Charcoal Paintings

Traces Frammenti Mineral Oxide on Paper (Fabriano Elle) 100x70 cm 2023 Marilina Marchica's research delves into the relationship between Man and Nature and the emotional implicati...

To create this masterpiece, Kempken used a unique technique of painting multiple artworks and cutting them up to weave them back together. The process of weaving to her is meditativ...

In this game of life, we fiercely strive, Chasing dreams, hoping to survive. Each step we take, is a move on the board, Sometimes rewarded, sometimes ignored. We start with a roll of...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gal...

Comes framed and ready to hang in black floater frame. Artist’s Statement: “These paintings are technically challenging, as they combine wax (encaustic), tar, oil, acrylic, powdered...

Ashit Sarkar - Untitled - 36 x 30 inches (unframed) 44 x 38 inches (framed) Charcoal on Canvas Inclusive of shipment in roll form. Style : Wom...

DNA is genetic information, hidden and encrypted in body fluids. Veiled data that we load, that we do not know and that someone knows how to decipher. Such specifications characteriz...

In this abstract painting, Pierre Morquin explores the theme of the birth of a Djinn, a supernatural creature from Islamic tradition. Bright colors and ...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Tope Alawaye, is a young contemporary artist hailing from the vibrant city of Ibadan, Nigeria. Born with an innate passion for art, Alawaye has emerged as a dynamic force in the Nigerian art...

Vast Countryside View charcoal on artist paper, unframed painting : 12.5 x 19 inches Provenance: private collection, France Condition: very good condition Description: This delicate...

Explorers in the Mountains charcoal on artist paper, unframed painting : 12.5 x 19 inches Provenance: private collection, France Condition: very good condition Description: This ev...

"Alter Ego" by Franklin Ndibam is a captivating artwork that explores the intricacies of human connection and the symbiotic dance between individuals. ...

Rustic Barn and Tree Landscape signed by Regine David (female French artist, 1910-2018) charcoal painting on artist paper painting: 7.5 x 10.5 inches condition: This painting is in e...

Quiet Countryside Scene by Regine David (female French artist, 1910-2018) charcoal painting on artist paper, stuck on card painting: 12.5 x 16 inches condition: This painting is in e...

Medieval Stone Ruins with Archway by Regine David (female French artist, 1910-2018) charcoal painting on artist paper, stuck on card inscribed verso painting: 12.5 x 16 inches condit...

"Extraordinary Woman" by Michael Adetula is a captivating artwork that celebrates the unique beauty and personality of a young woman who exudes confidence and charm. At first glance,...

Sold as a diptych, each elements dimensions: 200 x 140 cm/ 78.8 x 55,2 inches Available to purchase also individually, price on request Artwork is exclusive to IdeelArt. This artw...

"Mother and Child" is an artwork that captures the profound and timeless bond between a mother and her child. The title itself suggests a sense of tenderness, love, and nurturing tha...

Like The Wings of A Dove kicks off 2023 with a bold arrangement of colors smathered across a tan background, inspired by the beaches of Palm Beach, Florida. This piece is part of a series by Alysha Marko featuring other works like Treasure At The Beach as well as Fun Crowd: small abstract paintings that serve to document the very present feelings of the artist as she paints with immediacy. The bright magenta and blue contrast the soft brown and white colors. The bright colors realize the glam and vibrancy of the Palm Beach social scene, surrounded by warm sands and foamy waters on the oceanfront, giving off vacation vibes. The title of the pieces is inspired by the iconic Stevie Nicks song. The colors are reminiscent of Nick's bold vocals thundering through the track, contrasted by the soothing imagery of a white dove cooing. Alysha Marko Like The Wings of A Dove, 2023 Acrylic and charcoal on canvas 11 x 9 in Artist biography: Born in Central Jersey, Alysha Grace Marko is an NYC-based painter and the owner of AMRM Gallery...

Painting Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity.

I like who I am I’m not innocent I’m not magnificent I think I’m just right. Painting Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of ...

Unconsciously we are using this expression to suggest that we are all influenced by the same problems, and forces while actually agreeing to our true state: existing in a fully integ...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authent...

Ademola Ajayi's evocative artwork, "For Tomorrow's Festival," captures a poignant moment of intergenerational connection and tradition. In this heartwarm...

This unique artwork is created through interweaving and twisting strips of painted brown paper in order to create a complex composition with depth and texture. The works relate conce...

Rabbi in the synagogue at prayer wearing tallit and tefillin. Hugó Scheiber (born 29 September 1873 in Budapest – died there 7 March 1950) was a Hungarian modernist painter. Hugo Scheiber was brought from Budapest to Vienna at the age of eight where his father worked as a sign painter for the Prater Theater. At fifteen, he returned with his family to Budapest and began working during the day to help support them and attending painting classes at the School of Design in the evening, where Henrik Papp was one of his teachers. He completed his studies in 1900. His work was at first in a post-Impressionistic style but from 1910 onward showed his increasing interest in German Expressionism and Futurism. This made it of little interest to the conservative Hungarian art establishment. However, in 1915 he met the great Italian avant-gardist Filippo Tommaso Marinetti and the two painters became close friends. Marinetti invited him to join the Futurist Movement. The uniquely modernist style that he developed was, however, closer to German Expressionism than to Futurism and eventually drifted toward an international art deco manner similar to Erté's. In 1919, he and his friend Béla Kádar held an exhibition at the Hevesy Salon in Vienna. It was a great success and at last caused the Budapest Art Museum to acquire some of Scheiber's drawings. Encouraged, Scheiber came back to live in Vienna in 1920. A turning point in Scheiber's career came a year later, when Herwarth Walden, founder of Germany's leading avant-garde periodical, Der Sturm, and of the Sturm Gallery in Berlin, became interested in Scheiber's work. Scheiber moved to Berlin in 1922, and his paintings soon appeared regularly in Walden's magazine and elsewhere. Exhibitions of his work followed in London, Rome, La Paz, and New York. Scheiber's move to Germany coincided with a significant exodus of Hungarian artists to Berlin, including Laszlo Moholy-Nagy and Sandor Bortnyik. There had been a major split in ideology among the Hungarian avant-garde. The Constructivist and leader of the Hungarian avantgarde, Lajos Kassák (painted by Hugó Scheiber in 1930) believed that art should relate to all the needs of contemporary humankind. Thus he refused to compromise the purity of his style to reflect the demands of either the ruling class or socialists and communists. The other camp believed that an artist should be a figurehead for social and political change. The fall out and factions that resulted from this politicisation resulted in most of the Hungarian avant gardists leaving Vienna for Berlin. Hungarian émigrés made up one of the largest minority groups in the German capital and the influx of their painters had a significant effect on Hungarian and international art. Another turning point of Scheiber's career came in 1926, with the New York exhibition of the Société Anonyme, organized by Katherine Dreier. Scheiber and other important avant garde artists from more than twenty-three countries were represented. In 1933, Scheiber was invited by Marinetti to participate in the great meeting of the Futurists held in Rome in late April 1933, Mostra Nazionale d’Arte Futurista where he was received with great enthusiasm. Gradually, the Hungarian artists began to return home, particularly with the rise of Nazism in Germany. Kádar went back from Berlin in about 1932 and Scheiber followed in 1934. He was then at the peak of his powers and had a special flair in depicting café and cabaret life in vivid colors, sturdily abstracted forms and spontaneous brush strokes. Scheiber depicted cosmopolitan modern life using stylized shapes and expressive colors. His preferred subjects were cabaret and street scenes, jazz musicians, flappers, and a series of self-portraits (usually with a cigar). his principal media being gouache and oil. He was a member of the prestigious New Society of Artists (KUT—Képzőművészek Új Társasága)and seems to have weathered Hungary's post–World War II transition to state-communism without difficulty. He continued to be well regarded, eventually even receiving the posthumous honor of having one of his images used for a Russian Soviet postage stamp (see image above). Hugó Scheiber died in Budapest in 1950. Paintings by Hugó Scheiber form part of permanent museum collections in Budapest (Hungarian National Museum), Pecs (Jannus Pannonius Museum), Vienna, New York, Bern and elsewhere. His work has also been shown in many important exhibitions, including: "The Nell Walden Collection," Kunsthaus Zürich (1945) "Collection of the Société Anonyme," Yale University Art Gallery, New Haven, Connecticut (1950) "Hugó Scheiber: A Commemorative Exhibition," Hungarian National Museum, Budapest (1964) "Ungarische Avantgarde," Galleria del Levante, Munich (1971) "Paris-Berlin 1900-1930," Centre Georges Pompidou, Paris (1978) "L’Art en Hongrie, 1905-1920," Musée d’Art et l’Industrie, Saint-Etienne (1980) "Ungarische Avantgarde in der Weimarer Republik," Marburg (1986) "Modernizmus," Eresz & Maklary Gallery, Budapest (2006) "Hugó Scheiber & Béla Kádár," Galerie le Minotaure, Paris and Tel Aviv (2007) Hugó Scheiber's paintings continue to be regularly sold at Sotheby's, Christie's, Gillen's Arts (London), Papillon Gallery (Los Angeles) and other auction houses. He was included in the exhibition The Art Of Modern Hungary 1931 and other exhibitions along with Vilmos Novak Aba, Count Julius Batthyany, Pal Bor, Bela Buky, Denes Csanky, Istvan Csok, Bela Czobel, Peter Di Gabor, Bela Ivanyi Grunwald, Baron Ferenc Hatvany, Lipot Herman, Odon Marffy, C. Pal Molnar...

R.K. Laxman - Deduction Watercolour & Ink on Paper 8 x 11 inches ( Framed & Delivered ) Born in Mysore (now Mysuru), Laxman was the youngest of seven siblings, one of whom was autho...

Joseph Piccillo’s meticulous charcoal and graphite drawings and paintings reveal an exquisite draftsmanship tempered by emotional sensitivity. Piccillo presents an action-based assem...

As a model being a fashionista gives and creates room for you to keep your style and interest the way you feel and the way you want it to be, deciding to keep your style very simple,...

James Vaulkhard Jim, 2025 Oil, charcoal, pastel and oil stick on fine linen 80 x 70 cm 31.5 x 27.6 inches James Vaulkhard Share James Vaulkhard holds a BA degree in History of Art f...

This is a unique artwork in oil on stretched canvas by world renowned artist Elly Smallwood. The artwork depicts the artist as Venus, with reference to ...

"Far From Home" by Michael Adetula is a poignant artwork that eloquently captures the essence of the human pursuit for a better life and the bittersweet experience of being far away ...

Title: The Heart of America I Date: 2023 Artist: Steffen Bue (Danish, 1948 - ) Medium: Charcoal on handmade paper Dimensions with frame: 26,5in (W) x 19in (H) / 67,5cm (W) x 48,5cm (...

"Nothing to be Ashamed of (Body Positivity)" by Oluwatosin Ogunniyi is a remarkable artwork that beautifully captures the transformative power of self-...

"Enemonalisa" is a thought-provoking artwork by the talented artist Daniel Oguche Junior, which brings a unique and powerful reinterpretation of the iconic Mona Lisa portrait. In thi...

Hannah Reeves Up From Under 2023 Acrylic and charcoal on raw silk and organdy 8 x 8 inches

"Gaze is a Powerful Language," a creation by the talented artist Michael Adetula, is a compelling artwork that explores the captivating and expressive power of a young woman's gaze. ...

The theory of Heaven is a novelty that Plato introduced to philosophy. Inspired by this concept, the artist proposes a series of works where I imagine and recreate possible worlds on...

The focal point of the artwork, the man's free-flowing dreadlocks, serves as a potent symbol of individuality and cultural diversity. In many cultures, dreadlocks have deep-rooted historical and spiritual significance, representing a unique connection to heritage, self-expression, and identity. By emphasizing the man's hair in the portrait, Adetula calls attention to the fact that discrimination often arises from superficial judgments based on appearance, whether it be hairstyles, clothing choices, or language differences. The artwork's title, "I Need Some Love," conveys a heartfelt plea for compassion and understanding. It reminds us that discrimination and prejudice have no place in a harmonious and inclusive society. Adetula's creation urges us to break free from these harmful mindsets and cultivate a culture of empathy and acceptance toward one another. The message of the artwork resonates strongly with the call to let love prevail, irrespective of one's origin or outward appearance. Discrimination, whether conscious or unconscious, hinders our collective progress as a society. It erects barriers between individuals and communities, fostering mistrust and animosity. Adetula's artwork encourages us to dismantle these barriers and build bridges instead. Embracing diversity enriches our lives, broadens our perspectives, and fosters a climate of respect and unity. The man's free-flowing dreadlocks symbolize the beauty of embracing cultural differences and recognizing the uniqueness that each individual brings to the table. Moreover, "I Need Some Love" emphasizes the power of love as a transformative force. The artwork reminds us that by approaching others with love, compassion, and understanding, we can create an environment where everyone feels valued, respected, and heard. Correcting people with love, rather than judgment or hostility, allows us to foster meaningful connections and open up constructive dialogues, thereby nurturing a culture of growth and understanding. The man depicted in the artwork is a poignant reminder that every person deserves happiness and love, irrespective of their appearance, background, or language. Embracing diversity not only enhances our interpersonal relationships but also contributes to the betterment of society as a whole. When we treat one another with kindness and empathy, we foster a sense of belonging and acceptance that empowers individuals to thrive and contribute positively to their communities. In conclusion, "I Need Some Love" by Michael Adetula...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Michael Adetula...

The theory of Heaven is a novelty that Plato introduced to philosophy. Inspired by this concept, the artist proposes a series of works where I imagine and recreate possible worlds on...

"Be-Flowered" is deeply rooted in the African cultural heritage of a female child. In African culture, it is revered that a young woman should maintain her sexual purity until marriage, which brings immense joy and honor to her family when her husband finds her a virgin on their wedding night. The title "Be-Flowered" is derived from the concept of "Deflower," which signifies taking away a lady's innocence or dispossessing her of her virginity. However, in this painting series, my premise is centered on empowering women and celebrating their pride and inherent power. The first two pieces of the series feature ladies adorned in traditional South African bids worn during the Virgin festival. The gentle pink clouds symbolize feminine power and poise, evoking the strength and grace embodied by women. A community that empowers women tends to uphold higher moral standards than one that does not. My perspective veers away from the idea of gender equality, recognizing its limitations, and instead, I believe in gender equity, providing each gender with the opportunities they need to fulfill their potential. This series aims to leave my audience with a profound appreciation for empowerment and a celebration of cultural heritage. I hope viewers will reflect on the significance of embracing one's roots while acknowledging the strength and beauty that women contribute to society. Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Paul Ayihawu...

"Be-Flowered" is deeply rooted in the African cultural heritage of a female child. In African culture, it is revered that a young woman should maintain her sexual purity until marriage, which brings immense joy and honor to her family when her husband finds her a virgin on their wedding night. The title "Be-Flowered" is derived from the concept of "Deflower," which signifies taking away a lady's innocence or dispossessing her of her virginity. However, in this painting series, my premise is centered on empowering women and celebrating their pride and inherent power. The first two pieces of the series feature ladies adorned in traditional South African bids worn during the Virgin festival. The gentle pink clouds symbolize feminine power and poise, evoking the strength and grace embodied by women. A community that empowers women tends to uphold higher moral standards than one that does not. My perspective veers away from the idea of gender equality, recognizing its limitations, and instead, I believe in gender equity, providing each gender with the opportunities they need to fulfill their potential. This series aims to leave my audience with a profound appreciation for empowerment and a celebration of cultural heritage. I hope viewers will reflect on the significance of embracing one's roots while acknowledging the strength and beauty that women contribute to society. Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Paul Ayihawu...

Shuvaprasanna Bhattacharya - The Golden Flute - 12 x 12 inches (unframed size) Oil, Acrylic and Charcoal on canvas Inclusive of shipment in a roll form. ...

The central theme of the artwork revolves around the concept of love, partnership, and the strength that comes from sharing life's journey with someone you truly cherish. The portrayal of a woman standing behind a man is symbolic and highlights the significance of being someone's backbone, providing much-needed support and encouragement in every situation. The title, "My Backbone and I," aptly captures the essence of the artwork. It emphasizes the interconnectedness of the couple, where each person complements and supports the other, forming an unbreakable bond. This piece reminds us that true love involves more than just being there during the good times; it means standing together, hand-in-hand, through life's challenges and triumphs. In the context of the artwork, the woman's presence behind the man represents her role as a steadfast pillar of strength, constantly supporting and empowering him. This representation challenges traditional gender norms, debunking the outdated notion that women should always stand behind men. Instead, it celebrates the idea that a successful partnership is built on mutual respect, equal footing, and shared responsibilities. The artist, Michael Adetula...

Life doesn’t happen to you, it happens to you. This idea is powerful both in our personal lives and our professional lives. Instead of waiting for things to happen to you, instead of...

"Traveler" is an artwork that embodies the spirit of exploration, adventure, and the quest for new experiences. The title itself suggests a sense of movement, curiosity, and the desi...

Essence Of Nature This painting is part of a series titled The Essence of Nature. The series is recognized by bold brushstrokes and markmaking, multiple layers and depth, plus the u...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gal...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gal...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gal...

"Solace" is a striking piece of art created by Oluwafemi Akanmu that features a woman in a very relaxed position. The painting captures a serene momen...

A brightly colored, large 1950s Mid-Century, watercolor and charcoal on paper image of a young boy (titled "Sun Child") by notable Chicago Modern woman artist, Margo Hoff. Artwork s...

JERRY BERNECHE Untitled (Cats & Dogs No. 9) Charcoal on paper 22 x 17 inches

JERRY BERNECHE Untitled (Cats & Dogs No. 8) Charcoal on paper 30 x 22 inches

"Self Love (Town Girl)" depicts a young lady in a vibrant urban setting, exuding an aura of self-assurance and strength. The central focus of the artwork is the subject's face, beautifully painted with meticulous attention to detail. The artist employs a mix of bold brushstrokes and subtle shading, highlighting the woman's expressive eyes and radiant smile. Her posture and gaze project a sense of determination and self-awareness, symbolizing the journey of self-love and acceptance. The young lady's attire further emphasizes her individuality and confidence. Clad in a fusion of traditional and modern garments, she represents the convergence of cultural heritage and personal identity. The artist's deliberate choice of a diverse range of colors adds depth to the piece, infusing it with energy and life. The vibrant hues convey a message of optimism and celebrate the beauty found within diversity. "Self Love (Town Girl)" is a testament to the power of self-love and acceptance. Through his artwork, Akanmu seeks to inspire viewers to embrace their individuality and celebrate their unique qualities. The young lady portrayed in the piece serves as a symbol of strength, resilience, and unwavering self-belief. In a world that often imposes standards and expectations, the artwork invites us to reflect on the importance of self-acceptance and self-expression. It serves as a reminder that true beauty lies not in conformity but in embracing our authentic selves. By portraying the young lady with confidence and grace, Akanmu challenges societal norms and encourages viewers to cultivate their own inner strength. Furthermore, "Self Love (Town Girl)" prompts a dialogue about the amalgamation of different cultures and the beauty that arises from such fusion. The blending of traditional and contemporary elements in the lady's attire symbolizes the richness of heritage and the freedom to express oneself in a modern world. Akanmu's artwork celebrates diversity and prompts us to appreciate the beauty that arises when different cultures converge. Art possesses the ability to evoke emotions and trigger introspection, and "Self Love (Town Girl)" achieves just that. Akanmu's artwork acts as a catalyst, urging viewers to reevaluate their own self-perception and embrace their unique qualities. It serves as a gentle reminder that self-love is a journey that requires patience, understanding, and acceptance. "Self Love (Town Girl)" has the potential to inspire individuals from all walks of life, encouraging them to embrace their true selves and celebrate their inherent worth. By fostering a sense of empowerment and confidence, the artwork contributes to the ongoing narrative of self-love and acceptance in our society. Oluwafemi Akanmu...

"Believe" is an original painting created by Eyitayo Alagbe. Eyitayo created "Beleive" with Mixed Media on a Primed canvas of 36W by 36H Inches Believe is a masterpiece that deserves to be celebrated. It is a powerful artwork that embodies the spirit of hope and faith that we so desperately need in these trying times. At its core, Believe is a symbol of optimism and perseverance. The artwork features a stunningly intricate image of a young boy, set against a backdrop of calming blue tones, the boy stands tall and proud, representing the resilience and strength that we all possess within us. The beauty of this artwork lies not only in its design but in its message. Believe is a reminder that we should never give up on our dreams, no matter how impossible they may seem. It encourages us to trust ourselves and to have faith in the path that we have chosen. It is not just an artist's interpretation of life, it is a positive force that inspires us to look at the world with a new perspective. Believe conveys that life has an amazing power to heal our system and rejuvenate our spirits. In today's world, where negativity and despair seem to be taking over, Believe is a beacon of hope. Its message is simple yet profound: we are capable of overcoming any obstacle if we believe in ourselves and never give up. The fact that Believe has managed to touch so many lives is a testament to its worth. It is not just a piece of art, but a timeless masterpiece that has the potential to inspire people for generations to come. In describing the painting "Believe", In Eyitayo Alagbe's words: "And above all, watch with glittering eyes the whole world around you because the greatest secrets are always hidden in the most unlikely places. Those who don't believe in magic will never find it. Believe in your heart that you're meant to live a life full of passion, purpose, magic, and miracles". Your belief and working towards what you believe in can make so much difference between the life you are living and the life you desire. In conclusion, Believe is a true masterpiece that is both beautiful and meaningful. It's not for mere decoration, it's a source of inspiration for life. Its message is a reminder to us all that we have the strength within...

Wasim Kapoor - Untitled Sketch on Paper 10 x 10 inches, 2003 (Unframed & Delivered) Style : Wasim Kapoor is an artist possessed by the dark emotions of pain, suppression, suffering ...

Serene, I fold my hands and wait, nor care for wind, nor tide, nor sea I have no more time Or fate, for lo! My own shall come to me And what is mine shall know my face...

Acrylic, charcoal on canvas Sa Hara is a Korean artist born in 1975 who lives and works in Seoul, South Korea. She is graduated with a bachelor’s degree in business administration a...