Gouache Paintings

This came from the collection of the Horace Richter Gallery These were done in the 1990's This does not appear to be hand signed. It is signed and dated verso perhaps by gallerist. ...

Wonderful French street scene by Ruth Williams Brickner, (American, 1926-2015). Signed "Ruth Brickner" lower right and verso. Williams above lower and Ruth Williams on verso. Circa 1950's. Image size, 16"H x 20.75"L. Impressionist painter from Los Altos...

This original painting is hand signed by the artist "Scheiber H" in the lower left corner, and dated "1940" below the signature. Exhibited: Hugo Scheiber - Bela Kadar, Galerie Le Mi...

Gorgeously detailed mountain landscape by an unknown Japanese artist (19th Century). Two waterfalls cascade down a lush valley, with trees and shrubs on the hillsides. Small building...

Christine Averill-Green's abstract oil and gouache painting on canvas is her interpretation of human's basic understanding of nature, art, and beauty. She weaves them together in cro...

Gaston Cornil. French ( b.1883 - d.1940 ). Récupérant Du Carburant Pour L’Hiver (Gathering Winter Fuel). Watercolor & Gouache On Buff Paper. Signed Lower Left. Image size 12.4 in...

Miniature abstract contemporary painting with paper collage in blue and white by Bay Area artist Michael Pauker (American, b. 1957), 2012. Titled/numbered, signed, and dated 2012 o...

Gala Hills (b. 2001) is an artist from Devon and recent Ruskin School of Art graduate. Her work is steeped in domesticity, celebrating mundane rituals and drawing attention to the im...

These new small-scale paintings were created using gouache on handmade paper. Alexandra Rutsch Brock then “drew” with a sewing machine using various colored threads. Using the thread as a painted line, playing with the marks and motifs the machine allows that creates contrast in both surface and color. They are sewn directly with no preliminary sketches, just instinctive gesture, sometimes in a similar color to enhance a texture, other times contrasting as a new element. The entangled threads that dangle down emphasize the materiality. Working so closely to the surface, she is aware of the senses of seeing, breathing, touching and feeling……………escaping into these new surfaces. Alexandra Rutsch Brock has exhibited in solo and group shows most recently at The Keck School at USC, CA, The Painting Center, NY, Village West Gallery, NJ and Misericordia University, PA. Her work has been featured in Studio Visit Magazine SV Vol44. Her recent co-curations include “HyperAccumulators” with Elizabeth Saperstein at Pelham Art Center, NY and “Among Friends” project with artists Patricia Fabricant and Beth Dary...

Orange Marine Flora is a dynamic, nature-inspired painting that evokes the lush complexity of coral ecosystems. With bold strokes in vivid orange, crimson, magenta, and charcoal, the...

Arctic Light-Orange Sun Unsigned Gouache on Japanese fibrous paper Series: Tundra Paintings Exhibited: Karl Zerbe, Gouaches of the Artic Nordness Gallery, (Madison Avenue, NY) Feb 3 through Feb 23, 1958 Cat. No. 12 (label with work, see photo...

D Ollard Ribbons of Memory Gouache and photographic collage 20 x 26 cm Signed to reverse Provenance: The family of A. E. Halliwell Little is known about D Ollard other than the fac...

Figurative illustration of people arriving at a church by Charles Kinghan (American, 1895-1984). The church is rendered with exquisite detail, typical ...

Through my window II (Abstract painting) Mixed media - acrylic, oil pastels, gouache on cotton canvas - Unframed. This artwork will be shipped rolled in a dent-resistant tube. This ...

Wonderful abstracted painting of New York's George Washington Bridge with Manhattan skyline in background. Signed "Bing" lower right corner. P...

Evocative figurative painting of a woman seated in a studio by an unknown artist (20th Century). A woman dressed in red is sitting in a chair atop a platform. There are studio lights...

Original vintage gouache painting on poster board by Emma Heinzelmann (Hungarian, born 1930). Hungarian Peasant art, children fairytale themes, in psychedelic pop colors of the era.T...

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. Fiona Debell's "Things I Have Seen" is a captivating abstract ...

"Something Changed" is an original piece by Branche Coverdale from his "Slice of Life" series. He hand-crafts the specific panel shape to his city vignettes. This piece measures 24"h...

gouache & watercolor on paper

In this painting, Nussbaum depicts a Rabbi as his subject; a recurrent figure in his body of work. The artist uses gestural marks and vibrant blue colors in this composition. Nussba...

Willy Bo Richardson married himself to a single mode of working as a formal recognition of the power of remaining in one place and as a way to honor consistency and quietude. Viewing...

These new small-scale paintings were created using gouache on handmade paper. Alexandra Rutsch Brock then “drew” with a sewing machine using various colored threads. Using the thread as a painted line, playing with the marks and motifs the machine allows that creates contrast in both surface and color. They are sewn directly with no preliminary sketches, just instinctive gesture, sometimes in a similar color to enhance a texture, other times contrasting as a new element. The entangled threads that dangle down emphasize the materiality. Working so closely to the surface, she is aware of the senses of seeing, breathing, touching and feeling……………escaping into these new surfaces. Alexandra Rutsch Brock has exhibited in solo and group shows most recently at The Keck School at USC, CA, The Painting Center, NY, Village West Gallery, NJ and Misericordia University, PA. Her work has been featured in Studio Visit Magazine SV Vol44. Her recent co-curations include “HyperAccumulators” with Elizabeth Saperstein at Pelham Art Center, NY and “Among Friends” project with artists Patricia Fabricant and Beth Dary...

Wonderful vertical modernist floral still life watercolor by Bill Richardson (American, 1931-2019), circa 1980. Signed lower section. Presented in pain...

These new small-scale paintings were created using gouache on handmade paper. Alexandra Rutsch Brock then “drew” with a sewing machine using various colored threads. Using the thread as a painted line, playing with the marks and motifs the machine allows that creates contrast in both surface and color. They are sewn directly with no preliminary sketches, just instinctive gesture, sometimes in a similar color to enhance a texture, other times contrasting as a new element. The entangled threads that dangle down emphasize the materiality. Working so closely to the surface, she is aware of the senses of seeing, breathing, touching and feeling……………escaping into these new surfaces. Alexandra Rutsch Brock has exhibited in solo and group shows most recently at The Keck School at USC, CA, The Painting Center, NY, Village West Gallery, NJ and Misericordia University, PA. Her work has been featured in Studio Visit Magazine SV Vol44. Her recent co-curations include “HyperAccumulators” with Elizabeth Saperstein at Pelham Art Center, NY and “Among Friends” project with artists Patricia Fabricant and Beth Dary...

Throughout her career as a painter Patty Fabricant has pivoted back and forth between figurative and abstract work. Each time she makes the switch it feels abrupt, and yet increasing...

Rabbi in the synagogue at prayer wearing tallit and tefillin. Hugó Scheiber (born 29 September 1873 in Budapest – died there 7 March 1950) was a Hungarian modernist painter. Hugo Scheiber was brought from Budapest to Vienna at the age of eight where his father worked as a sign painter for the Prater Theater. At fifteen, he returned with his family to Budapest and began working during the day to help support them and attending painting classes at the School of Design in the evening, where Henrik Papp was one of his teachers. He completed his studies in 1900. His work was at first in a post-Impressionistic style but from 1910 onward showed his increasing interest in German Expressionism and Futurism. This made it of little interest to the conservative Hungarian art establishment. However, in 1915 he met the great Italian avant-gardist Filippo Tommaso Marinetti and the two painters became close friends. Marinetti invited him to join the Futurist Movement. The uniquely modernist style that he developed was, however, closer to German Expressionism than to Futurism and eventually drifted toward an international art deco manner similar to Erté's. In 1919, he and his friend Béla Kádar held an exhibition at the Hevesy Salon in Vienna. It was a great success and at last caused the Budapest Art Museum to acquire some of Scheiber's drawings. Encouraged, Scheiber came back to live in Vienna in 1920. A turning point in Scheiber's career came a year later, when Herwarth Walden, founder of Germany's leading avant-garde periodical, Der Sturm, and of the Sturm Gallery in Berlin, became interested in Scheiber's work. Scheiber moved to Berlin in 1922, and his paintings soon appeared regularly in Walden's magazine and elsewhere. Exhibitions of his work followed in London, Rome, La Paz, and New York. Scheiber's move to Germany coincided with a significant exodus of Hungarian artists to Berlin, including Laszlo Moholy-Nagy and Sandor Bortnyik. There had been a major split in ideology among the Hungarian avant-garde. The Constructivist and leader of the Hungarian avantgarde, Lajos Kassák (painted by Hugó Scheiber in 1930) believed that art should relate to all the needs of contemporary humankind. Thus he refused to compromise the purity of his style to reflect the demands of either the ruling class or socialists and communists. The other camp believed that an artist should be a figurehead for social and political change. The fall out and factions that resulted from this politicisation resulted in most of the Hungarian avant gardists leaving Vienna for Berlin. Hungarian émigrés made up one of the largest minority groups in the German capital and the influx of their painters had a significant effect on Hungarian and international art. Another turning point of Scheiber's career came in 1926, with the New York exhibition of the Société Anonyme, organized by Katherine Dreier. Scheiber and other important avant garde artists from more than twenty-three countries were represented. In 1933, Scheiber was invited by Marinetti to participate in the great meeting of the Futurists held in Rome in late April 1933, Mostra Nazionale d’Arte Futurista where he was received with great enthusiasm. Gradually, the Hungarian artists began to return home, particularly with the rise of Nazism in Germany. Kádar went back from Berlin in about 1932 and Scheiber followed in 1934. He was then at the peak of his powers and had a special flair in depicting café and cabaret life in vivid colors, sturdily abstracted forms and spontaneous brush strokes. Scheiber depicted cosmopolitan modern life using stylized shapes and expressive colors. His preferred subjects were cabaret and street scenes, jazz musicians, flappers, and a series of self-portraits (usually with a cigar). his principal media being gouache and oil. He was a member of the prestigious New Society of Artists (KUT—Képzőművészek Új Társasága)and seems to have weathered Hungary's post–World War II transition to state-communism without difficulty. He continued to be well regarded, eventually even receiving the posthumous honor of having one of his images used for a Russian Soviet postage stamp (see image above). Hugó Scheiber died in Budapest in 1950. Paintings by Hugó Scheiber form part of permanent museum collections in Budapest (Hungarian National Museum), Pecs (Jannus Pannonius Museum), Vienna, New York, Bern and elsewhere. His work has also been shown in many important exhibitions, including: "The Nell Walden Collection," Kunsthaus Zürich (1945) "Collection of the Société Anonyme," Yale University Art Gallery, New Haven, Connecticut (1950) "Hugó Scheiber: A Commemorative Exhibition," Hungarian National Museum, Budapest (1964) "Ungarische Avantgarde," Galleria del Levante, Munich (1971) "Paris-Berlin 1900-1930," Centre Georges Pompidou, Paris (1978) "L’Art en Hongrie, 1905-1920," Musée d’Art et l’Industrie, Saint-Etienne (1980) "Ungarische Avantgarde in der Weimarer Republik," Marburg (1986) "Modernizmus," Eresz & Maklary Gallery, Budapest (2006) "Hugó Scheiber & Béla Kádár," Galerie le Minotaure, Paris and Tel Aviv (2007) Hugó Scheiber's paintings continue to be regularly sold at Sotheby's, Christie's, Gillen's Arts (London), Papillon Gallery (Los Angeles) and other auction houses. He was included in the exhibition The Art Of Modern Hungary 1931 and other exhibitions along with Vilmos Novak Aba, Count Julius Batthyany, Pal Bor, Bela Buky, Denes Csanky, Istvan Csok, Bela Czobel, Peter Di Gabor, Bela Ivanyi Grunwald, Baron Ferenc Hatvany, Lipot Herman, Odon Marffy, C. Pal Molnar...

Gouache and charcoal on antique music paper

Amy Cheng’s All Living Things Are Conscious (2025) is a 24 x 30-inch gouache, acrylic, oil, and marker painting on wood panel that radiates with intricate floral mandalas and cosmic ...

A dynamic and colorful painting with vertical stripes of color. Willy Bo Richardson received an MFA in painting from Pratt Institute in 2000. He was a painting tech at Cooper Union a...

Rafael Fernandez - The Ferry, Year: circa 1960, Medium: Gouache on Board, signed and titled, signed in pencil on verso, Image Size: 7.75 x 7.25 inches, Size: 11 x 8.5 in. (27.94 x 2...

Expressive Visionary Watercolor and Gouache painting of the Tree of Life by Tom Fath (American, 20th Century). Signed lower right "Tom Fath" and on verso paper backing. Exhibited: 20...

The 1937 gouache by Boris Lacroix, titled Composition Bleu Maron, stands as a notable example of 20th-century modernist art. Boris Lacroix (1902-1979), a French painter and illustrat...

Mixed media (acrylic, gouache, oil) on canvas Miyuki Takanashi is a Japanese artist born in 1961 who lives & works in Sapporo in Japan. She is graduated from Hokkaido University...

Beautiful tonalist landscape of California foothills and country road. Signed and dated "CKP" and "'69" lower right corner. Presented in rustic wood frame with eggshell mat under nonglare glass. Image size: 18.25"H x 13.25"W. Framed size: 23.5"H x 18"W. California Tonalism was art movement that existed in California from circa 1890 to 1920. Tonalist are usually intimate works, painted with a limited palette. Tonalist paintings are softly expressive, suggestive rather than detailed, often depicting the landscape at twilight or evening, when there is an absence of contrast. Tonalist paintings could also be figurative, but in them, the figure was usually out of doors or in an interior in a low-key setting with little detail. Tonalism had its origins in the works of the French Barbizon school and in the works of American painters who were influenced by them. California Tonalism was born when the emphasis in California landscape painting passed from the grand landscapes of works like those of Thomas Hill and William Keith's early career, to more intimate views of a domesticated landscape. At the same time, the parallel Pictorialist Photography...

Vincent Dion's painterly abstractions mimic various printed techniques which reconcile and affirm the introspective presence of the hand. Dion’s use of luminous color becomes his es...

Couple of Ventian scenes is a beautiful original pair of gouache artworks realized in the XIX century attributed to Ettore Tito (1859-1941). Signed on the lower margin Tito C.P. fec...

This original painting is signed in pencil by the artist "Mane Katz" in the lower left corner. Condition: Very good condition. Some waves on the paper, especially on the upper side ...

Gloria Dudfield (1922-2015) Untitled c.1960s Mixed media: gouache, pastel and encaustic on newsprint 11"x15.5" unframed Unsigned Gloria (Fischer) Dudfield July 12, 1922 – May 27, 20...

Yaacov Agam, Pace of Time, Original work, gouache on paper, International artist, Israeli artist, Israeli art. This work is installed in the main entrance of the Tel Aviv museum in a...

Yugal Kishor Sharma - The Haveli-1 15 x 15 inches (unframed size) Gouache & Gold Leaf on Handmade Paper. (Unframed & Delivered) Yugal Kishore Sharma The Haveli-1 Gouache & Go...

“Summer Wave 1” - Oil, Acrylic, and Ink on Canvas, 48 x 48 inches Comes with a champagne color floater frame. “Summer Wave 1” radiates with a lush vibrancy, where waves of layered s...

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. Fiona Debell's "Perilous Rejection" is a compelling abstract m...

Gloria Dudfield Red Landing 1960s Oil Pastel and Gouache on Paper 26.5"x36" Good Condition - Wear consistent with age and history. Small areas of foxing. Edges have tears, paper sho...

Composition is a Gouache realized by Reynold Arnould (Le Havre 1919 - Parigi 1980). Good condition. No signature. Reynold Arnould was born in Le Havre, France in 1919. He studied...

MALCAH ZELDIS Circus, Trapeze Artists and Acrobats gouache on paper Hand signed and dated bottom right. titled in pencil on paper verso. Framed to 15 X 16.5 sheet is 9 X 12 Malcah ...

Story illustration for “The Little Lady of the Big House” by Jack London for Cosmopolitan, published January 1916, page 290. The full caption reads: “‘And now, just to help me to...

Paula Cahill's linear abstract compositions are often comprised of a single, luminous line that meanders, changes color, and seamlessly connects back to itself. The work itself measu...

In this painting, I aimed to capture the quiet magic of a moonlit orchard. A radiant silver moon rises above distant hills, casting a soft, ethereal glow and scattering stars like pe...

Michail Grobman (Russian: Михаил Гробман, Hebrew: מיכאיל גרובמן‎‎, born 1939) is an artist and a poet working in Israel and Russia. He is father to Hollywood producer Lati Grobman an...

Ferd Sondern (b.1923) Puppy and Bluebird, 1977. Pencil, gouache and watercolor on illustration board. Complete panel measures 6 x 7.5 inches. Signed lower left. Credited on verso...

Robert Childers (1924-1984) Oktoberfest Dogs, 1977. Gouache, watercolor and pencil on illustration board measuring 10 x 17 inches. Signed lower left. Credited on verso. Printer's notations in margins. Protective cellophane sheet which can easily be removed. Childers attended Medford schools, graduating in 1941 from Medford High School. While a student he had small parts in early Oregon Shakespearean Festival productions in Ashland. Following graduation he served in the U.S. Navy for six years. He attended the Philadelphia Museum School of Art, and Pennsylvania Academy of Fine Arts, from which he received his master’s degree. He received a gold medal upon graduating from the Museum School of Art and attended the Academy of Fine Arts on a Cresson scholarship. He also attended evening classes at Fleisher Memorial and performed for two years with the Philadelphia Dance Theater. His paintings – oil on canvas and wood – are exhibited in Philadelphia galleries, including three permanent exhibits in Wagner, Pa., and Minsky History of Theater. He was sponsored for three one-man shows in Philadelphia. While in Florida he worked for Ron Rico Rum. Following his studies, he worked in fabrics, film production, toys and illustrations for publishers with du Pont in New York City. At the same time he maintained a studio and old twine factory over the Cherry Lane Theater. He lived in Greenwich Village for 19 years before accepting a position developing new products for American Greetings Inc. While there he designed the Holly...

Mixed media (acrylic, gouache, oil) on canvas Miyuki Takanashi is a Japanese artist born in 1961 who lives & works in Sapporo in Japan. She is graduated from Hokkaido University...

Gahan Wilson was the Master of the macabre, and most of his work is associated with Charles Addams. The beauty of a Gahan Wilson is that is a payoff pu...

Victor Di Gesu (American, 1914-1988) estate stamp verso and painted circa 1955. Winner of the Prix Othon Friesz, Victor di Gesu first attended the Los Angeles Art Center and the Cho...

Abstract featuring graceful, sweeping lines evocative of bone fragments by an unknown artist. Illegibly signed lower left and dated "77". Presented in a metal frame. Image size, 18"H...

Fitzpatrick & Kaufmann team up for another high performance art work. It combines a pre-photorealistic painting of a 1965 Pontiac by Fitzpatrick with a highly stylized modernist...

Red and brown abstract by Les (Leslie Luverne) Anderson (American, 1928-2009). From the estate of Les Anderson in Monterey, California. Signed "Les Anderson" lower left. Unframed,...

Flowers is an Gouache on Paper attributed to Nita Wallenberg (1896-1966). The artwork is in very good condition included a cream colored cardboard passpartout (42x24 cm). Hand-signed by the artist on the lower right corner. Ebba Maria Sassnitza Wallenberg, (11 April 1896 - 4 October 1966) was a Swedish artist known for her romance with Nils von...

Michael Lyne (1912–1989) was one of the most respected British sporting artists of the twentieth century, celebrated for his lively and instinctive depictions of hunting, shooting, a...