Framed Interior Paintings

Artist Statement "I’m a Canadian painter living on an island off the northwest coast of Canada. My current paintings revolve around floral still lives. The flowers are the original...

Artist: Francis Wynne Thomas (1907-1988), signed Painter and art teacher born in Bromley, Kent. He was an architectural graduate from Cambridge University but went on to study art at Heatherleys (193-34) under Frederick Whiting. Title: Portrait of a Stylish Lady...

Artist/ School: inscribed/ signed on front and back Title: 'Le Noir le va si bien' translates to 'Black suits it so well' Medium: oil on canvas, framed F...

Michael's still life 'Ink and elegance' conjures up an intriguing collection that create many stories. Acrylic on panel Signed

This minimalist coastal painting distills sea and sky into their simplest forms, evoking calm, space, and stillness. Subtle textures and gentle gradients suggest movement without exc...

Othmar Ruzicka Austrian, 1877-1962 Young Woman Sewing Oil on board 19 ¾ by 23 ¾ in, w/ frame 26 by 30 in Signed and dated 1913 lower left

This captivating post-Impressionist portrait is by American artist David L Swasey circa 1953. The painting depicts a seated woman, turning to look at the artist with stunning blue ey...

Pierre DUVAL LECAMUS (Lisieux 1790 - Saint-Cloud 1854) Dinner in good company Oil on canvas H. 32.5 cm; W. 24.5 cm Around 1820 Related works : - Painting from the 1822 Salon and kep...

Still Life of Fruit by George Clare (1830-1900) *see notes below signed oil on canvas, framed framed: 12 x 14 inches canvas : 7 x 9 inches Provenance: private collection, UK Conditio...

A whimsical depiction of a woman in a blue dress leaning on a beautiful black baby grand piano in thought holding a book. This piece captures the essence of fashion and Haute Couture...

An exquisite floral abstraction, built on a subtle interplay of powdery pink hues, softly dissolving into a complex palette of gray-olive and muted neutrals. The composition unfolds ...

3586 Oil on canvas applied to board Set in an ornate 19th century vintage frame

In Sittande kvinna i interiör, Jon Loman focuses on the poetry of ordinary domestic life, presenting a seated woman absorbed in quiet work at a small table. A lamp forms the emotiona...

Interior oil painting "Lady with a Letter." She lies on a sofa in her boudoir, barely able to tear herself away from the piece of paper. It was he who sent her the note. The Very One...

"Of Ships and Men" - Nautical Trompe l'Oeil Composition in Oil on Board Maritime still life by Russell Tripp (American, 1942-2025). This hyper-realistic painting captures a collecti...

Historic 1700's tranquility. The viewer is in a different room as the sun shines in from an unseen window in the next room. The scene is of an historic fireplace with all the accou...

Infinite Flight is a dynamic abstract painting inspired by the raw energy of Pollock-style drip art. Layers of splattered and flowing paint create a sense of movement, freedom, and b...

After Caravaggio "Die Falschspieler" [The Cardsharps] KPM Porcelain Plaque, impressed "K.P.M. / F" marks to reverse, giltwood frame. Image: 11.75" H x 16" W; frame: 20.5" H x 24.5" W...

Venetian painter (18th century) - Madonna and Child. 37.5 x 45.5 cm (without frame) - 55 x 63 cm (with frame). Oil on canvas, in carved and gilded wooden frame (not signed). The c...

Artist Presentation Sophie Dumont is a French contemporary painter whose work explores abstraction through memory, architectural structure, and the quiet presence of interior spaces...

Feel the vibrant energy of the coast with this bold, expressionistic seascape from the BALTIC series. The square canvas bursts with color, showcasing stylized fishing boats with vivi...

Pair of French Neoclassical oil paintings by Dubost French, 1809/11 Frame: Height 70.5cm, width 86cm, depth 9cm Panel: Height 45cm, width 61c...

S. Montey (XX-XXI), Still Life of Bouquet and Fruit, Acrylic on Canvas, signed lower right, giltwood frame. Image: 29.75" H x 29.5" W; frame: 36.75" H x 36.75" W. Provenance: From a ...

This piece titled "Left Behind" is an original artwork by Yelena Bryksenkova and is made of acrylic gouache and colored pencil on paper. It measures 13.25"h x 11.25"w framed and is s...

Nicolai Cikovsky Moses Soyer Painting in his Studio Signed lower right Oil on board 18 x 15 inches Nicolai S. Cikovsky (1894–1984) was a distinguished Russian-born painter celebrat...

A sunlit hallway draws the eye forward, its warm light highlighting a wooden floor beneath a beamed ceiling. On the wall hangs a large mirror, reflecting the glow, flanked on either ...

"The Path, Derbyshire" is an original oil on board and measures 36x48 inches. This impressionistic painting captures the intricate details a long path through the town of Derbyshire ...

Large Naturalist oil on board still life of poppies in a jar by Eduard Bauer-Bredt. The painting is signed and dated bottom left and signed, titled and with exhibition number to the back board. Presented in a deep patinated custom frame. A magnificent, lovely bright, cheery and impactful floral still life. Bauer-Bredt has used brush and knife to create a wonderful atmospheric rendition of freshly picked poppies in a large ceramic jar. The pinks and reds of the flowers sing against the more subtle taupe hues of the jar and the green of the foliage. A really lovely composition beautifully rendered in the tradition of Edouard Manet, Fantin Lantour and Leon Dabo. The artist Eduard Bauer-Bredt began his artistic studies in Ansbach. He became a pupil of the Orientalist painter Ferdinand Max Bredt...

* No US duty or taxes to pay on works of art * A beautiful signed and dated 1978 Modern British oil on board depicting a farm implement shed with chicken, by Keith Dunkley. The wor...

BIVA Paul (1851 - 1900) Basket of Pansies Oil on canvas signed low left Framed by Gault (Paris) Dim canvas : 60 X 80 cm Dim frame : 80 X 100 cm BIVA Paul (1851 - 1900) French Pain...

James William Cole English, 19th century Children Playing Dress-Up Oil on canvas Signed and dated lower right A finely observed Victorian genre scene depicting two young children ...

Spanish Fauvist Self-Portrait, Modern Catalan Figurative Painting Artist: Jordi Curós Ventura (1930–2017) Title: Self-Portrait Date: 1979 Medium: Mixed media on canvas board Dimensi...

EMILIO GRAU SALA Spanish, 1911 - 1975 INTERIEUR AUX FLEURS JAUNES signed "Grau Sala" (lower left) signed again, located, dated and titled "Grau Sala, Paris 61, Interieur aux fleurs jaunes" (on the reverse) oil on canvas 15 x 18-1/4 inches (38 x 46 cm.) framed: 23-1/2 x 26-1/2 (59.5 x 67 cm.) PROVENANCE Private Parisian Collection Interieur aux fleurs jaunes This interior with two female figures where also the plans made in different colors are drawing the composition. The abundant pictorial material distributed in geometric portions, gives life to the tablecloth and mother and daughter figures, in black and white colors of the jacket, while the black line takes care of the environments so as not to separate them. The fruit bowl and flowers give a cheerful touch with their pastel tones. Emilio Grau Sala came from a family of artists. He was born in Barcelona in 1911 and his father, a good cartoonist, had been one of the promoters of the "Salon des Humanistes" and made his exhibitions normally in "Sala Parés", Barcelona. His first works were exhibited at the Salon des Independents. In the years 1930-33 he had painted under the influence of Cubism, especially that of Torres García. It is from that time a painting of the port of Barcelona, ​​geometric and structural, which completely anticipated what would later be his work. His personality began fully painting watercolors and oils with a certain fantasy character, with a point of decorative instinct and themes full of naivety and grace. Romantic interiors, paddocks, port scenes, sailors, etc. Grau Sala was essentially a Mediterranean painter, son of post-impressionism and enriched with French painting of the last fifty years. Mediterranean because his work has the color and light of that land. He understood and assimilated impressionist painting very well, and for that reason he was never subject to the modules of a formulist realism, nor the sexigencias of the forms. In Paris he found the best environment to give us a fruitful and intense work, because he could use the expressive potential of French art to enrich it. All this made him a very esteemed artist everywhere where his work was known. He was also very often required to illustrate books and publications in Paris. Also his posters were very successful. He painted a large number of subjects, but perhaps the theme of horse racing is where you can see in a very clear way the joyful and optimistic life that was lived at that time. In this fabric there is an explosion of juicy and vivid colors full of ingenuity and simplicity in its composition. Only a teacher could turn the complicated into something simple and beautiful. Before this work we feel a deep emotion, the emotion of before starting a horse race. Joy and nervousness at the same time. Especially since it is a direct emotion. There are no intermediaries between our eyes and what the work intends to tell us. This is precisely what seduces and catches us of this painting. His works can be found in the Museums of the Villa de Paris, L'Ile de France Museum, at the Château de Sceaux, Honfleur Museum, La Rochelle Museum, Barcelona Museum...

The Girl in the Red Trousers by Laure Noetzin-Azam (French 1929-2024) pupil of André LHOTE signed upper left corner oil on canvas, framed framed: 26 x 21 inches canvas: 25.5 x 20 inc...

A fine impressionist still life with flowers in a cut glass vase by contemporary American artist Stephen Motyka (b. 1964). Stephen was born in Rhode Island and started painting and d...

The Hareem Interior French Orientalist School, late 20th century (painted after an earlier style) oil on canvas, framed framed: 30 x 34 inches canvas: 20 x 24 inches provenance: priv...

Hendrick's by Harry McCormick, (1942 - ) Date: circa 1975 Medium: Oil on Canvas, signed l.r. Size: 50 in. x 60 in. (127 cm x 152.4 cm) Frame Size: 51.5 x 61.5 inches

Antique American school realist fruit still life oil painting. Oil on board. Unsigned. Framed. Image size, 16L x 16H.

Firmado por el artista en la parte inferior Se presenta enmarcada la obra Medidas obra: 58 cm. de altura x 46 cm. de ancho Medidas marco: 83 cm. de altura x 72 cm. de ancho Buen ...

The day is done and tranquility reigns supreme. The evening sun beams through the window . Two bowls and a pot remain on the table - perhaps to be used again tomorrow.

Spring Flowers is a vibrant celebration of color and life, painted from a fresh spring bouquet in the expressive alla prima technique. Bold red ranunculus bloom beside soft whites an...

French Mid Century oil on board still life by Charles Imbert. The painting is signed bottom left and presented in a Mid-Century gold wood frame. A colourful kitchen scene of bright red peppers in a dish on a table top waiting to be char grilled and prepared. The skillet pan is visible in the background as is a Kilner jar all ready to store the cooked vegetables. Imbert has cleverly used the touches of red in the tea cloth, the pan handle and an onion to echo the colour of the peppers. This carries our eye around the painting. The folds of the cloth are beautifully handled and add to the feeling of perspective and depth in the painting. The whole composition and the tilting of the table plane is very reminiscent of the still life paintings of Cezanne...

Ora Coltman (American, 1858-1940) Interior Scene with Lady in Green Gown, 1935 Oil on canvasboard Signed and dated lower right 19 x 16 inches 24.25 x 21.25 inches, framed Ora Coltma...

We are a 1stdibs Platinum Seller with 100% 5-star reviews. What a gift for the Las Vegas fanatic! One cannot appreciate this painting on a computer screen; in real life, it is abso...

Early 20th Century oil on canvas still life of oranges, hops and flowers signed E Pritchard and dated 1904 bottom left, presented in period gilt ...

A Dream in Blossoms, (Nudes Series) Canvas, Oil, Acrylic, 50x70 cm Surrender to the poetic intimacy of the human form with this mesmerizing, highly textured figurative masterpiece fr...

Georges Croegaert Antwerp 1848 – 1923 Paris Belgian – French Painter 'Cardinal in His Thoughts' Signature: signed lower right and placed ‘Georges Croegaert Paris’ Medium: oil on pa...

5161 Interior scene tiger lillies in a blue vase on a window sill lookin thru a window. signed on verso Dznoweha

The Kitchen Supper French School, circa 1930's period signed oil on canvas, framed in original period frame framed: 27 x 31 inches canvas : 21 x 26 inches Provenance: private collect...

'A Game of Cards' George Goodwin Kilburne (1839-1924) British signed watercolor on board, framed framed: 10 x 11 inches board: 9.5 x 10.5 inches Provenance: private collection, Engla...

Still Life of Fruit (apples, watermelon, oranges, banana) by Maria Tort Xirau (Catalan, 1924-2018) signed lower corner dated 1993 oil painting on canvas, framed canvas: 18.5 x 24 in...

Attributed to Alessandro Magnasco (Genoa 1667 - 1749) - Tavern scene with vendor and magpie. 74 x 59 cm (without frame) - 84 x 70 cm (with frame). Oil on canvas, in carved and gild...

Signed lower left 'Nura' for Nura Woodson Ulreich (American, 1899–1950). Additionally signed, verso, dated March 1928 with artist's New York City address and titled, 'When Guest Stay...

In his very Californian settings, Marius Messinese creates an environment that is both synthetic and realistic, halfway between seduction and intrigue. At the crossroads of different...

PETER PAONE was born in Philadelphia and educated at the Philadelphia College of Art. He has taught at Pratt Institute in New York, The National Academy of Design in New York and sin...

Richard Andres (American, 1927-2013) Naval Occurrence, c. 1963 oil on canvas signed and titled verso 24 x 32 inches Richard Andres was born in Buffalo, New York in 1927. A graduate of the Cleveland Institute of Art in 1950, he was immediately drafted and served for two years in the army as a mural painter. He received his Master of Arts from Kent State in 1961. A frequent exhibitor at galleries and museums and winner of multiple May Show prizes, Andres taught art in the Cleveland Public Schools for 28 years, as well as teaching the University of Buffalo, the Cleveland Institute of Art and the Western Reserve University. Very little in Richard Andres’ childhood would have predicted his love of classical music, mid-century-modern architecture and certainly not his lifelong passion for art and in particular abstract art. Richard’s father, Raymond, had no more than a third-grade education, and his mother, Clara, was one of thirteen children – only three of whom lived into adulthood and none of whom attended high school. They lived, when Richard was a boy, in a dingy area of Buffalo, NY in a walk-up apartment situated above a tavern. Raymond and Clara supplemented the income from their factory jobs in the bar downstairs with Raymond playing ragtime on the piano and Clara serving drinks. This often left Richard and his two older brothers at home alone to fend for themselves. The two older boys, Raymond and Russell, were - unlike Richard- rather rough and tumble and entertained themselves with stickball, boxing and the like. Richard, on the other hand, from a very young age liked to draw, or better yet even, to paint with the small set of watercolors he received for Christmas one year. Paper, however, at the height of the depression, was hard to come by. Luckily, Clara used paper doilies as decoration for the apartment and Richard would contentedly paint and then cut up doilies, gluing the pieces together to create collages. At eight-years-old, he discovered the Albright-Knox Museum (then known as the Albright Art Gallery) and spent several hours a week there studying the paintings. He was particularly fond of Charles Burchfield‘s landscapes, enamored with their ‘messiness’ and thinking that they somehow captured more ‘feeling’ than works he was previously familiar with. For his tenth Christmas, he asked for and received a ‘how-to’ paint book by Elliot O’Hare. Through this self-teaching, he assembled the portfolio needed for acceptance to Buffalo Technical High School where he studied Advertising Arts. In his Junior year, he was encouraged to enter a watercolor painting, “Two Barns,” in the national 1944-45 Ingersoll Art Award Contest and was one of twelve grand prize winners – each one winning one hundred dollars. More importantly the painting was exhibited at the Carnegie Institute Galleries, which resulted in his winning a national scholarship to the Cleveland School of Art (The Cleveland Art Institute). He flourished at the art school under the tutelage of faculty members such as Carl Gaertner, as well as that of visiting artists such as William Sommer and Henry George Keller. He would say in later years that Gaertner, in particular, influenced his attitude toward life as well as art. “Gaertner,” Andres said, “believed that there was no need to be a ‘tortured artist’, that an artist should rather enjoy beauty, family, and life in general.” Free to spend his days as he chose, he wandered the Cleveland Art Museum for most of the hours he was not attending classes or painting; the remaining time was spent drinking coffee at a local hangout with art school friends – which is where he met fellow Henry Keller scholarship winner, Avis Johnson. Richard was immediately smitten with Avis, but being rather shy, it took him the entire summer of 1948 to build up his courage to ask her out. Over that summer he ‘thought about Avis’ and worked in a diner to save money. He also used the hundred-dollar prize money won in High School to visit the first Max Beckmann retrospective in the United States at the City Art Museum in St. Louis. Over a half century later he spoke of that exhibit with a reverence usually reserved for spiritual matters, “I walked in and it was like nothing I had ever seen before... the color...It just glowed.” Returning to campus in the Fall, the first thing he did was go to the coffee shop in hopes of finding Avis. He did, and she, upon seeing him, realized that she was also smitten with him. They quickly became known as ‘the couple’ on campus, and a year later, with Richard being drafted for the Korean war, they were quickly married by a Justice of the Peace, celebrating after with family at Avis’s Cleveland home. As a gift, faculty member John Paul Miller designed and made the simple gold wedding ring Avis wore for their 65 years of marriage. During those 65 years neither wavered in their mutual love, nor in the respect they shared for one another’s art. The couple lived in a converted chicken coop in Missouri while Richard was in boot camp. At the camp, he would volunteer for any job offered and one of those jobs ended up being painting road signs. His commander noticed how quickly and neatly he worked and gave him more painting work to do - eventually recommending him for a position painting murals for Army offices in Panama. Until her dying day, Avis remained angry that “The army got to keep those fabulous murals and they probably didn’t even know how wonderful they were.” In Panama, their first son, Mark, was born. After Richard’s discharge in 1953, they moved back to the Cleveland area and used the GI bill to attend Kent State gaining his BA in education. The small family then moved briefly to Buffalo, where Richard taught at the Albright Art School and the University of Buffalo – and their second son, Peter, was born. Richard had exhibited work in the Cleveland May Show and the Butler Art Museum during his art school years, and during the years in Buffalo, his work was exhibited at the gallery he had so loved as a child, the Albright Art Gallery. In 1956, the family moved back to the Cleveland area and Richard began teaching art at Lincoln West High School during the day while working toward his MA in art at Kent State in the evenings. Avis and Richard, with the help of an architect, designed their first home - a saltbox style house in Hudson, Ohio, and in 1958, their third son, Max (after Max Beckmann) was born. Richard enjoyed the consistency of teaching high school as well as the time it gave him to paint on the weekends and during the summer months. In 1961, he received his MA and his daughter, Claire, was born. With a fourth child, the house was much too small, and Avis and Richard began designing their second home. An admirer of MCM architecture, Richard’s favorite example of the style was the Farnsworth house – he often spoke of how the concepts behind this architectural style, particularly that of Mies van der Rohe, influenced his painting. Andres described himself as a 1950’s...

Floral Still Life French School, mid 20th century indistinctly signed oil on board, framed in original mid 20th century Montparnasse frame framed: 29 x 33.5 inches board: 21 x 26 in...

EDUARDO LEÓN GARRIDO Spanish, 1856- 1949 AN ELEGANT DANCE signed "E. L Garrido" (lower right) oil on mahogany wood panel 25-1/8 x 32 inches (63.5 x 81 cm.) framed: 31 x 38 inches (78.5 x 96 cm.) PROVENANCE Private Spanish Collector Eduardo León Garrido (Madrid, 1856 - Caen, 1949) was a Spanish painter. He began his training at the Higher School of Painting in Madrid and as a disciple in Vicente...

Medium: Acrylic on Board Signature: Signed Lower Right

Playing for her Father by William Maw Egley (British, 1827-1916) inscribed verso oil on board, framed framed: 13 x 16 inches board: 9 x 12.5 inches provenance: private collection, En...