Digital Paintings

36" x 50" Unframed Original - Oil, Acrylic, and Inkjet on Canvas Hand Signed by Johnathan Ball

18" x 10" Unframed Limited Edition Giclée with Hand Embellishment of 135 Hand Signed by Todd White “An experienced woman’s piece. She’s dealt with life. Handled it just fine. Now de...

Original Giclee on canvas hand embellished and Hand Signed by Johnathan Ball Johnathan Ball has been working for more than 15 years to establish a style of painting that transforms the language of the street into a hybrid form of abstraction and urban realism. From the outset, JBall has sought to interpret his experience of cities that have served as crossroads in his life, from Toronto to New York to Miami the urban experience is a central theme in his work. Not always bound to one genre he also works from iconic images and film stills while purposefully engaging with the rich history of painting since the rise of abstraction in the 1950s. His work provides markers of time, engages the viewer with mood and line tracing the painting providing an artist lead tour of the work. JBall is also well known for his sculptural work. Sculpting anatomical forms using them as an entirely new canvas for his painting. His sculptures are an accent to his painted works, sometimes bringing levity. JBall is an active muralist working with community programs such as Toronto’s Street Art initiative, as well as private commissions. His notable patrons include The Mayor of Toronto, Universal Music, Blattner energy, and IMT Corporation. JBall (born Toronto, ON 1983) studied at York University, Toronto, where he received his Bachelors in Fine Arts degree, graduating with honors. He was also the recipient of the Ontario Arts Council emerging artist award. Johnathan is currently represented by the Liss Gallery...

Amir Baradaran is a New York-based Iranian-Canadian ARtificial artist. As the Arts-Based Creative Research Associate and Adjunct Faculty at Columbia University School of Engineering and Applied Sciences, Baradaran is developing iBegoo, a multi-user software that supports artists with limited knowledge of game design and programing by streamlining and automating the process of writing for, directing, and producing interactive Augmented Reality (AR) experiences that include responsive characters enabled with Artificial Intelligence (AI). Baradaran is the recipient of the Knight Foundation Arts Award, Canada Council for the Arts New-Chapter & 150th Anniversary Prize, UC Berkeley Artist Residency (from Center for Critical Theory, New Media, Race and Gender Studies), International Symposium on Mixed and Augmented Reality Future of Augmented Reality Prize, and Morgan Stanley Pulse Art Fair grant. As a researcher at Columbia University Computer Graphics and User Interfaces Lab and a member of the School of the Arts Digital Storytelling Lab, Baradaran’s praxis and writings focus on a critical {AR}ticulation of visual vocabularies that use AR and AI technologies around notions of interactivity, non-linear narrative formation, po{AI}try, data-mining, failed utopias, racialized and gendered bodies, infiltration, and the ephemeral. Baradaran is a TEDx speaker, and an invited presenter to His Holiness Dalai Lama’s World Headquarters in Dharamsala for the Summit on Fostering Universal Ethics and Compassion through Museums. Baradaran is the co-author of the chapter Augmenting Empathy and Decolonizing AR/VR Mediums: How Do We Reimagine Augmented and Virtual Reality Experiences?” (Ed. By Gokcigdem, 2019), the author of While Data Privacy Talks, Capitalism Walks: Urging for a Critical Take on the Artificial Intelligence Ecosystem, and the Rise of the Machine (Ed. By Brielmaier, Forthcoming), and the co-editor of The Color of Queer Health Care: Experiences of Multiple Oppression in the Lives of Queer People of Color (-with Ryan, B. & Brotman, S. (eds.), 2006). Reviews of Baradaran’s work include Oxford University Press, Art in America, New York Observer, ARTNET, National Public Radio, BBC, Forbes, Euro-News, and L'Actualité. ARTINFO described his public art, Transient (installed in 6,300 NYC...

Amir Baradaran is a New York-based Iranian-Canadian ARtificial artist. As the Arts-Based Creative Research Associate and Adjunct Faculty at Columbia University School of Engineering and Applied Sciences, Baradaran is developing iBegoo, a multi-user software that supports artists with limited knowledge of game design and programing by streamlining and automating the process of writing for, directing, and producing interactive Augmented Reality (AR) experiences that include responsive characters enabled with Artificial Intelligence (AI). Baradaran is the recipient of the Knight Foundation Arts Award, Canada Council for the Arts New-Chapter & 150th Anniversary Prize, UC Berkeley Artist Residency (from Center for Critical Theory, New Media, Race and Gender Studies), International Symposium on Mixed and Augmented Reality Future of Augmented Reality Prize, and Morgan Stanley Pulse Art Fair grant. As a researcher at Columbia University Computer Graphics and User Interfaces Lab and a member of the School of the Arts Digital Storytelling Lab, Baradaran’s praxis and writings focus on a critical {AR}ticulation of visual vocabularies that use AR and AI technologies around notions of interactivity, non-linear narrative formation, po{AI}try, data-mining, failed utopias, racialized and gendered bodies, infiltration, and the ephemeral. Baradaran is a TEDx speaker, and an invited presenter to His Holiness Dalai Lama’s World Headquarters in Dharamsala for the Summit on Fostering Universal Ethics and Compassion through Museums. Baradaran is the co-author of the chapter Augmenting Empathy and Decolonizing AR/VR Mediums: How Do We Reimagine Augmented and Virtual Reality Experiences?” (Ed. By Gokcigdem, 2019), the author of While Data Privacy Talks, Capitalism Walks: Urging for a Critical Take on the Artificial Intelligence Ecosystem, and the Rise of the Machine (Ed. By Brielmaier, Forthcoming), and the co-editor of The Color of Queer Health Care: Experiences of Multiple Oppression in the Lives of Queer People of Color (-with Ryan, B. & Brotman, S. (eds.), 2006). Reviews of Baradaran’s work include Oxford University Press, Art in America, New York Observer, ARTNET, National Public Radio, BBC, Forbes, Euro-News, and L'Actualité. ARTINFO described his public art, Transient (installed in 6,300 NYC...

Work by MIchael Manning

Ed.4/6

Mystical, chemical or sexual ecstasy... it's the same prison.

Edition of 6

On each blade is reproduced a famous suicide that in its own way have touched the bottom of his inner prison: Mishima, Marilyn, Kurt Cobain , Hemingway, Freud, Amy Winehouse, Jim Mor...

All the ambivalence and contradiction of our democracy are to be found in the concept of Security/Freedom. Security and freedom are two of the inalienable and fundamental rights of e...

The Masharabiyya: lace for a woman who hides herself or a partition for a woman who is hidden?

The Masharabiyya: lace for a woman who hides herself or a partition for a woman who is hidden?

Amir Baradaran is a New York-based Iranian-Canadian ARtificial artist. As the Arts-Based Creative Research Associate and Adjunct Faculty at Columbia University School of Engineering and Applied Sciences, Baradaran is developing iBegoo, a multi-user software that supports artists with limited knowledge of game design and programing by streamlining and automating the process of writing for, directing, and producing interactive Augmented Reality (AR) experiences that include responsive characters enabled with Artificial Intelligence (AI). Baradaran is the recipient of the Knight Foundation Arts Award, Canada Council for the Arts New-Chapter & 150th Anniversary Prize, UC Berkeley Artist Residency (from Center for Critical Theory, New Media, Race and Gender Studies), International Symposium on Mixed and Augmented Reality Future of Augmented Reality Prize, and Morgan Stanley Pulse Art Fair grant. As a researcher at Columbia University Computer Graphics and User Interfaces Lab and a member of the School of the Arts Digital Storytelling Lab, Baradaran’s praxis and writings focus on a critical {AR}ticulation of visual vocabularies that use AR and AI technologies around notions of interactivity, non-linear narrative formation, po{AI}try, data-mining, failed utopias, racialized and gendered bodies, infiltration, and the ephemeral. Baradaran is a TEDx speaker, and an invited presenter to His Holiness Dalai Lama’s World Headquarters in Dharamsala for the Summit on Fostering Universal Ethics and Compassion through Museums. Baradaran is the co-author of the chapter Augmenting Empathy and Decolonizing AR/VR Mediums: How Do We Reimagine Augmented and Virtual Reality Experiences?” (Ed. By Gokcigdem, 2019), the author of While Data Privacy Talks, Capitalism Walks: Urging for a Critical Take on the Artificial Intelligence Ecosystem, and the Rise of the Machine (Ed. By Brielmaier, Forthcoming), and the co-editor of The Color of Queer Health Care: Experiences of Multiple Oppression in the Lives of Queer People of Color (-with Ryan, B. & Brotman, S. (eds.), 2006). Reviews of Baradaran’s work include Oxford University Press, Art in America, New York Observer, ARTNET, National Public Radio, BBC, Forbes, Euro-News, and L'Actualité. ARTINFO described his public art, Transient (installed in 6,300 NYC...

Amir Baradaran is a New York-based Iranian-Canadian ARtificial artist. As the Arts-Based Creative Research Associate and Adjunct Faculty at Columbia University School of Engineering and Applied Sciences, Baradaran is developing iBegoo, a multi-user software that supports artists with limited knowledge of game design and programing by streamlining and automating the process of writing for, directing, and producing interactive Augmented Reality (AR) experiences that include responsive characters enabled with Artificial Intelligence (AI). Baradaran is the recipient of the Knight Foundation Arts Award, Canada Council for the Arts New-Chapter & 150th Anniversary Prize, UC Berkeley Artist Residency (from Center for Critical Theory, New Media, Race and Gender Studies), International Symposium on Mixed and Augmented Reality Future of Augmented Reality Prize, and Morgan Stanley Pulse Art Fair grant. As a researcher at Columbia University Computer Graphics and User Interfaces Lab and a member of the School of the Arts Digital Storytelling Lab, Baradaran’s praxis and writings focus on a critical {AR}ticulation of visual vocabularies that use AR and AI technologies around notions of interactivity, non-linear narrative formation, po{AI}try, data-mining, failed utopias, racialized and gendered bodies, infiltration, and the ephemeral. Baradaran is a TEDx speaker, and an invited presenter to His Holiness Dalai Lama’s World Headquarters in Dharamsala for the Summit on Fostering Universal Ethics and Compassion through Museums. Baradaran is the co-author of the chapter Augmenting Empathy and Decolonizing AR/VR Mediums: How Do We Reimagine Augmented and Virtual Reality Experiences?” (Ed. By Gokcigdem, 2019), the author of While Data Privacy Talks, Capitalism Walks: Urging for a Critical Take on the Artificial Intelligence Ecosystem, and the Rise of the Machine (Ed. By Brielmaier, Forthcoming), and the co-editor of The Color of Queer Health Care: Experiences of Multiple Oppression in the Lives of Queer People of Color (-with Ryan, B. & Brotman, S. (eds.), 2006). Reviews of Baradaran’s work include Oxford University Press, Art in America, New York Observer, ARTNET, National Public Radio, BBC, Forbes, Euro-News, and L'Actualité. ARTINFO described his public art, Transient (installed in 6,300 NYC...

Amir Baradaran is a New York-based Iranian-Canadian ARtificial artist. As the Arts-Based Creative Research Associate and Adjunct Faculty at Columbia University School of Engineering and Applied Sciences, Baradaran is developing iBegoo, a multi-user software that supports artists with limited knowledge of game design and programing by streamlining and automating the process of writing for, directing, and producing interactive Augmented Reality (AR) experiences that include responsive characters enabled with Artificial Intelligence (AI). Baradaran is the recipient of the Knight Foundation Arts Award, Canada Council for the Arts New-Chapter & 150th Anniversary Prize, UC Berkeley Artist Residency (from Center for Critical Theory, New Media, Race and Gender Studies), International Symposium on Mixed and Augmented Reality Future of Augmented Reality Prize, and Morgan Stanley Pulse Art Fair grant. As a researcher at Columbia University Computer Graphics and User Interfaces Lab and a member of the School of the Arts Digital Storytelling Lab, Baradaran’s praxis and writings focus on a critical {AR}ticulation of visual vocabularies that use AR and AI technologies around notions of interactivity, non-linear narrative formation, po{AI}try, data-mining, failed utopias, racialized and gendered bodies, infiltration, and the ephemeral. Baradaran is a TEDx speaker, and an invited presenter to His Holiness Dalai Lama’s World Headquarters in Dharamsala for the Summit on Fostering Universal Ethics and Compassion through Museums. Baradaran is the co-author of the chapter Augmenting Empathy and Decolonizing AR/VR Mediums: How Do We Reimagine Augmented and Virtual Reality Experiences?” (Ed. By Gokcigdem, 2019), the author of While Data Privacy Talks, Capitalism Walks: Urging for a Critical Take on the Artificial Intelligence Ecosystem, and the Rise of the Machine (Ed. By Brielmaier, Forthcoming), and the co-editor of The Color of Queer Health Care: Experiences of Multiple Oppression in the Lives of Queer People of Color (-with Ryan, B. & Brotman, S. (eds.), 2006). Reviews of Baradaran’s work include Oxford University Press, Art in America, New York Observer, ARTNET, National Public Radio, BBC, Forbes, Euro-News, and L'Actualité. ARTINFO described his public art, Transient (installed in 6,300 NYC...

The Dollar Sign and Money Archival and acrylic paint on paper 30 x 40 inches Unique painting About the artist: David Gamble is a multidisciplinary artist from London, now based...

Soody Sharifi, mixed media collage on paper, Middle Eastern Artist. Framed artwork in brand new condition. Signed by artist on verso.

Soody Sharifi, mixed media collage on paper, Middle Eastern Artist. Framed artwork in brand new condition. Signed by artist on verso. Certificate of authenticity provided with purchase.

"Sovereign Shield" (2022) by Doug Nox (aka Harleqvin and the Harlequinade), psychedelic, enchanted, cosmic, giclée 43.25 × 20 × 1.75 in Surrealistic / Pastel Colors / Patterns / Graffiti and Street Art / Figurativve art / Digital Painting and Drawing / Cosmic art / Psychedelic art Giclée print on Hahnemule rag paper mounted on wood panel; Hand embellished digital drawing giclée print painted with gold medium and glitter; hand painted multiple. Pastels, earth tones, metallics. Gold, purple, blue, pink, orange, yellow, green, red. Rich in symbolism and layered imagery and ornate wisps of cosmic iconography -- spirit animals and protectors (hares, rabbits, bunnies, lion), symbolic objects (shield, heart, eyes, eye, feet, shackles, shackled ankles, faces, hand, feather, princess, crown, tiara, figure, heart, mushroom creatures). Hand signed by artist Certificate of Authenticity included Custom framing available Harleqvin and Harlequinade are both street art aliases of Philly-based street artist Doug Nox (aka #noxxy). He cites Austin Osman Spare...

"Sovereign Sword" (2022) by Doug Nox (aka Harleqvin and the Harlequinade), psychedelic, enchanted, cosmic, giclée 43.25 × 20 × 1.75 in Surrealistic / Pastel Colors / Patterns / Graffiti and Street Art / Digital Painting and Drawing / Cosmic art / Psychedelic art Giclée print on Hahnemule rag paper mounted on wood panel; Hand embellished digital drawing giclée print painted with gold medium and glitter; hand painted multiple. Pastels, earth tones, metallics. Gold, purple, blue, pink, orange, yellow, green, red. Rich in symbolism and layered imagery and wisps of cosmic iconography -- spirit animals and protectors (roosters), symbolic objects (sword, eyes, faces, hand, tree of life). Hand signed by artist Certificate of Authenticity included Custom framing available Harleqvin and Harlequinade are both street art aliases of Philly-based street artist Doug Nox (aka #noxxy). He cites Austin Osman...

The works of JCW at the onset and in print are photographic techniques. However, at their conclusion, they are no longer photographs, but rather transformed compositions. Brushwork a...

Archival Inkjet Print from Silver Gelatin Chromoskedasic Sabattier Print

Archival Inkjet Print from Silver Gelatin Chromoskedasic Sabattier Print

Lambda Print Mounted on Alu Dibond Acrylic Front Glossy / Mat Individual Sizes and Framing on Request

Lambda Print Mounted on Alu Dibond Acrylic Front Glossy / Mat Series I ed of 5 Size 60' x 60" Series II ed of 5 size 40" x 40" Special Sizes on Request.

Lambda Print Mounted on Alu Dibond Acrylic Front Glossy / Mat Series I ed of 5 Size 60' x 60" Series II ed of 5 size 40" x 40" Special Sizes on Request.

Lambda Print Mounted on Alu Dibond Acrylic Front Glossy / Mat Series I ed of 5 Size 60' x 60" Series II ed of 5 size 40" x 40" Special Sizes on Request.

Lambda Print Mounted on Alu Dibond Acrylic Front Glossy / Mat Individual Sizes and Framing on Request Wittig's works use photographic techniques ...

Lambda Print Mounted on Alu Dibond Acrylic Front Glossy / Mat Individual Sizes and Framing on Request

A delightful new work by the artist

Digital Painting, Lambda Print on fuji crystal archival paper mounted on aluminum dibond, acrylic front.

Jeanne Wilkinson continues her exploration of abstract forms in everyday life in the award winning “City Symmetry Series,” which reflects city streets and parks in a state of dynamic...

This is a signed and numbered limited edition of 18. Commission Only, lead time is apx. 5 weeks. This dimensional wall sculpture is created with layered laser cut aluminum pieces pai...