Framed Paintings

Signed on the bottom right is "J. Braze", Osip Emmanuilovich Braz (1873 - 1936), renowned as a Russian-Jewish realist painter. As the scene unfolds on the canvas, we witness the gran...

This original oil painting on canvas by artist K. Rasset captures a serene and atmospheric harbor scene. Two docked fishing vessels rest against a quiet pier under a soft gray sky, w...

Sybiline's (CAN based) "Hemerocallis I" is an original, handmade oil painting that depicts a portrait of a pink day lily. About the Artist: Sybiline is a Canadian artist based in Q...

Nadezda's beautiful new oil on panel painting "Let's Try This Water Together" (2024) is a surrealist portrait of three small creatures in a dark forest. Nadezda is a painter, sculpt...

Emile Albert Gruppe was a very well known Cape Ann, Massachusetts painter who founded his own Gruppe Summer School in 1942. He was born in Rochester, NY in 1896 and studied at the A...

Oil on canvas. Framed. Image size, 18H x 24L.

'Hidden Portraits XXI', acrylic on canvas mounted on board, Florentine School (circa 1980s-90s). This gallery has acquired a number of paintings through an intermediary of an ageing ...

Antique impressionist landscape oil painting. Oil on canvas. Framed. Signed. In excellent original condition. Handsomely framed in a giltwood molding. Excellent condition, ready...

Vintage American modernist abstract oil painting. Oil on board. Framed. Measuring: 24 by 31 inches overall, and 18 by 26 painting alone. In excellent original condition. Nicely fram...

Vintage orientalist oil painting of a hill town landscape. Oil on canvas. Unsigned. Framed. Measuring: 31 by 27 inches overall, and 25 by 21.5 painting alone. Excellent condition, ...

Stunning sunset scene in an original period frame by George Renouard (1885 - 1954). Oil on board, circa 1910. Unsigned. mage size, 10"L x 8"H,...

A very attractive California Impressionist oil on canvas painting by Charles L. A. Smith, "California Highlands", dated 1930. This very attractive large painting by one of the foremo...

Kathleen Keifer is a California-based internationally collected artist. She is a leading force of the New California Realism. Kathleen brings a fresh, clean perspective to Contempora...

I channeled my love for the ocean's raw beauty and the innocence of youth into this textured acrylic piece. It captures the mesmerizing dance between light and water, framed by the t...

Sancta Maria de Pace Oil on canvas, marouflaged on panel Probably Germany, 18th century Dimensions: approx. 46 × 35 cm (exclusief. frame) Provenance: Private collection, South German...

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

"Paper Making" WPA Industrial Mid-Century American Scene Social Realism Workers Douglas Crockwell (1904-1968) "Paper Making" 19 x 39 inches Oil on board, c. 1936 Signed verso Framed: 28 x 47 Provenance: Estate of the Artist BIO Spencer Douglass Crockwell was born into a comfortable middle class household on April 29, 1904 in Columbus, Ohio. His father, Charles Roland Crockwell, was a mining engineer; his mother, Cora, was the daughter of an Iowa attorney. He became a commercial artist and experimental filmmaker who spent a good part of his career creating illustrations and advertisements for the Saturday Evening Post. In 1907 the Crockwell family moved to St. Louis, Missouri, where he graduated from high school and then attended from Washington University. Initially he studied engineering, but soon switched to business. While still an undergraduate, Crockwell took courses at the St. Louis School of Fine Arts and quickly realized that he wanted to be an artist. After graduating from Washington University in 1926, Crockwell continued to study at the St. Louis School of Fine Arts until 1929. The following year he relocated to Chicago and continued his studies at the American Academy of Art. In 1930 and 1931 he studied in Europe on a Traveling Fellowship. In 1932 Douglass Crockwell moved to Glens Falls, New York, which was to be his home for the remainder of his life. The following year he married Margaret Braman. They had three children, a son Douglass and two daughters, Johanna and Margaret. During the depression he created murals and posters for the Works Progress Administration including Post Office murals in White River junction, Vermont; Endicott, New York; and Macon, Mississippi. In 1934 he painted Paper Workers, Finch Pruyn & Co. (the leading Glens Falls, New York company) for the WPA. In the 1930s Crockwell developed an interest in experimental animated films that occupied him for the rest of his life. In 1936 and 1937, he collaborated with David Smith, a sculptor, to create surrealist films. Because of his interest in experimental films, his output of paintings was limited to just twenty to forty illustrations a year during this time. Crockwell painted his first of many Saturday Evening Post cover in 1933. He also worked for Life, Look, and Esquire, and numerous national advertisers including Friskies dog food, Welch’s Grape Juice, Republic Steel...

Signed oil on canvas landscape circa 1960 by French post impressionist painter Marcel Dyf. The work depicts a golden wheat field, contrasted against dark hills in the distance. Sign...

This contemporary abstract painting by David Sorensen explores a bright yellow palette. David Sorensen was drawn to the rich and vibrant colours of Mexico. Celebrated as an importa...

"The Child Star" Mid Century Portrait of a Boy with Brown Eyes Oil on Canvas Stately portrait of a boy by William Robert Shulgold (Russian-American, 1897-1989). The subject is looki...

A colourful still life of apples and bottles on a ledge. Presented in a gilt-effect frame with bead course to the inner window and vine decoration to the outer rail. Signed to the lo...

F. A. Fraser (British, 19th century) Autumn Woodland with Figure and Terrier Signed and dated 1881, lower left Oil on canvas Presented in a giltwood frame A finely observed and atmo...

Lynn Sanders is an artist excited by beauty: architecture, foliage, landscapes, seascapes, interiors. She finds palettes and shapes in her environment and propels them into her work,...

Mid-Century French still life of roses in a vase, oil on canvas by Marseille artist Henri Reboa. The work is signed bottom right and is presented in a gilt...

Eugène Galiany aka Eugène GALIEN-LALOUE (1854-1941) A delightful pastoral Normandy landscape by the master of this genre Galien-Laloue. Signed E Galiany and presented in a walnut ...

August Biehle (American, 1885-1979) Flower Still Life, c. 1907 Oil on board Signed lower right 23.25 x 15.5 inches 26.75 x 18.5 inches, framed A versatile painter who worked in a v...

Contemporary child portrait oil painting on canvas depicting a boy holding an oversized stuffed rabbit within a psychologically charged domestic scene. This vertical oil on canvas p...

Nocturne, The River Thames, London. Oil on board circa 1950's by Keith Parsons (1919-1988) British. painting 42cmx58cm fine antiques frame 68cmx83cm Night view with a full moon hanging over the River Thames in central London...

Impressionist River landscape, English Fisherman on river at Sunrise with a Cottage. Owen Morgan was a classic British Impressionist. While Impressionism is often associated with F...

Dusk settles over a rural village where two nuns walk along a rugged track in this serene landscape scene by Dutch artist Cornelis Groeneveld (1882-1952). A church tower stands silho...

Winter Afternoon oil on canvas panel signed LL image is 12 x 16 Here is a beautiful winter scene painted by one of my favorite artists to collect, Junius Allen, who was a former P...

Artist/ School: signed by Douglas Falconer (British, 1913-2004) Title: North Scotland Medium: oil on board, framed and inscribed verso Framed: 14 x 20 inches Board: 12 x 18 inches...

A skilfully executed nineteenth century portrait of a bearded man in profile. Well presented in a gilt frame. Signed to the lower left. Faintly monogrammed to the upper left. On canv...

Highland Cattle at Dusk by WILLIAM LANGLEY (1852-1922 signed oil on canvas, framed framed: 17 x 21 inches canvas: 12.5 x 16.5 inches Provenance: Private collection, previously exhibi...

Longing instant at dusk #15 is a unique painting by Japanese contemporary artist Shoko Okumura. This painting is made with pigments and silver leaf on Japanese paper mounted on wood ...

Maroniez is best known as an accomplished painter of the sea and the life of fishermen. He painted mainly in Bretagne ( France ) Museums and galleries holdings : Boulogne: Mussel b...

Marko Mavrovich Original Painting On Canvas “last Summer”. In good condition measures 40x35

GIOVANNI BOLDINI (FERRARA 1842–1931 PARIS) Profilo di Giovane Seduta 1915 circa Expertise by Prof. Dini ( see photo attached) oil on panel cm 35 x 26,8 not signed

August Frederick Biehle (American, 1885-1979) Abstract Floral Still Life Watercolor and pencil on paper Signed lower right 24 x 19 inches 29.5 x 24.5 inches, framed A versatile pain...

Saint Germain-des-Prés under the snow. Oil on canvas, 60x92 cm Constantin Kluge was a Russian-born French painter best known for his naturalistic scenes of Paris and French countrys...

In the manner of Francis Hodgkins 1869 - 1947, was a New Zealand born painter and teacher of art. She was a strong colorist of art and painted in a somewhat abstract simple manner th...

Martin Petersen: 1867-1956. Listed Danish American artist who just had an Auction sale this past January for over $2000. I feel that that painting which was a little smaller is not n...

Jules Herve (French, 1887 - 1981) Bassin des Tuilleries and the Louvre, Paris, n.d. Oil on canvas 18 1/2 x 21 3/4 inches Signed lower left; signed on the reverse Provenance: Dominio...

Night Life, NYC oil/panel 14 x 11 image size 19.5 x 16.5 framed An oil painting on canvas panel by award winning contemporary artist Michael Budden that showcases the bustling "Night...

Dynamic and abstracted still-life artworks are the specialty of Georgia-based artist Kellie Newsome. Her work is characterized by a loose and expressive style emphasizing line struct...

Edouard Jacques Dufeu, born in Marseille on March 27, 1836, and died in Grasse on December 1, 1900, is a French painter and engraver.Hailing from a family originally from Egypt, Dufe...

This still life painting captures freshly caught fish arranged in a loose, organic composition on a wooden surface. The artist's brushwork brings out the shimmering textures and cool...

Pat Service’s expressive, colourful landscapes are a faithful homage to the land she grew up in. Nicola Lake was formed by ancient glaciers and winds its way through the hilly wilder...

Artist: Slonem, Hunt Title: Subtle Nature Date: 2025 Medium: Oil on wood Unframed Dimensions: 10" x 8" Framed Dimensions: 14.5" x 12.5" Signature: Signed by Artist on Verso Ed...

Clydesdale Horses & Farmer Ploughing a Golden Autumn Field in Rural Countryside by British Artist Art measures 20 x 16 inches Frame measures 23 x 1...

Artist: Adolf Sehring (Russian/German-American, 1930-2015) Title: "Reflections of the Jungle" Series: Wildlife *Signed by Sehring lower right Circa: 1995 Medium: Original Oil Paintin...

Orpheus is an original artwork realized in the first decades of the XVII century and attributed to the Italian master Tommaso Salini. Oil painting on canvas. A golden wood frame is...

Late 19th/early 20th century oil on canvas painting in the manner of Abraham Hulk the Younger (1851-1922), and George Vincent (1796-1832). These artists painted in the Dutch style, though both are British. Each has had experience with Dutch masters that influence their work. George Vincent’s work is perhaps even closer to this than Hulk’s. Vincent paints the trees and skies with the warm hues of light infused on the work. Here, the sky has blue but also a khaki or tan shade, roughed into the blue and white. It is an unusual color in skies, yet Vincent shows us the light through clouds casting a darker shade. The trees are varied greens but also have yellowed leaves, as in autumn. Presented in a period decorative gilt frame, the painting is of a cottage in a woodland with cattle by a pond, a little black dog and man and a woman standing by. In the distance is a glimpse of a river and grasses, framed by trees and an overcast sky. Hulk is renowned for his treatment of the changing season from summer to autumn, and the golden leaves and fading greens in this painting suggest this changing time of year. Hulk is the son of a well known Dutch maritime...

A lush spring bouquet bursts forth with a bounty of beautiful, vibrant flowers in bloom in this mid century floral still-life by Helen Gapen Oehler (American, 1893-1979). Signed "Helen Gapen Oehler S.W.A" (Society of Western Artists) lower right. Displayed in a wood frame painted light peach with gold trim. Canvas size: 18"H x 14"W. Best known for her landscapes, seascapes, views of nature as well as paintings of scenes from global travel, Oehler is considered a progressive impressionist. She painted in the world, Midwest and eastern coast, some California. Helen Gapen Oehler was born in 1893 in Ottawa Illinois. She was bright and at an early began to paint. Helen Oehler attended and graduated from the University of Illinois in art and teaching and was in the Chi Omega sorority...

1974 Magna acrylic on canvas 6 1/2 x 6 1/2 in. (16.5 x 16.5 cm) Unique Signed and titled, verso Framed, pristine condition

Jean Vollet. French ( b.1935 - d.2015 ). The River Eure, The Old Quarter Of Chartres. Oil On Canvas. Signed Lower Right. Image size 17.5 inches x 25 inches ( 44.5cm x 63.5cm ). Frame...

"Ballinluig" by F. E. Jamieson (British 1895-1950) signed lower corner inscribed verso oil painting on canvas, framed canvas: 16 x 24 inches frame: 18.5 x 26.5 inches Fine quality...

Hunt Slonem "4 Square" Black and Pink Bunnies Four rabbits gestured in black on a pink background in a vintage frame Unframed: 8 x 6 inches Framed: 12 x 10 inches *Painting is frame...

Rural English Cottage Scene English School, 19th century oil on canvas, framed Framed: 12 x 16 inches Canvas : 8 x 12 inches Provenance: privat...

Margaret Sarah Carpenter (Salisbury 1793-1872 London) Double portrait of a brother and sister, formerly identified as the Poulett children, c. 1830s Half-length, within a park landscape Oil on canvas Inscribed to the stretcher frame verso, ‘Ms Carpenter’ 91.5 x 71.6 cm.; (within frame) 104.2 x 84 cm. (Unsigned) Provenance: Private collection, United Kingdom; Portobello Road, c. 2014; Where acquired by a private collector United Kingdom; By whom sold, Dreweatts, Old Master, British and European Art, 10 February 2026, lot 145; Where acquired by Haveron Fine Art. Painted by the most celebrated female artist of her generation, this charming double portrait of a brother and sister belongs to Margaret Sarah Carpenter’s highly productive output of the 1830s, and is characteristic of the accomplished duality of her child portraits. Both endearing and elegant, the siblings are pictured at the cusp of adolescence, and Carpenter navigates this moment of tender transformation with a subtlety no doubt informed by her own motherhood of five children. The young boy embraces his elder sister with a fraternal warmth, resting his hand on her wrist with a hint of Regency Romanticism. Their cheeks are flushed with the vitality and pictorial sweetness of youth; their lips are delicately coloured; and their eyes gleam with enlivening highlights. Meanwhile, they have graduated to the fashion of young adults: the boy has been ‘breeched’, and wears a double-breasted velvet jacket with a black cravat, while his sister’s fashion is altogether adult, albeit comprising softer materials, with delicate lace trim and pink ribbons. Moreover, their knowing gaze towards the viewer speaks to a primed sensibility, and their standing within a park landscape perhaps foresees the responsibilities of familial inheritance come adulthood. It was this intuitive and measured approach which earned Carpenter a reputation that vastly exceeded those typically afforded to public women of the 19th century. Indeed, she was for a time considered the natural successor to Thomas Lawrence, whom she is rumoured to have briefly studied under. A typewritten label affixed to the stretcher frame gives the traditional identification of the children as ‘John and Charlotte Poulett / children of / Lt. Gen. Hon. Vere Poulett’. Himself a son of Vere Poulett, 3rd Earl Poulett (1710-1788), the Hon. Vere Poulett (1761-1812) did have a number of children, including John (b. 1789) and Charlotte. However, their birthdates are not fitting with the painting’s date of creation or Carpenter’s own age, and thus leaves the children’s identities uncertain. Indeed, there is no record of any Poulett sitters in a transcript of Carpenter’s sitter book, held in the collection of the National Gallery, London (GB 1082 MSC); however, the record is by no means exhaustive, and does not include some 500 of Carpenter’s other works (particularly her child portraits). It is nonetheless apparent that the siblings’ fashion is belongs to the established classes, and the rural setting presumably suggests a landed family, possibly of noble descent. Margaret Sarah Carpenter (Salisbury 1793-1872 London) Carpenter was born in Salisbury to Alexander Geddes, a retired army officer, and Harriet Easton. Carpenter’s early talent was developed under the tuition of Thomas Guest (1754-1818) in Salisbury, where her skill was noticed by the 2nd Earl of Radnor, who allowed her to make copies of the Old Master pictures at Longford Castle. On Lord Radnor’s advice, Carpenter sent pictures for three successive years to the Royal Society of Arts, receiving a public acknowledgement for each as well as gold medals in 1813 and 1814. Aged 21, Carpenter moved to London in 1814 with Radnor’s funding, and established her early practise in his London residence. That same year, she first exhibited at the Royal Academy and British Institution. Her works received high praise in the press, and some pictures were acquired by the Marquess of Strafford, an influential patron of the arts. Her works were heavily influenced by Lawrence and Reynolds, and it is possible that she studied for a year under Lawrence in 1812. Indeed, she later finished Lawrence’s portrait of Mrs Brandling. Carpenter married William Carpenter in 1817, who later became Keeper of Prints at the British Museum. Together, their five surviving children included artists William, Percy, and Jane Henrietta ‒ a model for some of her mother’s most tender portraits. Carpenter enjoyed a broad professional and social circle, being a close friend of Richard Parkes Bonington, and being reasonably well-acquainted with Constable ‒ who suspected that her incessant work was resulting in physical problems for her, as well as the neglect of her children (Gaze, p. 350). She introduced her sister Harriet to the artist William Collins RA...