Medium Landscape Paintings

This painting was created outdoors in June 2023. It shows a wonderful corner of the old Swiss town of Werdenberg. Colors of the rainbow shine and give a feeling of joy and happiness ...

French Impressionist oil on canvas painting of a Provencale market, late 19th century, by Joseph Faust. The painting is signed bottom left and is presented in a very fine carved and ...

➡️ Mountain scene Landscape⬅️ ⏩It is signed J Rohr⏪ ⭐Medium:⭐ Oil on woodpanel ⭐Technique: ⭐Impasto painting with expressive brushwork. ⭐Size:⭐61x77.5cm / 24x 30.5inch with fram...

Title: French Village Landscape with Church and Farmland Bourgogne Watercolor Artist: Pierre Neveu (French b.1929) Medium: Watercolour on paper, unframed Size (H x W): 19.75 x 25.5 i...

Title: French Meadow Landscape with Trees and Country Path Watercolor Artist: Pierre Neveu (French b.1929) Medium: Watercolour on card, unframed Size (H x W): 20.75 x 29.5 inches Sig...

Artist: Antonio Sala Herrero (Barcelona, 1927 – 2012) Title: Los Monegros (Aragón, Spain) Technique: Oil on canvas Artwork dimensions: 65 × 81 cm (25.6 × 31.9 in) Framed dimensions: ...

Constable’s Clouds, Van Gogh’s Blue is Shizico Yi’s latest series—an exploration of landscape reimagined through memory and material experimentation and emotional resonance. In this ...

Title: French River Landscape with Reflections and Trees Watercolor Painting Artist: Pierre Neveu (French b.1929) Medium: Watercolour on card / thick paper, unframed Size (H x W): 20...

➡️ Romantic Seascape⬅️ ⏩It is signed A Cayrot⏪ ⭐Medium:⭐ Oil on canvas ⭐Technique: ⭐Impasto painting with expressive brushwork. ⭐Size:⭐50x75.5cm / 19.7x 29.7inch ⭐Date: 1879⭐...

Air, light and lightness, that’s what we see in this picture. The palette is rich in color and freshness. A cool day allows us to enjoy the joy and take a break from the hot Spanish ...

Henry Ward Ranger Connecticut Landscape oil/panel 12 x 16 image size 21 3/8 x 25 3/8 x 2 3/4 framed signed LL also a plaque attached A wonderful example of Rangers painting style of...

This painting captures the meeting of two elements — the calm of the land and the restless, turquoise depths of the sea. The gentle motion of the waves echoes the soft sway of wildfl...

Winter Landscape oil/board 16 x 20 unframed image, 26.3/8 x 30.25x3.5 framed signed LR Here is a beautiful winter snow scene oil painting on board by Hobart Nichols signed lower ri...

Vintage Paris Landscape framed oil painting by French artist, Claude Marin. This delightful post-impressionist oil on canvas, signed in the lower left is from the 1970's and is a co...

A striking Victorian-era landscape by British Artist Tom Seymour, capturing a dramatic waterfall rushing through rocky banks into a calm loch beyond. The composition leads the eye fr...

Harkrishan Lall (1921 - 2000) Untitled (possibly St Paul's Cathedral, Calcutta) Oil on board, 1967 Board size: 51 x 40.5 cm Frame Size: 62.5 x 53.2 cm Signed bottom right and date...

Franz Arthur Bischoff seascape Laguna Tide Pools oil/board signed LR in a gilt over red clay bole and gesso carved Arts & Crafts style frame. 13 x 19 unframed, 19.5 x 25.5 framed s...

Armand Guillaumin (1841-1927) Agay: Les Baumettes, 1912 Signed lower right: Guillaumin Oil on Canvas 25 1/2 x 32 inches 65 x 81 cm Listed in Armand Guilllaumin catalog by Christophe...

Vintage Paris Landscape framed oil painting by French artist, Claude Marin. This delightful post-impressionist oil on canvas, signed in the lower right is from the 1970's and is a c...

Provencal Landscape Artist: Pierre Neveu (French b.1929) signed lower right Medium: oil on canvas, unframed Canvas: 25 x 32 inches Condition: Good and sound condition Provenance: Fr...

A charming, vibrant, 1930s Modern Mexican city street scene by famed Chicago Modern artist Francis Chapin (Am. 1899-1965). Depicting a picturesque view of a quiet square in the hist...

This expressive oil on canvas depicts a tall sailing ship cutting through rolling ocean waves under an open, luminous sky. The vessel is shown at an angle, sails fully billowed in sh...

Title: Attainville French Village Church Landscape Watercolor Rural Houses Pierre Neveu Artist: Pierre Neveu (French b.1929) Medium: Watercolour on paper, unframed Size (H x W): 20.2...

A lively and colorful winter scene oil painting depicting a snowy hill by the village with people sledding and skiing with much depth and detail. Capturing a cozy winter magic scene,...

5-3475 Oil on canvas applied to board Set in a vintage gilt wood frame

Bettina Mauel expresses dynamism and sensuality in her paintings: “I paint what I experience,” she articulates. “This includes landscapes, flowers, and people in motion, capturing th...

A vibrant and nostalgic oil on canvas painting by artist Robert Lebrone, where he captures a lively 20th Century winter evening street scene in near the Flatiron Building in New York...

Off The Maine Coast oil/canvas 12 x 16 unframed, 20.25 x 24.25 framed signed LR Housed in the original frame as purchased with a chip on the upper left inside silver section hardly n...

Landscape with Trees Oil/Canvas 12 x 16 unframed, 21.5 x 25 framed signed LL Painting is in good condition, signed bottom left margin with craquelure in the clouds as shown. Housed ...

Set in the idyllic Cotswold village of Bibury, this painting presents a quintessential example of Henry John Yeend King’s pastoral genre scenes. Two young children stand at the edge ...

Title: Spring in the North Country Medium: Oil on canvas Size: 23.5 x 31.25 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition...

Indistinctly signed in Bengali, dated ‘79 Bangladesh/Indian Indistinctly signed in Bengali and dated ‘79 Untitled - Fishermen 1979 Watercolour on paper Paper size: 34 x 53 cm Frame Size: 46 x 62.5 cm Provenance: From a private UK family A fabulously evocative watercolour painting showing fisherman, struggling against the elements. This is Bangladesh, 1979, not long after Independence, when the focus was on the working classes, the everyday struggle to make a living and when the artists depicting these times were concurrently exploring and establishing a new aesthetic. The painting combines naturalism with the wash method of watercolour painting and a reduced palette which allows for a rich harmony of shadow and light. Although appearing to simply utilize monotone colours, closer inspection reveals splashes of quite vivid colours; the yellow on the horizon, a deep crimson on the trousers of one of the figures, blue in the nets etc. The colour is subtle but adds a richness to the overall composition implying that this artist has received an academic training; knowing how to get the most from the materials. Add to this the beautiful watery effect from the wash on the paper and we can immediately see references to Bengal school art techniques. It is not surprising that the artist employs this medium. Neuroarthistory points to the rich heritage of Bengal school painters and the fascination with wash technique emanating from their connection to the water which provides the backbone for the region. From supplying food; fish and seafood, to transportation, agriculture and festivities. Bengal and Bangladesh live and die with the water. Some of the leading protagonists of the mid 20th century Bengal school of painters were equally captivated by the same subject and ideology. D P Roy Choudhury was a leading figure in the academic art institutions in the first half of the 20th century. He was also a great experimenter of style. In the image shown,, we can see Choudhury’s treatment of the same subject and how he to chose the monotone palette. It is through observing the similarities and differences that we begin to learn more about the times these artists were painting in and in the case of the Bangladeshi artists how they were approaching the political traumas of the time. The label to the back of the frame tells its own story;. Saju Arts & Crafts, Dacca-12. “Saju was born in 1944 in Ramu, Cox's Bazar. At one point, he became friends with Shamsul Islam Nizami, one of the veteran painters of Bangladesh. At that time, Nizami was a teacher of the Institute of Fine Arts (now Faculty of Fine Arts, University of Dhaka). Nizami introduced Saju to all the notable painters in the contemporary art scenario -- from master painters like Zainul Abedin, Quamrul Hassan...

An atmospheric maritime scene by Cyril Walduck Edwards (1902-1982) depicting sailing vessels moored in calm waters beneath a brooding, cloud-laden sky. The artist has employed a mute...

Maria C Bernhardsson's original artworks are influenced by the architecture and geometry of houses. Born in Sweden, Bernhardsson travels the world photographing and sketching houses ...

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

August Frederick Biehle American, 1885–1979 Landscape in West Virginia, 1922 Gouache, litho crayon and graphite on paper Signed lower right 19 x 17.5 inches 29.5 x 23.5 inches, frame...

Early 20th Century Mission San Juan Capistrano - Figurative Landscape Stunning figurative landscape of the Mission San Juan Capistrano by Warren Eliphalet Rollins (American, 1861-1962). Presented in a giltwood frame. This is a study for a larger painting of the same scene. Signed "Capistrano" in lower right. Frame size: 19"H x 26"W Canvas size: 14.5"H x 21"W. For many years Warren Eliphalet Rollins was known as the "Dean of the Santa Fe art colony." He was the first artist to have a formal exhibition there; it was held in 1906 in the old Palace of the Governors. He was a close friend of Carlos...

ARTIST: Giorgio De Wolff (early 20th Century) Italian TITLE: "Italian Summer Garden Border" SIGNED: lower left and dated 1929 MEDIUM: watercolour SIZE: 66cm x 58cm inclusive of fram...

Mid century French oil on canvas view of the New York City skyline by André Lwoff a noted Nobel prize winning chemist and later artist. The painting is signed bottom right and presen...

This piece titled "Mist" is an original artwork by Max Seckel is made of flashe, acrylic, and spray paint on canvas. This piece measures 23”h x 31”w x 1.75”d framed, is signed by the...

Nicola Ortiz Poucette (1935-2006). Ladies of the Evening, ca. 1960. Ink and casein on illustration board. Image measures 15 x 26 inches; 19 x 30 inches framed. Signed lower right...

Julian Trevelyan 1910-1988 Ewes, 1978 etching and aquatint 64.9 x 52.2 cm 25 1/2 x 20 1/2 in with Estate stamp, numbering and title by Mary Fedden, edition of 50 + 5 AP Julian Treve...

"Serene House" (2025) is a beautiful original impasto oil painting, created on linen panel by American artist Sandra Pratt, which depicts a vast plain at dusk, captured in an express...

This painting, painted by a plain air artist in the studio, depicts a quiet seascape at dusk, where the sea meets rugged cliffs on the left. This place is called the Italian Beach an...

Pine Tree in Bavarian Mountains (1923) charcoal and watercolor on paper, signed and dated “Claughton Pellew 1923 Bavaria”. This fine painting of a Eur...

In the style of Hugh Bolton Jones 1848-1927 New England Landscape oil/canvas board signed LR 16 x 24 unframed, 21 x 29 framed Painting looks and feels lined and in good condition in...

A wonderful impressionist pastoral landscape with beautiful color tones throughout. Waltsak has portrayed this piece in a most intimate yet energetic way and has packed much feeling ...

The Close of Day English School, early 19th Century, unsigned oil on canvas, framed framed: 20 x 28.5 inches canvas: 16.5 x 24 inches Provenance: private collection, Surrey, England ...

A woman stands within a verdant garden, while a dog sleeps on the grass nearby. The artist draws inspiration from the Impressionists, with expressive brushwork and careful attention ...

The painting "Werdenberg in May" (70x60 cm, oil on canvas) is a lyrical landscape painted from life in the open air, in which the artist subtly conveys the character of a miniature S...

Unframed: 60 × 60 cm (23.6 × 23.6 in) Framed: 67 × 67 cm (26.4 × 26.4 in) Frame available in black or natural wood In Echo of Landscape, Sophie Dumont explores the landscape not as ...

Hazel Guggenheim King-Farlow McKinley (American, London, New Orleans, 1903-1995), "Paris Rooftops" c. 1930 Oil paint on wood panel Attributed, dated and titled verso (I am not sure in whose hand not signed by the artist herself). Dimensions H.- 18 in., W.- 15 in., Framed- H.- 26 1/2 in., W.- 23 in. Provenance: From an estate New Orleans, Louisiana. Hazel Guggenheim King-Farlow McKinley (born Barbara Hazel Guggenheim; April 30, 1903 – June 10, 1995) was an American painter, art collector, and art benefactor. Hazel Guggenheim was born in New York City to Benjamin Guggenheim and Fleurette (Seligman) Guggenheim. The marriage united two wealthy German-Jewish families. Born into the well-known Guggenheim family, a niece of Solomon Guggenheim who founded the Guggenheim Museum, she grew up in New York, alongside her sisters Benita Guggenheim and Marguerite Peggy Guggenheim who would become the influential gallery proprietor, art collector, museum founder, and midwife to the Abstract Expressionism art movement. Her father Benjamin gave up much of his financial interest in the family's mining business to start his own business in Paris. With his business failing, in 1912 he set out to return to the United States in time for McKinley's ninth birthday on the Titanic. Following the shipwreck, he drowned aged 46; his body was not recovered. McKinley inherited $450,000. She later inherited money on the deaths of her mother, and of her older sister, Benita, who died in childbirth. The loss of her father haunted McKinley for the rest of her life, and in 1969 she recorded "In Memoriam, Titanic Lifeboat Blues." McKinley began painting as a teenager and was a prolific artist throughout her life. When she fled New York for Paris at age 19 she studied at the Sorbonne and became part of 1920's bohemian Paris, France, where she was taught by key modernism artists of the time. Her primary mediums were ink, water color, tempera, and crayon. Some of her work is hand signed and some is not. In 1928 her sister Peggy moved to London and mar­ried the British writer John Holmes. In 1931, McKinley married the Englishman Denys King-Farlow. They settled in Sussex, UK, and had two children, John King-Farlow, who became a philosopher and poet, and Barbara Benita King-Farlow, who became an artist in her own right. In 1938 Peggy opened Guggenheim Jeune, a London gallery of mod­ern art, starring Wassily Kandinsky, Henry Moore, Salvador dali, Constantin Brancusi, Max Ernst, Pablo Pic­asso and Jean Miro with whom they socialized. Whilst living in the south of England with Denys King-Farlow in the 1930s, McKinley was influenced by a group of avant-garde artists, and had her first solo exhibition in London in April 1937 at the Coolings Gallery. She received instruction from British artists Rowland Suddaby, Raymond Coxon, and Edna Ginesi, becoming associated with the London Group and the Euston Road School. She painted primarily in watercolor. Her work included still-life, portraits, townscapes and landscapes. Although her first work was done in a "slightly plain palette," her later work in the 1930s brightened, sometimes falling within the realm of fauvism. "Under the influence of the Surrealist artists, Hazel's paintings after the 1930's became freer, though her work was far more whimsical and humorous than many artists more closely associated with the surrealism movement." In 1939 McKinley fled Europe due to the impending war and returned to the US, living mostly in California. She took brief art lessons from her sister Peggy's one-time husband Max Ernst and much later attended several summer schools taught by muralist and renowned teacher Xavier Gonzalez. In her life in the United States and abroad, McKinley met many prominent artists of the Paris, London, and New York art scenes including Jackson Pollock. McKinley continued to paint, and ran a small gallery of her own in the late 1950s and early 1960s in West Cornwall, Connecticut. One show at her gallery featured the works of British and Irish painters including Rowland Suddaby, Frank Beteson, Tom Nisbett, and Patrick Swift. McKinley showed two of her own works in the same exhibit, a watercolor painted at Positano, Italy and one painted at the Tuileries, Paris. Another featured work was a surrealistic water color portrait of McKinley by London artist Mervyn Peake. McKinley exhibited her work both in Europe and the United States throughout her long career, mostly at smaller venues. An incomplete listing of her exhibits and museum acquisitions of her work include: Berkshire Museum, the Galerie Raymond Duncan in Paris, Stendahl Galleries, the Jake Zeitlin Gallery, the Montgomery Museum of Fine Art, the Artists' Own Gallery in London, the Manchester City Art Gallery, and Santa Fe Art Museum. McKinley's work was only once included in a show by her sister Peggy. In 1943 McKinley was selected to exhibit a painting in Peggy's infamous show Exhibition by 31 Women in her New York gallery Art of This Century. The exhibition was radical at the time for being one of the first all-woman exhibitions, as well as showing only abstract or Surrealist works. The Exhibition by 31 Women was conceived by Peggy Guggenheim in collaboration with Marcel Duchamp, who is usually credited with suggesting the idea. The participating artists were selected by a jury that included André Breton, Max Ernst Duchamp, and Guggenheim. Advice was sought from Alfred H. Barr Jr., first director of the Museum of Modern Art in New York, who provided Guggenheim with five names, of which three were included in the exhibition, Suzy Frelinghuysen, Irene Rice Pereira, and Esphyr Slobodkina. Those already known to Guggenheim through their partners included Xenia Cage, wife of the composer John Cage, Frida Kahlo, wife of Diego Rivera, who was noted for his frescoes, Sophie Taeuber-Arp, wife of the sculptor, Hans Jean Arp, and Jacqueline Lamba, ex-wife of the surrealist André Breton. Guggenheim’s sister, Hazel Guggenheim McKinley and her daughter, Pegeen Vail Guggenheim exhibited. Also in the exhibition was the burlesque dancer, Gypsy Rose Lee, another friend of Guggenheim, who was possibly included more to help publicise the event than for her artistic skills. Other artists were friends of Guggenheim or of Max Ernst. One, Dorothea Tanning, was Ernst's lover, leading Guggenheim to say: "I realized that I should have only had thirty women in the show". Only one artist is known to have refused the invitation to submit works, Georgia O'Keeffe, who reportedly responded that she wished to be identified as a painter, and not singled out because of her gender. In the late 1950s, McKinley moved back to Europe for a while, before returning to the United States in 1969. She lived in New Orleans until her death in 1995. On her death, her only living son, John King-Farlow, wrote a poem in his mother's honor, entitled "Eulogy For My Mother (Hazel Guggenheim McKinley, Artist)." A short obituary distributed by the Associated Press noted she was a member of the illustrious New York Guggenheim family, that she was determined to make a name for herself as an artist, that her art works were shown in museums in the United States and Europe, and were in the collections of such celebrities as Greer Garson, Benny Goodman, and Jason Robards. In 1998 after her death, one of her paintings was exhibited in Peggy Guggenheim's Venice home museum the Palazzo Venier dei Leoni. Guggenheim’s work in various media and her connections to influential artists and collectors provide glimpses into the complex tapestry of the art world in the first half of the 20th century. In her later life she settled in New Orleans, where she continued painting, exhibiting, and studying art into her eighties at Newcomb College, New Orleans. She was part of a regional art scene that included Ida Kohlmeyer, George Rodrigue, Noel Rockmore and Hunt Slonem. Towards the end of her life while confined to bed, her last works were colored pen drawings and sketches. McKinley collected major contemporary artworks and she donated many of these works to public institutions. She donated over 15 works to Wakefield Art Gallery, UK, in the 1930s, and in 1938 presented the painting Cossacks...

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Evening Landscape with River and Farmhouses by August Alvén captures a moment of profound quiet in the Swedish countryside just after sunset. The glowing sky transitions from warm ap...

The Sportsman and his Dogs Scottish School, early 19th century, unsigned oil on canvas, framed in antique gilt frame framed: 20 x 24.5 inches canvas : 16.5 x 20.5 inches Provenance: ...

2901 City Landscape ,acrylic on canvas Displayed in a custom gilt wood frame Image size 18x24" overall 21x26.5" Signed Varen

Untitled, from the Horizon series, handwoven landscape, linen yarn, organic cotton, wool, 60 x 80 cm, 2024. Canvas is entirely constructed on a weaving loom. Each of the steps of t...

Title: Canyelles Artist: Ramon Sanvisens i Marfull (Barcelona, 1917 – 1987) Technique: Oil on canvas Dimensions: 60 × 73 cm — (23.6 × 28.7 in) Support / Mounting: Canvas on stretcher...

"Serene House" (2025) is a beautiful original impasto oil painting, created on linen panel by American artist Sandra Pratt, which depicts a vast forest, captured in an expressionisti...

Abel Warshawsky (American, 1883-1962) Fishing Boat Reflections, France, c. 1915 Oil on canvas Signed lower left 21 x 18 inches 27.5 x 24.5 inches, framed Impressionist painter A.G...