1890s Figurative Paintings

Danish School, 19th Century A charming late 19th-century Scandinavian composition depicting a solitary woman making her way towards a garden gate. Paintings of this kind invite the ...

An atmospheric twilight scene by Alessandro Altamura, depicting a tranquil river teeming with activity, likely set near the forest landscape of Fontainebleau in France. The compositi...

This remarkable double-sided devotional painting on copper showcases exceptional craftsmanship and deep spiritual reverence. On the recto, a finely rendered portrait of Saint Bernade...

“A Lady in Black, 1894” by Paul-Marie Lapierre Renouard (1854-1940) This exceptional pastel portrait of an elegant woman in black is among the artist’s finest works. A close examina...

This late 19th-century oil painting by English artist John Horace Hooper (1852-1906) depicts a quiet tree-lined road near Purley in Berkshire. Beneath a dense canopy of mature trees...

Signed with monogram lower right, 'MW' for Marcus (Mark) Waterman (American, 1834-1914) and painted circa 1890. “All the world’s a stage” – In the late 1880s, an expanding rail netw...

Kate S. Brodie English Landscape with Horses and Figures Oil on canvas Circa 1880 Signed lower right Original antique frame A finely observed Victorian English landscape by Kate S. ...

Original antique 19th century oil on canvas depicting a lively French street scene with figures gathered outside a village tavern or inn. The composition shows women in traditional d...

Samuel Henry Baker (British, 1824–1909) Ullswater from Gowbarrow Park, Cumberland, late 19th century Oil on canvas In this sweeping view of Ullswater, nestled in the heart of the La...

Constantine (Algeria) Claude Firmin-Goy (1864-1944) Oil on canvas Signed and dated lower right 11 3/4 x 15 1/2 (17 1/2 x 21 1/4 frame) inches This bright and luminous work by the Av...

Georg Stoopendaal (1866–1953) A Woman in the Field oil on board signed G.S unframed 23 × 31 cm (9 × 12 ¼ in) framed 33 × 41 cm (13 × 16 ⅛ in) In this quietly atmospheric scene, a ...

A beautiful signed and dated 1901 oil on paper laid on board by Auguste Grass-Mick, the French impressionist painter who was friends with Edgar Degas and Henri Toulouse-Lautrec. Gr...

19th Century English Landscape, with a cottage, pond and trees. This exquisite English Victorian 19th-century landscape by Charles Morris, circa 1890, beautifully captures the idyll...

Antique American impressionist fall landscape oil painting. Oil on canvas. Signed. Nicely framed in a giltwood molding. Measuring: 16 by 21 inches overall, and 12 by 17.25 painting a...

Eduardo León Garrido (Madrid, 1856 – 1949, Caen) Sleeping Woman in a Pink Dress Oil on panel, signed lower right "Garrido" 39 × 39 cm Provenance: Private collection, France Born i...

An atmospheric sunset after the rain. The light reflected on the still-wet street is creating the most beautifully shimmering light. Two village women carrying baskets are chatting, ...

Beautifully painted sunset on the river with a single figure in a punt and cattle crossing by the American artist, George Riecke. Most likely a New Orlea...

A boy wades into the creek preparing to set his sailboat on a journey down the creek in this romantic narrative late Victorian oil painting. This painting tells a story, set in an id...

Cattle By Pond At Dusk, Mid-19th Century Tonalist Landscape by William Keith Gorgeous mid-19th century landscape painting by William Keith (American, 1838-1911), circa 1860. This impressive Tonalist landscape, titled "In the Woods", depicts cattle beside a pond in the forest at dusk. Keith uses loose, blended brush strokes and a muted earthy palette to create an atmospheric mood that Tonalism is known for. Signed "W. Keith" lower left. Museum label on verso from Santa Barbara Museum of Art. Presented in an antique giltwood frame. Image size: 9"H x 13"W. With frame measures: 16"H x 20"W x 3"D. Provenance: Mrs. Eugene Patterson; Santa Barbara Museum of Art. Authenticity guaranteed and certificate include. Condition: Very good. Cleaning and restoration required signature to be re-touched, original images pre-restoration available. About the Artist: Brought to New York City in 1850, William Keith was apprenticed to a wood engraver in 1856 working for "Harper's" magazine. In 1858 (or 1859) he visited California for "Harper's" and then after a trip to Great Britain, settled in California as an engraver in 1862. He began exhibiting paintings in 1864 in San Francisco where he opened his studio, after having been taught painting by his wife. The Northern Pacific Railroad...

This peaceful late 19th-century oil painting by English artist John Horace Hooper (1852-1906) depicts a rural scene at Clymping in Sussex. Hooper possessed a remarkable ability to t...

F. Walters (British, 19th Century) Cottage Landscape with Figures and Pond Oil on canvas, signed lower left English School, circa 1880 Presented in an ornate 19th-century carved and gilded frame This serene and expansive rural landscape by 19th-century British artist F. Walters captures the gentle charm of the English country...

A fine late 19th century oil on canvas painting, circa of William-Adolphe Bouguereau (French, 1825-1905). Oil on canvas painting depicting a woman with two cherubs in a garden. After...

Jean Hodru (Belgian, 1862–1956) Portrait of a Young Girl (“Fillette”) Oil on Canvas, circa 1890 Signed lower left and inscribed on the reverse Presented in its original period gilt f...

Monogrammed "TG", Late 19th Century Symbolist / Pre-Raphaelite Oil Painting A captivating late 19th-century oil painting imbued with imaginative symbolism and strong Pre-Raphaelite ...

Artist/ School: signed French School, Bouchet (19th-20th Century) Title: Portrait of a bearded man Medium: oil on board Size: 11 x 8.5 inches Provenance: private collection, Fran...

Raja Ravi Varma - Laxmi, 19 x 14 inches Oleograph with embellishments, Circa (Unframed & Delivered) Raja Ravi Varma (29 April 1848 – 2 October 1906) was an Indian painter and artist...

"Basilica di Santa Maria della Salute, Venice" Raymond Allègre (France, 1857-1933) Circa 1900 Oil on wood panel Signed lower left 13 1/2 x 9 (22 1/2 x 17 frame) inches The saturate...

Signed and dated oil on panel landscape by French impressionist painter Emmanuel De La Villeon. The work - painted in predominantly blue with splashes of white and green - depicts a ...

French School of the 19th century Portrait of a young man, 1891 Signed (illegible) and dated 91 on the lower right Oil on canvas 46 x 38 cm Framed 52 x 44 In good condition, recently...

This signed and dated landscape titled Lyngby Sø presents an unusually restrained exploration within Peder Mønsted’s overwhelmingly polychrome productionn. E...

Artist: Henry John Yeend King (English, 1855-1924) Title: "Fetching Water by the River" *Signed by King lower left Circa: 1890 Medium: Original Oil Painting on Canvas Framing: Frame...

Lady Godiva is a large Belgian figurative oil painting dating to circa 1890, signed H.L. Mols and painted after the composition by Joseph Van Lerius (1823–1876). This nineteenth-cent...

This intimate oil painting presents a young boy viewed from a three-quarter rear angle, caught in a quiet, reflective moment. The child’s back is turned gently toward the viewer, ren...

A signed French portrait by René Avigdor, dating to circa 1898, depicting a woman with auburn hair. Painted in oil on canvas, this antique work belongs to the Belle Époque period. Wa...

This late 19th-century oil painting by French artist Charles Clair (1860-1930) depicts an autumnal landscape, most likely set in the rural environs of central France, where the artis...

A 19th century American landscape depicting a quiet coastal or lakeside scene at dusk, where a small cluster of houses rests along the water’s edge beneath a softly glowing sky. A n...

This charming British Victorian oil painting is by noted artist Albert Chevalier Tayler. Painted in 1896 the composition is four women in a sitting room. One young woman is holding u...

William Raymond Dommersen Dutch, 1850–1920 Fishing Boats at the Shoreline, circa 1890 Oil on canvas Signed lower right A charming late 19th-century Dutch coastal scene by William Ra...

Ernest Peel Law (British, Late 19th Century) Circa 1890 Fisherman at Sunset Oil on canvas, signed lower right Ernest Peel Law’s Fisherman at Sunset is a masterful evocation of eveni...

Paul Graf (1866–1903), Swedish Children Bathing by a Rocky Shore, 1892 signed Graf and indistinctly dated 1892 oil on canvas mounted on panel unframed 139 × 175 cm (54.7 × 68.9 in)...

Gouache, ink, pen, and gold on paper. Signed by artist. Note: Due to the size, weight, and value of this piece, we require shipping through 1stDibs, for its cost effectiveness, full...

Mauritz Lindström (1849–1923), Sweden Rowing Boat and Descending Bird over Calm Water, circa 1880–1900 signed A. M. Lindström oil on canvas unframed 36 × 66.5 cm (14.2 × 26.2 in) f...

Well painted late 19th-century German genre painting. Often painted in the Munich area of Germany these highly desirable antique paintings are always of the finest quality. This is...

This striking oil landscape is dominated by a vast, cinematic sky, rendered with the rapid, "plein air" brushwork that defined the late 19th-century French school. Rather than a stat...

Georgine Lara English Village landscape A painting by Georgina Lara depicting a 19th-century English village scene offers a charming and evocat...

➡️ LandscapeThe River from Rousseau⬅️ ⏩It is signed R Rousseau.⏪ ⭐Medium:⭐ Oil on canvas ⭐Technique: ⭐Impasto painting with expressive brushwork. ⭐Size:⭐47,5x31.5 cm / 18.5x1...

This intimate watercolour depicts the artist’s children, Nils Tirén and Stina Tirén, they reading the Christmas annual Kring granen och brasan. The image served as the original illus...

William Crothers Fitler was born in Philadelphia and studied at the Philadelphia Academy of Fine Arts. He is best known for his tonalist landscapes of New York, Long Island and Conne...

Francis Edward Jamieson (British, 1890–1930s) View of an English River Landscape at Sunset Oil on canvas, signed lower right Presented in an ornate antique gilt frame, circa 1890 Th...

Oil on canvas "Cupid" circa 1900 after Anthony van Dyck additional info: Title: cupid Style: baroque Medium: oil on canvas Signature: unsigned Provenance: private collection Canvas...

"Twilight Landscape with Windmill and Church" is a captivating work by Swedish artist Albert Larsson, painted in 1891 when Larsson was 22 years old. The painting captures a landscape steeped in the quietude of dusk, with a sky ablaze in hues of red and orange, signalling the end of the day. The silhouettes of trees are rendered with astonishing detail against the twilight sky, showcasing Larsson's early mastery of light and shadow. Dominating the pastoral scene is a traditional windmill, its blades stilled against the sky, alongside the spire of a church that pierces the horizon. These structures, together with the meticulously painted trees, are testaments to the human presence within the natural world, suggesting a harmony between the two. A notable feature is the small water-filled furrow in the field, which catches the fading light of the sky, creating a pathway of reflection leading the eye through the composition. This detail highlights Larsson's skill in using light to draw attention to elements within his paintings. Albert Larsson, born on November 4, 1869, in Malmö and passing on August 31, 1952, in Lund, was an artist deeply influenced by his education in Copenhagen at the Art Academy and later at Peder Severin Krøyer...

Raja Ravi Varma - Untitled (Vishnu and Lakshmi meeting) Oleograph 14.5 x 10.1 inches, Circa (Framed & Delivered) Raja Ravi Varma (29 April 1848 – 2 October 1906) was an Indian paint...

This small oil painting on board (21.5 x 33 cm) is a rare early work by Swedish landscape painter Carl Johansson (1863–1944). Painted during the artist’s 1894 travels to the Canary I...

Signed oil on canvas figures in landscape by French post impressionist painter Georges D'Espagnat. The work depicts two children playing with a white toy horse in a wooded landscape....

Anna Klumpke A Path Through the Woods, circa 1890 Signed lower right Oil on canvas 36 1/4 x 24 1/2 inches Anna Klumpke was born in San Francisco but travelled to Europe in 1865 for...

Oil on canvas pointillist landscape by French painter Leon Pourtau. The work depicts a view of sail boats moored at the Suffren quay - a picturesque waterfront area in Saint-Tropez, ...

Jan Hillebrand Wijsmuller (1855 Amsterdam - 1925 ibid.), Late Summer River Landscape, oil on canvas, relined, 34 x 56 cm (inside measurement), 43 x 64 cm (frame), signed J[an] H[illebrand] Wijsmuller at lower right. - in good condition, the frame with isolated bumped spots - Realistic Impression - About the artwork The panoramic landscape format shows a river landscape, with the course of the river, which curves to the right, leading the eye into the depths of the picture and tempting it to continue the landscape in the imagination beyond the visible area. At the same time, however, the fact that the landscape is not visible through the bend in the river focuses our gaze on the entirety of the landscape depicted, without prompting us to focus on distant details. Accordingly, the brushstroke is not designed to render details with realistic precision. In the front left area of the river there is even a completely free brushwork, trained by Impressionism, which nevertheless remains committed to representational and convincingly suggests the movement of the water. Regardless of the distance of the observer, the entire picture is painted with the same broad brushstroke, so that the landscape is given as an impression. And yet this impression is not ephemeral, as in the case of French Impressionism, to put it exaggeratedly, but reveals to us the essence of the landscape in all its richness. This is why the Dutch variant of Impressionism is always also a realism, although the pictures appear less progressive, but still contain a dimension of landscape painting that is lost with progress. In the impression, the reality of the landscape is revealed, and this happens as we experience the landscape in the visual impression. Wijsmuller does not depict houses or people in order to allow the experience of the landscape to fully unfold. The experience is determined first and foremost by the river, which does not flow into the picture from our point of view, but towards us. Where the river begins to bend, the water is churned by a rapids. Toward us, the riverbed widens and the water comes to rest, covering the entire width of the foreground like a mirror. The stillness of the water corresponds to the evening mood of the late summer landscape, in which the warm tones of the evening light blend with the yellow and brown tones of the plants. A gentle, almost idyllic reality, carried by the brushstroke, yet animated by a liveliness that is also made visible by the brushstroke. The broad, dynamically placed brushstrokes evoke the movement of the treetops and animate even the immobile reeds, while the trunks on the right bank, executed in virtuoso white strokes that seem like markings, make the sunlight shine. On the other bank, a carpet of light also spreads out, its energetic effect again expressed in the brushstroke. The dynamic of the landscape is further enhanced by the complementary color contrasts between the greens, yellows, and browns on the one hand and the blue of the all-encompassing sky on the other. A contrast that is intensified by the reflection in the water. The evening coming to rest of the landscape is thus at the same time an all-encompassing contrasting and yet in itself harmonious movement. This reality becomes accessible to us as an experience in the impression of the landscape. About the artist Jan Hillebrand Wijsmuller entered the Royal Academy of Arts in Amsterdam in 1876 and studied under the innovative Professor August Allebé, who was famous for the Amsterdam Impressionism, also known as the Allebé School. In 1877, Wijsmuller transferred to the Hague Academy of Art, and thus to the Hague School, and then completed his studies at the Brussels Academy of Art. Returning to the Netherlands, Wijsmuller opened his own studio in Amsterdam. In 1883 he won the prestigious Young Artist Award, donated by Willink van Collen, which made Wijsmuller a well-known and sought-after artist. Wijsmuller was a member of the Societät Arti et Amicitiae Amsterdam and the Pulchri Studio in The Hague. Wijsmuller belongs to the second generation of the Hague School. While Vincent van Gogh described the protagonists of the first generation to his brother Theo as "the great gray people," the second generation, and Wijsmuller in particular, used a much more colorful palette. His oeuvre makes him a major player in Dutch Impressionism...

Two Early Massachusetts Paintings Boy fishing "Beaver Pool" - "The Conway" 1897 Pair of early Massachusetts paintings on walnut wood panels by GEK 1897. Fine detail and painting styl...

Early 20th Century English Autumn river landscape with cows drinking from a stream. Abraham Hulk Junior was born in the Netherlands in 1851 to ren...

Arthur Kemp Tebby (1866–1935) English Rose Arbor, circa 1890 Oil on wooden panel, signed lower right. Arthur Kemp Tebby was among the finest English painters of gardens and floral landscapes working during the late Victorian and Edwardian periods. A gifted colourist and accomplished plein air painter, Tebby became celebrated for his depictions of English country gardens in full bloom, capturing the fleeting beauty of the seasons with remarkable delicacy and atmosphere. Influenced by both the French Impressionists and the rich tradition of British landscape painting, his works possess a freshness and luminosity that have made them enduringly sought after by collectors. This enchanting painting portrays a magnificent rose-covered arbor in the height of summer, inviting the viewer along a quiet garden path beneath cascades of climbing roses in shades of crimson, blush pink and ivory. Dappled sunlight filters gently through the foliage, illuminating the gravel walkway and creating a harmonious interplay of light and shadow. The abundance of flowering shrubs, carefully observed botanical detail and softly diffused background combine to evoke the tranquillity and romance of an English country garden at its seasonal peak. Executed with Tebby’s characteristic sensitivity, the composition demonstrates his mastery of colour and texture. Delicate brushwork captures the profusion of blooms without sacrificing spontaneity, while subtle tonal transitions lend remarkable depth and atmosphere. The artist’s restrained palette of soft greens, warm earth tones and vibrant floral highlights creates an elegant balance that is both decorative and naturalistic. Painted around 1890, this work belongs to a period when Tebby was producing some of his most accomplished garden scenes, subjects that remain among his most desirable. His paintings celebrate the Victorian passion for cultivated gardens while embracing the increasingly Impressionistic handling of light and colour that distinguished progressive British artists of the era. Beautifully presented in an elegant gilt frame, this charming painting is a quintessential example of late nineteenth-century English garden painting...