Framed Landscape Paintings

Painted in 1918 by Horace P. Giles (1850–1937), this luminous oil landscape captures a tranquil marsh at sunset, where a winding river reflects the golden light of the sky. Giles, a ...

Gabriel Godard (1933-2023) The Red Bush, 1979 Oil on canvas Artwork: 28 x 20 1/2 in. l 71 x 52 cm Framed: 31 1/2 x 24 in. l 80 x 61 cm Signed lower left Condition: Perfect condition...

"Distant Lights" by Dan Young is an original oil painting depicting warm lights from dwellings with a sunset backdrop. Dan Young was born in Denver, and grew up in western Colorado...

Cottage in a Lush Garden with Hens in the English Countryside by 20th Century British Artist, Terry Heath (1943-2011) Art measures 20 x 16 inches Frame measures 26 x 22 inches S...

Framed dimensions: 47 x 47 cm (18.5 x 18.5 in) Unframed – 15.75 x 15.75 in (40 x 40 cm) Frame available in natural wood or black Original signed artwork by Sophie Dumont Sophie Dumo...

This original oil painting on canvas is a traditional pastoral landscape, capturing a serene and idyllic rural scene. The composition is rich in earthy tones, with warm browns, green...

"Twilight Blush" is an oil painting on canvas by Dennis Sheehan, depicting a wooded landscape, the painted stream lit with the soft glow of dusk. The artist's use of vibrant colors along the horizon evokes the last warmth of the day, the approaching chill of evening perfectly captured in this dreamy glade. This piece is finished in a custom silver frame. Pricing includes the pictured frame. Unframed dimensions are 14 x 23 inches. About the artist: Dennis Sheehan is the second of four boys in his family, and is the only one who has an interest in the arts. Realizing his young son had a passion for art, Sheehan’s father would take him to museums and art shows. Sheehan’s more practical mother hoped he might choose to go into business or law. Once she was convinced that Sheehan was adamant about pursuing a career in art, both of his parents were very supportive. After high school, Sheehan spent the next four years at Vesper George School of Art, in the Boston area, where he studied under Robert Hunter Douglas...

Elena Degenhardt's "Ocean IV" is a poignant representation of the relentless and eternal spirit of the sea. Crafted in 2022, this exquisite original artwork measures 4 x 6 inches, rendered in soft pastel on paper, and comes elegantly framed in a custom 8 x 10-inch frame that complements the hues of the ocean's waters. Degenhardt's mastery in pastel techniques...

Blue, Navy, calm, reflection, nature, mountains 31 x 41" oil on canvas, maple frame Inspired by the drama of nature and light, Cynthia creates abstracted landscapes with oil on can...

Tranquil River Landscape French Impressionist School, antique signed with monogram lower corner oil on canvas, framed in antique Gil frame framed: 16.5 x 19 inches canvas : 11.5 x 14...

A truly stunning jewel and pertinent example of Berthelsen's charming New York City winter scenes depicting Washington Square Park in the snow. An iconic scene that so many have come...

Rafael Batallé Mallarach (1953) - Catalan farmhouse - Oil on canvas Oil measures 46x38 cm. Frame measures 61x53 cm. Frame with signs of rust.

A dreamy, lush, atmospheric abstract landscape with a flowing waterfall and poetic space. Won't you lay down with me? On the forest floor? Among the newly born green and mist from t...

This work by Lucien Adrion is a wonderful representation of his Post-Impressionist works at the seashore by the French Riviera. Using a bright palette of colors, Adrion executes this piece with much attention to detail with many boats situated along the marina. There are palm trees and buildings placed in the distance, as we can feel the warmth of the sun contrasted with the cool breeze of the water. The boats are wonderfully executed by the artist in a very whimsical way that leaves us with an essence of enjoyment from that sunny day at the marina. As this tourist destination was a favorite of the artist to find inspiration and highly attractive subjects and compositions to represent, we can find several of his works like this subject and others. The piece is signed by the artist lower left and it comes housed in a French giltwood frame with linen liner and hanging wire on verso ready to be displayed. Art measures 19 x 23.5 inches Frame measures 27 x 32 inches Lucien Adrion was born May 25, 1889 in Strasbourg, France. He was a French Post-Impressionist painter, draftsman, and printmaker known for his depictions of the French countryside and beaches, as well as Parisian life including landscape, still life, figure, and landmarks paintings. He began his initial studies in Strasbourg as a technical draughtsman. In 1907, at the age of 18, he left his hometown Strasbourg and traveled to Paris, where he found employment in a large drafting company to work as a fashion illustrator. Adrion changed his mind upon arrival and rather than working for a large company, he decided to peruse his artistic career by traveling to London, Munich, and Frankfurt. As the World War broke out he had to go to Berlin, where he studied as an engraver with Hermann Struck, who was also the teacher of Marc Chagall. He remained in Berlin until the war ended and after the demobilization, Lucien would study engraving under Franz Ritter von Struck...

Sheltering under a red parasol from sunny afternoon skies while passing through this lovely waterfront park, a woman could easily find renewal. She strolls along the Mediterranean sh...

My interest is to convey elements of the classical arcadian landscape paintings of the 17th and 18th century, inviting the viewer to reflec...

The splendour of the tragic sea Francesco Guardi and maritime painting in Venetian art No Venetian painter was a stranger to the sea. After all, Venice was not only one of the most prominent ports of the Mediterranean, but indeed a city literally submerged in the ocean from time to time. Curiously however, the famous Venetian school of painting showed little interest in maritime motifs, favouring scenes from the iconic architecture of the city rather than seascapes. That is why this painting is a particularly interesting window into not only the painter Francesco Guardi himself – but to the significance of the element of water in art history, in absence as well as in the centre of attention. Whether it be calm, sunny days with stunning views of the palaces alongside the canals of Venice or – more rarely – stormy shipwrecking tragedies at sea, water as a unifying element is integral to the works of painter Francesco Guardi (1712–1793). During his lifetime, Venetian art saw many of its greatest triumphs with names like Tiepolo or Canaletto gaining international recognition and firmly establishing Venice as one of the most vibrant artistic communities of Europe. While the city itself already in the 18th century was something of an early tourist spot where aristocrats and high society visited on their grand tour or travels, the artists too contributed to the fame and their work spread the image of Venice as the city of romance and leisure to an international audience, many of whom could never visit in person. Still today, the iconic image of Venice with its whimsical array of palaces, churches and other historic buildings is much influenced by these artists, many of whom have stood the test of time like very well and remain some of the most beloved in all of art history. It was not primarily subtility, intellectual meanings or moral ideals that the Venetian art tried to capture; instead it was the sheer vibrancy of life and the fast-paced city with crumbling palaces and festive people that made this atmosphere so special. Of course, Venice could count painters in most genres among its residents, from portraiture to religious motifs, history painting and much else. Still, it is the Vedutas and views of the city that seems to have etched itself into our memory more than anything else, not least in the tradition of Canaletto who was perhaps the undisputed master of all Venetian painters. Born into his profession, Francesco lived and breathed painting all his life. His father, the painter Domenico Guardi (1678–1716) died when Francesco was just a small child, yet both he and his brothers Niccolò and Gian Antonio continued in their fathers’ footsteps. The Guardi family belonged to the nobility and originated from the mountainous area of Trentino, not far from the Alps. The brothers worked together on more challenging commissions and supported each other in the manner typical of family workshops or networks of artists. Their sister Maria Cecilia married no other than the artist Giovanni Battista Tiepolo himself, linking the family to the most renowned Venetian name of the time. During almost a decade, Guardi worked in the studio of Michele Giovanni Marieschi, sometimes simply known as Michiel, a painted similar in both style and motif. Canaletto is, however, the artist Guardi is most often compared to since they shared a mutual fascination for depicting the architecture and cityscape of Venice. During the course of his career, Guardi tried his hand in many different genres. He was as swift in painting landscapes, Vedutas of Venice, sacred motifs, interiors and architectural compositions as he was in a number of other motifs. His style is typical of the Venetian school but also distinct and personal once we look a little closer. There is an absolute certainty in the composition, the choice of which sometimes feels like that of a carefully calculated photograph – yet it is also very painterly, in the best sense of the word: fluid, bold, sensitive and full of character. The brushwork is rapid, intense, seemingly careless and extraordinarily minute at the same time; fresh and planned in a very enjoyable mixture. His interiors often capture the breath-taking spacious glamour of the palaces and all their exquisite decor. He usually constructed the motif through remarkably simple, almost spontaneous yet intuitively precise strokes and shapes. The result was a festive, high-spirited atmospheric quality, far away from the sterile and exact likeness that other painters fell victim to when trying to copy Canaletto. The painting here has nothing of the city of Venice in it. On the contrary, we seem to be transported far away into the solitary ocean, with no architecture, nothing to hold on to – only the roaring sea and the dangerous cliffs upon which the ships are just moments away from being crushed upon. It is a maritime composition evoking both Flemish and Italian precursors, in the proud tradition of maritime painting that for centuries formed a crucial part of our visual culture. This genre of painting is today curiously overlooked, compared to how esteemed and meaningful it was when our relationship to the sea was far more natural than it is today. When both people and goods travelled by water, and many nations and cities – Venice among them – depended entirely on sea fare, the existential connection to the ocean was much more natural and integrated into the imagination. The schools and traditions of maritime art are as manifold as there are countries connected to the sea, and all reflect the need to process the dangers and wonders of the ocean. It could symbolize opportunity, the exciting prospects of a new countries and adventures, prospering trade, beautiful scenery as well as war and tragedy, loss of life, danger and doom. To say that water is ambivalent in nature is an understatement, and these many layers were something that artists explored in the most wondrous ways. Perhaps it takes a bit more time for the modern eye to identify the different nuances and qualities of historic maritime paintings, they may on first impression seem hard to differentiate from each other. But when allowing these motifs to unfold and tell stories of the sea in both fiction and reality – or somewhere in between – we are awarded with an understanding of how the oceans truly built our world. In Guardi’s interpretation, we see an almost theatrically arranged shipwrecking scene. No less than five ships are depicted right in the moment of utter disaster. Caught in a violent storm, the waves have driven them to a shore of sharp cliffs and if not swallowed by the waves, crushing against the cliffs seems to be the only outcome. The large wooden ships are impressively decorated with elaborate sculpture, and in fact relics already during Guardi’s lifetime. They are in fact typical of Dutch and Flemish 17th century ships, giving us a clue to where he got the inspiration from. Guardi must have seen examples of Flemish maritime art, that made him curious about these particular motifs. One is reminded of Flemish painters like Willem van de Velde and Ludolf Backhuysen, and this very painting has indeed been mistakenly attributed to Matthieu van Plattenberg...

Impressionist winter pastoral scene of a quaint snow covered home by theBuckingham, Bucks County, PA. Willett has portrayed this charming scene in a most intimate, yet energetic way,...

This enchanting early 19th-century portrait of a young girl in a pastoral landscape, attributed to the esteemed English portraitist Margaret Carpenter, is a rare and captivating exam...

ARTIST: Ernest Burnett Hood RGI (1932-1988) Scottish TITLE: "Bamburgh Castle, Northumberland" SIGNED: lower right MEDIUM: oil on canvas SIZE: 103cm x 73cm incl. frame CONDITION...

Vintage post impressionist landscape oil painting. Oil on canvas. Framed. Signed. In excellent original condition. Handsomely framed in a wood molding. Excellent condition, read...

This painting is featured in a hand-carved wood frame imported from Spain. Justo Revilla, born in Madrid, Spain in 1940 began his artistic career at the age of thirteen where he a...

Impressive early American impressionist landscape painting. Oil on board. Housed in a period impressionist giltwood frame. Excellent condition.

This beautiful and light filled painting testifies of a new dawn: in the 1880s the landscape and animalier artist William Baird turns to Impressionism. Our Sunny Path, with looser brushwork and lighter colours, convey the fleeting nature of the present. Our lovely oil on canvas may well be homage to Claude Monet - according to Baird's inscription on the stretcher, it was painted in Mantes, which is only about 6 miles from Vétheuil, where Monet was living and working in the 1880s! William Baptiste Baird was born in Chicago, Illinois, in 1847, but as an adult moved to Paris to perfect his painting technique. In Paris, Baird studied under Adolphe Yvon...

'Family Farm in France', gouache on art paper, by Michel Debiève (circa 1970s). An extremely endearing depiction of a French family farm, the delight is...

C. Andronis French River Landscape, signed and dated 1959 Oil on board Original carved French frame This luminous and expressive painting by C. Andronis captures the vibrant spirit...

Impressive early American modernist abstract oil painting. Framed. Oil on canvas. Signed. Image size, 18H by 24L.

Dawn Seascape Painting with Pink Sky and Waves by 20th Century British Artist, Norman Scott Art measures 16 x 12 inches Frame measures 18 x 14 inches Vintage Original Oil on Boar...

This is an original antique oil painting on canvas depicting a country landscape with a Woman and Ducks. Signed and dated 1876 in the lower left by listed Artist George Whitton Jo...

English Countryside painting with Thatched Cottage, River & Cows Grazing by British Artist Art measures 24 x 18 inches Frame measures 29 x 23 inches This captivating original paint...

Joaquim Marsillach i Codony (1905-1986) - Landscape with characters Oil on canvas Oil measures 46x55 cm. Frame measures 69x78 cm. Marsillach Codony...

The Seaside Memories II is a popular Thomas Kinkade's series. This painting titled "A Light in the Storm", 24” x 20” edition size is limited in Standard Numbered to 395 Artist Pr...

Fishing on Loch Maree by Donald Ayres (Briths b. 1936) signed oil on board, framed framed: 22 x 18 inches board: 16 x 22 inches Provenance: private collection, England Condition: ve...

French School, mid 20th century indistinctly signed and dated lower right corner, inscribed into the paint. oil painting on wood panel, presented within highly ornate carved wood or...

Glen Head, County Donegal Ireland by William Henry Burns (1924-1995) signed oil on canvas, framed Framed: 25.5 x 35.5 inches Canvas : 20.5 x 35 inches Provenance: private collection...

Work on canvas Molded frame Dimensions with frame 82 x 109.5 x 7 cm This work captures the vibrant scene of a harvest field, where a central woman forcefully lifts sheaves of wheat,...

This lovely British Edwardian Impressionist oil painting is by noted artist Tom Mostyn. Painted circa 1910, the composition is a view looking out over a pond with fountain, across gr...

Alpine Mountain Hut - Vintage Landscape Painting by 20th Century German Artist, Fritz Haupt Art measures 11 x 9 inches Frame measures 15 x 13 inches This exquisite painting by F....

Artist/ School: Paul BRET (French, 1902-1956) Paul Bret was one of the first French twentieth century artists to work in Greece. He had a studio in Athens t...

In this vibrant oil painting, I've captured the essence of spring's awakening. The lush greens and soft whites dance across the canvas, as light filters through the delicate blooms. ...

Step into the charm of historic Paris with this impressive large-format oil painting depicting a snowy street scene near the Sacré-Cœur Basilica. The romantic Parisian setting featur...

ARTIST: Lionel Aggett PS (1938-2009) British TITLE: "Sunrise Sully Sur Loire' SIGNED: lower left and gallery labelled verso MEDIUM: pastel on paper SIZE: 67cm x 63cm incl frame CO...

"Le Port de Marseille" Eugène Galien Laloue (French, 1854-1941) Gouache and watercolor on paper, original carved and gilded frame. 12 3/8 x 7 3/4 (14 1/2 x 9 5/8 frame) inches Signe...

'View of Mont Ventoux Under the Provence Sky', oil on canvas, by Michel Margueray (circa 2000). Mont Ventoux is the highest peak in Provence, not far from...

Charles Harold Davis Autumn on the Farm, circa 1930s Signed lower left Oil on canvas 20 x 27 1/4 inches Provenance Private Collection, Florida Charles Harold Davis was born in Ame...

Moody Dawn Mist with Winter Trees in a Rural Village in the English Countryside by British Artist, Kevin Curtis (1958-2009) Art measures 24 x 18 inches F...

Morning Sky oil/panel 9 x 12 unframed, 15.5 x 18.5 framed Morning Sky is a new oil on panel painting just completed in the studio. The painting exudes the rich qualities of oil pain...

This painting depicts a city scene at the Montmartre Hill in Paris France, a popular subject of the times painted by many important Post-Impressionists 20th Century painters. This pi...

Mountain Lake Oil Painting of a Loch in the Scottish Highlands by British Artist, Andrew Grant Kurtis M.A.(Lon) B.Des.(Hons) L.S.I.A.D. Art measures 16 x 12 inches Frame measures ...

Oil on canvas by Paul Collomb (1921-2010), France, 1960s. The beautiful view. Measurements : with frame: 54.5x41.2 cm - 21.5x16.2 inches, without frame: 46x33 cm - 18.1x13 inches, fo...

‘The River Thames at Leigh by Moonlight’ by Henry Pether (1800-1880). The painting is signed by the artist and dated 1851 and is presented in a bespoke gold metal leaf frame. • Vi...

Attributed to Ludolf Backhuysen Dutch Coastal Vessels and a Merchantman Off a Harbour Mouth Oil on canvas Canvas Size 22 1/4 x 30 in Framed Size 29 x...

Rare and important antique oil painting by George Wright (1850 - 1916). A panoramic beach scene, complete with a sunset and crashing waves. Oil on canvas. Housed in a period gilt...

A highly important Flemish Old Master oil painting by Peter Van Lint (1609-1690), titled "Preparing for the Hunt", the painting is dated & signed by the artist, 1620. The painting wa...

Ornamental Flowers in a Classical Still Life Composition Italian School, circa 1780's period oil painting on canvas: 32 x 42 inches antique gilt frame: 38 x 48 inches condition: over...

Impressionist New York City winter city-scene depicting Times Square in New York City. This piece is done in a most intimate, yet energetic way. Christopher is known for capturing th...

Floral Vintage Oil Painting of Wild Red Poppies in a Field in the English Countryside, by 20th Century British Artist. Art measures 16 x 12 inches Frame measures 22 x 18 inches ...

Manner of Abraham Hulk Junior (1851-1922). An idyllic alpine landscape with rustic wooden chalets nestled among lush woodland trees. The composition draws the viewer's eye along a wi...

Work : Original Oil Painting, Handmade artwork, Unique Work. Framed in Solid wood floater frame with light finish. Ready to Hang. Medium : Oil painting on stretched Linen. Artist : ...

Quang Ho's "Lemons - Abstracted" (2025) is an oil on board painting that depicts a vibrant lemon tree. About the artist: Quang Ho was born on April 30, 1963, in Hue, Vietnam. He Imm...