Paint Interior Paintings

Vintage American modernist abstract oil painting. Oil on board. Signed. Framed. Provenance from a Sag Harbor, NY collection. Measuring: 13 by 25 inches overall. Handsomely framed in...

"Triple Windows," is a mixed media painting depicting the interior of a dimly lit room with three large, arched windows. The windows occupy the upper half of the composition and reveal abstracted cityscape forms in muted blues and grays. Below the windows, a curved blue banquette...

In this contemporary oil painting on canvas, a dining room interior scene is vibrant and colorful with an arrangement of flowers in a painted vase next to blue and white China teapot...

Beautiful 1940's French post impressionist oil on board by Simon Simon-Auguste. The work depicts a simple bedroom interior with shoes, candle and a single picture on the wall. Signed lower left and presented in a swept impressionist style frame. Provenance: Chilham Castle, Kent Artist: Simon Simon-Auguste (French, 1909-1987) Title: Bedroom Interior Medium: Oil on board Size: 25.5 x 30.5 inches (65 x 77 cm) including frame Simon Joseph Simon-Auguste (20 April 1909 – May 1987) was a French artist, known for his intimate paintings, mainly portraits, nudes and still lifes. His production is characterized by a calm, intimate feel, and the effective use of glaze. Born in Marseille, Simon-Auguste was the son of Antonin Auguste, a cabinetmaker specialized in restoring furniture in the chateaux of the Provence. Simon studied at the École communale of his neighborhood at rue Eydoux, in Marseille, where he excelled in design. In 1931 Simon-Auguste finished his studies at the École des Beaux-Arts and won the Stanislas-Torrents award. He was commissioned to execute the mural decorations of the town hall in Allauch. He began exhibiting in Marseille where doctors and lawyers purchased his paintings. In 1932 he invested into a 6-month stay in Paris where he frequented the Louvre Museum and became specially interested in the Camondo Collection. At the invitation of art dealer Adolphe Basler, he took part in the Moins de trente ans exhibition, at the Galerie de Sèvres, along with Jacques Despierre, André Hambourg, Louis Dideron, Léon Couturier, among others. He presented a nude, a still life, and a view of the Jardin du Luxembourg. He also started dealing with Georges Petit and the Galerie Vildrac. In 1933 Simon-Auguste had his first solo exhibition at the Galerie Detailles, at the Canebière in Marseille which contributed to his success. He displayed 40 pieces (paintings, watercolours and sketches), mostly nudes and genre scenes. In 1934 he married a philosophy student who would become a journalist under the pseudonym of Michele Seurière. For his second solo exhibition at the Galerie Detailles a few landscapes and marines were added to his portfolio. During the 1930s Simon-Auguste explored subjects around nudes and landscapes. Later these evolved into children, still lifes and locals, full of intimacy and simplicity, which gained him a lot of recognition. Among these, we find La fillette au bol and Tête d'Enfant, which were purchased by the Musée Longchamp, Marseille. It was 1939 when he could afford to move to Paris. The family settled at 38 rue de Malte and Simon-Auguste started submitting his work to the Salon d'Automne, Salon des Peintres Témoins de Leur Temps, and other major exhibitions. At the outbreak of World War II, he was on holiday in Auvergne. In 1940, he was mobilized. Within two months he had to retreat to Ussel, forced by his ill health. In 1941 he reconverted a rented farm there into his atelier. Simon-Auguste returned to Paris after the Liberation in 1944, to take part for the first time in the Nationale with La Fillette aux Pommes. Up to 1947 Simon-Auguste signed his paintings with fountain pen ink. Afterwards, he used brush oil. He spent some Summer holidays in Villiers-sur-Morin in the late 1940s. In 1949 he traveled around Italy: Rome, Florence, Siena, San-Giminiano, Venice, Milan. In 1950 he was appointed member at the Salon d’Automne. This year he submitted Le Café du Commerce to the Grand Prix de la Peinture Contemporaine, at the Marsan Pavilion (Louvre Museum). He was amongst the 100 painters selected by the jury. Also in 1950 the city of Paris acquired his Marine de La Rochelle. The Musée du Château de Sceaux acquired Paysage de l'Ille-de-France. The French state acquired La Fillette à la lampe in 1952, Nature morte aux Bleuets in 1953, and Comme un Poisson dans l’Eau in 1955. In 1951 he contributed to an itinerant exhibition around Switzerland (Bern, Lausanne and Geneva) about Les fleurs et les fruits...

Artist: Harry McCormick, American (1942 - ) Title: Suzie Year: circa 1980 Medium: Oil on Canvas, signed l.r. Size: 41 x 52 inches (104.14 x 132.08 cm) Frame Size: 42.5 x 52.5 inches

The harbor town hummed with a low, rhythmic energy as the sun dipped below the horizon. Shadows stretched long and ominous, swallowing the vibrant colors of the day. But as the last ...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gal...

'Le Bouquet' Floral Still Life, Flower Oil Painting French School, mid 20th Century Oil painting on canvas, framed Framed size: 29 x 18 inches Beautiful oil painting of a lovingly c...

There are nights when the air doesn’t move. Heat sits low over everything, and whatever the gardens are releasing — rose, something greener, something almost like tea — stops separating into individual scents. It becomes one thick, wordless presence in the dark. Smoked Rose was painted during a heatwave, in a week when the temperature never really dropped, even after midnight. Roses in deep pink and violet emerge from near-black ground, their scent implied rather than shown — something recognized with eyes closed, the way you do when the night is too still to rely on sight. Branches cross without hurry, unlit, the way a garden looks when you smell it before you see it. Anastassia Skopp...

Thomas Bossard was born in 1971 in Poitiers, France, to a large and creative family. His mother fostered his interest in art since an early age, bringing Thomas to various museums wh...

Artist Comments
Artist Benjamin Xu presents a striking, minimalist exploration of architectural form and organic movement. A stark grey building frames a lone, slender tree, cr...

“Cherry blossoms in the wind – every petal falls with grace.” – Yoshida Kenko A beautiful modern floral painting, made with professional varnished acrylics and Amsterdam acrylic sp...

A summer landscape with sunset and water is a great decoration for any interior. Evening is a momentary state of nature, but it's amazing at the same time. Dawns and sunsets always ...

“Coolness” is a picturesque depiction of a mountain landscape where the lightness and transparency of the sky merge with the soft green waves of the mountains. The painting masterful...

A stunning jewel and pertinent example of Berthelsen's charming Still Life scenes. Here we find a white rose and two crimson flowers in a white vase set on top of a wooden glossy tab...

Artist/ School: French School, late 19th century/early 20th century, signed by Barthelemy Title: Profusion of flowers in a deep blue vase. Medium: oi...

Mural Study for "History of Water" American Scene Modernism Social Realism WPA Thomas Hart Benton (American, 1889-1975) "Water Story" (Study for The History of Water) Tempera and o...

The Milliner. This refined late 19th century watercolor depicts a young milliner seated in the interior of her workshop while assembling an elegant lady's hat. Dressed in a pale blouse, green apron and deep crimson skirt, she carefully threads a bright green ribbon through a broad straw hat adorned with a vivid red flower. At her feet stands an open workbox overflowing with fabrics, ribbons and millinery materials, while baskets and worktables in the softly shadowed background reinforce the impression of a busy artisan's studio. Warm daylight entering from the side illuminates the figure and her work, creating a pleasing contrast between the richly coloured foreground and the subdued interior. Executed with delicacy, the watercolor demonstrates Carlton Alfred Smith...

Hubert Glansdorff Brussels 1877 – 1963 Knokke Belgian Painter 'Roses in a Green Vase' Signature: signed lower left and dated 1941 'Glansdorff 41' Medium: oil on canvas Dimensions: image size 80 x 100 cm; frame size 107 x 127 cm Biography: Hubert Glansdorff was born in Ixelles, Belgium, in 1877. He was a Belgian figurative painter whose work encompassed genre scenes, seascapes, floral still lifes, female figures, nudes, and portraits. Over the course of his career, he developed a distinctive painterly language that combined academic training with a luminous, colour-rich sensibility. From an early age, Glansdorff showed a natural inclination toward pictorial expression. The picturesque aspects of life and landscape emerged organically in his work rather than as a calculated artistic choice. His visual world was shaped by instinct as much as by study, resulting in compositions that often feel immediate and atmospheric. He initially admired the Flemish Primitives, whose influence can be felt in his attention to structure and tonal harmony. However, Glansdorff gradually evolved toward a more personal form of Luminism, characterised by warm light effects, vibrant colour, and a heightened sensitivity to atmosphere. His palette became increasingly rich and expressive, particularly in his floral compositions for which he gained considerable recognition. Glansdorff studied at the Brussels Academy of Fine Arts, where he worked alongside and was influenced by artists such as Joseph Stallaert. During his formative years, he also developed friendships with contemporary artists including Joris De Bruyne, Alphonse Blomme, and Albert Alleman. He became a member of the Cercle Artistique et Littéraire de Bruxelles, an important artistic circle in the Belgian capital. In 1904, he exhibited at the Salon des Indépendants in Brussels, presenting works such as Armenian Fiddler. Later, in 1920, he participated in exhibitions at the Cercle Artistique et Littéraire, the Salle Studio, and the Salon d’Automne, alongside artists such as Pierre Abattucci, Firmin Baes...

M. Jackson (English School, late 19th Century) Chickens in a Hen House Oil on board, circa 1890 signed lower left This charming late Victorian farmyard scene captures the quiet beau...

This original oil painting captures a still life scene viewed from above, inviting you to explore its intimate details. At the center, a wooden board showcases a variety of cheeses, ...

Quang Ho's "Bathroom Window" (2024) is a beautiful impressionist nude portrait of a woman drying off in the bathroom, with sunlight shining dimly through a window behind her. About...

Artist: Gabriel Jenny (French, 20th century) Medium: Oil on canvas Size: 25.5 x 32 inches Frame: Unframed Signature: Signed lower right Condition: Good condition Description An expr...

"The Beginning" is a canvas that captures the moment of the fascinating mystery of dawn. Light, transparent clouds floating smoothly over the calm mountain peaks paint new hopes and...

Artist Comments
The impressionist painting captures the ease of a sunlit afternoon spent in a Mediterranean garden courtyard. Warm light filters th...

Marcel DYF 1899 - 1985 Provenance: This piece has been confirmed by Claudine Dyf Signed Collection particulière, France Picture Size: 22 x 18" (56 x 46cm) Outside Frame Size: 28 x 2...

'Still Life' by Albert Bertalan, 1929. Paris, Académie Julian, Salon des Indépendants, Salon d'Automne ---- Signed lower right, 'Bertalan' for Albert Bertalan (Hungarian, 1899-1956)...

Butterflies by Josine Vignon (French 1922-2022) signed pastel/watercolor on paper, unframed painting: 13 x 19 inches good condition provenance: from the artists estate, France Josi...

Patrick Pietropoli was a teacher of political studies for several years before becoming a professional artist. Trained as both a painter and a sculptor, his oil on linen paintings ha...

French School, mid 20th century signed lower front corner oil on board, unframed board: 29.5 x 25.5 inches provenance: private collection, France condition: very good and sound condi...

A refined 17th-century Italian painting. Oil on canvas artwork depicting the condemnation and martyrdom of the four crowned saints: Claudius, Nicostratus, Castorius, and Symphorian. ...

New Home (Brightly Colored Contemporary oil painting of an Interior with House Plants and red chairs) Painted by Fred Cohen in 2025 42 x 30 inches x 1.5 inches, custom light wood fr...

This vibrant floral abstract artwork titled "Pink Blooms," created by French artist born in Kazakhstan, beautifully captures the essence of blooming roses through bold and expressive...

Sergei Malishevsky (1956–2020) was a Belarusian painter renowned for his distinctive surrealist style and vivid artistic voice. He was in Moscow to Algirdas Malishevsky, the eminent ...

Gerard ter Borch (II) (1617-1681), copy after, around 1700 'Boy Fleas a Dog' Oil on canvas Professionally restored (cleaned and relined) In modern frame in 17th century style Dimensions excl. frame: 33 x 27,5 cm. Dimensions incl. frame: approx. 50 x 45,5 cm. Depcited is a boy busy fleaing a dog. The boy sits on a chair with the dog on his lap. On a table on the right there is a book and a pen. On a wooden bench lies the boy's hat. What is unique about this painting by Ter Borch, is the relationship that is depicted between human and animal. Mostly animals like dogs where depicted as an attribute in paintings in the 17th century, and sometimes used to symbolize certain character traits. This boy is lovingly caring for his dog, which he is giving his full attention. Another interesting detail is that Ter Borch's brother Moses, was probably the model for this painting. Ter borch often used family members as models for his paintings. Moses was also a very talented painter and draughtsman. Several copies of this work by Ter Borch are known. One of these copies is in the collection of the Dutch Rijksmuseum (Image included in the image gallery (last image)). The original painting is in the collection of the Alte Pinakothek museum in Munich, Germany. Gerard ter Borch, also known as Gerard Terburg, was a Dutch genre painter who lived in the Dutch Golden Age. He influenced fellow Dutch painters Gabriel Metsu...

These stunning spring narcissus are placed in a transparent vase. The bright yellow flowers create a vivid color contrast against the silvery blue background focusing the viewer's ey...

This painting depicts an impressionistic scene of Yellow Tulips in a glass Vase, a poetic piece with beautiful details. The work reminds us of Claude Monet, with impressions similarl...

This vibrant, expressive abstract floral painting, titled "Splash of Color," was created by French artist Natalya Mougenot. The piece celebrates the timeless beauty of flowers, espec...

Still Life in Blue by Laure Noetzin-Azam (French 1929-2024) pupil of André LHOTE oil on canvas, unframed canvas: 15 x 21.5 inches Provenance: all the paintings we have by this artist...

Profusion of Flowers Classical Still Life Dutch School, 19th century oil on canvas, unframed canvas : 32 x 21 inches provenance: private collection condition: very good and sound con...

In this interior painting, the corner of a bathroom is slightly visible through the doorway along a white wall in an artist's quiet studio space. The warmth of the worn, paint splatt...

Nicely painted Flamenco dancer portrait. Framed. Oil on board. Signed. Image size, 20H by 16L.

Signed upper right, 'G. Simonka' for Georges Simonka (Hungarian, 1916-2001) and dated 1955. A substantial, mid-century modernist, oil still-life showing an assemblage of items on a ...

This charming British Victorian oil painting is by noted artist Albert Chevalier Tayler. Painted in 1896 the composition is four women in a sitting room. One young woman is holding u...

"The Music Room #2 (interior with Piano)" Original painting. Size 39x23.5in / 100x60cm . Oil on canvas. Part of Interior series. "The Music Room" was part of Mixed Moods, solo sh...

Antonio Molinari (Venice, 1655–1704) Attributed to Samson and Delilah Oil on canvas 122 x 148 cm. - Framed 135 x 160 cm. The subject of this fine work is recounted in the Bi...

Helen Mount's painting Breathe Slowly/2 embodies the theme of calm and reflection, which is key to the artist's new collection. A huge sky filled with light clouds dominates the calm...

Edwin Hughes Signed and dated 1875 Framed oil on canvas Picture Size: 14 x 20" (36 x 51) Framed Size: 20 x 26" (51 x 66cm) Exhibited 1875 – 1895 Figure and portrait painter Edwin H...

Man at Machine, 1939, oil on canvas, unsigned, 9 ½ x 16 inches, label verso bears artist’s name and address, title, date, size and medium of the painting, exhibited Roszak Early Pain...

"Wheat Field" is a visualization of the boundless Ukrainian fertility, captured on canvas after the artist's trip to the south of Ukraine in 2021. Impressed by the greatness of the n...

"The Architecture of Radiance" by Elena Lukina (2022), from the series "The Architecture of Fragility". This authentic Alla prima oil painting on stretched professional Caravaggio ca...

Vintage American modernist still life oil painting. Oil on canvas. Signed "Bedell". Measuring: 25 by 20.5 inches overall, and 20 by 16 painting alone. Excellent condition, ready to h...

Tomatoes by Ethelinda 32x50" Image Size, Gallery Wrapped Oil on Canvas, Signed lower left Expressionistic Still Life. The Artist, Ethelinda, is celebrated for taking real-world subje...

This impressionist still life by French painter Léon Garraud depicts a table set with a plate of peaches and a vase of pink peonies and delicate white flowers. The warm palette of or...

Still Life of Coffee Cup and Fruit by Laure Noetzin-Azam (French 1929-2024) pupil of André LHOTE oil on canvas, unframed canvas: 22 x 15 inches Provenance: all the paintings we have ...

Provence Landscape by Pamela Cawley, British 20th century oil painting on canvas, unframed canvas: 20 x 24 inches Stunning original Impressionist oil painting by the 20th century ...

ARTIST: Guy Roddon (1919-2006) British TITLE: "French Cafe Street Scene" SIGNED: lower left MEDIUM: oil on board SIZE: 80cm x 70cm inc frame CONDITION: excellent DETAIL: Painter and teacher, born in London. After Bryanston School he studied at Goldsmiths’ College School of Art with James Bateman and Clive Gardiner, 1937–9, then at the Byam Shaw School of Drawing and Painting, 1939–40, with Ernest Jackson, and drawing at La Grande Chaumière, Paris. During World War II he served in Royal Engineers before transferring to the Camouflage Unit, which included Frederick Gore, Oliver Messel, Roland Penrose and Claude Rogers. Roddon spent part of the war stationed in the Old Assembly Rooms, Norwich, as a camouflage instructor alongside Messel and Penrose. From 1948–50, he taught at Goldsmiths’; from 1960–1 was commissioned to paint The Stations of the Cross and Resurrrection for St Thomas More, Patcham; from 1960–3 moved to Paris; rented Edwin John’s studio in Tite Street for 10 years; and began a series of portraits, sitters including the novelist L P Hartley, composer John Ireland...

"Coloured Horizons" is a painting by Spanish artist Natalia Roman. This series of abstract geometric paintings by Natalia Roman draws its inspiration from the sleek grids and curves ...

ABOUT THE ARTWORK Darling, sometimes let go of your dreams from the series Perichoresis This work addresses one of the most delicate and mature emotional states — the moment a perso...

Title: Interconnected Dream Bold Abstract Contemporary Colorful Masculine Investment Red Yellow Grey Blue Orange Texture Detail This series expresses our unity and our interconnect...