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Medium: Laid Paper
Early 17th Century German School, Vita Christi, Thirty Miniatures
Located in Cheltenham, GB
This rather fascinating arrangement of early 17th century miniatures depicts thirty scenes from the life of Christ. The origins of this collection are unknown but it’s likely that t...
Category

Early 1600s Laid Paper Paintings

Materials

Ink, Wood Panel, Laid Paper, Pigment

Vue de Rolleboise - Impressionist Landscape Oil Painting by Maximillien Luce
Located in Marlow, Buckinghamshire
Signed figure in landscape oil on paper laid on canvas circa 1925 by French impressionist painter Maximilien Luce. The piece depicts a view of Rolleboise, a commune in the Yvelines d...
Category

1920s Impressionist Laid Paper Paintings

Materials

Oil, Canvas, Laid Paper

Abstract Landscape, Surrealist Gouache Painting by Yohanan Simon 1962
Located in Long Island City, NY
Artist: Yohanan Simon (1905-1976) Title: Landscape Medium: Gouache on paper laid to card Date: 1962 Signature: Signed and dated in Hebrew Paper Size: 16.75 x 21 inches Frame Size: 24...
Category

1960s Modern Laid Paper Paintings

Materials

Gouache, Laid Paper

Soleil Couchant - Honfleur - Impressionist Seascape Oil by Maximillien Luce
Located in Marlow, Buckinghamshire
Signed and dated seascape oil on paper laid on canvas by French impressionist painter Maximilien Luce. The piece depicts a view of the sea at Honfleur, a commune in the Calvados depa...
Category

1920s Impressionist Laid Paper Paintings

Materials

Canvas, Oil, Laid Paper

Neoclassical composition of a sculptor kneeling before his statue of the Madonna
Located in Middletown, NY
An allegory of loyalty, with the subject's dog pictured seated, holding his master's chisel in his mouth; fidelity personified. Italian School, 18th century Ink wash in gray and bl...
Category

Mid-18th Century Italian School Laid Paper Paintings

Materials

Laid Paper, Ink, Watercolor

Grant Series Torn Paper Collage Painting African American Artist John Rozelle
By John Rozelle
Located in Surfside, FL
John Rozelle (American, 1944-) Grant Series II #5, Collage, 1988 Hand signed, dated and titled in pencil Provenance: Isobel Neal Gallery, Chicago, Measurements Matted to approximately 20 by 16 Sight: 11 by 9 inches Layers of torn ripped, and painted paper with music notes are overlaid on top of each other in this contemporary collage assemblage composition with a jazz sensibility. The pieces of paper have been arbitrarily arranged while in contrast, the artist has applied color in this piece in a very thoughtful way. John Everette Rozelle is an internationally renowned artist from St. Louis, Missouri now living in Banyoles, Girona. He is a masterful collagist, painter and sculptor included in museums and private collections worldwide. John Rozelle was born in St. Louis, Missouri and holds a B.F.A with a major in painting and a minor in sculpture from Washington University and a M.F.A from Fontbonne College. John Rozelle is currently tenured Associate Professor in the Drawing and Painting Department at The School of the Art Institute of Chicago. Prior to joining the Art Institute faculty he taught drawing, design, painting, and sculpture as an Adjunct Assistant Professor at Fontbonne College. Rozelle has served on numerous occasions as curator, juror, and artist-in-residence for several exhibitions. His twenty years of solo and group shows have included those in New York, Philadelphia, Chicago, St. Louis, Atlanta, and Los Angeles. His work is housed among various corporate collections some of which include: Anheuser Busch, Citibank Corp., AT&T, Borg-Warner, Price Waterhouse, Saks Fifth Avenue, the Seven-Up Company, Ralston Purina, the Westin Hotels and ARCO. Rozelle is currently tenured Associate Professor in the Drawing and Painting Department at The School of the Art Institute of Chicago. His art can be found in over 20 public collections and in over 50 private collections throughout the United States. He has been in many important exhibitions including Pennsylvania Academy of Fine Arts. Layers of Meaning: Collage and Abstraction in the Late 20th Century. Included: Romare Bearden, Moe Brooker...
Category

1980s Abstract Laid Paper Paintings

Materials

Mixed Media, Laid Paper

Early 17th Century German School, Vita Christi, Thirty Miniatures
Located in Cheltenham, GB
This rather fascinating arrangement of early 17th century miniatures depicts thirty scenes from the life of Christ. The origins of this collection are unknown but it’s likely that t...
Category

Early 1600s Laid Paper Paintings

Materials

Ink, Wood Panel, Laid Paper, Pigment

France beach acrylic painting seascape
Located in Barcelona, Barcelona
Acrylic on paper laid board. Frameless.
Category

1990s Fauvist Laid Paper Paintings

Materials

Acrylic, Board, Laid Paper

Swan Dive (Aqua Culture Series)
Located in Soquel, CA
Bold and bright painting of a diver by Marc Foster Grant (American, b. 1947). Signed "Grant 2007" in the lower right corner. Presented in a simple sl...
Category

2010s Contemporary Laid Paper Paintings

Materials

Laid Paper, Acrylic

Shorebirds in the Surf an Original Pastel by Gregory Biolchini
Located in Soquel, CA
Shorebirds in the Surf an Original Pastel by Gregory Biolchini Shorbirds in the Florida Surf by Gregory Biolchini (American, B- 1948). Lively pastel with eager Shorebirds hunting for...
Category

1980s American Impressionist Laid Paper Paintings

Materials

Oil Pastel, Laid Paper

Early 20th Century Plein Air Study for Homesteader Colorado Mountain Painting
Located in Soquel, CA
Robert Azensky Fine Art is pleased to offer original 1909 sketch study of oil painting "Homesteader Colorado Mountain" painting by Frank Tenney Johnson. It's always special to see the evolution of a painting through the plein air sketches ("studies") by the artist prior to its painting. Frank Tenney Johnson traveled throughout the Colorado Rockies sketching and painting western landscapes and native American and cowboy figurative art. Medium: Charcoal on paper Signature: Lower left corner Date: "1909" below signature Condition: Tonal aging and minor edge wear consistent with age and use. See images. Presented in black painted wood frame Mat size: 14"H x 11"W Paper size: 9"H x 6"W Image size (visible with mat): 8"H x 5.25"W Frank Tenney Johnson was born in Coucil Bluffs, Iowa, in 1874 not far from the Overland Trail. During his childhood, he saw the steady stream of people heading west in all forms of horse-drawn conveyance. This early exposure to the American West was critical in leading Johnson towards the Western landscape as an inspiration for his work. The resulting body of work is a moody and romantic depiction of a long-gone America, rendered in a style that has become practically a genre all its own. At the age of ten, Johnson moved from Iowa to Milwaukee, WI. There, he took an apprenticeship with F.W. Heinie, a prominent panoramic painter. After a year with Heinie, Johnson apprenticed for Richard Lorenz, a painter and former Texas Ranger who specialized in depictions of horses and western scenes. It was probably during his time with Lorenz that Johnson decided to focus on western subjects himself. He also started illustrating for regional papers and publications, in order to save money for further training. Further training, as with many of the artists who populated New Mexico in the early twentieth century, took place at the Art Students League in New York, where Robert Henri, William Merritt Chase, John Twachtman, Kenneth Hayes Miller and F. Louis Mora were in the process of teaching perhaps the last great batch of pre-modernists. Though highly stimulated by the training, Johnson was only able to stay for five months, after which he returned to Milwaukee to work and save money in an effort to return to New York. He was able to do so after a time and, upon returning, established an important professional relationship with Emerson Hough, the editor of "Field & Stream" magazine. At Hough's urging (and on Hough's dime), Johnson traveled to Hayden, Colorado, where he tagged along with a group of cowpunchers in order to sketch their way of life. Though primarily an artist, Johnson also wrote accounts of his time in Colorado for "Field & Stream." After Colorado came Cheyenne, Wyoming, where Johnson attended a "Frontier Days" celebration; after Wyoming, Johnson traveled to New Mexico, where he observed the Navajos and their threatened way of life. This trip changed Johnson from an academic artist with an appreciation for the west to a truly western artist. Of particular interest to him, in stark contrast to other western artists of the time like Frederic Remington and C.M. Russell, were the more quotidian scenes of the West. Specifically, Johnson focused upon scenes featuring horses, especially at night. Johnson painted a great number of pieces that featured horses tied up outside of saloons, inns or trading posts for the night, the moonlit night punctuated by the warm glow from the lamps inside. In this, he can be considered a pioneer, as his night pieces still serve as the archetype for such work in western art. Johnson became quite successful through his work for "Field & Stream." He was chosen to illustrate books by the prominent writer Zane Grey, and his gallery shows sold briskly. In fact, one particular show, at the Grand Central Art Galleries at the Biltmore Hotel in New York, sold out opening night. In fact, one man had bought out the entire show: Amon Carter. Having achieved financial security and comfort, Johnson followed his good friend Clyde Forsythe to Alhambra, CA, where the two established residency and shared a studio. California treated Johnson well. He and Forsythe founded the gallery at the Los Angeles Biltmore...
Category

Early 1900s Hudson River School Laid Paper Paintings

Materials

Oil Crayon, Laid Paper

Dog Portrait of a Hunting Dog by Jules Chardigny (1849-1892)
Located in SANTA FE, NM
Antique Dog Painting of a Hunting Dog Jules Chardigny (1849-1892) Circa 1870 Oil on paper. 8 x 6 (18 1/2 x 15 1/4 frame) inches In Jules Chardigny's signature style, a beloved compa...
Category

1860s Realist Laid Paper Paintings

Materials

Oil, Laid Paper

Vue de Rolleboise - Impressionist Landscape Oil Painting by Maximillien Luce
Located in Marlow, Buckinghamshire
Signed figure in landscape oil on paper laid on canvas circa 1925 by French impressionist painter Maximilien Luce. The piece depicts a view of Rolleboise, a commune in the Yvelines d...
Category

1920s Impressionist Laid Paper Paintings

Materials

Oil, Canvas, Laid Paper

"Showers Today" San Francisco's Chinatown on an Overcast Day Original Watercolor
Located in Soquel, CA
"Showers Today" San Francisco's Chinatown on an Overcast Day Original Watercolor A two sided watercolor on Arches paper by San Francisco and Maryland artist Harolod Gretzner (America...
Category

1970s American Modern Laid Paper Paintings

Materials

Watercolor, Laid Paper

Large Scale Triptych Watercolor Landscape -- Paradise Cove
Located in Soquel, CA
A secluded ancient site with lush foliage overlooking a brilliant blue cove is the subject of this watercolor triptych combined in single framing by artist Isabel McCauley...
Category

1990s Post-Impressionist Laid Paper Paintings

Materials

Watercolor, Laid Paper

Pink Roses - Neo-Impressionist Oil, Flowers in Garden by Theo van Rysselberghe
Located in Marlow, Buckinghamshire
A wonderful oil on paper laid on canvas circa 1905 by French neo-impressionist painter Theo Van Rysselberghe depicting a climbing rose - the pink of the flowers contrasting against the green and yellow of the leaves. Signature: Signed lower right Dimensions: Framed: 23"x23" Unframed: 17"x17" Provenance: This work is included in the Catalogue Raisonne of Theo van Rysselberghe by Ronald Feltkamp under the reference P-032 Sotheby's, New York, November 5, 1969, lot 83 Christie's, Amsterdam, June 9, 2004, lot 87, Lancz Gallery, Brussels, Private collection, United Kingdom Exhibition: Le Lavandou...
Category

Early 1900s Impressionist Laid Paper Paintings

Materials

Canvas, Oil, Laid Paper

Soleil Couchant - Honfleur - Impressionist Seascape Oil by Maximillien Luce
Located in Marlow, Buckinghamshire
Signed and dated seascape oil on paper laid on canvas by French impressionist painter Maximilien Luce. The piece depicts a view of the sea at Honfleur, a commune in the Calvados depa...
Category

1920s Impressionist Laid Paper Paintings

Materials

Canvas, Oil, Laid Paper

Grocery Line, Saturday Evening Post Cover, 1948
Located in Fort Washington, PA
Original cover illustration for The Saturday Evening Post, November 13, 1948 The Post described, “Artist Stevan Dohanos felt like a baseball coach who had everything he needed excep...
Category

1940s Laid Paper Paintings

Materials

Watercolor, Gouache, Board, Laid Paper

Space Bound, Large-Scale Gouache & Mixed Media Abstract
By Nancy Louise Jones
Located in Soquel, CA
Large-scale mixed media and gouache abstract by Nancy Louise Jones (American, 20th century), 1980. This large-scale abstract piece features a cool color palette with layered geometric shapes and planes, evocative of outer space and the cosmos. Signed and dated "1980" on the bottom right. Presented in a metal frame. Image size, 39"H x 48"L. About the Artist: Mentors: William Brice, Ron Pekar, Manfred Mueller, Gere Kavanaugh. Permanent Museum Collections: Huntington Library Archive, “Intimate View of LA”, San Marino, CA South Bay Contemporary Museum, Torrance, CA Published Work: 2012 “Nymphas Dissolutio”, The Bride Revisited Mercedes Gertz/ Nancy Louise Jones 2010 Billy IDOL...
Category

1980s Minimalist Laid Paper Paintings

Materials

Gouache, Mixed Media, Laid Paper

Woman in a Blue Chair, Mid Century Nude Figure Painting
Located in Soquel, CA
Mid century nude figure study of a woman in a blue chair by California artist Genevieve Rogers (American, 1904-1984). Unsigned, but acquired with a collection of her work. Presented ...
Category

Mid-20th Century American Impressionist Laid Paper Paintings

Materials

Laid Paper, Oil

Abstract Expressionist Original Gouache on paper Collage style of de Kooning
Located in Soquel, CA
Abstract Expressionist Original Gouache on paper and Collage Abstract Gouache and Paper Collage by Harold Winer (American, 1913-2006). Image 30"H x 40"W Slat with white paint .25" ...
Category

1980s Post-War Laid Paper Paintings

Materials

Gouache, Illustration Board, Laid Paper

Pair of Detailed European Landscapes in Watercolor and Gouache on Paper
Located in Soquel, CA
Pair of Detailed European Landscapes in Watercolor and Gouache on Paper These two watercolor and gouache paintings depict idyllic European rural scenes with soft colors and detailed...
Category

Mid-19th Century French School Laid Paper Paintings

Materials

Watercolor, Gouache, Laid Paper

'Forms in Charcoal and Jade', San Francisco Bay Area Abstraction, SFMFA, CWS
Located in Santa Cruz, CA
Signed lower right, 'Gilberg' for Robert George Gilberg (American, 1911-1970) and dated '58'. Born in Oakland, Robert George Gilberg first studied at the Oakland Art Center during t...
Category

1950s Abstract Laid Paper Paintings

Materials

Encaustic, Gouache, Laid Paper

Original Mid Century Western Pen and Ink "Cowboy and Bronco"
Located in Soquel, CA
Original Mid Century Pen and Ink on Paper "Cowboy and Bronco" Western Genre Compelling pen and ink western picture of Cowboy wrangling the bro...
Category

1950s American Realist Laid Paper Paintings

Materials

India Ink, Laid Paper

'Mid-century Abstract', NYMoMA, Paris, XXXII Venice Biennale, MALI, Lima, Peru
Located in Santa Cruz, CA
'Midcentury Biomorphic Abstract', NYMoMA, Paris, XXXII Venice Biennale, MALI, Lima, Peru Signed, lower right, 'E.R. Larrain' for Emilio Rodríguez Larraín (Peruvian, 1928-2015), and inscribed 'Roma, Nov 1963, Enero 1964'. (Rome, Nov 1963-January 1964). Verso titled, "L'Homme C'est Sujet à Errer" (Man Tends to Wander), and bearing the artist's self-portrait in india ink and wash. Exhibited: XXXII Venice Biennale, 1964. (original exhibition label verso) Previously with Staempfli Galleries, New York. This painting is registered in the Archives of American Art as 'Staempfli Gallery, inventory #775'. A monumental and historically distinguished work by this groundbreaking Peruvian Modernist who drew inspiration from Peruvian indigenous and pre-colonial culture. The paintings of Emilio Rodríguez Larraín are held in the permanent collections of museums worldwide including the Musée de la Ville de Paris, Peru's Museo de Arte de Lima and the Museum of Modern Art in New York. This painting was selected by the Peruvian Government for exhibition at the XXXII Venice Biennale in 1964 and is the largest single recorded work by the artist. Emilio Rodríguez Larraín received his Bachelors of Architecture in 1949 from Peru's Universidad Nacional de Ingeniería and held his first solo exhibition in Lima after visiting Europe in 1950. In 1951, he returned to Europe in the company of the artists Alfredo Ruiz Rosas and Joaquín Roca Rey...
Category

1960s Abstract Laid Paper Paintings

Materials

Fiberboard, Laid Paper, Oil

Between Black and White - Original 1972 Oil on Paper
Located in Soquel, CA
Between Black and White - Original 1972 Oil on Paper Original black and white oil painting on paper by Louis Nadalini (American, 1927-1995). Black and white lines take up the paper...
Category

1970s Abstract Laid Paper Paintings

Materials

Oil, Laid Paper

Love in Black and Gold - Original Acrylic on Canvas with Quartz
Located in Soquel, CA
Love in Black and Gold - Original Acrylic on Canvas with Quartz Multicolored, iridescent abstract composition by Judith W Winslow (JW) (American, 1943-2023). This piece is textured ...
Category

Late 20th Century Post-War Laid Paper Paintings

Materials

Acrylic, Laid Paper

Pink Roses - Neo-Impressionist Oil, Flowers in Garden by Theo van Rysselberghe
Located in Marlow, Buckinghamshire
A wonderful oil on paper laid on canvas circa 1905 by French neo-impressionist painter Theo Van Rysselberghe depicting a climbing rose - the pink of the flowers contrasting against the green and yellow of the leaves. Signature: Signed lower right Dimensions: Framed: 23"x23" Unframed: 17"x17" Provenance: This work is included in the Catalogue Raisonne of Theo van Rysselberghe by Ronald Feltkamp under the reference P-032 Sotheby's, New York, November 5, 1969, lot 83 Christie's, Amsterdam, June 9, 2004, lot 87, Lancz Gallery, Brussels, Private collection, United Kingdom Exhibition: Le Lavandou...
Category

Early 1900s Impressionist Laid Paper Paintings

Materials

Canvas, Oil, Laid Paper

California Wetland Ponds Landscapes (Two Sided)
Located in Soquel, CA
Wonderful two sided landscape of California wetlands with pond. Circa 1960s. Monogramed. Image size: 19"H x 25"W. Presented in wood frame. Frame size: 19"H x 25"W. One side Meadow ...
Category

1990s American Impressionist Laid Paper Paintings

Materials

Watercolor, Laid Paper

Original Mid Century Western Pen and Ink "Cowboy and Bronco"
Located in Soquel, CA
Original Mid Century Pen and Ink on Paper "Cowboy and Bronco" Western Genre Compelling pen and ink western picture of Cowboy wrangling the bro...
Category

1950s American Realist Laid Paper Paintings

Materials

India Ink, Laid Paper

Swan Dive (Aqua Culture Series)
Located in Soquel, CA
Bold and bright painting of a diver by Marc Foster Grant (American, b. 1947). Signed "Grant 2007" in the lower right corner. Presented in a simple sl...
Category

2010s Contemporary Laid Paper Paintings

Materials

Laid Paper, Acrylic

Mid Century Modern Mixed Media Painting -- Day at the Beach
Located in Soquel, CA
Wonderful mid century mixed media coastal/figurative in loose/painterly style by Irmal Gertrude Attridge (American, 1894-1962), circa 1950. Signed lower right. Presented in vintage frame under glass (included as-is). Image size: 9"H x 12"W. Irma Gertrude Attridge was born in Chicago and studied at Chouinard Art Institute in Los Angeles with Henry McFee and Oscar Van Young. Member of Calif. AC; AEA; Cal. WC. Soc.; Women Painters...
Category

1950s American Realist Laid Paper Paintings

Materials

Ink, Watercolor, Color Pencil, Laid Paper

Table 2, Couple 1, unique signed framed abstract collage by beloved Texas artist
Located in New York, NY
Henry Rayburn Table 2, Couple 1 (unique framed collage by beloved Texas artist), 1995 Acrylic and Mixed media collage on paper Signed in graphite pencil on the front Unique Frame inc...
Category

1990s Abstract Laid Paper Paintings

Materials

Mixed Media, Laid Paper, Acrylic

France beach acrylic painting seascape
Located in Barcelona, Barcelona
Acrylic on paper laid board. Frameless. Needs restoration
Category

1990s Fauvist Laid Paper Paintings

Materials

Acrylic, Board, Laid Paper

Mid Century Bay Area Figurative Original Oil Painting -- Motherhood
Located in Soquel, CA
Original Bay Area Figurative of Mother and Baby in Oil Paint on Laid Paper Original oil painting depicting a modern twist of a mother and baby by Honora Berg (American, 1897-1985), ...
Category

1950s Post-War Laid Paper Paintings

Materials

Oil, Illustration Board, Laid Paper, Stretcher Bars

Exquisite India Miniature Persian European Illustration Erotic Signed 1921
Located in Norfolk, GB
Couple at play Watercolour on paper laid to board 21cm x 14cm Mounted 39cm x 29cm 1921 Signed with Monogram Bottom right This is an exquisitely executed watercolour painting that ...
Category

1920s Other Art Style Laid Paper Paintings

Materials

Watercolor, Laid Paper

Mid Century Figure Study, Standing Woman with Plants
Located in Soquel, CA
A beautiful mid century nude figure study of a red haired woman standing with plants by California artist Genevieve Rogers (American, 1904-1984). Unsigned, but acquired with a collec...
Category

Mid-20th Century American Impressionist Laid Paper Paintings

Materials

Laid Paper, Oil

'Woman Playing a Cello', Shiraz, Iran, Accademia di Belle Arti di Perugia, Miami
Located in Santa Cruz, CA
Signed lower left, 'Hessam' for Hessam Abrishami (Iranian, born 1951) and painted circa 2000. Titled by artist, 'Color Me Music'. Paper dimensions: 28 x 21.75 inches. Hessam Abrisha...
Category

Early 2000s Post-Impressionist Laid Paper Paintings

Materials

Acrylic, Laid Paper

Bright Country Barns - Abstracted Modern Farm Landscape in Acrylic on Paper
Located in Soquel, CA
Bright Country Barns - Abstracted Modern Farm Landscape in Acrylic on Paper Vivid abstracted landscape of brightly colored barns in the countryside by San Francisco artist Michael W...
Category

1980s Pop Art Laid Paper Paintings

Materials

Paper, Acrylic, Laid Paper

All In Order - 36"x12", Abstract Painting, Minimal, Geometric Pattern, Grey, Tan
Located in Mississauga, Ontario
This contemporary abstract painting features a geometric pattern formed by delicate hand-cut collage motifs. Each paper motif is meticulously hand crafted, contributing to the subtle...
Category

2010s Abstract Laid Paper Paintings

Materials

Canvas, Mixed Media, Acrylic, Laid Paper

The Muse - Original Watercolor on Paper
Located in Soquel, CA
The Muse - Original Watercolor on Paper Original black and white watercolor on paper depicting a reclining nude by Louis Nadalini (American, 1927-1995). The woman is laying on her ...
Category

20th Century Expressionist Laid Paper Paintings

Materials

Watercolor, Gouache, Laid Paper

Abstract Expressionist Artists Self Portrait
Located in Soquel, CA
Abstract Expressionist Self Portrait in Black and Grey Dynamic self portrait by Michael William Eggleston (American, b. 1948). Greyscale acrylic paint on paper. Unsigned, but acquire...
Category

20th Century American Modern Laid Paper Paintings

Materials

Acrylic, Laid Paper

Landscape with Trees and a Fisherman walking, a drawing by Jan Van Goyen
By Jan Josefsz Van Goyen
Located in PARIS, FR
No Dutch draughtsman ever captured the atmosphere of the rural countryside of Holland with the same atmospheric and engaging simplicity that Van Goyen achieved in drawings such as this. Indeed, his landscapes were seminal in the development of the genre. The present sketch conveys a striking sense of movement within the natural landscape, conveyed by the deftly applied strokes of chalk, from which the artist’s hand can be sensed. The composition is characteristic of his work, with the low horizon affording significance to the broad sky and the soaring birds within. This feeling of windswept motion powerfully evokes the expansive Dutch farmland with which he was evidently preoccupied. 1. Jan van Goyen...
Category

1650s Old Masters Laid Paper Paintings

Materials

Chalk, Ink, Laid Paper

Stage Design for "Le Cog d'Or"
Located in Soquel, CA
Vibrant set design by Russian artist Natalia Gontcharova (1881-1962). Two angelic figures are the central focus of this piece, but the rest of the set is laden with details, includin...
Category

Early 20th Century Art Nouveau Laid Paper Paintings

Materials

Acrylic, Laid Paper, Pencil

Snake, Large-Scale Visionary Abstract with Mystical Creatures by Barbara Carlson
By Barbara Carlson
Located in Soquel, CA
Snake, Large-Scale Visionary Abstract with Mystical Creatures by Barbara B. Carlson Large scale abstract with Central America mythological motifs by Barbara B. Carlson an Orinda, Ca...
Category

1980s Neo-Expressionist Laid Paper Paintings

Materials

Tempera, Laid Paper

"Wagon Shed" - 1970s San Louis Obispo Farm Landscape
Located in Soquel, CA
"Wagon Shed", a 1970's farm landscape of San Louis Obispo by Helen Hollister (American, 1921-2020), 1975. Presented in a wooden frame. Signed "Helen Holliste...
Category

1970s American Impressionist Laid Paper Paintings

Materials

Oil, Laid Paper

Large Canadian Mexican Modernist Figurative Abstract Collage Painting Landscape
Located in Surfside, FL
"First Rain at San Miguel de Allende", mixed media, acrylic and collage on canvas, signed lower left, titled, signed and dated 1984 verso, depicting a verdant tropical landscape with a pool with koi fish, in a n abstracted view with in an oak bullnose frame with burlap mat and gold liner, frame size: 53" x 37", canvas size: 48" x 32". Leonard Brooks (Canadian-Mexican artist) was born in Enfield, London, England, in 1911. He emigrated to Toronto, Canada with his parents. after seeing a lecture on Canadian art by Arthur Lismer, in which the Group of Seven painter described his love for the natural beauty surrounding them he decided he was going to become a painter. He took evening art classes at the Toronto Central Technical School (c. 1928); at the Ontario College of Art for six months under Frank Johnston. He then travelled and painted in England, France, Spain and in the United States at Woodstock, New York. On his return to Canada he settled in Toronto and in 1935 married Reva Silverman. He taught drawing, painting and graphic arts at the Northern Vocational School and was active in art circles and participated in most of the major exhibitions in Canada, and the U.S. and in the Canadian Section at the 1936 World's Fair. He began painting activities on the Great Lakes around 1939, visiting various docks and many of the ships that arrived and departed from the Great Lake ports. During World War II he left his teaching post in 1943 to enlist in the Navy (RCNVR) as an Able Seaman (1943). He was promoted to Petty Officer, then to Sub-Lieutenant in August of 1944. In September was appointed Official War Artist. Overseas he went aboard warships to paint the activities of minesweepers, motor torpedo boats off the coast of Normandy, in the Channel, off the East Coast and on the aircraft carrier HMS Puncher in waters off Scotland. On his return to Canada he was promoted to the rank of Lieutenant. Following his army discharge he went to Mexico on a D.V.A. grant to study and decided to take up residence there with his wife Reva. The couple were early members of what became a well known colony of artists in that town, other Canadian artists such as York Wilson, Fred Taylor, Michael Forster and Fred Powell followed him there. He studied under Mexican artist David Alfaro Siqueiros, while his wife Reva pursued photography. Their impressions of Mexico appeared in Canadian Art (Spring, 1950). Critic Rose MacDonald in the Evening Telegram wrote, "Like Siqueiros he paints in the abstract only as an exercise with a view to clarification, believing that this is the purpose of abstract painting . . . ." Since that time his figurative work evolved from abstract, to non-objective, to free-form collage acrylics with rich texture. Some of his paintings have been transposed into large tapestry works by five Mexican weavers under his direction. Leonard and Reva held a joint exhibition of their works in a number of centres including Eaton's Fine Art Galleries, Tor. (1949). Leonard Brooks has worked in a variety of media over the years including oils, acrylics, water colours, casein, duco, polymer, wax, and graphic mediums. He has written a number of books on painting techniques including: Watercolor A Challenge (1957); Oil Painting Traditional and New (1959); Wash Drawing and Casein (1961); Painting and Understanding Abstract Art (1964); Painter's Workshop (1969); Oil Painting, Basic and New Techniques (1971). He has had a lifelong love of music, is an accomplished player of the violin and has given free lessons to local Mexican children. He eventually was encouraged to head the music department at the Bellas Artes in San Miguel and as a result of his activity in music, an annual festival of chamber music is held which attracts players and listeners from around the world. He has held many solo shows during his career and his paintings have been exhibited at the following: Eaton's Fine Art Galleries, Tor.; Roberts Gallery, Tor.; the Cowie Galleries, L.A., Calif.; Childs Gal., Boston, Mass.; Ohio Univ., Athens; Kenyon College; Santa Barbara Museum of Art, San Francisco; San Antonio Biennial Interamericana, Mexico and at the 2nd Annual exhibition at San Miguel (1960) where he won 1st Prize. He is represented in the following collections: LAG, Lond., Ont.; U. Guelph; AGO, Tor.; NGC, Ott.; Can. War Museum, Ott.; Dartmouth College, N.S.; Worcester Art Museum, Mass.; Mus. of Modern Art, Mexico City; Ohio U., Athens; Slosberg Collection, Boston and in many private collections in Canada, Mexico and the United States. His teaching experience includes: Ohio U., Athens; Doon Sch. of Art, Ont.; UBC; Art Inst., San Antonio, Texas; Wells College, Aurora, N.Y. His wife Reva Silverman Brooks, began photographing his work to make a record, then gradually expanded her interest to record the Mexican people and their land. In 1952, Reva Brooks...
Category

1980s Modern Laid Paper Paintings

Materials

Canvas, Mixed Media, Acrylic, Laid Paper

Untitled
Located in Miami, FL
Untitled (Sketch for Meditacion on a Water Sign, picture on a book cover), 1995 Graphite on paper 12 x 9 in Certificate of Authenticity by Tomas Sanchez included
Category

Late 20th Century Contemporary Laid Paper Paintings

Materials

Laid Paper, Graphite

Rio de Amor
Located in Miami, FL
Manuel Mendive Rio de Amor, 1980s Gouache on paper 11 x 16 in Provenance: Bonhams, NY. Modern & Contemporary Art Online. July 20 - August 1, 2024. Lot 96. The piece includes a Cert...
Category

Late 20th Century Contemporary Laid Paper Paintings

Materials

Gouache, Laid Paper

Mid Century Coastal Town Landscape Watercolor
Located in Soquel, CA
Charming and colorful mid century watercolor of a small coastal neighborhood and orchard by Zella Mae (Wunderlich) Dickinson (1895 - 1982). Initialed and dated "ZD '64" lower right c...
Category

1960s Pointillist Laid Paper Paintings

Materials

Watercolor, India Ink, Laid Paper

Large Canadian Mexican Modernist Figurative Abstract Collage Painting Landscape
Located in Surfside, FL
"First Rain at San Miguel de Allende", mixed media, acrylic and collage on canvas, signed lower left, titled, signed and dated 1984 verso, depicting a verdant tropical landscape with a pool with koi fish, in a n abstracted view with in an oak bullnose frame with burlap mat and gold liner, frame size: 53" x 37", canvas size: 48" x 32". Leonard Brooks (Canadian-Mexican artist) was born in Enfield, London, England, in 1911. He emigrated to Toronto, Canada with his parents. after seeing a lecture on Canadian art by Arthur Lismer, in which the Group of Seven painter described his love for the natural beauty surrounding them he decided he was going to become a painter. He took evening art classes at the Toronto Central Technical School (c. 1928); at the Ontario College of Art for six months under Frank Johnston. He then travelled and painted in England, France, Spain and in the United States at Woodstock, New York. On his return to Canada he settled in Toronto and in 1935 married Reva Silverman. He taught drawing, painting and graphic arts at the Northern Vocational School and was active in art circles and participated in most of the major exhibitions in Canada, and the U.S. and in the Canadian Section at the 1936 World's Fair. He began painting activities on the Great Lakes around 1939, visiting various docks and many of the ships that arrived and departed from the Great Lake ports. During World War II he left his teaching post in 1943 to enlist in the Navy (RCNVR) as an Able Seaman (1943). He was promoted to Petty Officer, then to Sub-Lieutenant in August of 1944. In September was appointed Official War Artist. Overseas he went aboard warships to paint the activities of minesweepers, motor torpedo boats off the coast of Normandy, in the Channel, off the East Coast and on the aircraft carrier HMS Puncher in waters off Scotland. On his return to Canada he was promoted to the rank of Lieutenant. Following his army discharge he went to Mexico on a D.V.A. grant to study and decided to take up residence there with his wife Reva. The couple were early members of what became a well known colony of artists in that town, other Canadian artists such as York Wilson, Fred Taylor, Michael Forster and Fred Powell followed him there. He studied under Mexican artist David Alfaro Siqueiros, while his wife Reva pursued photography. Their impressions of Mexico appeared in Canadian Art (Spring, 1950). Critic Rose MacDonald in the Evening Telegram wrote, "Like Siqueiros he paints in the abstract only as an exercise with a view to clarification, believing that this is the purpose of abstract painting . . . ." Since that time his figurative work evolved from abstract, to non-objective, to free-form collage acrylics with rich texture. Some of his paintings have been transposed into large tapestry works by five Mexican weavers under his direction. Leonard and Reva held a joint exhibition of their works in a number of centres including Eaton's Fine Art Galleries, Tor. (1949). Leonard Brooks has worked in a variety of media over the years including oils, acrylics, water colours, casein, duco, polymer, wax, and graphic mediums. He has written a number of books on painting techniques including: Watercolor A Challenge (1957); Oil Painting Traditional and New (1959); Wash Drawing and Casein (1961); Painting and Understanding Abstract Art (1964); Painter's Workshop (1969); Oil Painting, Basic and New Techniques (1971). He has had a lifelong love of music, is an accomplished player of the violin and has given free lessons to local Mexican children. He eventually was encouraged to head the music department at the Bellas Artes in San Miguel and as a result of his activity in music, an annual festival of chamber music is held which attracts players and listeners from around the world. He has held many solo shows during his career and his paintings have been exhibited at the following: Eaton's Fine Art Galleries, Tor.; Roberts Gallery, Tor.; the Cowie Galleries, L.A., Calif.; Childs Gal., Boston, Mass.; Ohio Univ., Athens; Kenyon College; Santa Barbara Museum of Art, San Francisco; San Antonio Biennial Interamericana, Mexico and at the 2nd Annual exhibition at San Miguel (1960) where he won 1st Prize. He is represented in the following collections: LAG, Lond., Ont.; U. Guelph; AGO, Tor.; NGC, Ott.; Can. War Museum, Ott.; Dartmouth College, N.S.; Worcester Art Museum, Mass.; Mus. of Modern Art, Mexico City; Ohio U., Athens; Slosberg Collection, Boston and in many private collections in Canada, Mexico and the United States. His teaching experience includes: Ohio U., Athens; Doon Sch. of Art, Ont.; UBC; Art Inst., San Antonio, Texas; Wells College, Aurora, N.Y. His wife Reva Silverman Brooks, began photographing his work to make a record, then gradually expanded her interest to record the Mexican people and their land. In 1952, Reva Brooks...
Category

1980s Modern Laid Paper Paintings

Materials

Canvas, Mixed Media, Acrylic, Laid Paper

Provence Landscape - Large Mid 20th Century French Cubist Oil Painting
Located in Sevenoaks, GB
A beautiful large c.1960 French oil on paper laid on board cubist influenced landscape by Oleg Zinger. The work depicts a summer landscape with white build...
Category

1960s Cubist Laid Paper Paintings

Materials

Oil, Laid Paper

Untitled
Located in Austin, TX
Waterline Fine Art, Austin, TX is pleased to present the following work: Acrylic on paper (two sheets) mounted on canvas. Signed on rear support, gallery labels verso. 35.25 x 46.2...
Category

1970s Abstract Expressionist Laid Paper Paintings

Materials

Acrylic, Laid Paper

Untitled Abstract. Signed painting (on paper) by Yves Corbassiére.
Located in Llanbrynmair, GB
’Untitled Abstract’ By Yves Corbassiére Medium - Acrylic on paper Signed - Yes Edition - Original Date - 1968 Size - 490mm x 625mm Condition - 9. Some slight wear to edges and marks ...
Category

Mid-20th Century Abstract Laid Paper Paintings

Materials

Paint, Laid Paper

Portrait of a Man with a Rifle
Located in London, GB
Oil on layered paper Image size: 10 1/2 x 8 1/4 inches (26.5 x 21 cm) Contemporary swept frame This is an eighteenth century portrait of a...
Category

Late 18th Century Naturalistic Laid Paper Paintings

Materials

Oil, Laid Paper

“Enfant A La Collarette” The Child in the Collar.
Located in Berlin, MD
Rene Genis (French 1922-2004) “Enfant A La Collarette” The Child in the Collart. Portrait of a disturbing young man with a rather defiant, petulant look in his expression. Dark eye...
Category

Mid-20th Century Laid Paper Paintings

Materials

Canvas, Oil, Laid Paper

Pacific Coast in Spring - Watercolor Landscape
Located in Soquel, CA
Pacific Coast in Spring - Watercolor Landscape Vibrant watercolor of Pacific coastal waters crashing in the the cliffs, by an unknown artist (American, 20th Century). Bright, fauvis...
Category

Late 20th Century Fauvist Laid Paper Paintings

Materials

Watercolor, Laid Paper

La lagune à Venise, 1968-69, oil on paper laid on canvas by Jean Jansem
Located in Les Acacias GE, GE
Jean Jansem (1920-2013) La lagune à Venise, 1968-1969 Huile sur papier marouflée sur toile Signée en bas à droite 50 x 65 cm Bibliographie: Cette oeuvre est enregistrée dans les archives de l’Association des Amis de Jean Jansem. Figurera dans le catalogue critique de l’oeuvre de Jean Jansem actuellement en préparation par l’association des amis de Jean Jansem Historique: L’artiste a longuement séjourné à Venise, notamment à Mazzorbo et la lagune a toujours eu une place bien particulière dans l’oeuvre et le coeur de Jansem. L’artiste y aura réalisé nombre de dessins et une trentaine de toiles seulement, dont chacune, représentation de l’eau et du ciel, est le témoin de l’imprégnation pérenne de la lumière si spécifique de la lagune dans l’oeuvre de l’artiste. Cette œuvre est une bien belle démonstration de cette utilisation magistrale de la lumière. Artiste français d'origine arménienne, né en 1920 en Turquie, Jansem arrive en France...
Category

Late 20th Century Expressionist Laid Paper Paintings

Materials

Canvas, Oil, Laid Paper

Swords at Weehawken
Located in Fort Washington, PA
Date: 1938 Medium: Oil on Paperboard Sight Size 20.25" x 13.875", Framed to 27.50" x 21.00" Signature: Signed Lower Right with Initials: N/R 'Philip found himself involved in a humi...
Category

1930s Laid Paper Paintings

Materials

Oil, Board, Laid Paper

Blue Emersion - Original Abstract Acrylic on Paper
Located in Soquel, CA
Blue Emersion - Original Abstract Acrylic on Paper Vibrant composition by California artist Charles "Dave" Francis (American, 1951-2018). Multicolored layers of green, purple and or...
Category

Early 2000s American Modern Laid Paper Paintings

Materials

Acrylic, Laid Paper

'Abstract in Orchid and Jade', San Francisco Art Institute, Large Bay Area Oil
By Kevin Keaney
Located in Santa Cruz, CA
Signed verso, 'Kevin Keaney' (American, born 1962) and painted circa 1995. This San Francisco Bay area artist studied with Jerry Morgan at the San Francisco Art Institute and has ex...
Category

1990s Abstract Expressionist Laid Paper Paintings

Materials

Chalk, House Paint, Acrylic, Board, Laid Paper

Early 20th Century Plein Air Study for Homesteader Colorado Mountain Painting
Located in Soquel, CA
Robert Azensky Fine Art is pleased to offer original 1909 sketch study of oil painting "Homesteader Colorado Mountain" painting by Frank Tenney Johnson. It's always special to see the evolution of a painting through the plein air sketches ("studies") by the artist prior to its painting. Frank Tenney Johnson traveled throughout the Colorado Rockies sketching and painting western landscapes and native American and cowboy figurative art. Medium: Charcoal on paper Signature: Lower left corner Date: "1909" below signature Condition: Tonal aging and minor edge wear consistent with age and use. See images. Presented in black painted wood frame Mat size: 14"H x 11"W Paper size: 9"H x 6"W Image size (visible with mat): 8"H x 5.25"W Frank Tenney Johnson was born in Coucil Bluffs, Iowa, in 1874 not far from the Overland Trail. During his childhood, he saw the steady stream of people heading west in all forms of horse-drawn conveyance. This early exposure to the American West was critical in leading Johnson towards the Western landscape as an inspiration for his work. The resulting body of work is a moody and romantic depiction of a long-gone America, rendered in a style that has become practically a genre all its own. At the age of ten, Johnson moved from Iowa to Milwaukee, WI. There, he took an apprenticeship with F.W. Heinie, a prominent panoramic painter. After a year with Heinie, Johnson apprenticed for Richard Lorenz, a painter and former Texas Ranger who specialized in depictions of horses and western scenes. It was probably during his time with Lorenz that Johnson decided to focus on western subjects himself. He also started illustrating for regional papers and publications, in order to save money for further training. Further training, as with many of the artists who populated New Mexico in the early twentieth century, took place at the Art Students League in New York, where Robert Henri, William Merritt Chase, John Twachtman, Kenneth Hayes Miller and F. Louis Mora were in the process of teaching perhaps the last great batch of pre-modernists. Though highly stimulated by the training, Johnson was only able to stay for five months, after which he returned to Milwaukee to work and save money in an effort to return to New York. He was able to do so after a time and, upon returning, established an important professional relationship with Emerson Hough, the editor of "Field & Stream" magazine. At Hough's urging (and on Hough's dime), Johnson traveled to Hayden, Colorado, where he tagged along with a group of cowpunchers in order to sketch their way of life. Though primarily an artist, Johnson also wrote accounts of his time in Colorado for "Field & Stream." After Colorado came Cheyenne, Wyoming, where Johnson attended a "Frontier Days" celebration; after Wyoming, Johnson traveled to New Mexico, where he observed the Navajos and their threatened way of life. This trip changed Johnson from an academic artist with an appreciation for the west to a truly western artist. Of particular interest to him, in stark contrast to other western artists of the time like Frederic Remington and C.M. Russell, were the more quotidian scenes of the West. Specifically, Johnson focused upon scenes featuring horses, especially at night. Johnson painted a great number of pieces that featured horses tied up outside of saloons, inns or trading posts for the night, the moonlit night punctuated by the warm glow from the lamps inside. In this, he can be considered a pioneer, as his night pieces still serve as the archetype for such work in western art. Johnson became quite successful through his work for "Field & Stream." He was chosen to illustrate books by the prominent writer Zane Grey, and his gallery shows sold briskly. In fact, one particular show, at the Grand Central Art Galleries at the Biltmore Hotel in New York, sold out opening night. In fact, one man had bought out the entire show: Amon Carter. Having achieved financial security and comfort, Johnson followed his good friend Clyde Forsythe to Alhambra, CA, where the two established residency and shared a studio. California treated Johnson well. He and Forsythe founded the gallery at the Los Angeles Biltmore...
Category

Early 1900s Hudson River School Laid Paper Paintings

Materials

Oil Crayon, Laid Paper

'Au Cirque', Musée d'Art Moderne de Paris, Pompidou Center, Nice, Petit Palais
Located in Santa Cruz, CA
Signed lower left "Vigny" for Sylvain Vigny (French, 1903-1970) and painted, circa 1935, on artists board prepared by Maison Franco, 19 Rue Pastorelli, Nice. Born in Vienna, Sylvain...
Category

1930s Expressionist Laid Paper Paintings

Materials

Watercolor, Gouache, Laid Paper

Untitled
Located in Miami, FL
Beautiful watercolor painting by the artist Roberto Fabelo. Roberto Fabelo (born 1951 Camagüey, Cuba) is a contemporary painter, sculptor, and illustrator. Born in Guáimaro, Camagüey, Fabelo studied at The National Art School and at the Superior Art Institute of Havana. He was a professor and a jury member for very important national and international visual arts contests. The Cuban state awarded him a medal for National Culture and the Alejo Carpentier medal for his outstanding artistic career. Fabelo’s art consists of nude women, who often appear with bird-like features, including a beak and wings. He drew in textbooks and created figures out of the pictures already in the textbook. Another example of his art was watercolor markers used to draw on silk embroidered fabric. His work is exhibited at the Museo Nacional de Bellas Artes in Havana, and in the Cuban embassy in Mexico. His 2009 sculpture of a group of human-headed cockroaches can be found climbing one of the walls of the Havana Fine Arts Museum, entitled Survival. He also illustrated a 2007 edition of Gabriel García Márquez’s novel Cien años de...
Category

1990s Surrealist Laid Paper Paintings

Materials

Watercolor, Laid Paper

Farmland in Autumn - Contemporary Pop Art Pastoral Landscape
Located in Soquel, CA
Farmland in Autumn - Contemporary Pop Art Pastoral Landscape Vivid landscape of farmland in highly saturated autumnal hues by San Francisco artist Michael William Eggleston (Americ...
Category

Early 2000s Pop Art Laid Paper Paintings

Materials

Paper, Acrylic, Laid Paper

Mid Century Frida Kahlo Study
Located in Soquel, CA
A 1960's Frida Kahlo study oil painting on laid paper by California artist Genevieve Rogers (American, 1904-1984). Unsigned, but acquired with a collection of her work. Unframed. Ima...
Category

Mid-20th Century American Impressionist Laid Paper Paintings

Materials

Laid Paper, Oil

The Blacksmith's Shop - Western Figurative Landscape Watercolor
By Patricia Hansen
Located in Soquel, CA
Wonderful western figurative landscape watercolor depicting highly detailed figures at working in front of a blacksmith shop, set in a small town landscape with beautiful dappled light in the foreground, by exemplary contemporary watercolor artist Patricia Hansen (American, 20th Century), c.2000. Signed lower right corner "P.P. Hansen". Presented in oak frame under glass with off-white mat. Image size: 23"H x 31"W. Formerly of the San Francisco Bay Area and Saratoga Springs, New York, watercolorist, Patricia Hansen currently lives and maintains her studio at the mouth of Little Cottonwood Canyon in Sandy, Utah. She was born in Chicago, Illinois and received her bachelor degree in art from Brigham Young University. After graduation, Patricia continued to study both drawing and watercolor painting from noted artists Jade Fon...
Category

Early 2000s American Impressionist Laid Paper Paintings

Materials

Watercolor, Laid Paper

Cosmos and Tree Original Abstracted Composition
Located in Soquel, CA
The Cosmos and Tree - Original Abstracted Composition by Dave Francis Unique and thought-provoking abstracted composition with cosmos and oak tree by California artist Charles "Dave...
Category

Late 20th Century American Modern Laid Paper Paintings

Materials

Acrylic, Laid Paper, Paper

Mid Century Portrait of an African American Man
Located in Soquel, CA
Mid-century figure study of an African American man by American Impressionist artist Genevieve Rogers. Unsigned, but acquired with a collection of her...
Category

Mid-20th Century American Impressionist Laid Paper Paintings

Materials

Laid Paper, Oil

'Abstract in Ivory and Blue', Chouinard, Osaka, Butler Institute of Art, LACMA
Located in Santa Cruz, CA
Signed lower left, 'Inman' for Robert Inman (American, 1927–2016) and dated, lower right, outside of design, '79'. Retaining original, card, mat and backi...
Category

1970s Abstract Laid Paper Paintings

Materials

Mixed Media, Acrylic, Gouache, Laid Paper

Abstract Landscape, Surrealist Gouache Painting by Yohanan Simon 1962
Located in Long Island City, NY
Artist: Yohanan Simon (1905-1976) Title: Landscape Medium: Gouache on paper laid to card Date: 1962 Signature: Signed and dated in Hebrew Paper Size: 16.75 x 21 inches Frame Size: 24...
Category

1960s Modern Laid Paper Paintings

Materials

Gouache, Laid Paper

"Elements 3025" Abstract Mixed Media Layered Composition on Baltic Birch Panel
Located in New York, NY
This piece Owen depicts an abstract composition with the use of mixed media and bold patterns producing work which is visually textured and rich with layers and is a part of the arti...
Category

2010s Abstract Geometric Laid Paper Paintings

Materials

Acrylic, Resin, Wood Panel, Laid Paper

On the Moors - England Original Watercolor 19th Century
By David Cox the Younger
Located in Soquel, CA
On the Moors - England Original Watercolor 19th Century Mid 19th century watercolor of the North York Moors in Spring by David Cox (English, 9 July 1809 – 6 December 1885), known as...
Category

1880s Contemporary Laid Paper Paintings

Materials

Watercolor, Laid Paper

Laid Paper paintings for sale on 1stDibs.

Find a wide variety of authentic Laid Paper paintings available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Dick Wray, René Genis, Elaine Holien, and Vera Simons. Frequently made by artists working in the Abstract, Minimalist, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Laid Paper paintings, so small editions measuring 4 inches across are also available Prices for paintings made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $160 and tops out at $15,000, while the average work can sell for $960.

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