Framed Paintings

Sunset (1925) depicts a serene lake in Värmland at the close of day, suffused with the golden light of dusk. In this composition, Werner captures one of his signature motifs: a broad...

Head Portrait of a Spaniel English School, mid 20th century signed oil on board, framed framed: 3 x 3.5 inches board: 2 x 2.5 inches Provenance: private collection Condition: sound a...

'Hidden Portraits XIX', acrylic on canvas mounted on board, Florentine School (circa 1980s-90s). This gallery has acquired a number of paintings through an intermediary of an ageing ...

"The Great View of Venice" Antoine Bouvard Snr. (French, 1875-1955) Oil on canvas, original, gilt wood frame, Signed, lower right 20 3/4 x 28 1/2 (28 1/2 x 37 frame) inches Anto...

Mark Schwartz's "M.Y. 3" is an original, handmade oil painting that depicts a portrait of a female model gazing downward as her black hair blends into the darkness of the background.

Figures Walking Through Paths singed initials by Irina Hale (British 1932-2022) oil paintings on artist paper mounted in a frame Glass covering Inscribed verso overall framed: 12.5 x...

Portrait of a Young Woman French artist, mid 20th century signed oil on board, frames Framed: 29 x 23 inches Board : 22 x 15 inches Provenance: private collection, France Condition:...

Abstract Expressionist Original Gouache on paper and Collage Abstract Gouache and Paper Collage by Harold Winer (American, 1913-2006). Image 30"H x 40"W Slat with white paint .25" ...

* No US duty or taxes to pay on this item * A beautiful 19th century oil on board depicting Schrekhorn mountain in Switzerland. The Schreckhorn (4,078 m) is a mountain in the Berne...

An acrylic and gold leaf on canvas piece with bright use of color and texture. We are focused on the simplicity of beauty in the moment as Shaoul creates a translucent but very color...

Rocks & Trees Oil/Board 12 x 16 image unframed, 18.75 x 22.75 framed Signed lower left although hard to read. No restoration noted on painting and housed in a reproduction frame....

Portrait of a Woman in Front of the Sea - Original Romantic Oil Painting Beautifully rendered and realistic portrait by Gianni (Giovanni) Strino (Italian b. 1953.) A woman stands in...

"Portrait of a Workhorse Standing in a Stable" Julius Paul Junghanns (German, 1876 - 1958) Oil on panel Signed lower right and dated 1925 15 1/2 x 12 1/4 (19 1/2 x 16 2/4 frame) inc...

Signed art deco figurative oil on board circa 1930 by French painter Louis Icart. This beautiful work depicts a two elegant ladies in Place la ...

Realistic figurative portrait of an indigenous Native American man by American artist Kenneth Su. The work features a man dressed in traditional clothing with large rock formations i...

Grid No.6, 2009 (Contemporary Framed Abstract Grid in Neutral Shades Black & Coffee) by Birgit Blyth 40" X 25" paper vertical chromoskedesic monoprint 44 x 29 inches framed, custom frame with black wood molding and anti-reflective glass This contemporary, abstract style chromoskedasic monoprint was created by experimental photographer, Birgit Blyth. Without the use of a camera, the artist produced this chromoskedasic image by applying the photographic chemicals to black and white photo pager and exposing it to light. The variety of caramel, toffee, brown and black tones is determined by the different chemicals used and the amount of time they are exposed to light. Here, the artist paints with the photographic materials in a gestural, linear motion. Beautiful hues of coffee, caramel, brown, grey, and black intersect to create unique abstract, intersecting grid patterns that resembles a basket weave motif. The photograph is complimented with a black metal frame with non-glare glass. It is equipped with sturdy wire on the back for instant and professional quality hanging. About the artist and work: Birgit Blyth is one of our most innovative and prolific photographers who works in a darkroom yet uses no camera! Blyth has been experimenting with a technique known as Chromoskedasic painting since the early ‘90s and variations on this concept have been shown at the gallery for the last 20 years. The unusual process involves the use of silver particles in black and white photographic paper to scatter light at different wavelengths when exposed. A chemist of sorts, Blyth demonstrates a thorough knowledge of how the various photographic chemicals will react when applied to paper and exposed. Each work is unique with palettes that resonate brilliant tonalities of brown, green, black, and purple. Using this technique, Blyth creates abstract crosshatching grids and most recently has developed a more gestural series of 20 x 16 inch chromoskedasic paintings that explores the ethereal qualities made possible by the unconventional material. Birgit Blyth succeeds at keeping her work fresh and cutting-edge using analog methods that are being quickly replaced elsewhere with digital technology. Though Birgit Blyth began her photographic career using conventional photographic methods, she quickly became more interested in alternative processes. In the mid 1990’s a colleague showed her an article in Scientific American and it was here that she first discovered the technique called “chromoskedasic” painting, which would eventually lead her to fully finding her voice as a photographer. Blyth had always aligned herself with and been moved by abstract expressionist painting. The series of veil paintings by post-abstract expressionist, Morris Louis, was especially inspiring to her and caused her to ask herself how she could do similar interpretations photographically. In “chromoskedasic” painting, she found the answers and would begin on a new path in her artwork. The term “chromoskedasic” is derived from Greek roots meaning color by light scattering. Developed by a photographer named Dr. Dominic Man-Kit Lam, this process exploits the capability of silver particles in black and white photographic paper to “scatter” light at different wavelengths when exposed to light and chemicals. In her mastery of this photochemical drawing process, Blyth has painted lush washes of color into her own “Veil Series;” she has envisioned landscapes, both rural and urban, with melting swirls and marbled colors into rich palettes of toffee and lead. She has used this essentially experimental process to help her “see” the world around her. Blyth says she continues to be fascinated by the process because it requires “a combination of discipline, experimentation, and imagination, making possible a wonderful balance between control and surprise.” Because the chromoskedasic work is all analog, Blyth spends much of her studio time in the darkroom, which has become a rarity in the current world of digital photography. She does however, continue her preference for experimentation in numerous directions, even employing aspects of the digital age – this exhibit will also feature a new series of pieces created with the now defunct but much loved SX-70 polaroid camera, scanned and archivally printed on 24” x 24” fine cotton rag paper. Whatever the process, Blyth’s work is, as the painter and poet, Peter Sacks noted, a blend of “precision and mystery, of articulation and atmosphere.” Her images leave us with the feeling of ongoing action despite the apparent stillness; of qualities both dreamy and stark as light hits a stand of birch trees in a valley or a group of buildings in New York City. As Morris Louis evolved a style of painting that produced a complete integration of paint and canvas, so too has Blyth, with photo paper and chemicals, created a perfect integration of method and content. Artist CV: Born: Kousted, Denmark Resident in U.S.A. since 1963 Education: Denmark and U.S.A. Project, Inc., Cambridge MA (Photography) DeCordova Museum School, Lincoln MA (Printmaking) Maine Photography...

initialed 'G.M.' in the lower right corner Provenance Christies, New York, Sporting Art, December 6, 2000, lot 29 Measurements Image size: each 10 3/4 by 14 1/2 inches, overall each ...

Juan Giralt Lerin was a well listed Spanish artist born in 1907. He is best known and his most desirable paintings are of ballerinas. He has had Auction results as high as $2700 for ...

Three Terrier Dogs with Caged Rat Interior Scene English Sporting Oil Painting by George Armfield (English, 1808–1893) signed oil on canvas, framed signed and dated framed: 24 x 30....

This painting depicts an impressionistic scene at the beach with beautiful brushwork and whimsical colors. The work captures the beach and times of the early 20th Century bringing a ...

Expressive Castilian Landscape Oil Painting with Olive Trees and Impasto Artist: Ulpiano Carrasco Title: Verano en Castillejo Year: 1998 Technique: Oil on canvas Artwork dimensions: 54 × 65 cm / 21.26 × 25.59 in Framed dimensions: 78 × 89 cm / 30.71 × 35.04 in Signature: Signed and dated on the reverse Inscription: Titled “Verano en Castillejo” on the reverse Framing: Framed Condition: Good overall condition, with rich original impasto and visible pictorial texture Description A vibrant expressive landscape by Spanish artist Ulpiano Carrasco, titled Verano en Castillejo and dated 1998 on the reverse. This oil on canvas represents a powerful Castilian landscape, built through dense impasto, energetic brushwork and a luminous palette of greens, yellows, blues, whites and earthy reds. The composition captures an open rural panorama with olive trees, rolling cultivated fields and distant hills, transforming the Spanish countryside into an intense chromatic experience. Carrasco does not approach landscape as simple topography. His painting turns nature into matter, rhythm and emotion. The fields appear almost sculpted with paint, while the olive trees emerge as dark, expressive forms against the vibrating surface of the land. The result is a landscape full of movement, heat and Mediterranean-Castilian atmosphere. The work is especially attractive for collectors of Spanish contemporary landscape painting, expressive impasto painting, Mediterranean landscapes, olive tree paintings...

Kate Schultz is a contemporary painter working in acrylic and mixed media. Her work celebrates the beauty and calmness of mother nature. Influenced by the work of Paul Klee, Milton A...

This 32" x 32.75" x 3" oil painting on canvas by Scottish artist Norman Harper depicts a serene mountain valley with a body of water at its center. Towering mountains frame a dramati...

This large landscape oil painting by John Traynor captures a scene in New England. Cows are visible in front of a long picket fence, with a red barn and house behind the fence and lush green trees on either side and along the hills in the horizon. Fluffy, almost abstracted clouds sit above the hills, with a patch of blue skies shining through toward the top of the image. The painting is 48" x 72", and 58" x 82" framed. It is professionally framed in a classic, antiqued, gold leaf frame. It is signed by the artist in the bottom right-hand corner of the canvas, and is wired and ready to hang. John C. Traynor's painting style is reminiscent of some 19th century painters and the Dutch Masters. He uses his knowledge of light and color to create a certain mood in each of his works. The creation of atmosphere is an important element in Traynor's paintings. Painting outdoors, on location, is a prime source of inspiration and ideas for his landscapes. John travels extensively, painting the landscapes around him. John was born in 1961 and spent his early years in Chester and Mendham, New Jersey. His art studies began at Delbarton School in Morristown, New Jersey, and from there he furthered his education at Paier College of Art in New Haven, Connecticut. He studied figure painting at the Art Students League of New York, as a merit scholar, with Frank Mason. Traynor continued his studies in Vermont with Mr. Mason on landscape painting, drawing with Carroll N. Jones Jr. of Stowe, Vermont and sculpture with Brother Jerome Cox...

Workshop of Giovanni Francesco Barbieri, Il Guercino (1591–1666) Attributed to Ercole Gennari (Cento, 1597–Bologna, 1658) Victorious Hercules oil on canvas 136 x 112 cm. In ...

Jay Weaver (?-1960). Is This Necessary?, 1952. Oil on canvas measuring 12 x 16 inches. Framed measurement: 18 x 22 inches. Signed by artist lower right. 1952 Salmagundi label af...

A beautiful, fascinating painting depicting one of the figures from Frans Hals’s famous painting *The Banquet of the Officers of the St George’s Militia* The reverse bears the artist...

Mid Century Abstract in polymerised macro-molecular paint on canvas applied to a painted wooden board by Belgian artist Paul H Saffre. Signed and dated {1963) on the board below the ...

A Peep At Loch Earn From Glen Ogle Signed by Everett Watson Mellor (1878-1965) oil on board, framed Framed: 11.5 x 15.5 inches Board: 10 x 14 inches Inscribed verso Provenance: Priva...

6203 Parisian cafe scene over sized oil painting Framed Image size 19.5x23.5"

19th Century Portrait of Seated Lady with Fur Trim Jacket Interior by Indistinctly Signed Artist (European, dated 1887) Signed and dated 1887 lower left oil on canvas, framed in a g...

Artist bio/statement: Matt Talbert is a contemporary oil painter living in Southern California. Both a graduate from the Orange County School of the Arts and the Laguna College of A...

This piece, titled "Wanderer Study 1" is an original artwork by Seth Clark made of collage, charcoal, pastel, acrylic, and graphite on wood. This piece measures 21”h x 17”w framed an...

A beautiful signed and dated 1887 French oil on canvas depicting caught fish in an interior, by Alexandre Courtines. Excellent quality depiction of several different species of fish...

Work on panel Beige wooden frame 51.5 x 82.5 x 3 cm This work of art, entitled "Paysage de bord de mer," captures the raw, untamed beauty of maritime nature with extraordinary precis...

The painting signed Ernest Albert, signed LL, is 10.5 x 15.5 unframed, 14.13 x 19.13 framed and could benefit from a cleaning and better frame unless you like this look. This painti...

"Momentary Reflections" by Dan Young is an original oil painting depicting a rural snow scene. This painting is framed at 13 inches by 15 inches, and is ready to hang. Dan Young wa...

"A Vase of Flowers" Eugene Paul aka Gen Paul (French, 1895-1975) Oil crayon on paper 20 1/2 x 14 (28 x 21 1/2 frame) inches "Gen Paul is undoubtedly the greatest representative, and...

Circle of Jean Baptiste Vanmour (French, 1671–1737) Portraits of a Moorish Prince and Princess c. 1700 Pair of oil paintings on canvas, unsigned framed in carved gilt wood frames D...

View of Riva degli Schiavoni is an original old master artwork realized in the late 18th century by a follower of the School of the italian painter Canaletto. Oil on canvas. An imp...

"Introvert" by Zack Zdrale (US based) is an original oil on panel depicting a nude male model. Zack Zdrale (b. 1977) takes a traditional approach to his work although his subjects a...

A masterful copy by an unknown artist, after the portrait of "Beatrice d'Este" by Leonardo Da Vinci also known as ‘Portrait of a Lady’ or ‘La Dama con la reticella di perle (The Lady With a Pearl Hairnet)’. The original work originally created in the 15th Century is currently on display in the Pinacoteca Ambrosiana Museum of Milan. Beatrice d'Este was the Duchess of Bari/Milan and was believed to be one of the most attractive princesses of the Renaissance. Her impeccable style won her many admirers throughout Italy and France, and she became a trendsetter of the highest order. This copy of the original painting, is an oil on canvas done in the 18th Century, and in this exquisite portrait, the artist has masterfully depicted the fine details with draped hair, pearls, royal dress, ornate headgear and sumptuous jewelry in front of a dark background. Once again, capturing the imagination with another enigmatic smile. It comes housed in an elegant period giltwood frame with ebonized trims and ready to be displayed with hanging wire on verso. Art measures 28 x 18 inches Frame measures 34.5 x 24.5 inches There is much debate and controversy over who actually painted the "Beatrice d'Este" was it Leonardo da Vinci (1452–1519), or Giovanni Ambrogio de Predis (1455–1508). So we may never know who executed the original portrait which hangs in the museum, but that need not deter from an appreciation of its singularity. Following the portraiture convention established by painters of the Quattrocentro, the artist has chosen to portray his sitter in profile. In doing so, he magnificently captures the essence of his sitter, a girl on the threshold of womanhood. Bedecked in the adornments—silk, velvet, pearls and embroidery (brocade) crafted of spun gold threads—afforded her by birthright and marriage, Beatrice looks forward in noble serenity. And at the same time her profile with its upturned nose and slight smile betrays an innocence that must have been the basis of the oft-repeated epithet: la più zentil donna in Italia” (“the sweetest lady in Italy”). It is believed the lady is Beatrice d'Este (1475-1497), duchess of Bari and later of Milan, the wife of Ludovico Sforza (known as "il Moro"). One of the most beautiful princesses of the Italian Renaissance, she was known for her good taste in fashion. Beatrice was a member of the Este-Sforza family, which joined by marriage two of the oldest reigning and already powerful houses in Italy. The house of Este, which held court in Ferrara, traced its lineage to the 11th century Dukes of Saxony and Bavaria. Beatriceʼs father, Ercole I ruled the Ferrara commune for 34 years, catapulting the city-state (and the Estes with it) to an unmatched level of economic prosperity and cultural prominence. The family was renowned for its love of letters and patronage of the arts. The first time Leonardo da Vinci’s name resounded in the Ambrosiana, it was through the pen of its founder, Cardinal Federico Borromeo, who attributed this little panel to the great Master, describing it as “A portrait of a Duchess of Milan, by the hand of Leonardo”. Following the Cardinal’s statement, the portrait was for long assumed to depict Beatrice d’Este, the wife of Ludovico il Moro. However, scholars have recently been more cautious and vague in their statements, with regard to both the artist (anonymous Lombard or Emilian...

Sir Alfred James Munnings 1878-1959 British Hunting Scene Signed “A J Munnings” (lower right) Oil on board The exciting atmosphere of the hunt is masterfully captured in this ex...

This painting is in excellent condition and has only been shown in galleries. Born in Alcoy, Alicante, Spain in 1948, Ventura Diaz studied in the Fine Arts School in Valencia. His cu...

Dimensions with frame: 22 x 29,5 x 3,5 cm Signed "N. Diaz" in the lower left corner. A richly atmospheric 19th century Romantic landscape painting depicting an intimate woodland clearing animated by delicate figures and fluttering white doves. The composition unfolds beneath a dense canopy of trees, where dramatic brushwork and layered impasto create a sense of movement, mystery, and depth. At the center of the scene, small elegantly dressed figures appear gathered near the water’s edge, possibly engaged in a poetic or symbolic moment. The surrounding birds in flight add dynamism and luminosity, their pale forms contrasting beautifully against the deep greens, earthy browns, and golden highlights of the forest. The artist employs expressive, almost impressionistic brushstrokes, giving the foliage a vibrant, textural quality. Light filters through the trees, illuminating portions of the composition while leaving other areas in shadow, enhancing the romantic and slightly theatrical mood. Both mysterious and lyrical, this work evokes themes of nature, contemplation, and transcendence. It would make a compelling addition to a refined interior, particularly for collectors drawn to moody landscapes and narrative European painting of the 19th century. A compelling and atmospheric antique oil painting that beautifully captures the poetry of nature and the elegance of human presence within it. 19th century landscape painting, Romantic forest painting, antique woodland scene, European Romantic art, antique oil on canvas, atmospheric landscape artwork, forest clearing painting, figures in landscape, doves in painting, impressionistic brushwork, Continental school painting...

Glorious Spring oil/canvas 18 x 26 image unframed, 24 x 32 1/4 framed signed LR Glorious Spring is an impressionistic landscape oil painting on canvas that showcases a beautiful earl...

Portrait Traditionally Identified as Lady Mary Somerset, Duchess of Ormonde (1665–1733), 18th Century Michael Dahl (1656-1743) Large 18th Century portrait of a lady traditionally i...

Up for sale is an amazing original antique oil painting on canvas by Famous American Artist Henry Peters Gray (1819-1877), depicting a portrait of a W.P. Wright Esq. Some of his paintings are exhibited in the Metropolitan Museum of Art, in New York. The painting has a commemorative inscription on the verso: "For W.P. Wright Esq. Portrait from Henry Peter Gray. Painted at Pittsfield MA August 1860. Please read some interesting information about this Artist from Wikipedia. Henry Peters Gray was born in New York City he was a pupil of Daniel Huntington...

Maria C Bernhardsson's original artworks are influenced by the architecture and geometry of houses. Born in Sweden, Bernhardsson travels the world photographing and sketching houses ...

Evening Journey oil/panel The image measures 8 x 12 unframed, 11.5 x 15.5 framed. Signed LR Evening Journey is a beautiful oil painting on panel by award winning contemporary artist ...

This panoramic marine composition presents a fishing fleet gathered on calm waters at sunset, rendered with a refined sensitivity to light and atmosphere. A sequence of sailing vesse...

Maurice Asselin (1882-1947) Le Cabellou, Bretagne Signed lower right Oil on canvas 54 x 65 cm In good condition Framed : 64 x 75 cm Label on the reverse from the monographic ex...

"Gracious Gift" Portrait of a Chestnut Horse standing in a Landscape by George Wright (British 1860-1942) *see bio below signed oil on canvas, framed framed: 21 x 27.5 canvas: 18 x 2...

A very well-painted Dutch 19th century marine scene. The small boat is full of men who are rowing hard to get to the larger vessels, possibly to either take goods on or off the large...

Shire Horse & Man by Woodland River in the English Countryside by British Artist, Peter J Greenhill Art measures 24 x 18 inches Frame measures 3...

A stunning 19th century English Antique oil landscape with cows resting by a river. Alfred Vickers was a painter of marine subjects and landscapes. He exhibited extensively througho...

In The Studio in Suspension, Sophie Dumont reimagines the atmosphere of a working artist’s studio, where canvases, color fields, and subtle objects appear to hover in a poised, quiet...

This evocative antique still life presents a quiet arrangement of white roses, delicately rendered in oil on canvas and set against a warm, atmospheric ground. The composition center...

The Provencal House French, mid/second half 20th century indistinctly signed oil painting on canvas, framed framed: 28.75 x 47 inches canvas: 22.75 x 46 inches condition: very good...

Original vintage oil painting on canvas by British artist Robert Towers titled "Devon Cottage", depicting a charming English countryside cottage surrounded by trees, flowers, and rol...