and independent young Salinas wasn't destined to be anyone's assistant for very long. The formative event of Porfirio Salinas' teenage years was the Texas Wildflower Competitive Exhibitions, a Roaring-Twenties dream of the eccentric oilman Edgar B. Davis (1873-1951). These competitive shows of paintings of wildflowers and Texas life were mounted in San Antonio from 1927 to 1929. Held at the newly opened Witte Museum each spring, the exhibition featured large cash prizes donated by the philanthropic Davis, which were an inducement for artists to travel from all over the United States to paint in the Hill Country of Texas. The "Davis Competitions," as they were known, helped to cement San Antonio's reputation as an art center, a legacy that remains with the "River City" today. The shows generated a great deal of excitement in the area, helping to make celebrities of the some of the artists who had already settled there and encouraging others to make San Antonio their home. Over the three years that the wildflower competitions were held, more than 300 paintings were exhibited, and many thousands of viewers saw the paintings at the Witte Museum and on tours throughout the state and in New York. Each year Davis would generously purchase the winning paintings and then donate them to the San Antonio Art League. Young Porfirio Salinas would have been able to not only watch his two mentors - Robert W. Wood and Jose Arpa - paint the works that they entered in the Davis Competitions, he would have been able to see Arpa take several of the major prizes, receiving the judge's accolades for "Verbena," "Cactus Flower" and "Picking Cotton," works that are still on view at the San Antonio Art League Museum today. Unfortunately, Davis eventually put his donations to work in other charitable endeavors, bringing to an end the wildflower events, but only after they inspired Salinas and other young painters and had helped to make wildflower paintings the most sought-after subject for traditionalist Texas collectors. In 1930, when he was only twenty, Salinas hung out a shingle and began to paint professionally, augmenting the sales of his easel paintings with what little business he could garner by painting signs for local concerns. It was a struggle for the young artist to make a living, as the effects of the Great Depression were settling in. His early works are very similar to those of Robert Wood's, both in subject matter and treatment. Salinas did small paintings of Bluebonnets for the tourists who visited San Antonio to see the famous Alamo as well as paintings of the Texas missions...

Lucien Delarue (1925-2011) Paris Seine River Scene. "Seine at Paris" Provenance: Newman Gallery, Phila. Label verso. Hand signed on Canvas. Dimensions: H: 25 inches: W: 31.5 inches: Frame: 35 X 41 inches Artist Lucien Delarue was born in Paris in 1925, and he is known for his spectacular cityscape painting. Post Impressionist painter He studied at the studios of Grande Chaumiere, Paris and was a pupil of Maitre Yves Brayer. He is best know as a French Impressionist. He loved to paint the romantic streets of Paris with its stunning architecture and beauty. Also included in his repertoire is colorful French floral still life paintings, South of France country cottages, harbor views, and river scenes. At a very early age Delarue began taking part in exhibitions. Quickly he was talking medals for his works including first prize and the Vermeil-Medaille at the Salon Violet. Other gold medals include the Salon of Vincennes, and the Salon of Clichy (1973). In 1974 he won the silver medal at the Salon des Artistes Francais, and a bronze medal at the "Arts-Sciences-Lettres" exhibition in Paris. He also exhibited works at the Museum of Ile de France in the chateau of Sceaux. He held exhibitions in New York and in San Francisco in the United States. He was a member of the Salon des Artistes Francais and of the French Watercolor Society.Lucien Delarue excelled in recreating the cottages, harbor views, and expressionist architecture of Paris in his artwork. His watercolor paintings include color-rich representations of France's many scenic rivers. Delarue would eventually become a member of the French Watercolor Society and the Salon des Artistes Francais. He showed with Henk Bos...