American Impressionist Landscape Paintings

Impressionist New York City winter city-scene depicting Fifth Avenue in New York City cars and pedestrians in a most intimate, yet energetic way. Christopher is known for capturing t...

ARTIST: Edgar Spier Cameron (1862-1944) American / Canadian TITLE: "French Farm Landscape" MEDIUM: oil on board SIZE: 70cm x 50cm inclusive of frame CONDITION: very good NOTES: B...

High Dunes Study 6x8 unframed, 9.75 x 11.5 framed signed LR High Dunes Study is an oil painting on canvas panel by award winning contemporary artist Michael Budden that showcases a b...

Beach Day II Study oil/panel 6x8 unframed, 9.75 x 11.75 framed signed LR Beach Day II is an oil painting on canvas panel by award winning contemporary artist Michael Budden that show...

Moonlight Marsh oil/panel 8 x 10 unframed 11.75 x 13.75 framed, signed LR Moonlight Marsh is an oil painting on canvas panel by award winning contemporary artist Michael Budden, tha...

Impressionist Figurative Scene, Picnic in the Park Original Oil Painting, Signed Beautifully rendered figurative landscape of a family in the park on a picnic, signed Jean Chambers....

A wonderful impressionist pastoral landscape with beautiful color tones throughout. Moore has portrayed this piece in a most intimate, yet energetic way, and has packed much feeling into this vibrant work. It is almost as if we are there on that warm day, bringing a beautiful feeling of nostalgia setting off down the glowing path on the water by Carver's Pond. The country side sunset is stunning sight in. Moore is known for capturing the beauty and simplicity of our times, depicting everyday life; in this piece he engages his audience with the quick use of brushwork and great attention to picking up the energy passionately of his subjects. This painting is oil on panel and it is signed by the artist lower left, it comes housed in a gold tone wood frame with linen inner, and hanging wire on verso ready to be displayed. Art measures 12 x 16 inches Frame measures 19.5 x 23.5 inches Scott Moore...

A charming Impressionist summer pastoral scene depicting Rue de Buci in Paris France. The store front bursts with color in the street as figures dine at a local cafe. This piece is e...

Under Moonlight oil/panel 6 x 8 image unframed, 11.63 x 9.63 framed signed LL Under Moonlight is an oil painting on canvas panel by award winning contemporary artist Michael Budden t...

A charming Impressionist pastoral scene of Rockport Harbor from the Summer of 1990. This vibrant impressionistic painting depicts a sunny seaside landscape with much depth and detail...

Moonrise Sailing II oil/panel 6 x 8 image unframed, 11.63 x 9.63 framed signed LL Moonrise Sailing II is an oil painting on canvas panel by award winning contemporary artist Micha...

A large, sweeping Michigan summer vista by the accomplished American painter, Ida Josephine Burgess (1855-1934). Burgess gives us a high vantage point over a lush hill pasture descen...

A charming impressionist pastoral scene depicting Spring in Tuckamony Farm Solebury PA Pleasant, Pennsylvania. This piece is executed in an intimate yet energetic manner. Christopher...

Beautiful Dappled Sky II by American Realist Willard Dixon. created with oil on canvas, measuring 48 x 48 inches. Artwork comes unframed and ready to hang and enjoy. Artist sigend ve...

Evening Retreat Egret This image measures 24 x 48 unframed and 30 x 54 framed. Evening Retreat Egret is an oil painting on Masonite panel by award winning contemporary artist Michae...

A charming Impressionist pastoral scene depicting Spring in Point Pleasant, Pennsylvania. This piece is executed in an intimate yet energetic manner. Christopher is known for capturi...

Charles Allen Winter: 1869-1942. Very well listed American artist with Auction results over $114,000. He mostly painted in the Gloucester Massachusetts and St. Louis Missouri area. T...

Jersey Shore, Manasquan Inlet oil/panel 12.5 x 17 unframed, 18.23 x 23 framed Jersey Shore, Manasquan Inlet is an oil painting on canvas by award winning contemporary artist Michael ...

Beach Day II oil/canvas 11 x 14 image unframed, 17.5 x 20.25 framed signed LL Beach Day II is an oil painting on canvas by award winning contemporary artist Michael Budden that show...

1930's California Mountain Trail Landscape, Original Oil Painting, Signed A beautiful 1930's landscape titled "Trail into California Mountains" by Oklahoman artist Sidney Lorenzo Br...

Karl Albert Buehr (1866-1952) Strolling in the Park Oil on canvas, relined, c. 1910 Unsigned Provenance: Gift of the Artist to his wife, Mary Hess Beuhr The artist's niece, daughter of Will Hess David Saltzman Robert Henry Adams Fine Art, Chicago, exhibited 1994 Karl Albert Buehr at Robert Henry Adams Fine Art, Chicago Exhibition dates The exhibition was held in 1994 at Robert Henry Adams Fine Art, 715 North Franklin Street, Chicago. Surviving provenance records describe it as the gallery’s first exhibition at its North Franklin Street location. Works documented as included include Woman on a Patio, Rocky Inlet (France), and apparently other paintings and studies acquired through David Saltzman from the family of Buehr’s wife, Mary Hess Buehr. The 1994 Karl Albert Buehr exhibition at Robert Henry Adams Fine Art represented an important act of historical recovery. Although Buehr enjoyed considerable recognition during his lifetime—as an exhibiting painter, prizewinner, and influential teacher at the School of the Art Institute of Chicago—his reputation had become less visible in the decades following his death. By bringing together paintings and works on paper that had descended through the artist’s family, the Adams exhibition helped restore Buehr to his proper position among the leading exponents of American Impressionism and the most important Chicago-trained painters working in France before the First World War. Giverny was crucial to Buehr’s mature development. American painters had been drawn to the Norman village since the late 1880s, attracted both by Monet’s presence and by the region’s gardens, river valleys, cultivated fields, and distinctive northern light. Buehr did not simply imitate Monet. His figure compositions remained grounded in the academic training he received in Chicago and Paris, but he enlivened that structure with broken brushwork, heightened complementary color, and an increasingly luminous palette. His characteristic compositions place elegantly dressed young women on terraces, beside windows, or within flowering gardens. These figures are neither conventional society portraits nor anonymous decorative accessories. They occupy a carefully balanced space between individual presence and pictorial harmony. Faces and gestures are often quietly observed, while dresses, parasols, flowers, foliage, and shifting sunlight become vehicles for color. Lavender shadows, rose and coral fabrics, emerald foliage, and brilliant passages of yellow or blue transform the garden into a chromatic environment surrounding the sitter. Works associated with the Adams exhibition illuminate the breadth of Buehr’s French production. The pastel Woman on a Patio, circa 1915, demonstrates his ability to translate Impressionist color into the immediacy of a dry medium. Pastel allowed him to place one hue directly beside another without losing intensity. The resulting surface possesses a soft atmospheric unity while retaining the energy of individual strokes. The work’s history—gifted by Buehr to Mary Hess Buehr and subsequently descending through her family—also gives it a particularly intimate character. Rocky Inlet (France) presents another aspect of Buehr’s practice. In place of the cultivated garden and poised female figure, the artist confronts a rugged coastal landscape. Yet his essential concern remains light acting upon color. Rock, water, and vegetation are constructed through abbreviated touches rather than continuous modeling. The small scale suggests direct observation, possibly an outdoor study made during Buehr’s travels in Normandy. Its provenance likewise begins with Mary Hess Buehr and passes through the family before reaching David Saltzman and Robert Henry Adams Fine Art. This family provenance was central to the significance of the 1994 exhibition. The works had not merely circulated anonymously through the market; many retained a direct association with the artist’s household. Such a group could include informal studies, experimental compositions, and personal gifts that Buehr elected to keep rather than send to public exhibitions. Together they offered a more private and exploratory view of his career. Condition: relined canvas and cleaned Image/Canvas size: 10 x 9 inches Frame: 16-3/4 x 15-3/4 x 1-3/4 inches Karl Albert Buehr (1866–1952): France and the Giverny Years Karl Albert Buehr—whose surname is sometimes misspelled “Beuhr”—was a German-born American painter and influential teacher associated with the second generation of American Impressionists working at Giverny. Although his artistic identity was rooted in Chicago, the years he spent in France transformed his palette, subject matter, and approach to painting. Born on February 14, 1866, in Feuerbach, near Stuttgart, Buehr immigrated with his family to Chicago, probably in 1881. After working briefly for a commercial lithographer, he enrolled at the School of the Art Institute of Chicago in 1888. He studied with John H. Vanderpoel and graduated with honors in 1894, after which the school invited him to teach. He also served in the Illinois cavalry during the Spanish-American War and married Mary Guion Hess, one of his students and an accomplished artist in her own right. Early study in Europe Buehr’s European education unfolded in several stages. Around 1900 he settled in Paris and studied at the Académie Julian, principally under the French painter Raphaël Collin. Collin was known for idealized female figures placed in luminous outdoor settings, a combination of academic draftsmanship and Impressionist light that anticipated Buehr’s mature work. Buehr reportedly received a gold medal at the Académie in 1901. His early European paintings included portraits, landscapes, and scenes of rural labor. Visits to Holland exposed him to the restrained tonalism of the Hague School, while his travels in Italy—particularly Taormina, Sicily, during 1906 and 1907—encouraged a brighter response to Mediterranean sunlight. He also studied in London, where his contacts with Frank Brangwyn and the decorative currents of British painting strengthened his interest in broad design, rhythmic composition, and large arrangements of figures. A decisive factor in this extended European residence was the patronage of Chicago philanthropist Lydia Coonley Ward. From approximately 1906 until 1913, Ward provided Buehr with a monthly stipend, enabling the artist, his wife, and their children to remain abroad and pursue their work without the immediate pressures of the American market. Buehr at Giverny Buehr entered the Anglo-American artistic community at Giverny around 1909, probably through his friendship with Henry Salem Hubbell, another American figure painter supported by Lydia Coonley Ward. From approximately 1909 through 1912, Buehr generally spent winters in Paris and the warmer months at Giverny. In 1912 and the summer of 1913, the family reportedly lived at Sainte-Geneviève-lès-Gasny, close to Giverny. By this date Giverny was no longer merely the village in which Claude Monet lived. It had become an international artists’ colony, particularly attractive to American painters who admired Impressionist color but wished to retain firm drawing and carefully organized figure compositions. Buehr’s associates included Frederick Carl Frieseke, Richard Edward Miller, Guy Rose, Lawton Parker, Louis Ritman, Edmund Greacen, Karl Anderson, and Theodore Earl Butler. Buehr was especially close to the circle of Frieseke and Miller. These artists specialized in decorative paintings of fashionably dressed women reading, sewing, taking tea, or resting in sunlit gardens. Their figures were surrounded by flowers, patterned fabrics, parasols, and flickering passages of colored light. Buehr adopted this repertoire, but his paintings usually retained a stronger structural organization and a more assertive contrast between complementary colors. During his first months at Giverny, Buehr worked on a large decorative panel of dancing figures. The composition received an honorable mention at the Paris Salon of 1910, an important professional recognition. That summer, however, he increasingly turned toward intimate garden scenes and outdoor figure studies. The influence of Richard Miller can be detected in the decorative arrangement of the figures, while Frieseke’s example encouraged Buehr s use of brilliant sunlight, patterned surfaces, and saturated hues. Relationship with Claude Monet Claude Monet was Buehr’s artistic hero, but the extent of their personal relationship should not be overstated. Buehr’s children played with the children of Theodore Butler, Monet’s son-in-law, and they visited the Monet household. Buehr’s daughter Kathleen later recalled that Monet was gracious to the children. Nevertheless, the best available scholarship suggests that no close personal association between Buehr and Monet has been documented. Monet’s importance to Buehr was therefore primarily artistic. At Giverny, Buehr learned to regard colored light as a central subject rather than merely a means of describing objects. Shadows became violet, blue, or green; white dresses reflected the surrounding garden; and faces and arms were modeled through small strokes of warm and cool color. The enclosed garden also became a kind of outdoor studio in which human figures, flowers, fabrics, and sunlight could be orchestrated into a unified decorative design. The Giverny style Buehr became best known for paintings of young women seated or standing in gardens, often accompanied by colorful parasols. Works such as Springtime in Giverny, Under the Parasol, and related pictures of women reading or conversing exemplify his mature style. Although inspired by French Impressionism, these paintings are not spontaneous transcriptions of fleeting visual experience in the strict Monet tradition. They are carefully staged figure compositions. Buehr himself explained that the outdoor figure painter should concentrate upon the ensemble—grouping, arrangement, and color—rather than laboriously describing every feature. This principle helps distinguish his Giverny paintings...

Josef Frank Froula (American, 1887-1939) Signed: Josef Froula, (lower, right) " Autumn Glow ", circa 1920 (on label attached to stretcher verso) Oil on canvas 12 1/8" x 15 1/8" ...

A wonderful impressionist pastoral landscape with beautiful color tones throughout. David Chapple has portrayed this piece in a most intimate, yet energetic way, and has packed much ...

Dramatic coastal scene by California artist Mabel Westphal (1892–1966). Powerful waves break against a rocky shoreline, rendered in broad, energetic strokes of blue, green, cream, an...

This painting is a charming depiction of 42nd St. at the Public Library on a Snowy day in New York City. A cozy impressionistic street scene with colors of cobalt, light pink, yellow...

A wonderful impressionist winter pastoral scene of quaint homes covered in snow and star light.. Willet has portrayed this piece in a most intimate, yet energetic way, and has packed...

A wonderful impressionist-style winter landscape with beautiful color tones throughout. Waltsak has portrayed this piece in a most intimate yet energetic way and has packed much feel...

Morning Sun Series oil/panel 6 x 8 image, 11.673 x 9.63 framed as pictured Morning Sun is an oil painting on canvas panel by award winning contemporary artist Michael Budden that sho...

About the Artist: Samantha Buller currently lives in Sonoma County after painting and teaching in Kansas for the past two years. She received her BFA in Painting from the Academy of ...

Moonrise Marsh Gulls 12 x 18 unframed 17.88 x 24 framed. Signed LR Moonlight Marsh is an oil painting on canvas panel by award winning contemporary artist Michael Budden that showca...

Last Light Beach II oil/canvas 26 x 26 image unframed, 31.25 x 31.25 framed signed LL Last Light Bech II is an oil painting on canvas by award winning contemporary artist Michael Bud...

Painting size without frame: 8"x10" Painting size with frame: 14"x16" Medium: Oil on Board Painting is signed lower right A jewel-like winter landscape by celebrated American Impres...

Edwin B. Kelley Jr. (American). Monterey Bay Cyprus tree Landscape. Oil on panel measuring 12 x 16 inches. Unframed. Signed lower left.

A wonderful impressionist pastoral landscape with beautiful color tones throughout. David Chapple has portrayed this piece in a most intimate, yet energetic way, and has packed much ...

A charming Impressionist scene of a serene rural marshland at sunset during Autumn. The composition consists of a reflective body of water in the foreground leading us toward farmhou...

Karl Albert Buehr (1866-1952) Giverny Landscape Oil on board, c. 1910 Unsigned Condition: Excellent Image size: 5 7/8 x 7 1/8 inches Frame: 11-1/2 x 12-3/4 x 1-1/2" Provenance: Estat...

A vibrant Bermuda seascape depicting the rocky shoreline with turquoise waters breaking against sunlit boulders beneath a sweeping tree. Mears uses bold, textured brushstrokes and a ...

About this work: “Birches and Huckleberry, October Morning Matunuck" c. 1925 by Frank Convers Mathewson (American, 1862-1941). A stunningly beautiful autumn view of Matunuck, Rhode ...

A stunning oil painting depicting figures at the Beach. Demarest was known for her charming intimate figurative scenes portraying life in the North East. She was profoundly active, p...

Known for his evocative, snow-covered landscapes, Koeniger brings this subject to life with his bold, confident brushwork and keen eye for natural light. The composition centers arou...

A fine impressionist oil painting of dappled light on the ocean by American artist Van Dearing Perrine (1869–1955). Perrine was born in Kansas and moved to New York in the early 1890...

A wonderful impressionist pastoral landscape with beautiful color tones throughout. Thomas deDecker has portrayed this piece in a most intimate, yet energetic way, and has packed muc...

Frederick Kitson Cowley (British, 1878–1943) Nantucket Beach Dated 1929 Oil on card Signed and dated on the reverse A charming and atmospheric beach scene by the British painter Fre...

Rugged California Coast, 1930's Impressionistic Seascape, Signed 18x24 Charming 1930's impressionistic seascape of blue waves crashing on a rocky shore with distant sail boats on th...

André Gisson (American, 1921-2003) Untitled, 20th century Oil on canvas 24 x 30 in. Framed: 31 x 37 x 1 1/2 in. Signed lower right Many sources cite Andre Gisson as a French painter...

Summer Sky oil/panel 6 x 8 unframed, 9.5 x 11.5 framed Summer Sky is an oil painting on canvas by award winning contemporary artist Michael Budden that showcases a beautiful day at t...

A wonderful Impressionist winter pastoral scene of colorful quaint homes by the river. Willet has portrayed this piece in a most intimate, yet energetic way, and has packed much feel...

Golden Sunrise, Beautiful Skies Series oil/panel 8 x 10 image unframed, 13.5 x 15.5 x .5 framed signed LL Golden Sunrise is an oil painting on canvas panel by award winning contempor...

River Lagoon with a “Carmel Meadows” free bluff in the background by Alfred Schroff (American, 1863-1939). An exceptional painting with distinct brushwork of the Carmel River mouth, ...

"Southern Beach" Coastal Landscape in Oil on Canvas Oil painting of the a beach landscape by Max Flandorfer (American, b. 1962). A sandy path winds towards the beach through some gr...

This artwork titled "San Jacinto Peak" c.1970, is an oil painting on canvas by noted Palm Spring artist Darwin Taylor, 1921-1975. It is signed at the lower right corner by the artist...

A wonderful impressionist Autumn pastoral landscape with beautiful color tones through out. Waltsak has portrayed this piece in a most intimate, yet energetic way, and has packed muc...

Harry Aiken Vincent Street in Menton Signed lower left Oil on board 9 3/8 x 7 1/4 inches Harry Aiken Vincent was an American landscape and marine painter whose work is closely asso...

Painting size without frame: 14"x16" Painting size with frame: 17"x19" Medium: Oil on Canvas Painting is signed lower left A lively New England harbor scene by Scottish-American pai...

Ella Boocock Hoedt Harbor Scene Oil on board 14 5/8 x 15 3/4 inches Ella Boocock Hoedt was born in Philadelphia in 1889. She was a graduate of the Pennsylvania Academy of Fine Art ...

Hawaiian landscape · plein air study · ocean · wind · waves · spray · impressionism · texture · American artist This small plein air study was painted in strong wind, when the ocean...

Oil on Canvas Painting size without frame: 16"x20" Painting size with frame: 19"x23" Signed Lower Right A lively, sunlit harbor scene by Anthony Thieme, one of the foremost painter...

"With shades of Pierre Bonnard’s Parisian street vistas and Edward Hopper’s New York shopfronts, American impressionist Cindy Shaoul’s oil paintings depict the much-loved locales and hotspots of contemporary city life." - Financial Times, Baya Simons. This painting depicts an impressionistic scene of Vesuvio Bakery in West Village NYC...

Serene, small-scale early 20th century landscape of a stream in winter by Ohio artist Martin George Dumler (American, 1868-1958), c. early 1900's. The deep blue stream flows peacefully through white banks of snow, towards the distant trees depicted in loose, abstracted brushstrokes. Signed "M. G. Dumler" in the lower right corner. Presented in a gilded frame. Painting size: 10"H x 8"W. Still-life and Landscape painter and composer of liturgical music, born in Cincinnati (Hamilton). December 22, 1868. He was a pupil of Martin Rettig...

‘The Clam Diggers’ is an oil on canvas seascape painting by American Impressionist painter, Granville Redmond. Redmond made his name on moody, nearly figureless Tonalist seascapes, ...