Paint Interior Paintings

American plein-air painter, Marc Dalessio, depicts a band playing at a local tavern. We can tell they are playing folk music because of their instruments, a fiddle (violin), and a ba...

Jason Stout was born in 1977. He received his BFA in studio art from the University of Tennessee at Martin in 2001 and a MFA in Painting from the University of Texas at San Antonio i...

Blue Still Life Guy Nicod (French 1923 - 2021) gouache on artist paper, unframed painting : 12.5 x 15 inches provenance: artists estate, France condition: very good and sound condition

Technical Sheet - Title: *The Secret in Her Eyes* - Artist: Rosendo González Carbonell - Technique: Oil on canvas - Dimensions: 24 x 20 inches - Framing: Unframed - Style: Romantic realism...

Ocean. Beach. Summer seascape: blue water, ocean, small waves, sun glare on the water, clear sky, sand, beach, create an atmosphere of relaxation and romance. Realistic blue and whit...

Fiery Abstract, Orange Colour, Original Oil Painting By French artist Sophie Danielle Rubinstain 1922-2018 Stamped by the artist verso Oil painting on canvas, unframed Canvas size: 3...

A stunning ready to hang vibrating bold painting. This amazing painting can stand in a middle of a large space as a focal center. Dimensions: 80x80X2 cm, 31.5x31.5x0.8 inches. The te...

Still Life painting of a pink peony in a domestic setting Painted by Hudson Valley based artist, Carl Grauer, in 2022 oil on canvas 16 x 12 inches, 19.5 x 15.5 inches with an artist-...

Pierre Bergian (Bruges, Belgium, b. 1965) explores the essence of space, depicting architectural interiors with an expressive line that renders them out of time. Bergian lives and wo...

This 21" x 17" oil on canvas painting by David Crown, depicts an abstracted rendering of an interior scene, rich in color and detail. Dominating the compos...

"Gems. Gold 2” – Luxury Abstract Acrylic Painting (100x60 cm) Description: Add a touch of luxury and elegance to your space with “Precious Gems. Gold”, a mesmerizing hand-painted ab...

FRANCISCO BORES Spanish, 1898 - 1972 JOURNÉE CLAIRE signed and dated "Borès 34" (lower left) oil on canvas 18 x 15 inches (46 x 38 cm.) framed: 26 x 23 inches (66 x 58 cm.) BIBLIOGRAPHY: Francisco Bores, Reasoned Catalogue, Volume I - Painting 1917-1944, Museo Nacional Centro de Arte Reina Sofía, Madrid, 2003, nº 1934 / 15, reproduced in p. 231 PROVENANCE Private Collection, Madrid Francisco Bores López (Madrid, May 5, 1898 - Paris, May 10, 1972) was a Spanish painter of the so-called New School of Paris. His artistic training originated both in the Cecilio Pla painting academy, where he met Pancho Cossío, Manuel Ángeles Ortiz or Joaquín Peinado, and in the literary gatherings in Madrid related to ultraism. At this time he made engravings and woodcuts for a large number of magazines such as Horizonte, Cruz y Raya, Index, Revista de Occidente. In 1922 he participated in the National Exhibition of Fine Arts. In 1925 he participated in the first exhibition of the Iberian Artists Society. The limited success of this exhibition pushes him to go to Paris. In this city he shared a studio with the Spanish painter Pancho Cossío and also met Picasso and Juan Gris. In 1927 he held his first solo exhibition in Paris. From this moment on, Bores integrates himself into the Parisian artistic environment where he will live practically his entire life. In 1928, his first exhibition in a gallery in the United States, in 1930 he exhibited again, within a group exhibition at the Museum of Modern Art in New York. In the following years, he continued exhibiting in different galleries in Paris, such as the Georges Petit Gallery, the Bernheim Gallery and the Vavin Raspail Gallery. He also participates in several group exhibitions, highlighting the Exhibition of Contemporary Spanish Art...

Lori Larusso’s Flower Painting 25 is a striking example of her precision-based, hard-edged painting practice that explores everyday objects with conceptual depth. Rendered in acrylic...

Riley Doyle's "Warm Light" (2023) is an original, handmade oil painting that depicts a the sun shining through the window. This piece measures at 17 x 14 inches in it's frame and is ...

Approximate Date: 1957 Medium: Oil and Pencil on Board Signature: Signed Lower Left Sight Size 23.50" x 20.75", Framed 29.50" x 26.50" Original cover illustration for The Saturday E...

«Evening Rest» is one of three paintings united in a triptych "The beauty of sunset". This Painting was presented in Zurich at the exhibition "Perfect Art Match" in the ga...

Painted by Nelson H. White, in his studio. A single yellow rose stands as the focal point in a small 6 x 4 inch panel. Poking out of a glass bottle, against a dark background, shades...

Portrait Of A German Pinscher, 19th Century EDWARD AISTROP (1880-1920) Circa 1900 portrait of the head of a German Pinscher, oil on board by Edward Airstrip. Important early depict...

Harry Humphrey Moore led a cosmopolitan lifestyle, dividing his time between Europe, New York City, and California. This globe-trotting painter was also active in Morocco, and most importantly, he was among the first generation of American artists to live and work in Japan, where he depicted temples, tombs, gardens, merchants, children, and Geisha girls. Praised by fellow painters such as Thomas Eakins, John Singer Sargent, and Jean-Léon Gérôme, Moore’s fame was attributed to his exotic subject matter, as well as to the “brilliant coloring, delicate brush work [sic] and the always present depth of feeling” that characterized his work (Eugene A. Hajdel, Harry H. Moore, American 19th Century: Collection of Information on Harry Humphrey Moore, 19th Century Artist, Based on His Scrap Book and Other Data [Jersey City, New Jersey: privately published, 1950], p. 8). Born in New York City, Moore was the son of Captain George Humphrey, an affluent shipbuilder, and a descendant of the English painter, Ozias Humphrey (1742–1810). He became deaf at age three, and later went to special schools where he learned lip-reading and sign language. After developing an interest in art as a young boy, Moore studied painting with the portraitist Samuel Waugh in Philadelphia, where he met and became friendly with Eakins. He also received instruction from the painter Louis Bail in New Haven, Connecticut. In 1864, Moore attended classes at the Mark Hopkins Institute in San Francisco, and until 1907, he would visit the “City by the Bay” regularly. In 1865, Moore went to Europe, spending time in Munich before traveling to Paris, where, in October 1866, he resumed his formal training in Gérôme’s atelier, drawing inspiration from his teacher’s emphasis on authentic detail and his taste for picturesque genre subjects. There, Moore worked alongside Eakins, who had mastered sign language in order to communicate with his friend. In March 1867, Moore enrolled at the prestigious École des Beaux-Arts, honing his drawing skills under the tutelage of Adolphe Yvon, among other leading French painters. In December 1869, Moore traveled around Spain with Eakins and the Philadelphia engraver, William Sartain. In 1870, he went to Madrid, where he met the Spanish painters Mariano Fortuny and Martin Rico y Ortega. When Eakins and Sartain returned to Paris, Moore remained in Spain, painting depictions of Moorish life in cities such as Segovia and Granada and fraternizing with upper-crust society. In 1872, he married Isabella de Cistue, the well-connected daughter of Colonel Cistue of Saragossa, who was related to the Queen of Spain. For the next two-and-a-half years, the couple lived in Morocco, where Moore painted portraits, interiors, and streetscapes, often accompanied by an armed guard (courtesy of the Grand Sharif) when painting outdoors. (For this aspect of Moore’s oeuvre, see Gerald M. Ackerman, American Orientalists [Courbevoie, France: ACR Édition, 1994], pp. 135–39.) In 1873, he went to Rome, spending two years studying with Fortuny, whose lively technique, bright palette, and penchant for small-format genre scenes made a lasting impression on him. By this point in his career, Moore had emerged as a “rapid workman” who could “finish a picture of given size and containing a given subject quicker than most painters whose style is more simple and less exacting” (New York Times, as quoted in Hajdel, p. 23). In 1874, Moore settled in New York City, maintaining a studio on East 14th Street, where he would remain until 1880. During these years, he participated intermittently in the annuals of the National Academy of Design in New York and the Pennsylvania Academy of the Fine Arts in Philadelphia, exhibiting Moorish subjects and views of Spain. A well-known figure in Bay Area art circles, Moore had a one-man show at the Snow & May Gallery in San Francisco in 1877, and a solo exhibition at the Bohemian Club, also in San Francisco, in 1880. Indeed, Moore fraternized with many members of the city’s cultural elite, including Katherine Birdsall Johnson (1834–1893), a philanthropist and art collector who owned The Captive (current location unknown), one of his Orientalist subjects. (Johnson’s ownership of The Captive was reported in L. K., “A Popular Paris Artist,” New York Times, July 23, 1893.) According to one contemporary account, Johnson invited Moore and his wife to accompany her on a trip to Japan in 1880 and they readily accepted. (For Johnson’s connection to Moore’s visit to Japan, see Emma Willard and Her Pupils; or, Fifty Years of Troy Female Seminary [New York: Mrs. Russell Sage, 1898]. Johnson’s bond with the Moores was obviously strong, evidenced by the fact that she left them $25,000.00 in her will, which was published in the San Francisco Call on December 10, 1893.) That Moore would be receptive to making the arduous voyage across the Pacific is understandable in view of his penchant for foreign motifs. Having opened its doors to trade with the West in 1854, and in the wake of Japan’s presence at the Philadelphia Centennial Exposition of 1876, American artists were becoming increasingly fascinated by what one commentator referred to as that “ideal dreamland of the poet” (L. K., “A Popular Paris Artist”). Moore, who was in Japan during 1880–81, became one of the first American artists to travel to the “land of the rising sun,” preceded only by the illustrator, William Heime, who went there in 1851 in conjunction with the Japanese expedition of Commodore Matthew C. Perry; Edward Kern, a topographical artist and explorer who mapped the Japanese coast in 1855; and the Boston landscapist, Winckleworth Allan Gay, a resident of Japan from 1877 to 1880. More specifically, as William H. Gerdts has pointed out, Moore was the “first American painter to seriously address the appearance and mores of the Japanese people” (William H. Gerdts, American Artists in Japan, 1859–1925, exhib. cat. [New York: Hollis Taggart Galleries, 1996], p. 5). During his sojourn in Nippon (which means, “The Land of the Rising Sun”), Moore spent time in locales such as Tokyo, Yokohama, Kyoto, Nikko, and Osaka, carefully observing the local citizenry, their manners and mode of dress, and the country’s distinctive architecture. Working on easily portable panels, he created about sixty scenes of daily life, among them this depiction of an interior of a dwelling. The location of the view is unknown, but the presence of a rustic rail fence demarcating a yard bordering a distant house flanked by tall trees, shrubs and some blossoming fruit trees, suggests that the work likely portrays a building in a city suburb or a small village. In his book, Japanese Homes and Their Surroundings, Edward S. Morse (an American zoologist, orientalist, and “japanophile” who taught at Tokyo Imperial University from 1877 to 1879, and visited Japan again in 1891 and 1882) noted the “openness and accessibility of the Japanese house...

This painting conveys a sense of calmness that reigns in the winter landscape, when everything freezes in anticipation of a new day. Deep cold shades of blue and gray create an atmos...

Bouquet de Fleurs Pieter Wagemans Oil on Canvas Signed 'P Wagemans' (lower right) 74 x 60 cms / 29¼ x 23½ inches In Bouquet de Fleurs, Pieter Wagemans masterfully revives the Dutch ...

Achille Théodore CESBRON (1849-1915) Flower Arrangement Oil on oval canvas signed low right Framed by Gault (Paris - Fbg St Honoré) Dim canvas : 63 X 48 cm Dim frame : 79 X 64 cm Achille Théodore CESBRON (1849-1915) French school 19th-20th century Born the 5th of November 1849 in Oran (Algeria). Dead the 4th of January 1915. Painter of genre scene, portraits, still life, flowers, pastel. Pupil of Bonnat and Cormon, he regularly exhibited at the « Salon des Artistes Français », whose he became shareholder in 1883, getting several rewards and medals from 1882 to 1886. He has got the Marie...

Oil measures 100x100 cm. Frameless. Painter, psychoanalyst and poet, he exhibits his works regularly in Barcelona since 1982. Focused mainly on painting, he also makes drawings and ...

Italian oil on canvas painting of a lacemaker by Paoletti Italian, late 19th Century Frame: Height 119cm, width 93cm, depth 5cm Canvas: Height 101cm, width 76cm This beautiful paint...

Rikard Lindström (1882–1942) Silent Interior oil on canvas mounted on board signed lower right framed: 50 x 58 cm (19.69 x 22.83 inches) unframed: 39 x 47 cm (visible image) (15.35...

Spring Flowers is a vibrant celebration of color and life, painted from a fresh spring bouquet in the expressive alla prima technique. Bold red ranunculus bloom beside soft whites an...

In this contemporary interior painting in acrylic on paper, colorful clothes, accessories, and a suitcase are strewn across a bed with cheerful yellow bedding in a bedroom with brigh...

READY TO HANG with the edges painted. Gallery quality. Size: 70x50X2 cm, 27.6x19.7x0.8 inches. I signed and dated on the front and I also put my relief signet as you can see an examp...

Charles Joseph Watelet Beauraing 1867 – 1954 Brussels Belgian Painter 'Lady in Rose' Signature: signed lower right and dated 'Ch. Watelet 1924' Medium: oil on canvas Dimensions: im...

Artist: Yvette Bossiere (French, b.1926) signed lower corner and verso Title: The Interior Medium: oil painting on canvas, unframed Size: painting: ...

"Nile Delta II" Abstract Mixed Media Painting 96" x 48" inch by Ibrahim Khatab Ibrahim Khatab was born in Cairo 1984, works as a co-teacher in Cairo University, he mixes between pai...

Windowsill Richard Mizdal, American (1944) Date: 1985 Oil on Canvas, signed and dated lower right Size: 54 x 40 in. (137.16 x 101.6 cm)

Oil on board, signed lower right and titled and dated lower left Image size: 19 1/2 x 16 3/4 inches Contemporary hand made frame

In this oil painting, I've captured the raw power and serene beauty of the sea. The expressive brushwork and vivid colors embody nature's dual nature—tranquil yet tumultuous. It’s a ...

Summer day 23 – Vibrant Abstract Acrylic Painting (60x80 cm) Bring the beauty of nature into your space with Golden Meadow, a mesmerizing hand-painted abstract acrylic artwork that ...

Still Life of Flowers Carlo Cherubini (Italian 1897-1978) signed oil on canvas, framed framed: 23 x 29 inches canvas: 18 x 24 inches Provenance: private collection Condition: very g...

Charles Allan Cooke (British, early 20th century) Military Motor Ambulance Station, World War I, ca. 1916–1918 Oil on canvas, signed and inscribed on reverse In this powerful and ra...

Created by a contemporary French artist recognized for his refined approach to material and abstraction, this painting reflects a deep exploration of memory, silence, and time throug...

Capturing the essence of nature's softness, I imbued every brushstroke with life, crafting a serene explosion of petals against a tranquil backdrop. Each creamy swirl of oil is a ten...

To lead a happy, fulfilled life there is two simultaneous truth that is critical for us to remember. The first is that we are gods. Vastly powerful gods invent their lives in this scented carousel of dreams and intense wonders. The second is that we are nothing. Bellow all significance, a speck within a speck of dust, alive for a spark of time, winking out and gone. When we forget either one of these perspectives, we are lost. Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Ajegbomogun Damilola...

Signed and dated '1910' lower right

This beautiful view of a Florentine courtyard was painted by A. Marrani, an artist who, in the late 19th Century, painted many views of the Tuscan city. The cortile (‘courtyard’) sho...

Artist: Varvarov Anatoly Viktorovich Title: Knock - you will open Sise: 39.5x29.5 inches, (100x75 cm) Medium: Oil on Canvas Hand painted, original, one of a kind, Ready to Hang Step...

At first glance, Walter Dolphyn’s Jokers Wild appears as a seemingly whimsical arrangement—a cabinet of curiosities frozen in time. Yet, upon closer examination, the composition reve...

Artist: Detlef E. Aderhold Medium: Mixed Media on Canvas Edition: Original Abstract Painting in Turquoise, Green, Yellow, Blue, Red and Black About the Artist: Detlef E. Aderhol...

Oil on canvas Canvas size: 27 x 24 inches Framed size: 33 x 30.5 inches Signed and date '87 lower left

In this piece, I immerse the viewer in the depths of a summer atmosphere, where the sea's dynamic caress and the vibrant warmth of sunlight meet. The textures and colors in oil empha...

Religious Painting, depicting Madonna and the Child, surrounded by Angels by the Circle of Carlo Maratta (Maratti). This painting is wonderful example of...

"Meditation" opens up a peaceful field for inner peace, where time loses its meaning among the eternity of nature. The sky and the meadow intertwine in a holistic harmony of blue and...

"In this piece, I've embraced the raw, emotive power of the sea, capturing its dynamic essence with vibrant oil hues. Merging expressionism and impressionism, I sought to infuse real...

Signed lower right 'Jais' for Jais Nielsen (Danish, 1885-1961), inscribed 'Vence' and dated 1949; additionally signed, verso. An exceptional late figural work by this pioneer of Mo...

“Evening together", Festive Still Life is a vibrant acrylic painting that brings warmth, joy, and a splash of color into any space. Measuring 60 x 80 cm, this expressive artwork feat...

Having spent many years as a photographer, Matt Condron is trained to recognize the importance of a moment or the preciousness of a fleeting opportunity. He is captivated by the ide...

An Intimate, Colorful Modernist Portrait of a Young Woman Reading by Noted Chicago Artist, Francis Chapin (Am. 1899-1965). A wonderfully painted studio work dating from the 1930s. ...

In creating this piece, I embraced the delicate dance between realism and expressionism, aiming to convey deep emotion. The soft interplay of light and shadow across the figure's for...

Gold Pink Silver Abstract Heavy Textured Painting on Canvas 36 x 48" Pink Golden Fog Acrylic, Modeling Paste, Stucco, Glitter, Gold Leaf - ...

Represented by George Billis Gallery, NYC & LA -- When I think about the conventions of painting -- a tradition I respect immensely -- I notice that my concern has always been with...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Morakinyo Femi is a visual artist born in Akure, Ondo State Nigeria in 1984. At an early age, Femi was intrigued by the stamps collected by his banker father which have now become a significant source of inspiration for his art style. Femi lived briefly with his grandmother, a connoisseur of old textiles...

Champagne by Guy Nicod (French 1923 - 2021) oil on artist paper, unframed painting : 26 x 19.5 inches provenance: artists estate, France condition: very good and sound condition