Unknown

Palm Tree Painting on Canvas with Seashell Frame

1980

Architectural oil painting on canvas of Heydon Hall executed in a rustic naive style with contrived aging and presented in a maple frame. Signed Dan Dunton.

Here is a set of four 18th century Italian paintings depicting various romantic dramas. All four painted in old world style and presented in the original stretchers and frames. Findi...

Transporting oil painting on canvas of a tropical bayscape with a boat, houses and palm trees on a sunny day highlighting light and shadow. Signed J. Drooks in the lower right and pr...

Architectural oil painting on canvas of the Ebbeston Lodge in the county of Yorkshire by Dan Dunton, executed in a rustic naive style and presented in a carved wood frame.

Dreamy impressionist painting with a striking, hot palette. Titled Aegean Temple on the original gallery tag and presented in the period, silver leaf frame.

Mid-Century Modernist oil painting on canvas with a disciplined Minimalist style contrasting geometric forms with organic blowing palm trees and reflective pond.

A classic example of whimsical folk art done with raw and unbridled emotion for Israel and Judaism. Done in a Naive manner with beautiful Hebrew calligraphy drawing and vintage autom...

Alice and Martin Provensen were an American couple who illustrated more than 40 children's books together. In 1984, the won the Caldecott for The Glorious Flight, the story of aviator Louis Blériot...

The beloved couple Alice and Martin Provensen were an American couple who illustrated more than 40 children's books. Martin Provensen creat...

Outsider Folk Art American Mid-Century Naive WW2 Self Taught WPA Depression Era "Victory for Now" Ralph Fasanella (1914-_1997) "Victory and After,” gouache on paper. Signed, titled...

Cecilia "Peach" Taylor (Mrs Reginald B. Taylor) Folk Art watercolor painting of horses titled "White Horse Farm) painted in 1948 A classic example of self t...

Joseph Yoakum Andes Mountains Peru So America, circa 1960s Colored pencil and ballpoint pen on paper 7 1/4 x 10 1/2 inches Provenance: Karen Lennox Gallery, Chicago Private Collection, South Dakota Yoakum began drawing in the early 1960s. Most of his work consists of radiantly colored landscapes with mountains, water, trees, and winding roads in abstract and complex configurations. his period of greatest activity — 1965 to 1970 — when he usually made one drawing a day. Yoakum maintained he had seen all the places represented in his drawings, a statement that may not be true in some instances. He traveled a great deal, beginning in his early teens when he ran away from home and became a circus handyman. Yoakum’s drawings can be considered memory images growing out of either actual or imagined experiences. All of his drawings have titles that grew longer and more specific over the years. He dated his works with a rubber stamp — an oddly impersonal, labor-saving device. Although Joseph Yoakum gave vastly different accounts of his background, he was, throughout his life, classified as an African American. Sometimes Yoakum claimed that he was a full-blooded ​“Nava-joe” Indian, one of twelve or thirteen children born to a farmer on an Indian reservation in Window Rock, Arizona. At other times he insisted that he was of African-American descent. He described his mother as a strong woman who was a doctor and knowledgeable in the use of herbal medicines. Yoakum’s family moved to Kansas City, Missouri, during his early childhood. His father was employed briefly in the railroad yards prior to settling permanently on a farm in nearby Walnut Grove...