Gouache Paintings

Marc Roder Education 1991 MFA Painting, University of Pennsylvania 1985 BA Fine Art, University of California, Santa Cruz 1984 San Francisco Art Institute Shows, Awards and teaching activities 2012 “Apparitions and Visitations”. Solo show, Lake George Arts Project, Lake George, NY “Pastoral Visions”. Two person show, Gallery HOMELAND, Portland, OR 2011 Finalist, Betty Bowen Award, Seattle Art Museum. 2010 “Nouveau Frankenstein”. Three person show with Michael Campbell, Professor, University of Lethbridge and Scot Bullick, Alberta College of Art and Design. Trianon Gallery, Lethbridge, Alberta, Canada View Art Gallery, Group show, Victoria, BC 2009 Arts Council grant recipient: Solo show, ARC Gallery, April 2009. Hornby Island, BC “Collectors Select…” Group show, La Grande, OR Visiting Guest Artist/ Lecturer, Emily Carr University, North Island College, Courtenay, BC 2008 Visiting Guest Artist/ Lecturer, Emily Carr University, North Island College, Courtenay, BC 2007 “Parallax Views”. Group show, Greene Contemporary, Sarasota, FL ArtBasel Miami, “Breaking the Waves”. Group show, Dorsch Gallery, Miami, FL 2006 Visiting Artist and Studio Critic, Notre Dame de Namurs University, Belmont, CA Art Basel Miami, Group Show, Dorsch Gallery, Miami, FL “Chopped Liver.” Solo show, Dorsch Gallery, Miami, FL 2004 “Northern Map and Bindle”. Solo show, Dorsch Gallery, Miami, FL 2003 “Miami Valise”. Traveling show, Vancouver B.C. and Miami, FL 2000 Florida Biennial. Ringling Museum of Art, Sarasota, FL 1999 “Fans”. Invitational group show, Ringling Museum of Art, Sarasota, FL 1998 “For the Birds”. Group show, Bucheon Gallery, San Francisco, CA 1997 “Inventories and Obsolete Designs”. Solo show, Betty Feves...

Early naturalistic wildlife rendering by the English artist Peter Paillou. The work features a delicately rendered depiction of a possible capuchin monke...

Provenance: Illustration House, New York, Framed in a simple and modest frame. This is a brilliant post-Cubist work by Dutch-American illustrator Charles Verschuuren...

Incredible Outsider Artist Barry Johnson presents a new series of canvas paintings from his creatures series. Wild Colors! Utterly unique compositions....

Glassblowers WPA American Scene Mid- 20th Century Modern Figurative Workers. Dated and signed "32 Harry Gottlieb" lower right. Sight: 13 1/8" H x 18 1/4" W. Harry Gottlieb, painter, screenprinter, educator, and lithographer, was born in Bucharest, Rumania. He emigrated to America in 1907, and his family settled in Minneapolis. From 1915 to 1917, Gottlieb attended the Minneapolis Institute of Arts. After a short stint as an illustrator for the U.S. Navy, Gottlieb moved to New York City; he became a scenic and costume designer for Eugene O"Neill's Provincetown Theater Group. He also studied at the Philadelphia Academy of Fine Arts and the National Academy of Design. He was one of America's first Social Realist painters, influenced by that Robert Henri-led movement in New York City where Gottlieb settled in 1918. He was also a pioneer in screen printing, which he learned while working for the WPA. He married Eugenie Gershoy, and the couple joined the artist colony at Woodstock, New York. He lectured widely on art education. In 1923, Gottlieb settled in Woodstock, New York and in 1931, spent a a year abroad studying under a Guggenheim Fellowship. In 1935, he joined the Federal Art Project...

VOID is a multilayered composition created with paper, painted tyvek and silkscreen cut-outs. The panel was initially created as part of the “Kudzu Season” series, exhibited in the C...

size includes frame Adolf Adler 1917 - 1996 Adolf Adi Adler was born in Romania in 1917. Attended the Art College of Kluj Romania in 1950. (in Satu Mare, original home city of the Satmar Hasidic group). In 1963, Adler was chief among a group of well known artists who immigrated to Israel. He was awarded the Nordau prize in 1978. He works have been auctioned at Sloan's Auction House in Maryland and Karrenbauer Auction House in Germany and today are represented in the Yad Vashem Holocaust Museum in Jerusalem. In 1984, a retrospective of his work was held in Rishon Le Zion. He died in 1996. Awards and Prizes 1993 Mordecai Ish-Shalom Prize, Artists House...

Judd Mercer's (US based) "Cold Stream" is an gouache painting that depicts an overpass crossing a river caught in the depths of winter, snow covered and flanked by the leafless trees...

Gouache on paper Signed, l.c. This painting is offered by ClampArt, located in New York City.

Kaitlin Ziesmer's (US based) "Purdy" is an original, handmade AcrylaGouache painting that depicts a pink and black bird in profile wearing a levitating...

Opper Estate Maroon Abstract c. 1940-1950's Gouache on Paper 15" x 18" Unframed From the estate of Ruth Friedmann Opper & Jerry Opper. Ruth was the daughter of Bauhaus artist, Gustav Friedmann. San Francisco Abstract Expression A free-spirited wave of creative energy swept through the San Francisco art community after World War II. Challenging accepted modes of painting, Abstract Expressionists produced highly experimental works that jolted the public out of its postwar complacency. Abstract Expressionism resulted from a broad collective impulse rather than the inspiration of a small band of New York artists. Documenting the interchanges between the East and West Coasts, she cites areas of mutual influence and shows the impact of San Francisco on the New York School, including artists such as Mark Rothko and Ad Reinhardt. San Francisco's Beat poets...

Gouache on paper Signed and dated in pencil, l.r. This artwork is offered by ClampArt, located in New York City Born in California, John Button (1929-1982) was educated at Universi...

Bhaskar Chitrakar - Maa Kali- 15 x 11 inches (unframed size) Watercolor & Gouache on Paper, 2022 About the Artist & his works : Born : 1978. Bhaska...

Just released form the artists studio a 1997 Gouache.

Judd Mercer's (US based) "Cliff Dwelling" is an gouache painting that depicts ocean waves violently crash against the rocky cliffs of a coast Bio/artist statement: Judd Mercer is ...

Judd Mercer's (US based) "Before the Storm" is an gouache painting that depicts the wild golden and green rolling hills of the mountains cast in blue light as the overcast sky hints ...

Judd Mercer's (US based) "Beach Day" is an gouache painting that depicts the calm inlet full of water and watersports, lined with trees and vegetation Bio/artist statement: Judd Me...

This contemporary painting in ink, gouache and pencil on archival paper is composed of solid shapes surrounded by a pattern of delicate lines and dots in bright blue, luminous golden...

Regal depiction of the Sovereign of the Seas by Victor Lind (Sweden, 19th-20th c.). The ship is sailing towards the viewer, with the sun off to the right, illuminating the sails. The...

Work on paper Golden wooden frame with glass pane 75 x 96 x 3.3 cm

Abstract Composition is a small yet significant artwork realized by the artist Paul Henri Bony, a famous French artist, active in the mid-20th century. The artwork is in excellent co...

Titled on lower center. Image 36.4x49 - 14.33 x 19.29 in. / Frame 54.7 x 66.5 - 21.54 x 26.18 in. Beautiful 19th century representation of the Gulf and the Bay of Pozzuoli near Nap...

Original ink and gouache cello with sketch White wooden frame with plastic protection 42.5 x 32.5 x 3.5 cm

Andre QUELLIER ( 1925 - 2010 ) " La Nativité " Signé . Peintre français né à PARIS , élève de jean DUPAS . Médaille d'Or des Artistes Français ( 1966) Prix de la Casa Velasquez ( 1...

Beach 70x50 cm

Vibrant Gouache and watercolor painting by israeli master JOSSI STERN. on paper mounted to board. Hungary, b. 1923, d. 1992 Jossi (Yossi) Stern, son of David and Katerina, was born in the Bakon Hills of Hungary, in 1923. He was already drawing when at the age of ten he moved with his family from the Bakon Hill region to the considerably more cosmopolitan Budapest. Recognizing the looming threat of Hitler and the pending Nazi invasion of Hungary, in 1940, at the age of seventeen, the young artist made his way to Palestine aboard the Sakaria, an old ship heavily crowded with 2,300 other refugees. Before reaching the shores of Palestine, then under the British Mandate, the British Navy...

Work on paper Black plastic frame with glass window 58 x 72.5 x 3 cm

Blue nude is swirling abstracted water figurative painting from Kim Frohsin's "Emergence" series from 2018. Frohsin, third generation Bay Area Figurative artist—from the movement tha...

Persian Illuminated Miniature Gouache on Paper, depicting ceremony with Krishna in the garden, giltwood frame. Image: 10.75" H x 8.25" W; frame: ...

John Hultberg (1922-2005) Gouache (mixed media ) "Video Tower" 1991 Hand initialed lower right Measurements: 18.75" W x 11.75" H (framed); 6.75" W x 7.25" H (visible area of each ...

Vogue Magazine Fashion Illustration (Stephen Sprouse) Antonio's mature style is on full display with a few quick strokes of the brush he is exemplifying the epitome of style and clas...

P1.13 (Abstract Painting) Gouache and collage on Japanese paper - Unframed This gouache paint with collage on Japanese paper is a result of working with the accidental arrangements...

This painting captures the serene enchantment of an autumn night, bathed in the gentle glow of the moon. Golden trees dissolve into a shimmering silver haze, while a quiet, almost h...

Dina Brodsky is a contemporary realist painter. Known for her miniaturist style, her highly detailed depictions of urban interiors, natural environments, and unsuspecting human and animal subjects are evocative of renaissance portraiture and landscape. Brodsky often paints on small circular surfaces, forcing viewers to move closer to the work. She was drawn to miniature painting from her study of Islamic miniature art and medieval illuminated manuscripts, whose techniques she combined with those of classical painting. She is amongst a group of contemporary realist painters, such as Timothy Barr...

Mary Finlayson "Green Vase with Monstera" Gouache on Canvas with Maple Frame 37 x 31.25 inches, Framed Mary Finlayson’s interest in painting interior spaces portrays how environment...

Swimmer in the Jump with the Kitten by Marco Silombria. Italian Pop art Large scale painting on paper. Mixed tecnique with glitter dust on corners. Created by Italian Pop - Art ar...

Joachim Czichon Untitled Gestural Abstract Composition Medium: Gouache Year: 1984 Signed and dated by hand Edition: Unique Size: 16.4 × 11.5 inches C...

Test Pattern 5 (Grey study) Ink, gouache and acrylic on Fabriano paper - Unframed. Test Pattern series sets up a generic template as a poetic prompt to consider how behavioural res...

ADAM NIEMCZYC (born in 1914) Painter, graphic artist, poet, novelist. He practiced easel, mural painting and book illustration. Since 1958 he participated in numerous exhibitions in ...

Artist: Yohanan Simon (1905-1976) Title: Landscape Medium: Gouache on paper laid to card Date: 1962 Signature: Signed and dated in Hebrew Paper Size: 16.75 x 21 inches Frame Size: 24...

This Modern Abstract Expressionist painting by Stanley Bate is made with gouache on paper and features a cool, muted palette and light texture. The painting itself is 13" x 22" and measures 21.25" x 29.25" x 1" framed. It is signed by the artist in the lower left-hand corner of the painting and is framed in a black frame with an acid-free mat. It is ready to hang. Stanley Bate was born on March 26, 1903 in Nashville, Tennessee. The Bates were an established Tennessee family, in fact, Henry’s brother William Bate was the governor of Tennessee from 1883-1887 and a United States Senator from 1887-1905. Stanley studied art at the Watkins Institute in Nashville. In the 1920’s Bate moved to New York City to study at the Art Students League under Frederick Bridgman. He soon landed a job with Encyclopedia Britannica, and from 1927-1929 served as art editor. From 1929 until his death in 1972, Stanley was a self-employed artist. He taught art classes at both the Art Students League and the Albany Institute of History and Art and brought in extra income by making illustrations for magazines such as “Outdoor Life” and “Popular Science”. On January 27, 1934 Stanley married Emilie Rossel. Emilie had emigrated from Switzerland to New York in 1923. She found work as a governess to Alfred Vanderbilt and later as an executive secretary for Wall Street investment brokers Kahn, Loeb and Co. Emilie met Stanley in New York in the early 1930’s when she attended one of his art exhibitions with a friend. The couple, who had no children, lived on 34th Street in Manhattan. During this period, Bate was producing and exhibiting his art and joined several artists groups. Stanley and Emilie became part of the New York art scene, dining weekly at the Society of Illustrators Clubhouse. Stanley Bate’s time in New York was pivotal in the formation of his painting style. He lived in New York during the inception of one of the most important Modern Art movements, one that helped New York replace Paris as the center of avant-garde art. This movement, which was called the New York School of artists, was later known as Abstract Expressionism. It was comprised of a loosely associated group of vanguard artists working in New York City during the 1940s and 1950s. The New York School was not defined by a specific style, but instead reflected a fusion of European Modernism and American social relevancy that was depicted in many individual styles. Influences of Surrealism, Cubism, and Modernism can be found in their work, along with an interest in experimenting with non-traditional materials and methods. American art was in the forefront of international avant-garde for the first time. Stanley Bate was undoubtedly exposed to the varied styles and techniques that were emerging during the formative years of the New York School. Mark Rothko and Robert Motherwell were formulating their versions of color field paintings. Joseph Cornell was experimenting with assemblages, collage and the use of different types of textured paints. Jackson Pollock was adhering objects such as buttons and coins into his early works, while Louise Nevelson was using found objects. Helen Frankenthaler added sand to her early paintings. The New York School artists were undermining traditional fine art by using mixed media and non-traditional methods. Stanley Bate absorbed these varied influences and soon his early realistic landscapes and still-lifes were replaced with something entirely new. The influence of Cubism, notably the flat shallow space of the picture plane, is obvious in many of Bate’s paintings. Surrealism is evident in Bate’s use of subjects from myth, primitive art and antiquity, along with the Automatism-like line work in his more linear images. The unfettered experimentation of the New York School is everywhere in Stanley Bate’s work. We see nods to color field, collage, the mixing of textures into paint, mixed media, the inclusion of found objects and thick, luscious impasto. Bate was prolific and experimented in various media including oil, watercolor, lithography, silk screen, wood cut, drawing, collage, ceramics and sculpture. Bate is considered a true Modernist. His work is largely abstract, but sometimes figures and buildings are discernable. He frequently mixed paint, sand and glue together to achieve a textured surface, and then scraped and scratched through this layer to expose some of the underpainting below. His sculpture, which is often whimsical, also reflects the non-traditional methods of the New York School. Bate pioneered the use of enamel and copper in his work. The sculptures are not carved or modeled as was done in the past, but instead are built using mixed media and new materials. In addition to the New York School influence, many of Bate’s works exhibit a strong connection to the Spanish school, especially the work of Antonio Tapies and Modesto Cuixart. These artists were both part of an avant-garde group known as Art Informel, the Spanish equivalent of Abstract Expressionism. These artists likewise worked in mixed media and introduced objects and texture into their work. Many of Bate’s subjects and titles relate to Spanish locations and words. It is likely that Stanley spent time in Spain and found inspiration there. By the early 1940s, Stanley and Emilie had started spending weekends in a barn they purchased in Craryville, New York, a few hours north of Manhattan. The barn had no electricity or plumbing, but when the Bates eventually decided to leave New York and live full time in Craryville, they remodeled the barn, putting a gallery downstairs and a studio and living quarters upstairs. Although the Bates moved out of New York City, Stanley remained part of the New York art scene, exhibiting in New York and elsewhere throughout the 50s and 60s. During his lifetime he was represented by the New York galleries Knoedler and Company, Kennedy Galleries, Rose Fried Gallery and Key Gallery, along with Tyringham Gallery located in Tyringham, Massachusetts. Craryville was Stanley’s home until his death on August 21, 1972. Emilie died 1984...

Pipeline Clarence Holbrook Carter American (1904–2000) Date: 1955 Gouache on Paper, signed l.r. Size: 8 x 11 in. (20.32 x 27.94 cm) Frame Size: 16 x 19.5 inches

Small Test Pattern 2 (Abstract Painting) Acrylic/gouache on wood - Unframed Test Pattern series sets up a generic template as a poetic prompt to consider how behavioural responses ...

Dina Brodsky’s miniature painting of a butterfly is a masterful study of nature’s fragility and beauty. Meticulously rendered on panel, the piece captures the shimmering interplay of...

Date: 1918 Medium: Grisaille Gouache on Illustration Board Dimensions: 15.75" x 22.38" Signature: Signed Lower Right

'Cone No 5: Sister Twin' from Kim Frohsin's important and historic Cautionary Tales series series of 2015. Twin Sister Cone is one of about 15 "portraits of construction cones by Fro...

Signed lower center edge Annotated verso: “5 Juin 1966 _____ et de soleil, de et d’oseille” Image: 6 3/4 x 4 5/8" Frame: 14 1/2 x 12 3/4" Finishe...

Stevan Dohanos: 1907-1994. Very important American painter and illustrator. He has auction record over $200,000 just 2 months ago. He has sold for much more through galleries. This h...

Superb fine detail of geese in flight by Surachai Promsuntisit (EAD) (American/Thailand, b-1952). Presented in a metal frame. Signed illegibly lower r...

A Day's Work is Done 10" x 10" (Yellow lab with bird) “A Day’s work is done,” 10 x 10, gouache on Aquabord, sealed with Renaissance Wax. Also shown are other animal paintings in th...

'Cone No 5: Brother Twin' from Kim Frohsin's important and historic Cautionary Tales series series of 2015. Twin Brother Cone is one of about fifteen "portraits" of construction cone...

Almo wonders about his identity, the countries he has lived in, his daily routine and how he creates himself. An outsider who has made the world his home, skin, and citizenship, and ...

THOMAS BROWNELL ELDRED Untitled Mid Century Modern Abstraction, 1941 Gouache on paper Hand signed and dated 1941 on the front 14 3/4 × 21 inches Unique Provenance: Acquired from the estate of Thomas Brownell Eldred Accompanied by Certificate of Guarantee from Alpha 137 Gallery Unframed This gorgeously colored gouache painting on thick paper was created at a time when the Guggenheim Museum (Museum of Non-Objective Painting) was collecting Eldred's work, alongside works by Kandinsky and Bauer. Unique works like this by Eldred are very desirable in the marketplace. It typifies the artist's eclectic style, reflecting his involvement with Surrealism and the New York School. It also highlights Eldred’s excellent draftsmanship through the characteristic bright colors and patterns that he developed during his time as a naval wood pattern maker in the merchant marines...

This flowing abstract blue,white and turquoise piece is about rain pouring down, water flowing, tears that are wept, things washed away.... and after pouring rain the light comes thr...

On the platform. 2022, gouache, paper, 25x25 cm Ansis Butnors (1977) Education: J. Rozentals Art School in Riga – 1989. – 1996. Latvian Academy of Art, Painting Department – 1996....

This drawing by Austin Reavis is from a series of abstract works that build lines and forms, suggestive of construction elements, as a foreground to chan...

Celebration of Life [2021] Original Still Life Gouache on Paper Paper Size: H:103 cm x W:71 cm x D:0.2cm Sold Unframed Please note that insitu images are purely an indication of how ...

Willy Bo Richardson married himself to a single mode of working as a formal recognition of the power of remaining in one place and as a way to honor consistency and quietude. Viewing...

Bearnice Fisher "Purple Sky Landscape" 1978 Gouache on paper 30" x 22.5" unframed Signed and dated lower right in pencil Bearnice Fisher lived and worked in NYC

Donald Stacy "Cubed Figures on Bench" c.1950s Gouache paint on paper site 19"x15.75" black wood frame 21.5"x1"x18.25" Unsigned Came from artist's estate ...