Paste Landscape Paintings

White Landscape mixed media on canvas 50x50 cm 2019 original Artwork Ready to Hang My painting tells of the relationship between man, nature and time, the landscape, the sign a...

Traces signs on wall time memories on the wall mixed media on canvas 2018

Elizabeth Geisler’s dazzling contemporary water reflection acrylic paintings bridge realism with abstraction. Up close, the paintings appear ambiguous and loose, yet with a little di...

* Title: Abstract Coral Reef * Size: 50 x 50 cm 20x20" * Materials: oil, stretched canvas, mixed media * Shipping: gallery standards packaging, express shipping by DHL, FEDEX Ocean Artwork was created with texture paste and some special fillings which gives deep volume and 3D effect. Bright abstract reef painting will be a good addition to your original oil painting collection. Original underwater art is created on stretched canvas. Ready to hang. The sides are painted. Coral Reef artwork...

Landscape oil on canvas 40x50 cm 2017 Original Art .Marilina Marchica, born in 1984, was born in Agrigento, where she lives and works. She graduated in Painting at the Academy of ...

Bayard Hollins' work explores the link between abstraction and figurative representation. Although the lines back to classical realism can be traced, Hollins' approach is absolutely ...

Hawaii Painting Coral Reef Original Art Textured 3D * Materials: oil, stretched canvas, mixed media * Shipping: gallery standards packaging, express shipping with tracking number Ocean Artwork was created with texture paste and some special fillings which gives deep volume and 3D effect. Bright abstract reef painting will be a good addition to your original oil painting collection. Original underwater art is created on stretched canvas. Ready to hang. The sides are painted. Coral Reef art...

Elizabeth Geisler’s dazzling contemporary water reflection acrylic paintings bridge realism with abstraction. Up close, the paintings appear ambiguous and loose, yet with a little di...

Above the Beach No 5 is a part of a series in which Rick Rivet is probing the environmental crisis in Arctic regions. The polar territories of Canada are under serious and imminent threat resulting from pollution, global warming, and poor resource management. Sport hunting is depleting animal resources that local populations need to survive, global warming is melting the polar icecaps threatening polar bear populations, and lead pollution is resulting in poisonous biomagnification levels in some sea animals while plastic pollution is trapping and suffocating others. The major degradative pollution began in the 1950s from nuclear testing which introduced radioactive isotopes produced by nuclear fission into plant and animal life, the effects of which are lethal and long-lasting. The melting resulting from global warming has increased to such a degree that the previously, and notoriously, challenging Northwest passage has opened wide now allowing tourist ships to glide through, further contributing to oil pollution and environmental wear and tear. The red horizon line in Above the Beach No 5 sketching the intersection of the land with the sky demarcates the pollution that is penetrating every pore of our environment. The snaking cream-coloured lines in the foreground indicate the different paths taken, the journeys that were cut short, the short-sighted policies that taxed the land and fell flat leaving no solutions, the hunting paths, the lack of direction and clear vision. Nevertheless, this painting is not about doom it is about hope. The shock of bright green grass edging the bottom is flecked with yellow from the radiating sun. The sun, high in a cold blue arctic sky, is twice hallowed by a glow of white suggesting reverence for its ability to regenerate life and for us to carry forward together if we build a sustainable and long-sighted path together. Richard James Rivet was born in the remote area of Aklavik in the Northwest Territories of Canada in 1949. His early years were spent growing up in the delta in a Metis family which made their living by trapping, hunting and fishing. Of Metis background, Rivet's Indigenous roots, and his experience in growing up in Canada's North, have been important factors in his development as an artist. Since 1989, Rivet has worked fulltime on his artwork, mainly concentrating in acrylic painting, mixed media and collage on canvas, with some drawing. Influences in his artwork are varied and derive from Shamanistic imagery of ancient peoples the world over (North American Indian, Inuit, Australian Aborigine, Norse, Oceanic, Siberian). Equally influential are Western and contemporary influences from various artists and art movements (such as: Edvard Munch, German Expressionism, Abstract Expressionism, Antoni Tapies, and Paterson Ewen...

This contemporary minimalist painting is by Pat Service. A highly prized and collected landscape artist, Pat Service has long been inspired by the natural beauty that surrounds her ...

Bayard uses what he sees as a starting point. Sometimes he uses aerial photos. He puts as much as he can on the canvas initially and then subtracts, scraping down and repeating and s...

Elizabeth Geisler is best known for her dazzling contemporary water reflection paintings that bridge realism with abstraction. Up close, the paintings appear ambiguous and loose, yet...