Gouache Paintings

Story illustration for “The Little Lady of the Big House” by Jack London for Cosmopolitan, published January 1916, page 290. The full caption reads: “‘And now, just to help me to...

Title Jean Marc Fighting Males Two Figures Modernist Gouache Painting 1997 Key Details Artist: Jean Marc (French, 1949–2019), signed and dated 1997 Medium: Gouache on paper/card Size...

Conditions: Very good condition. In its original frame and glass. A similar composition, but less accomplished, is currently part of the collections of the Musée des Invalides. Signed at the bottom and dated. Complementary shipping worlwide by DHL, FEDEX. Description: This work of art, framed by a majestic golden frame, accurately depicts a group of soldiers in 19th-century uniforms. Every detail, from the golden buttons to the epaulettes, finely illustrates the military equipment of the time. Behind them stands a sober architectural structure, evoking a barracks or a guard post. The color palette, dominated by earthy tones and dark shades of blue, gives a solemn and dignified atmosphere to the scene. The disposition of the soldiers, turned towards the artist, with an attitude both alert and relaxed, captures a moment of daily military life. This painting, with its attention to detail and harmonious composition, transports the viewer into a bygone era, inviting reflection on history and military traditions. EDOUARD DETAILLE The emperor is accompanied by his aide-de-camp, Colonel Castelnau, and Marshal Canrobert. In a gilded wooden frame, under a Marie Louise blue background. Life and time Born in 1848 into a close-knit bourgeois family, Édouard Detaille, the eldest of eight children, displayed early talent in drawing. “He was a prodigy,” notes François Robichon. By the age of thirteen, he exhibited an astonishing surety of hand and a phenomenal sense of composition. His father, connected to Horace Vernet, encouraged him. At seventeen, after passing his baccalaureate, he entered Meissonier’s studio. This relationship, which developed into mutual affection, spared Detaille the academic detour through the École des Beaux-Arts. Rather than dictating an official art style, Meissonier, at the peak of his fame, traveled with his students, introducing them to the nuances of Titian, Rembrandt, and Rubens in Brussels and Lille. In 1867, the Paris of “free trade” dominated the world through the technological revolutions of the Universal Exhibition, and the amiable young man, striking in appearance, discovered the salon of Princess Mathilde and the theater of Dumas fils. He even approached the Empress, noting in his journals, “Not bad, the Empress.” This observation encapsulated Detaille: he had no doubts about his talent, cultivated panache, enjoyed the company of beautiful women, and aimed to conquer the circles of power without sacrificing his freedom. From childhood, he listened to his calling: “Before I could read, I could guess the subjects of battles, the names of famous generals, the weapons of officers and soldiers from the images I admired in the books of Norvins and Laurent de l'Ardèche.” He mingled with collectors and regularly attended military reviews on the Champs-Élysées. His first painting exhibited at the Salon in 1868, “La Halte de tambours,” was praised by critics who immediately recognized “a remarkable truth of observation and simplicity of effect.” The purchase of this work by Princess Mathilde, cousin of Emperor Louis-Napoleon, made Detaille, at twenty, an envied celebrity known to Sainte-Beuve, Théophile Gautier, the Goncourt brothers, and Flaubert. The young artist’s humanistic vision contrasted with the compositions of his predecessors, depicting soldiers in maneuvers, contemplative and resigned as war loomed. **The Combatant’s Vision** The Siege of Paris, where he nearly lost his life in 1870, and the deaths of two brothers in that defeat darkened his outlook. From 1871 onward, Detaille no longer concealed the cruelties of war: German riflemen mowed down by machine gun fire, cavalrymen and panicked horses caught in ambushes, fields plowed by shells strewn with dead animals. The unvarnished tragedy: “It is an absolute fact that no painter has ever rendered a battlefield covered with corpses as it is,” commented Jules Claretie. The fallen bodies still bear the appearance of life in their frozen rigidity. Detaille’s testimony of the devastating defeat and the catastrophic effects of the first total war in history was not a celebration of heroism but a lament, a “lesson in darkness.” “From war, once considered the supreme effort of human genius, we now see only melancholy and horrors,” judged one writer in response to his canvases. “Detaille experienced the reality of combat at a young age during a war that foreshadowed the two world conflicts of the 20th century,” explains François Robichon. With great realism, Detaille painted war from the perspective of the combatant. He introduced a humanity and a critical lucidity regarding the evolution of warfare. His works intensely captured the violence and firepower of new weapons like machine guns. Before he turned thirty, Detaille had become a chronicler of these painful years. He exhibited, as a critic noted, a “striking portrait of modern war” that both French civilians and soldiers had experienced firsthand. He embodied a youth humiliated and eager for revenge. Yet this scrupulous artist also remembered, in his expansive landscapes—from the chalky plateaus of Île-de-France to the Russian plains—the lessons of Corot and Courbet. Manet was not far off. “I wouldn’t want my art to be reduced to mere patriotic art,” he asserted. “A system I often employ and love is to first execute the landscape, very effective, very tight, based on nature…” Echoing Meissonier’s advice: “Always nature, always nature!” Detaille remained close to this father figure, constructing a grand townhouse next to his mentor’s studio at 129 boulevard Malesherbes at the age of 26, having purchased 425 m² of land from the Pereire brothers. He even chose the same architect as Meissonier: Paul Boesvilwald. A bachelor and incorrigible seducer, the painter welcomed his conquests, including Valtesse de la Bigne, amidst his collections, having built his studio in the courtyard. Diplomatic Actor As Detaille’s fame grew, his Malesherbes townhouse quickly became a gathering place for foreign princes, politicians, and heads of state, where Juliette Adam, Léon Gambetta’s muse, offered him valuable advice. The Prince of Wales, the future Edward VII, developed a genuine friendship with the painter. “This fervent patriot, friend of Déroulède, was extraordinarily open to the world,” recounts François Robichon. In just a few years, he gained considerable social, cultural, and international stature. Received at Windsor, at the English court, he was close to Tsar Alexander III and a great friend of Félix Faure. In this capacity, Detaille played a decisive role in the Entente Cordiale, signed in 1904 between England and France, and in the Franco-Russian alliance of 1894, thereby contributing to the Triple Entente among the three powers. An engaged witness of his time—associated with the birth of the “Ligue des Patriotes” alongside Alphonse de Neuville...

"Reclining Lady" signed painting of a female nude by artist Joy Laville. Framed with a linen-wrapped mat. Image size: 17 1/2 x 21 inches.

Original on Gouache on paper. Hand signed on front; signed, titled, dated with dedication on verso by Erte. Stamped "Composition originale". Frame size 29 x 24.5 inches. Artwork s...

Pierre MONTHEILLET (1923-2011) Composition in green and yellow Watercolor and gouache on paper Signed lower left Dimensions of the work: 50 x 65 cm Dimensions of the frame: 60 x 80 c...

Rosa. original gouache naif contemporary painting. Subirachs Ferrer is, besides an extremely gifted painter and draftsman, an illustrator who denotes, in each of her pieces, a vocat...

'French Landscape' by Édouard Righetti (1924-2001) Signed Lower Front oil painting on artist paper, beautifully painted very good condition size: 19....

Medium: Gouache watercolor painting on artist board Signature: Signed Lower Left Size: 18" x 14"

"Can't Be Bothered With Details (Diptych)" is an original piece by Kevin Snipes made from ink, gouache, and acrylic on paper. This piece measures approx. 8.25”h x 12.25”w and is sign...

Mary Finlayson "Green Vase with Red Cosmos" Gouache on Canvas with Maple Frame 37 x 31.25 inches, Framed Mary Finlayson’s interest in painting interior spaces portrays how environme...

Judd Mercer's (US based) "046 - Plein Air-Star K Ranch, CO" is a gouache painting depicting a forest. Artist bio/statement Judd Mercer is a contemporary landscape painter and Color...

Brightly colored autumn leaves float on the surface of a vibrant teal blue pond in this rich, highly detailed contemporary landscape in gouache on paper. The many shades of golden, p...

Advertisement for the Interwoven Stocking Company, New Brunswick, NJ. "A Colonial Christmas", Title given by Interwoven. (“Christmas in Philadelphia—Independence Hall” is title give...

Abstract Expressionist design. Sealed on the back with the design studio name and number . Ilegible signature We offer a small number of these original illustration designs by this ...

Alfred Maurer was born in 1868 in New York City, the son of Louis Maurer, a commercial artist for Currier and Ives. He worked in the family lithographic business as a young man and a...

This work is an exceptional example of Kádár's mature Cubist style. It's effortlessly designed around a complex composition of nude men and women tending to horses in a surreal landscape with Greek columns, friezes and marshmello clouds set against a rich blue saturated sky. Kádár was a Hungarian painter influenced by Der Blaue Reiter...

Date: 1951 Medium: Gouache and Tempera on Board Dimensions: 10.25" x 12.50" Signature: Signed Lower Right The Head and the Heart, American Magazine story illustration, September 1951

We offer a small number of these original illustration designs by this design studio based in Alcoy (Spain), which could pair well or make group sets if buyers so desired. Designed t...

Born in Gardner, Massachusetts in 1876, painter, writer and teacher Emma Alice (Polly) Parker Nordell studied at the Rhode Island School of Design under Stacy Tolman and Sydney R. Burleigh, Art Students League under Frank DuMond and Robert Henri, Chase School of Art with William Merritt Chase in New York City and at the Academie de la Grand Chaumiere in Paris under the tutelage of Lucien Simon and Emile Menard...

Genre: Other Subject: Figures Medium: Other, Gouache Surface: Paper Country: United States sight size 17 X 13 inches Emigrating to Boston in 1913 from Poland with his Russian-Jewis...

Max Manning is a Houston-based painter whose practice he describes as “algorithmic abstraction”, studio-built systems that he deliberately disrupts to create compositions where loosely figurative fragments, patterns, and color fields collide. Working in series, Manning sets up rule-driven visual frameworks such as grids, repeated motifs, cut-outs, and layered shapes, and then interrupts them through shifts in palette, gesture, and scale. The result is a retro-contemporary language: paintings that acknowledge a world shaped by data and screens while insisting on the tactility, stillness, and breath of paint. • One-of-a-kind abstract artwork on paper measuring 14 inches high by 10 inches wide • Artwork is not framed • Signed by the artist on the back • Includes certificate of authenticity issued by the art gallery • Convenient local Los Angeles delivery • Affordable Continental U.S. and international shipping available Across his practice, Manning has maintained a clear studio ethos: to “paint through the questions” of life lived alongside algorithms. Instead of reproducing digital aesthetics, he uses rule sets to destabilize them—allowing glitches, misalignments, and pauses to surface. The work’s visual “systems” act less like predictive code and more like open, humanized structures where attention can rest. This stance has resonated with curators and collectors attuned to abstraction’s current arc: grounded in art-historical form, responsive to contemporary cognition, and committed to the slow time of looking. Manning earned a BFA in Two-Dimensional Studies from Bowling Green State University (2011) and an MFA from the University of Cincinnati (2014). His work has been exhibited widely in the U.S. and abroad and gained early institutional and critical attention through selection for the 2017 Texas Biennial, curated by Leslie Moody Castro, with press coverage in Texas arts media. Artspace Warehouse has been representing and exhibiting Max Manning's original artworks since 2025. The gallery has been a 1stdibs partner since 2014 with consistently excellent reviews from clients worldwide. The gallery exhibits a large selection of affordable original artworks from established and emerging international artists with diverse backgrounds at high standards. Artspace Warehouse is known to provide accurate descriptions, images, reliable services, communication, and delivery. The gallery's commitment to customer satisfaction means that clients can invest in art with confidence, knowing they have a reputable and established art gallery backing their acquisition. Artspace Warehouse prioritizes our clients' peace of mind by ensuring a seamless and worry-free art-buying experience. REPRESENTATION Artspace Warehouse, Los Angeles, USA SOLO EXHIBITIONS 2017 Language Game, TW Fine Art, Brisbane, Queensland, Australia 2015 In Tongues, EN EM Art Space, Sacramento, California 2014 Now Made with Real Paint, No Future Projects (online) Soul-Rocket, Pipeline Artist Space, Cincinnati, Ohio 2013 Uberplasticist Exhibition #1, Pipeline Artist Space, Cincinnati, Ohio 2011 Screening Reality: Erotomania (Paintings and Drawings by Max Manning), Bowen Thompson Student Union, Bowling Green, Ohio GROUP EXHIBITIONS 2025 Space City Spotlight, Seismic Gallery, Houston, Texas 2023 No Zoning, Reeves Art and Design, Houston, Texas 2022 Crimson Tide, Soft Times Gallery, San Francisco, California The Big Show, Lawndale Art Center, Houston, Texas Small Works, Soft Times Gallery, San Francisco, California Summer Preview, Todd Weiner Gallery, Kansas City, Missouri 2022 Salina Biennial, Salina Art Center, Salina, Kansas Project for Ukraine, Far By Wide — Online Exhibition Miami University Yeck Young Painters Competition, Miami University, Oxford, Ohio 2021 Quiet Fire, curated by Jessica Cannon and Jay Gaskill, Far By Wide — Online Exhibition Not Just Another Anthropocenic Love Story, Trestle Gallery, Brooklyn, New York DAAP Made, University of Cincinnati Indian Hill Gallery, Cincinnati, Ohio Loop, Box 13 ArtSpace, Houston, Texas 2020 Concrete Pocket, Houston Community College Central Gallery, Houston, Texas Lines of Thought, CICA Museum, Gimpo, South Korea Flatfile Exhibition, Collar Works, Troy, New York Mirror Eye, curated by Youngspace and Far by Wide, Ortega y Gasset Projects, Brooklyn, NY Ortega y Gasset Flatfile Exhibition, Ortega y Gasset Projects, Brooklyn, New York 2019 The Christmas Edit, TWFINEART Group Art Show, Todd Weiner Gallery, Kansas City, MO Be. Long. I Like Your Work Juried Exhibition, curated by Erika B. Hess, David Linneweh, and Mychaelyn Michalec, Dutoit Gallery, Dayton, Ohio Of Texas, curated by Adam Farcus, Lease Agreement, Lubbock, Texas Priority Mail, Ground Floor Gallery, Brooklyn, NY Art Hustle, Reed Gallery, Cincinnati, OH Lobster Dinner, curated by Will Hutnick, Trestle Gallery, Brooklyn, New York 2018 Trade Show, My Friend PTX, Paris, Texas TWFAX2 + Matt Sheridan + W Hotel, TW Fine Art, Brisbane, Queensland, Australia Papercuts, curated by Kristian Day, Saatchi Gallery, London, England The Big Show, Lawndale Art Center, Houston, Texas Squaring the Sun, curated by Jessica Cannon, Far By Wide — Online Exhibition 2017 Paper Cuts, curated by Kristian Day and Jeanette Gunnarsson, Tripp Gallery, London, England Winter Exhibition, James May Gallery, St. Algoma, Wisconsin 2017 Texas Biennial, curated by Leslie Moody Castro, Big Medium Austin, Austin, Texas Milestones, Bowling Green State University, Bowling Green, Ohio Antipol, curated by Max Presneill and Chris Trueman, Durden and Ray, Los Angeles, California Priority Mail, Ground Floor Gallery, Brooklyn, New York Chaos, Ro2 Art, Dallas, Texas Intimates, Skylab Gallery, Columbus, Ohio ATTACH FILES, 50/50, Kansas City, Missouri Día de los Muertos, Lawndale Art Center 2016 Funkytown, Urbano, Berkeley, California The Big Show 2016, Lawndale Art Center, Houston, Texas Small Works, Trestle Gallery, Brooklyn, New York From Here, Fluorescent Gallery, Knoxville, Tennessee Construct, 337 Project Space, Grand Rapids, Michigan 2015 Be, Mist Gallery — Online Exhibition More or Less, Front/Space, Kansas City, Missouri Le Cours de Chose, Le Praticable Espace D’Exposition, Rennes, France At the Sound of The Bell: Break Away, Pear Gallery, Cincinnati, Ohio Chill, Zen, Funk and Twang, Curating Contemporary — Online Exhibition 2014 Sugar Rush, En Em Art Space, Sacramento, California New Abstraction: 3 Select, Metropolis Collective, Mechanicsburg, Pennsylvania Extraordinary Flecks and Things Butting Up, LOHIOH, Cincinnati, Ohio By The Pleasure of Doing, Espacio 20/20, San Juan, Puerto Rico Divisible: please, actually, introspective, Divisible Project Space, Dayton, Ohio Business Casual, collaborative show with Jessica Simorte, Neon Heater Gallery, Findlay, Ohio LUSH, Contemporary Arts Center, Cincinnati, Ohio Fiction, University of Dayton Galleries, Dayton, Ohio 2013 Fresh Paint Showcase, Media Wall at Commerce Square, Philadelphia, Pennsylvania Pop-Up Art, Niehoff Design Studio, Cincinnati, Ohio Members Small Works Exhibition, Roy G Biv Gallery, Columbus, Ohio Wintery Mix, Rock Paper Scissors, Cincinnati, Ohio Crosspollination, Collaborative show with Jessica Simorte, 840 Gallery, Cincinnati, Ohio Sweety Salty Sculpture Funk, Collaborative show with Jessica Simorte, Pipeline Artist Space, Cincinnati, Ohio All Fall Down, Meyers Gallery, University of Cincinnati, Cincinnati, Ohio Modern Makers & Fernside Benefit Art Auction, Niehoff Urban Studio, Cincinnati, Ohio Renewal, Drift...

Artist/ School: Norman A.Olley ( British, 20th Century) and inscribed verso Title - Cornish WaterMill Medium: gouache/watercolour/ ink/ pencil on artist paper, unframed Painting ...

One of the hallmarks of great art is recognizing the artist's style instantly. This is the case with Richard Erdoes. His highly stylized comic figures are expressive and communicate the story delightfully and joyfully. Even though this work is rendered in flat, minimalistic two colors, the inventive shape relationships and positive and negative areas convey a very high level of artistic skill. The present work was done on assignment for the prestigious Standard Oil ( Exxon's predecessor ) corporation's company magazine, The Lamp. Although not a newstand magazine, The Lamp had the highest editional and artistic content. Work is unsigned and unframed. Richard Erdoes (Hungarian Erdős, German Erdös; July 7, 1912 – July 16, 2008) was an American artist, photographer, illustrator and author. Early life Erdoes was born in Frankfurt,to Maria Josefa Schrom on July 7, 1912. His father, Richárd Erdős Sr., was a Jewish Hungarian...

6135 My dog's graduation day gouache on paper Framed image size 8x9" Signed

Liz Barber pursued painting while obtaining her degree from the Massachusetts College of Art and Moore College of Art. She currently resides in Marietta, Georgia. Barber’s paintings ...

Work is matted but not framed. Painter, Designer, Illustrator born on July 18, 1903 in Warren Arkansas. Studied at the Chicago Art Institute; Northwestern University; Vienne, Austria; with Eliot O’Hara and Hubert Ropp. Member of the following organizations: Dallas Art Association; Texas Fine Arts Association; National Association of Watercolor Artists; and the Texas watercolor Society. Smith exhibited at: American Watercolor Society in 1945, 1948 and 1952; with National Assn. of Watercolor Artists in 1945, 1946, and 1948; Artists Alliance in Dallas in 1943 (awarded prize), in 1944 (awarded prize), in 1945-46 and 1948-1950, 1952-53 with prizes awarded in 1948 and 1953; the Texas General Exhibition from 1943 through 1946, 1948-49; with the Texas Watercolor Society from 1950-52 with prizes won in 1950 and 1951, 1957; with the Southern States Arts League in 1944 and 1945; Texas Fine Arts Association in 1945 and awarded prize and with the Texas Artist Group consecutively from 1945.Smith’s work is in the collection of the Dallas Museum of Fine Arts. Her one-man shows were in Austin, Texas in 1948; in San Antonio in 1951 and Dallas in 1951. Smith’s work is in the collection of the Dallas Museum of Fine Arts. Original pastel and gouache on paper by Robin Artine Smith...

Boundless whimsical creativity defines this Time Magazine Cover proposal. In 1970, famed illustrator/artist Robert Grossman visualized a cover story i...

English Illustrator Barbara C. Freeman depicts Thumbkin resting on the edge of the petals of a White Water-Lily. She's taking in the scenery as a yellow butterfly takes flight. It w...

work is matted but not framed. Golden Age of Hollywood no illustrator chronicled the great stars, pin-ups and good girls better than Jaro Fabr...

Somewhat like Gertrude Abercrombie but the work is better painted, conceived, and designed - Magazine Illustration. Most likely for: Good Housek...

EDIK EDWARD ARCADIEVICH STEINBERG b. 1937 born in Moscow 1937 (Russian) Title: Composition with Yellow Circle, 1989 Technique: Original Hand Signed and Dated Gouache Painting on cardboard size: 54 x 60 cm cm / 21.3 x 23.6 in Additional information: This original painting is hand signed and dated by the artist. It was painted in 1989. Provenance: Acquired directly from the artist by the previous owner. Exhibited: Paris & Tel Aviv, Galerie Le Minotaure...

Erté (Romain de Tirtoff) 1892-1990 Russian-French Gysie Signed "Erté"(lower right) Inscribed "No. 5442" (en verso) Gouache on paper An enthralling pink gown by Erté is namedGysie,...

Title: French Interior Room Fireplace Beams Watercolour Gouache Painting Artist: French School, 20th century Medium: watercolour and gouache on paper, unframed Size: 7.5 x 10.5 heigh...

Bernard Segal (1907-1986). Cubist Shell Gas Station ca. 1960. Gouache and watercolor on paper, sheet measures 14 x 17 inches. Unsigned. Estate stamp on front lower right. Excellent...

This striking gouache captures Williams’s lifelong fascination with the natural world, filtered through his expressive modernist sensibility. The bird emerges from a hazy gray field,...

Erté (Romain de Tirtoff) 1892-1990 Russian-French Mistinguett Signed "Erté" (lower right) Stamped "Composition originale" (en verso) Gouache on paper Erté designed this costume fo...

"Jersey Shore", 2021 by Susan Hope Fogel Abstract Deconstructionist watercolor painting of a summer beach scene 7 x 24 inches, archival watercolor and gouache on 300 lb. Arches pape...

Ellen Phelan Clouds over Narrows (Lake Champlain), 1998 Watercolor and gouache on paper 15 1/2 x 17 1/2 inches (sheet) 21 1/2 x 23 1/2 inches (frame) Si...

Title: Saignon Provence Village Rooftops Landscape Watercolour Artist: Pierre Neveu (French b.1929) Medium: Gouache and watercolour on paper, unframed Size (H x W): 19.75 x 25.75 inc...

CREEPING AND CLIMBING by Heather Hartman was created for her exhibit, "Kudzu Season." This painting is a rendering of Kudzu vines on a blue atmospheric back...

TENDRIL by Heather Hartman was created for her show titled "Kudzu Season." This painting titled "Tendril," depicts a kudzu vine in white, layered over an at...

This piece by Heather Hartman, made for her show "Kudzu Season," is one of a series of four paintings representing the four seasons relative to the Kudzu growth cycle. "Waning," is the autumnal piece of the series. Peach and magenta undertones outline a hazy vision of leaves bustling in the sunshine. The dark silhouette of a kudzu vine...

Judith Rothschild 1921 - New York 1– 1993 Untitled Circa 1945 Gouache, watercolor and ink with Collage on blue paper 9 x 12 inches (23 x 30.5 cm) Framed: 16 ½ x 19 ½ inches (42 x 49...

Study for "The Glorious Flight - Across the Channel with Louis Bleriot"; 1983; Gouache on Illustration Board; 14.5" x 13.75"; Signed Lower Right; Unframed. From Wikipedia, the free encyclopedia Alice Rose[1] Provensen (née Twitchell; August 14, 1918[2] – April 23, 2018[3]) and Martin Provensen...

"Incandesce" is a beautiful impressionist capturing of a red rock landscape at late dusk. Please note that the artwork arrives unframed. A frame is required for display, and the list...

Erté (Romain de Tirtoff) 1892-1990 Russian-French Les travestis (The Transvestites) Signed “Erté” (lower right) Inscribed "No. 18.363 / Moi, j'aime le music-hall / Les Travestis" (en verso) Gouache on paper Erté’s costume...

Covers 13 Red Orange (Abstract painting) Gouache on handmade paper. Unframed. Joanne Freeman's works on paper are made with gouache on handmade Indian Khadi paper. She uses tape t...

Story illustration for “Amos Tries it Tudor” by Sewell Ford for Cosmopolitan magazine, published January 1924, page 35. The image shows an elegant woman holding a fan. Medium: Ink ...

Contemporary painting in ink, gouache and pencil on archival paper of a silhouette suggesting a mythical mermaid-like figurative form in teal blue green and gold. Available unframed...

Dancing Jesters or Clowns (colorful Chassidim dancing) Gouache on paper Sheet is 19.25 X 25.25 Image is 13.5 X 19.25 Moshé Raviv-Vorobeichic, known as Moi Ver, born Moses Vorobeic...

- Gouache on paper. - Signed at bottom left. - Around 1920. Dimensions  H : 49 cm L : 65 cm/H : 19.3 in W : 25.6 in (unframed) H : 67 cm L : 87 cm/H: 26.38 in W: 34.25 in (with frame)

Adolf Arthur Dehn Haitian Scene A, ca. 1951 Watercolor gouache on board Signed on the front Frame included: held in vintage modern frame Measurements: Framed: 11 inches vertical by ...

Set of Three Silver Watch Jewelry Designs circa mid 20th century by Paul Touzet (French b. 1917) original gouache painting, with pencil on tracing paper stuck on thin card overall de...

Title:French Cubist Modernist Still Life Kettle Bottle Sieve Gouache Acrylic Medium: Gouache and acrylic on artist paper, unframed Size: 27.5 x 20 inches (height x width) Signed low...

Title: Mid Century French Abstract Tree Expressionist Ink Gouache Painting Medium: Black ink/ gouache painting on paper, unframed French, circa ...

Title: Abstract Still Life with Teapot Rope and Green Orbs French Modernist Gouache Guy Nicod (French 1923 - 2021) Gouache on artist paper, unframed Size: 19.25 x 22.5 inches (heigh...

Man Carrying Board - Impressionistic Brazilian Landscape Scene Beautiful gouache landscape painting by Reynaldo Manzke (Brazilian b. 1906 d. 1980.) A man walks along a wall, holding...

To see our other original vintage London Transport posters and designs, scroll down to "More from this Seller" and below it click on "See all from this Seller". Gerald Mac Spink (fl...

Gordon House was born in 1932 in Pontardawe, South Wales. Early exposure to art on trips to the Glynn Vivian Art Gallery as a young boy inspired House towards creative endeavors and at the age of fourteen he was awarded a grant to enter art school which he accepted. From 1947 to 1950 he studied at Luton School of Art, Bedfordshire, and St. Albans School of Art, Hertfordshire. House's contemporaries included Richard Smith and John Plumb with whom he remained close. During the early fifties, after finishing art school, House began work as assistant to the ecclesiastical sculptor Theodore Kern. He also spent time at an advertising studio where he honed his burgeoning skills in typography and graphic design. In 1952 House was offered the position of designer for Imperial Chemical Industries Plastics Division where he stayed until 1959. This was followed by two years spent as graphic designer for the Kynoch Press in London. In 1961 House set out on his own as a self-employed designer and typographer. Initially this was supplemented by part-time teaching at art schools in and around London but by 1964 House was able to devote himself entirely to his design work which freed up valuable time to concentrate on his own artistic output in the studio. In the late fifties, informed by the new art emerging from America and that of his contemporaries in England, House began to create large-scale abstract works which he was invited to show in 1959 at Dennis Bowen's legendary New Vision Centre in Marble Arch. House was an active participant in the vibrant London art scene of the sixties, regularly attending lectures, exhibitions and discussions. In 1960 he exhibited in 'Situation' the key abstract exhibition of the decade held at the RBA Galleries. Other participating artists included Robyn Denny, Bernard and Harold Cohen, Gillian Ayres, John Hoyland, Richard Smith and William Turnbull among others. These artists, united by a common admiration for American Abstract Expressionism, were frustrated by the lack of exposure given to large-scale abstract works in commercial galleries so they organised their own exhibition. The name was derived from the participants' idea that an abstract painting that occupied the whole field of vision would involve the spectator in an 'event' or 'situation'. This exhibition was followed by 'New London Situation' in 1961 and a nationwide touring Arts Council presentation in recognition of the significance of the two earlier shows. In 1961 House began producing his first prints at the Kelpra Studio, run by Chris and Rose Prater, where he made the earliest fine art screenprint ever to be produced in Britain. Artists such as Paolozzi and Hamilton followed in his footsteps and together they started a printmaking revolution in Britain. They cemented the medium of the screenprint in the world of fine art as opposed to the commercial sphere and secured the reputation of Kelpra in the process. Later, together with Cliff White, House set up the White Ink (Ltd.) print studio in London, where he produced etchings and wood engravings on a series of magnificent antique printing presses...