Romantic Figurative Paintings

signed and dated Otto Sinding Karlsruhe 1873 lower right oil on relined canvas framed 59 × 101 cm (23.2 × 39.8 in) unframed 41 × 83.5 cm (16.1 × 32.9 in) Provenance: The collection ...

Louis Douzette was a prominent German landscape painter whose artistic practice bridged late Romanticism and early Naturalism. He became especially known for his evocative nocturnal scenes illuminated by moonlight, a recurring subject that defined his mature style. These works reveal a fascination with the interplay of night sky, reflected water, and atmospheric tone. Often described as lyrical or meditative, they draw the viewer into a quiet world of natural reflection and stillness. Douzette’s early training in Berlin under the marine painter Hermann Eschke grounded him in Romantic landscape traditions, but he soon developed his own voice. He found deep inspiration in the moonlit river scenes of Dutch Golden Age painters such as Aert van der Neer and Jacob van Ruisdael. His commitment to nocturnes emerged in the 1860s, a theme he returned to with increasing focus throughout his career. By the late 1870s, exposure to the Barbizon School and plein-air techniques enriched his approach, infusing his nightscapes with greater realism and atmospheric complexity. This synthesis of romantic mood and naturalist observation defines much of his later output. The present work, Moonlit Landscape with Rowboat, captures the artist’s refined handling of tone and light on an unusually intimate scale. Measuring just over 13 by 17 centimetres, the panel presents a tranquil night scene in exquisite detail. A full moon, partially veiled by drifting clouds, casts its reflection over the surface of a river. The silver light falls across the water in rhythmic bands, leading the eye toward a gently moored rowboat. A wooded shoreline flanks the composition on the right, while the distant horizon reveals faint silhouettes of trees beneath a softly glowing sky. Despite the painting’s modest format, it conveys a remarkable sense of depth and atmosphere. The sky is built with expressive, layered brushwork that suggests subtle variations in cloud density and moonlight diffusion. The reflective water is handled with delicacy, echoing the sky’s luminosity in more muted, rippling form. Dark foliage anchors the composition without overpowering it, creating a gentle contrast that enhances the nocturnal glow. The rowboat, placed with quiet purpose, introduces a human element without breaking the silence of the scene. Douzette’s contribution to 19th-century German painting...

Evening Landscape with River and Farmhouses by August Alvén captures a moment of profound quiet in the Swedish countryside just after sunset. The glowing sky transitions from warm ap...

Portrait of a Woman in Front of the Sea - Original Romantic Oil Painting Beautifully rendered and realistic portrait by Gianni (Giovanni) Strino (Italian b. 1953.) A woman stands in...

Executed in Düsseldorf in 1910, this portrait depicts a woman seated in a refined interior, wearing a sumptuous golden-yellow gown that shimmers in the light. A dramatic sidelight il...

Unidentified Artist Schoolboy, Early 1900s century signed lower left oil on canvas unframed 24 × 29 cm (9.4 × 11.4 in) framed 41 × 47 cm (16.1 × 18.5 in) This intimate genre pain...

This small, intimate oil painting Wishing It Were She is a preparatory study for a larger composition of the same title. The scene depicts three figures in a richly furnished 19th-ce...

Set in the idyllic Cotswold village of Bibury, this painting presents a quintessential example of Henry John Yeend King’s pastoral genre scenes. Two young children stand at the edge ...

signed lower right oil on canvas unframed 37 × 50 cm (14.6 × 19.7 in) framed 51.5 × 63 cm (20.3 × 24.8 in) This painting depicts Kastellholmen as seen from Skeppsholmen, rendered un...

Sunset (1925) depicts a serene lake in Värmland at the close of day, suffused with the golden light of dusk. In this composition, Werner captures one of his signature motifs: a broad...

Albert Roosenboom was a Belgian genre painter celebrated for his elegant depictions of everyday life in the mid to late 19th century. A pupil of the renowned Constantin Meunier, Roos...

Oscar Lycke was a Swedish artist from Sundsvall. He is best known for his impressive colourful landscape paintings in a national romantic and realism styl...

Title: *Courtship in the Forest* Author: French Romantic School Technique: Oil on canvas Support: Canvas mounted on a stretcher Unframed dimensions: 11.4 x 7.9 inches Frame...

Painting of Farm with Geese in the English Countryside by 20th Century British Artist, James Wright Signed, Original, Oil on Canvas, housed in a beautiful ornate gold frame. Provenance: Part of the English Heritage Series No.111 Art measures 10 x 8 inches (approx.) Frame measures 15 x 13 inches (approx.) James Wright was born in Peterborough in 1935 and now lives in Lincolnshire. James is a self-taught artist and a leading exponent of the traditional English landscape style. His early work concentrated on the busy fishing villages around the coast of Norfolk, Cornwall and Sussex. More recently, his traditional landscapes mainly feature the East Anglian and Lincolnshire countryside. About the English Heritage Collection From the most powerful to the most humble, from Bronze Age axes...

Margaret Maitland Howard. English ( b.1898 - d.1983 ). Pan, God Of Nature, Playing Panpipes. Oil On Canvas. Signed Lower Left. Image size 22.6 inches x 18.1 inches ( 57.5cm x 46cm ). Frame size 26.8 inches x 22.2 inches ( 68cm x 56.5cm ). Available for sale; this original oil painting is by the English artist Margaret Maitland Howard and dates from the 1930s. The painting is presented and supplied in a sympathetic contemporary frame (which is shown in these photographs), mounted with new fixtures. The canvas has been lined and mounted on a newly constructed custom made stretcher. The painted surface has benefitted from cleaning and conservation, all of which was performed on our instruction, supervision and approval. This vintage painting is now in very good condition. It wants for nothing and is supplied ready to hang and display. The painting is signed lower left. Margaret Maitland Howard was an accomplished and versatile English artist whose works spanned the early to mid-20th century. Known for her evocative and often mythologically inspired oil paintings, Howard’s work reflects a deep engagement with classical themes and her knowledge of nature, and the human form. She was also proficient working in watercolours and pastels and an accomplished sculptor. Margaret, who was always known as “Marjorie” was born in Friern, Barnet, London on 31 July 1898, the daughter of artist and civil servant Henry James Howard. She grew up at Sutton, Surrey, where she spent most of her life. She spent many years living and working from St. Katherine’s, Malgrave Road, Sutton, Surrey. She was educated privately, at the Byam Shaw and then attended the Vicat Cole School of Art, completing her studies at the Royal Academy Schools, where she won five silver medals and other awards. She was also the recipient of a British Institute scholarship and extension and won the 1926 prize for her portrait work at the National Welsh Eisteddfod in Swansea. She exhibited paintings at the Royal Academy, showing at least ten works of classical and biblical themes at Summer Exhibitions between 1923 and 1935. She was one of the early group of women who painted nudes, a practice which was considered somewhat risqué and vulgar in the early twentieth century. She also exhibited at other leading galleries and in the provinces and consistently pursued her art despite the challenges posed by the societal norms of the time. Howard had a significant professional career for a woman of her generation. Just after World War II she was appointed draughtsman to the Institute of Archaeology at London University where she worked from 1948 to 1960. This is now part of University College, London. Here, she worked as an illustrator and sculptor, creating models for Professor Frederick Zeuner to use in his lectures. She also illustrated one of his important books (Zeuner, F.E. Dating the Past, London: Methuen). She also created the bust of Gordon Childe, now in the Institute’s Library. After her retirement from the Institute of Archaeology she collaborated with Ian Wolfran Cornwall on his series of books about the prehistoric world. In 1956, whilst working for the British Institute for the Study of Iraq, she moved to Balawat and supervised the archaeological work at the site of an ancient Assyrian city in northern Mesopotamia. She subsequently prepared drawings of the Balawat Gates, which was significant and technical work. In addition to illustrating various books on ancient history and anthropology, Howard was also known as an illustrator of fictional books, producing an illustrated edition of the Fables of Aesop that was published by John Lane at The Bodley Head in 1926. She also illustrated Elizabeth Ward...

Female Figure in Oriental Dress among the Ruins of Romantic Greece Oil on canvas, 61 × 46 cm (without frame), 74 × 57 cm (with frame) Early to mid-19th century Not signed A youn...

➡️Winter scene⬅️ Watercolor from Johannes Franciscus HOPPENBROUWERS (1819-1866) (see wikipedia) ⭐Structural Analysis⭐ This painting depicts a winter scene in a rural village, possibly in the Netherlands or a similar European setting. The composition is well-balanced, featuring: A central building with a distinctive thatched roof covered in snow, creating a focal point. A frozen river or canal, with a person ice skating in the middle ground, adding movement and human presence. A windmill and houses in the background, reinforcing a Dutch setting. Figures engaged in daily life, such as the man near the building carrying a walking stick and a bag, adding a narrative element. The overall scene is tranquil yet lively, capturing a nostalgic winter atmosphere. ⭐Color and Light⭐ The palette consists of muted earth tones, including warm browns, ochres, and soft grays, giving a rustic and aged appearance. The sky has an orange-yellow hue, possibly representing a sunrise or sunset, casting a gentle glow over the cold landscape...

We are pleased to present this painting by Ernst Lundström, dedicated to the esteemed sculptor Per Hasselberg. The dedication on the front of the painting makes this piece particular...

George Morland (1763 London - 1804 Brighton). Sheltering from the Storm. Oil on canvas, relined, 37.5 x 29.5 cm (visible size), 53.5 x 45.5 cm (...

Josep María Draper was born in 1931 and received a great creative influence from the 1950s. Abstract Expressionism, a form of painting tha...

Original Miniature 19th Century Austrian Pastoral Figurative Oil Painting on Wood Painted in the manner of late Romanticism, this charming miniature pastoral landscape by Edmund Fri...

The view from Månberget at sunset, as captured by Gottfrid Kallstenius in this 1912 oil painting, displays a warm golden light over Djupsundet, framed by the silhouette of a gnarled ...

Albert Roosenboom was a Belgian genre painter celebrated for his elegant depictions of everyday life in the mid to late 19th century. A pupil of the renowned Constantin Meunier, Roos...

Farm Scene with Haystacks in the English Countryside by British Landscape Artist, James Wright. Signed, Original, Oil on Canvas, housed in a gilt frame ...

Beautiful oil on panel painting representing Venetian landscape. The luminosity of this evocative view combined with the impressionistic style of brushwork, make this important paint...

Fur Trapper in Winter - Portrait in Oil on Canvas Majestic full length portrait of a fur trapper standing in the snow by John Pieron. A man stands an...

Evening Calm, Fishing Boats at Anchor is a painting Per Wickenberg, capturing a serene twilight along a sheltered coast. Fishing boats rest quietly at anchor, their sails lowered and...

Late XIX Century Italian Signed Landscape Painting A beautiful mountain painting by the great Italian artist Celestino Ghione, who speciali...

Dutch School, 19th century signed oil on panel, framed framed: 17.5 x 21 inches panel: 14 x 18 inches provenance: private collection condition: good and sound condition

Signature bottom right Frederick Arthur Bridgman was born in Tuskegee, Alabama, then later moved to Boston and New York. Before long, he had enlisted a group of Brooklyn businessme...

A Golden Dawn on the Maas In this refined marine painting, Arthur Joseph Meadows captures a tranquil sunrise on the river Maas just below the historic city of Dordrecht (“Dort”). The...

Signed lower left, 'P. Lagiere' (French, 19th century) and dated, '1868'. After 'La Jeune Courtisane', 1821, by Xavier Sigalon (French, 1787–1837), held in the permanent collection o...

Gottfrid Kallstenius (Västervik 1861–1943 Storängen, Stockholm) A view of Stockholm from an imaginary terrace, 1906 Signed and dated “G. Kallstenius -06” Arched top Oil on canvas u...

In this evocative winter landscape, painted in 1941, Swedish artist Olof Walfrid Nilsson captures the serenity and quiet grandeur of a frozen lake bathed in gentle afternoon light. E...

Raimundo De Madrazo y Garreta (Spanish School, 1841-1920) an exceptional and palatial oil on canvas "Portrait of Isabelle McCreery” depic...

Adolphe BERNARD (Attributed to)Ghent, 1812 – Ghent, 1890 The soldier's wife and her son by the fire Oil on canvas46 x 38 cm (61 x 52 cm with the frame) Signed and dated lower left "B...

Otto Pilny was a Swiss Orientalist painter working at the turn of the 20th century. Specializing in exoticized oil paintings of the Middle East, his work often features desert scenes...

A fine & large antique oil on canvas painting by Bengt Nordenberg (1822-1902), Sweden, dated 1883. Nordenberg is recognized as one of Sweden's most celebrated 19th century artists, his work epitomizes Swedish Romanticism and this painting is a wonderful representation of that style. The painting depicts an interior scene of a mother holding an infant in front of an open heath, with a fire burning in the grate, above the fire there are racks of meat hanging and above that are hams hanging. The infant has evidently just woken from a nap and his cradle sits next to his mother's chair, his brother sitting on the floor with his monkey & the carrying case he transports the animal to beg for money, the monkey humorously sits with his begging plate outstretched to the boy's mother, much to her consternation! The painting is signed and dated lower left, it is in very good condition and is housed in the original gilded composition and limewood frame, Nordenberg's record for a painting at auction is over $91,500, this is a fine example of the artist's work and is ready to hang on your wall. Bloomsbury Fine Art & Antiques ship globally, very well packed & insured to ensure safe delivery. Bengt Nordenberg (1822-1902) was a master of Swedish Romanticism. He belonged to the Düsseldorf school of painting & is best known for his genre paintings with everyday life scenes from the Dalarna, Skåne and Blekinge areas of Sweden. He moved to Düsseldorf in the 1850s. Nordenberg was born at Jämshög in Blekinge County, Sweden, he was one of nine siblings born to Per Jönsson Nord (1785-1854) and his wife Sissa Bengtsdotter (b. 1792). He grew up in poverty and became an apprentice to a painter in Sölvesborg. In 1843 he studied at the Royal Swedish Academy of Arts in Stockholm, In the autumn of 1851 he went to the Düsseldorf Academy, where first Theodor Hildebrandt and then later, Adolph Tidemand...

Pair of Hunting Dogs at Rest; Artist unknown, French, 19th century (monogrammed "JS" Circa 1850 10 x 7 (14 3/8 x 17 1/8 frame) inches This is finely realized portrait of pair of h...

Woman with Two Children in Red - Interior Scene in Oil on Canvas Lovely interior scene by notable artist Joseph Tomanek (Cech-American, 1889-1974). A woman sits near a window, holding a small child dressed in bright red in her lap. Another child, somewhat older, stands next to her, looking at the young child. Soft lights spills though the window, illuminating the scene in a warm glow. A plant with red flowers sits on the windowsill, and foliage can be seen outside. Signed "Tomanek" in the lower right corner (note that the shape above the signature is a toy train) Presented in a carved wood frame with a linen liner. Frame size: 30.75"H x 26.75"W Canvas size: 24"H x 20"W Tomanek, the son of a carpenter, was born in Moravia. His family discouraged his art talent and wanted him to be a shoemaker. He studied in his homeland of Czechoslovakia at the School of Design in Prague. He emigrated to America around the turn of the century and arrived in Chicago in 1910 and worked as an interior decorator. He attended the Art Institute of Chicago and studied with Antonin Sterba. He also studied with Albert Krehbiel and K.A. Buehr. He was a member of the Bohemian Artist Club, Association of Chicago Painters, and Sculptors, and the Chicago Gallery Association. His work is included in the collection of the Vanderpoel Art Association (Chicago). He exhibited from the 1910s-40s, including exhibitions at the Art Institute of Chicago and the Georgia Museum of Art. Of the difficulty of posing nudes in Chicago, he said, "In Paris you can rent little gardens studios and pose your models there in privacy. Here, if I work out of doors, I have to pose the girls in bathing suits...

Hendrik Barend Koekkoek Amsterdam 1849 – 1909 London Dutch Painter 'Figures Strolling through a Forest in Winter' Signature: signed lower right 'H B Koekkoek', c. 1882-1900 Medium: oil on canvas Dimensions: image size 76,5 x 64 cm, frame size 103 x 89,5 cm Biography: Hendrik Barend Koekkoek, often signing as Hendrik Barend (H.B.) Koekkoek, in the realm of 19th-century art, emerges as a captivating painter born in Amsterdam on November 23, 1849. A scion of the esteemed Koekkoek family, he gained renown for his landscapes and woodland scenes, following in the artistic footsteps of his father, marine painter Hermanus Koekkoek. Barend Hendrik Koekkoek’s life unfolds with a certain mystery, his artistic journey shaped by training from his father and, likely, his uncle Marinus Adrianus. In 1878, he tied the knot with Carolina Allardina Cornelia Pierson and ventured into the artistic scenes of Hilversum and Brussels, simultaneously opening an art dealership in Amsterdam. Around 1882, the call of London beckoned, echoing the path paved by his brother Hermanus Koekkoek the Younger. In England, he painted landscapes near Guildford, akin to his cousin Pieter Hendrik Koekkoek. The latter part of his life remains shrouded in obscurity. Barend Hendrik Koekkoek’s artistic style, steeped in the romantic tradition of the Koekkoek family, adorned canvases with landscapes, woodlands, and marine scenes. His London sojourn witnessed the creation of winter landscapes with towering trees, showcased in exhibitions across Dutch cities. He breathed his last in London before 1909. His artistic legacy lives on in institutions like the Paul Tétar van...

A late 18th Century oil on canvas laid on board of a young beauty in period costume carrying a basket of flowers on her head. Presented in a very fine gilt, period 'Directoire' frame...

The Crucifixion French School, circa 1830's circle of Eugene Delacroix (1798-1863) oil on canvas, unframed canvas: 37.5 x 22.5 inches provenance: private collection, northern France ...

Horse Drawn Plough with Two Horses, Ploughman and his Dog. Signed, Oil on Canvas, housed in a gilt frame, by British Landscape Artist, James Wright. Art measures 24 x 16 inches Fram...

Hilding Werner (1880-1944) was a Swedish artist known for his portraits, romantic landscape paintings of Värmland, and caricature drawings. We are privi...

Thomas Edwin Mostyn British, 1864-1930 A Walk Through the Forest Oil on canvas 20 by 27 in, w/ frame 28 by 35 in Signed "Mostyn" lower right He was a figure painter, portrait paint...

The Riverside Pathway Italian School, early 1800's period oil painting on paper laid on board, unframed size: 12.75 x 17.5 inches condition: overall very good for age, a few very sma...

Oil painting on canvas ( 43 x 53.5 cm; with 59 x 70 cm with gilt wood frame), Title: King Amulius, in the presence of Rea Silvia, orders to kill Romulus and Remus as children Ancien...

Snow White and the Seven Dwarfs in a landscape, Mid century oil on wood panel. This vibrant and charming painting vividly portrays a whimsical forest scene featuring Snow White and ...

French 19' century painting oil on canvas . Young Venus nude figure surrounded by delicious playing putti . Finely carved and gilt-wood frame of the same period . Measurements w...

Henry John Yeend King (1855-1924) was a landscape and rustic genre painter. He began his artistic career by working for three years in a glassworks. King went on to study painting under William Bromley in London, and also with Bonnat and Cormon in Paris. He exhibited from 1874 to 1924 at The Royal Academy and The New Watercolour Society. He was elected to the Royal Society of British Artists in 1879, the Royal Institute in 1886, later becoming Vice President. He was also a member of the Royal Institute of Oil Painters. In 1898 his picture 'Milking Time' was purchased by the Tate Gallery in London. Yeend King was a fine late-Victorian oil painter...

Oil on canvas Canvas Size: 29 x 44 in. Frame Size: 36 x 51 in. Unsigned A marvelous antique oil on canvas painting, exemplary of Romantic Dutch painting that depicts a sweeping, dra...

This luminous maritime scene by American painter William Bradford captures a fleeting moment of daily life along the rugged coast of Bass Rock, Scotland. Known for his vivid Arctic e...

Adolf Luben (1837–1905) "Mother and Child in a Countryside Setting" This charming 19th-century oil painting on canvas by Adolf Luben captures a heartwarming rural scene, depicting a...

Gustave WAPPERS (Attributed to) Anvers, 1803 - Paris, 1874 Oil on panel Trace of monogram lower right 42.5 x 31.5 cm (59.5 x 49.5 cm with the frame) XIXth century frame in carved woo...

"Harvest Scene With Farmer and Scythe, 1886" is a captivating painting by the Swedish artist Alfred Thörne. Created during his travels through Germany, France, Italy, and Belgium bet...

Narcisse Diaz de la Peña Nymphs in a Landscape Estate sale seal lower left Oil on board 9 1/4 x 11 1/4 inches Narcisse Diaz de la Peña was born in 1808 in...

A substantial, mid-to-late 19th century, unsigned, American School nocturnal landscape showing a view of three children, accompanied by their terrier, fishing by lamp-light and start...

"Twilight Landscape with Windmill and Church" is a captivating work by Swedish artist Albert Larsson, painted in 1891 when Larsson was 22 years old. The painting captures a landscape steeped in the quietude of dusk, with a sky ablaze in hues of red and orange, signalling the end of the day. The silhouettes of trees are rendered with astonishing detail against the twilight sky, showcasing Larsson's early mastery of light and shadow. Dominating the pastoral scene is a traditional windmill, its blades stilled against the sky, alongside the spire of a church that pierces the horizon. These structures, together with the meticulously painted trees, are testaments to the human presence within the natural world, suggesting a harmony between the two. A notable feature is the small water-filled furrow in the field, which catches the fading light of the sky, creating a pathway of reflection leading the eye through the composition. This detail highlights Larsson's skill in using light to draw attention to elements within his paintings. Albert Larsson, born on November 4, 1869, in Malmö and passing on August 31, 1952, in Lund, was an artist deeply influenced by his education in Copenhagen at the Art Academy and later at Peder Severin Krøyer...

MARIANO ALONSO PÉREZ Spanish, 1857 - 1930 ELEGANT FIGURES SEATED IN A PARK signed, located and dated "Alonso Pérez, Paris ´91" (lower right) oil o...