Board Paintings

Painted and sculpted cardboard Unique work Coming from the artist's studio Jacques ROUBY, the aesthetics of mystery « Experimental dreamer, passionate about graphic adventures, del...

“Signals of Stillness” is an original 54 x 47 cm acrylic painting on cardboard by Finnish multidisciplinary artist Emmi Iida, celebrated for her intuitive mark-making and emotional m...

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

Impasto Abstract Seascape Landscape Miniature Study by Contemporary British Artist Angela Wakefield Art measures 5 x 5 inches Frame measures 11 x 11 inches Angela Wakefield – “Coas...

Alanna's work is concerned with themes of nature, escapism and nostalgia. She has a particular interest in colour, light and abstract mark making. The paintings themselves are loosel...

Charles Green Shaw Harvard vs. Yale, 1944 Signed and dated on the reverse Oil on canvasboard 9 x 12 inches Provenance: Harvey and Francois Rambach, New Jersey Private Collection, California Washburn Gallery, New York D. Wigmore Fine Art, New York Private Collection, New York Charles Green Shaw, born into a wealthy New York family, began painting when he was in his mid-thirties. A 1914 graduate of Yale, Shaw also completed a year of architectural studies at Columbia University. During the 1920s Shaw enjoyed a successful career as a freelance writer for The New Yorker, Smart Set and Vanity Fair, chronicling the life of the theater and café society. In addition to penning insightful articles, Shaw was a poet, novelist and journalist. In 1927 he began to take a serious interest in art and attended Thomas Hart Benton's class at the Art Students League briefly in New York. He also studied privately with George Luks, who became a good friend. Once he had dedicated himself to non-traditional painting, Shaw's writing ability made him a potent defender of abstract art. After initial study with Benton and Luks, Shaw continued his artistic education in Paris by visiting numerous museums and galleries. From 1930 to 1932 Shaw's paintings evolved from a style imitative of Cubism to one directly inspired by it, though simplified and more purely geometric. Returning to the United States in 1933, Shaw began a series of abstracted cityscapes of skyscrapers he called Manhattan Motifs which evolved into his most famous works, the shaped canvases he called Plastic Polygons. The 1930s were productive years for Shaw. He showed his paintings in numerous group exhibitions, both in New York and abroad, and was also given several one-man exhibitions. Shaw had his first one-man exhibition at the Valentine Dudensing Gallery in New York in 1934, which included 25 Manhattan Motif paintings and 8 abstract works. In the spring of 1935 Shaw was introduced to Albert Gallatin and George L.K. Morris. Gallatin was so impressed with Shaw's work, he broke a policy against solo exhibitions at his museum, the Gallery of Living Art, and offered Shaw an exhibition there. In the summer of 1935 Shaw traveled to Paris with Gallatin and Morris who provided introductions to many great painters. Shaw regularly spent time with John Ferren and Jean Hélion. The following year Gallatin organized an exhibition called Five Contemporary American Concretionists at the Reinhardt Gallery that included Shaw, Ferren, and Morris, Alexander Calder, and Charles Biederman...

original Oil on board Image size: H:14 cm x W:18 cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look Oil on board

Ruz- original abstract acrylic painting. Virtual frame Original work of the artist RUZ Acrylic on paper Perfect state While contemplating the painting of Ruz, we are inclined to ta...

Motivated by bold color and fast brushwork, we are moved by the simplicity and thick textured oil paints in these works. Shaoul’s “My Heart Collection” is a vibrant and energetic dis...

A wonderful work by the elusive Salvadoran Mauricio Aguilar which is sculptural as well as pictorial. As I hope the video will show, the artwork offers new perpectives when viewed fr...

James Havard is considered one of the "pioneers of the abstract illusionism movement" One of James Havard's homes and studio's was on the island of Tortola and this work from 1979 evokes the feel of the aqua blue waters and the reference of Salt Island in the painting refers to the island of Tortola and the feel of the ocean waters. In the 1970's Havard was the principle artist that started working in an abstract style that included gestural brush strokes and paint squeezed directly from the tube to create beautiful surface textures in his paintings. He then painted shadows to certain areas of paint to create the 3d illusion of depth to his paintings. This created the "Abstract Illusion" movement of the 1970's. Havard had many museum exhibitions and his paintings were sort after and exhibited at galleries around the world. Havard along with other artists like, Michael Gallagher, George Green...

Natalya enjoys working on abstract artworks with an expressive touch. Title: "Embracing life" This artwork was done with acrylic paints on a heavyweight cardboard. Gloss was applie...

Vibrant abstract composition by Aromas, California, Monterey Bay Area abstract expressionist artist Frank Thomas Romero (American, b-1985). Signed ...

This artwork bursts from my fascination with the dynamic interplay of form and emotion. Each stroke and shape is deliberate, weaving expressionism with pop art flair and geometric pa...

Motivated by bold color and fast brushwork, we are moved by the simplicity and thick textured oil paints in these works. Shaoul’s “My Heart Collection” is a vibrant and energetic dis...

Antique American modernist abstract oil painting. Oil on board. Framed. Signed. Measuring 29 by 35 inches overall and 23 by 29 painting alone. In excellent original condition. Handso...

A dynamic & colorful, Abstract Expressionist Painting in Reds, Blues & Yellows by Artist Harold Haydon, Dated 1957. Framed in a dark, wood cube frame. Image size: 12" x 16". Fra...

Piccolo Archivio is an original Contemporary artwork realized in 1988 by the italian Contemporary artist Leo Guida (1992 - 2017). Original drawing in beautiful colored tempera o...

A striking abstract landscape painting by ex RAF pilot / artist Robert Sadler The details of the painting are as follows: Robert Sadler (British, 1909 – 2001) ...

Little Blue, 2020 Encaustic & collage on thin edged board 12" X 12" This abstract geometric composition on wooden board features a playful geometric motif that is inspired by the artist's interest in architecture and blueprint drawings. The geometric forms are made in a more painterly, gestural manner rather than with a hard edge. Paint is not heavily built up upon the surface but it certainly exhibits a tactile quality which is characteristic of the artist's aesthetic. English's work celebrates the quirky, unexpected qualities of shapes and colors. About the artist: Donise English is a Poughkeepsie-based artist who received her MFA from Bard College and is currently a Professor of Studio Art at Marist College in Poughkeepsie, NY. Artist Statement: I am interested in drawing and collaging multiple layers of information that refer abstractly to maps, architectural drawings and blueprints or patterns and structures found in such things as roller coasters, power lines and fences. I use gouache and collaged paper in a series of layers that are a visual and ideological response to the previous layer to define my pictorial space. For each piece I create a set of rules to follow about the use of a limited palette, a grid format, opacity of paper and whether a piece may include curving lines or maintain a rectilinear structure. Resume: EDUCATION Master of Fine Arts in Painting Bard College 1986 Bachelor of Science in Art History State University College at New Paltz 1977 Additional Study: New York Studio School (Drawing Marathons) Columbia University, School of Architecture Women’s Studio Workshop TEACHING Professor of Studio Art, Department of Art and Art History, Marist College, Poughkeepsie,NY Coordinator, Interior Design Program, Florence, Italy campus 1992-present AWARDS Finalist, “Saatchi Showdown” 2010 Invitational Award for Outstanding Contemporary Talent, University of Bridgeport, CT 2000 Purchase Prize, “11th National Juried Exhibition” College of Notre Dame of Maryland, Baltimore 1999 First Prize, “Women in the Visual Arts ‘95” Erector Square Gallery, New Haven, CT 1995 Joseph A. Cain Memorial Purchase Award for Sculpture Del Mar College, Corpus Christi, TX 1994 Honorable Mention, “National Juried Exhibition” University of Bridgeport, CT 1993 Individual Artists Fellowship in Sculpture Dutchess Arts Fund 1992/93 Tallix, Morris, Singer Internship in Sculpture Tallix Foundry, Beacon, NY 1990/91 SELECTED JURIED/INVITATIONAL EXHIBITIONS 2016 “Let’s Stay in Touch”, Howard County Center for the Arts, Ellicott City, MD 2015 “Off the Grid”, Arts & Culture Program, Albany International Airport, Albany, NY “Gridspace”, KMOCA, Kingston, NY “Abstraction”, Carrie Haddad Gallery, Hudson, NY “Assuming Identity”, NY Institute of Technology, New York, NY 2013 “Modern Artists”, Carrie Haddad Gallery, Hudson, NY “Artists of the Mohawk-Hudson Region”, The Hyde Collection, Glens Falls, NY Stone Canoe/Community Folk Art Center, Syracuse, NY 2012 New York Institute of Technology, New York, NY “Contemporary Painters (Who Just Happen To Be Women)”, Carrie Haddad Gallery, Hudson, NY “Strange Glue: Collage at 100”, Cambridge School, Weston, MA “Dear Mother Nature”, Dorsky Museum, SUNY New Paltz, NY “Fresher Paint”, Rockland Center for the Arts, Nyack, NY Courthouse Gallery, Lake George Arts Project, Lake George, NY 2011 “Process+Content: Donise English”, Vassar College, Poughkeepsie, NY “Donise English-Paintings”, Orange County Community College, Newburgh, NY “Gender Matters/Matters of Gender”, Freedman Gallery, Albright College, Reading, PA 2010 Carrie Haddad Gallery, Hudson, NY “Encaustics: Wax and Image”, Westchester Community College White Plains, NY “Dots, Lines and Figures”, Carrie Haddad Gallery, Hudson, NY “Spring Awakening”, NY Institute of Technology, New York, NY “Clay City Dreams”, NY Institute of Technology, New York, NY “Texture, Pattern, Fragment”, Krause Gallery, Moses Brown School Providence, RI 2009 “Collage”, NY Institute of Technology, New York, NY “Working in Wax”, Bedford Gallery, Walnut Creek, CA “Encaustic 2009”, College of New Rochelle, NY “Three Artists”, Carrie Haddad Gallery, Hudson, NY “Convergence: The Human Experience”, Howard County Center for the Arts, MD 2008 “Suckers and Biters: Love, Lollipops, and Exquisite Corpse” Chashama Gallery, New York, NY Carrie Haddad Gallery, Hudson NY 2007 “Patterns and Light”, Blue Hill Gallery, Blue Hill, ME “Suckers and Biters”, AG Gallery, Brooklyn, NY 2006 “100 Artists, 100 Watercolors”, Jeannie Freilich Fine Art, New York, NY “On/Of Paper”, Kirkland Art Center, Clinton, NY “The Love Show”, Manchester Community College, Manchester, CT 2005 The Soap Factory, Minneapolis, MN “Small Tales”, Valdosta State University, Georgia National Juried Exhibition, Art Institute and Gallery Salisbury, MD, Juror: Stephen Haller “Greed, Envy, Jealousy, Fear”, TSL Warehouse, Hudson, NY 2004 “Women in the Middle: Borders, Barriers, Intersections” University of Wisconsin-Milwaukee “Girl Art Now”, Hera Gallery, Wakefield, RI 3 Person Exhibition, Monterey Peninsula College, Monterey, CA “The Feminine Eye”, Bradley University, Peoria, IL “Women Painting Women”, McNeese State University, Lake Charles, LA “Thought Patterns”, Kent Place Gallery, Summit, NJ “Surface, Matter and Artifice”, Dutchess Community College Art Gallery, Poughkeepsie, NY 2003 “Beefcake/Cheesecake”,Orange County Center for Contemporary Art, Santa Ana, CA,Juror: Jamie Wilson, Curator Halpert Bienniel, Appalachian State University, Boone, NC Juror: Jeff Fleming, Senior Curator, Des Moines Art Center “The Great White Oak”, Garrison Art Center, Garrison, NY Carrie Haddad Gallery, Hudson, NY 2002 “Cat Calls”, Red Clay Arts, Brooklyn “Hudson Valley Regional”, SUNY New Paltz Juror: Sydney Jenkins, Director, Ramapo College Art Galleries 2001 One-Person Exhibition, Davis and Hall Gallery, Hudson, NY “Beyond the Surface”, Womanmade Gallery, Chicago One-Person Exhibition, Garrison Art Center, Garrison, NY 2000 “Vision 2000...

Katherine Chang Liu "Chain", Acrylic and collage on paper mounted on board with a Trompe L'oeil 3D effect. contemporary abstract painting Hand signed "Katherine Liu" Dimensions: 37...

Peach Panorama by Luisa Holden [2021] Original Mixed Media on gessoed cardboard Image size: H:22.5 cm x W:47.5 cm Complete Size of Unframed Work: H:39.5 c...

“Points of Contact “ second painting in the “Dance with a Fan” series Each work in the polyptych “Points of Contact” reveals moments of unity and interaction through the imagery of...

Wonderful English Abstract scene of an interior with still life, landscape and table top. William Yates painted exciting colorful vibrant scenes often of interiors and abstract fig...

36" x 24" Unframed Original Oil on Board Hand Signed by James Gordaneer

Late 20th century abstract Expressionist oil on board by French artist Emmanuelle Bardet. Signed bottom right and dated 95 and titled "La Corrida" to the reverse along with a dedicat...

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

Dan McCaw's (US based) "Untitled" is an original, handmade oil painting that depicts an abstracted figure standing in a striped interior setting. Artist Statement: Born: 1942 A s...

Ruz- original abstract acrylic painting. Virtual frame Original work of the artist RUZ Acrylic on paper Perfect state While contemplating the painting of Ruz, we are inclined to ta...

Contemporary Art ARTIST: Norayr Gevorgyan WORK: Original oil Painting, One of a Kind Medium: Oil on Cardboard, Unique style, YEAR: 2016 STYLE: Abstract, SUBJECT: Abstract SIZE: 19.5"...

A monochrome minimalist portrait in a restrained palette. The white face, resembling a mask, is immersed in music, dissolving into time. Simple yet expressive brushstrokes create a s...

Artist : Kory Twaddle Title : California Monoprint Materials : Tempera on paper Date : 2008 Dimensions : 36 x 24 x .1 in. Kory Twaddle is a Kansas City based artist and Research A...

Striking abstract on board utilizing fiery colors by Berlin artist Michael S. Keifers, circa 1980. Signed lower left. Archival plastic sleeve and Certifica...

I saw flowers in the Ukrainian steppe. They inspired me to create this painting. I really like to paint abstract paintings. I paint them with feelings and the energy of the inner bo...

Berto Lardera (1911-1989). Collage, 1958. Paper, cardboard, paint. 29 x 40.5 inches; 31.5 x 42 inches framed. Signed and dated lower right. Bears origina...

WOODLAND OVERTURES Oil on board Size: 50 x 52 cm (including frame) A striking contemporary Cornish abstract painting, executed in oil on board and dated 2024. Abstract in nature an...

Original oil on fiber board painting by the American artist, Anne Raymond. Circa 1910. Condition is excellent. Signed verso. Presently unframed. Provenance: A Long Island collector...

“Points of Contact “ third painting in the “Dance with a Fan” series Each work in the polyptych “Points of Contact” reveals moments of unity and interaction through the imagery of ...

Original Abstract Landscape Painting of the Scottish Highlands by British Artist, Angela Wakefield Art measures 16 x 12 inches Frame measures 21 x 17 inches Angela Wakefield has t...

Bay Area Abstract Expressionist Composition in Oil on Cardboard San Francisco Bay area abstract expressionist composition by Honora Be...

Mixed media on board

This vibrant and dynamic original abstract oil painting by Paul Kauvar Smith (1893–1977) showcases the artist’s bold use of color and modernist technique. Executed in oil on board, t...

Mid Century Abstract in polymerised macro-molecular paint on canvas applied to a painted wooden board by Belgian artist Paul H Saffre. Signed and dated {1963) on the board below the ...

Diane Englander uses formal means to create a place between discord and tranquility, a zone with a charged harmony that energizes as it also provides refuge. That often requires tha...

Motivated by bold color and fast brushwork, we are moved by the simplicity and thick textured oil paints in these works. Shaoul’s “My Heart Collection” is a vibrant and energetic dis...

Johann Berthelsen began his career as a professional singer. Graduating from the Chicago Musical College in 1905, Berthelsen toured the United States and Canada, performing in operas...

“Resonant Lines” is part of my Landscapes of the inner eye series of paintings which explore the memory of places that we carry in our imagination rather tha...

This abstract floral encaustic painting by Linda Bigness features a cool green and blue palette, with subtle warm muted orange accents and large organic botanical forms and line work...

Dora Maar è lo pseudonimo di Henrietta Theodora Markovitch (Parigi 1907 - 1997). Avvolta nell'ombra monumentale di Picasso, è stata a lungo - e riduttivamente - conosciuta come la su...

Aleksandr Rodin (1922-2001) Painter Born in a family of farmers. Wife Rasma Lace - art scholar. Studied at the Stalingrad School of Art, Saratov Art School, graduated from the Depar...

Here for your consideration is a very well executed early abstract painting by the well known American artist, Syd Solomon. Oil paint on birch ply panel. Signed middle bottom. Signed, titled and dated 1966 verso. The painting was done in East Hampton, New York where Syd Solomon spent his summers. Condition is excellent. Overall framed measurements are 26 by 31.5 inches. Provenance: A Sarasota, Florida collector. Syd Solomon was born near Uniontown, Pennsylvania, in 1917. He began painting in high school in Wilkes-Barre, where he was also a star football player. After high school, he worked in advertising and took classes at the Art Institute of Chicago. Before the attack on Pearl Harbor, he joined the war effort and was assigned to the First Camouflage Battalion, the 924th Engineer Aviation Regiment of the US Army. He used his artistic skills to create camouflage instruction manuals utilized throughout the Army. He married Ann Francine Cohen in late 1941. Soon thereafter, in early 1942, the couple moved to Fort Ord in California where he was sent to camouflage the coast to protect it from possible aerial bombings. Sent overseas in 1943, Solomon did aerial reconnaissance over Holland. Solomon was sent to Normandy early in the invasion where his camouflage designs provided protective concealment for the transport of supplies for men who had broken through the enemy line. Solomon was considered one of the best camoufleurs in the Army, receiving among other commendations, five bronze stars. Solomon often remarked that his camouflage experience during World War II influenced his ideas about abstract art. At the end of the War, he attended the École des Beaux-Arts in Paris. Because Solomon suffered frostbite during the Battle of the Bulge, he could not live in cold climates, so he and Annie chose to settle in Sarasota, Florida, after the War. Sarasota was home to the John and Mable Ringling Museum of Art, and soon Solomon became friends with Arthur Everett “Chick” Austin, Jr., the museum’s first Director. In the late 1940s, Solomon experimented with new synthetic media, the precursors to acrylic paints provided to him by chemist Guy Pascal, who was developing them. Victor D’Amico, the first Director of Education for the Museum of Modern Art, recognized Solomon as the first artist to use acrylic paint. His early experimentation with this medium as well as other media put him at the forefront of technical innovations in his generation. He was also one of the first artists to use aerosol sprays and combined them with resists, an innovation influenced by his camouflage experience. Solomon’s work began to be acknowledged nationally in 1952. He was included in American Watercolors, Drawings and Prints at the Metropolitan Museum of Art, New York. From 1952–1962, Solomon’s work was discovered by the cognoscenti of the art world, including the Museum of Modern Art Curators, Dorothy C. Miller and Peter Selz, and the Whitney Museum of American Art’s Director, John I. H. Baur. He had his first solo show in New York at the Associated American Artists Gallery in 1955 with “Chick” Austin, Jr. writing the essay for the exhibition. In the summer of 1955, the Solomons visited East Hampton, New York, for the first time at the invitation of fellow artist David Budd...

This collection brings together many small-format paintings, each of which is a unique butterfly, unique and full of inner light. They soar upward like light fragments of dreams, sca...

Motivated by bold color and fast brushwork, we are moved by the simplicity and thick textured oil paints in these works. Shaoul’s “My Heart Collection” is a vibrant and energetic dis...

Dan McCaw's (US based) "Transformation" is an original, handmade oil painting that depicts an abstracted figure in a greyscale interior setting. Artist Statement: Born: 1942 A so...

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. Calvin Lai’s Chroma 38 (Lavender), oil on cradled board, is a w...

This abstract geometric painting by Ned Martin is made with oil on aluminum and board, and features a cool blue-grey palette. It is signed by the artist on the back of the board and ...

The painting “Cosmic Pearl” is a mesmerizing exploration of the infinite, capturing the serene beauty of the cosmos through shades of celestial blue. The central orb, resembling a ra...

Miquel Torner de Semir (1938) - The jacket - Oil and collage on board Signed and dated lower right Measures work 103x78 cm. Frameless. Miquel Torner de Semir (1938) Catalan painter attracted by the Middle Ages and Italian Renaissance art. His influences and tastes also include the Romanesque and the Gothic. He trained artistically at the School of Fine Arts in Sant Jordi and at the San Fernando School in Madrid. Miquel Torner was a disciple of the muralist and engraver Ricard Marlet, with him he learned the discipline of drawing and got to know movements such as Catalan Modernism and Nuevocentisme. His first individual exhibition was in 1968 in Terrassa, later he exhibited in other Spanish cities, in Paris and in Europe. The painter Miquel Torner became one of the best known representatives of Mediterranean painting...

The second work of the diptych "Stories Told by the Fan", “Dance With a Fan” series The painting is filled with a unique depth of movement and silence, where each stroke seems to re...

This captivating British St. Ives School abstract landscape is a striking example of mid-20th-century artistic innovation, seamlessly blending geometric abstraction with the natural ...