Marble Paintings

This canvas's elongated format matches the horizontality of its subject: the Breton foreshore in the depths of winter. « January in Brittany, a peaceful mood of grey and beige, a tru...

During a walk in the forest, the shade of the trees suddenly appeared as dark blue in contrast with the reddish heather and the branches.

Painted in April 2024, this vertical 81 × 65 cm linen builds its surface like a chalky wall, thickened with marble powder until it takes on the grain of an old stone. In the upper ri...

It is a winter without sadness, the clouds loaded and free to transform, it was the year 2016...

Evanescent memories, softened colours, the breath of passing time… Ned to enter into a pastel color atmosphere, the need to change register between two paintings, as an alternation o...

A broad circular form, pale and translucent, occupies the lower left of the canvas — an almost perfect circle, ringed by a thin outline that barely stands out from the ground. Along ...

Emmanuelle Vroelant approaches Forgetting with disarming candour: « forgetting words, names… it's so annoying! » The painting starts from this very concrete irritation to build a broader reflection on memory and what it leaves behind. The canvas's relief becomes the very site of this reflection: « the relief is worked like an inscription of memory, and covering it all with China paper...

Blue, white, and gray answer one another across the entire surface of the canvas, forming an atmosphere in which one senses, without it ever being clearly depicted, a coastline batte...

Promise of Coolness unfolds in a dense canopy of greens and blue, like branches seen in a slight low-angle view, their foliage seeming in places almost to lift away from the canvas’s...

A dense mist of water-greens, silvery grays, and off-whites envelops the entire surface of the canvas, with no light source cutting through the composition — a choice fully embraced ...

Black Globe Oil, bitumen, graphite, marble powder, burlap on canvas 72" X 70" I am a visual artist whose work investigates small and large -scale abstraction primarily in the medium...

Painted in an intimate square format, What Remains is one of the gravest canvases in Emmanuelle Vroelant's work. « The layout of this piece came to me during a night, probably in re...

The long horizontal band format unfolds a palette of milky whites and blues, punctuated on the left by a few touches of yellow and soft green, and further to the right by delicate vi...

"Chinese mythology" It makes me think of dragons, oxidized that I see in the multitude of temples of South-West Asia to temples. I associate the deep reds of the pillars and fra...

The canvas sets a vast, cream and sand-coloured expanse — almost luminous, finely veined with grey — against a broad, black, charcoal-like band that occupies the entire lower part of...

In March 2022, just a few weeks after the start of the war in Ukraine, Cherished Liberty carries the immediate imprint of current events in Emmanuelle Vroelant’s work. The title alon...

Faces emerge gently from a pale, cracked ground, as if surfacing out of a mist or a shared memory. None is given an age or an origin: children, adults, and elderly people stand side ...

Second confinement, the slaughter of a teacher: a sense of a world that is losing its bearings, saturated with narcissism and intolerance, like a return to a society that no longer k...

Untitled 87 Warren Wolf, American (1924–2003) Date: 1999 Oil and Marble Dust on Shaped Wood Size: 19 x 40 x 4 in. (48.26 x 101.6 x 10.16 cm)

"Persever" I have always been fascinated by frigates and adventurous sailors who confront the unknown and the elements I always thinks of the wind and the sea. This painting expres...

"Along the water" abstract acrylic marble powder on canvas linen black white send in wooden crate at cost the beneficial water, which opens to tranquility, to reverie… Emmanuelle vroelant...

Cala Pragonda Oil, bitumen, graphite, marble powder, burlap on canvas 66" X 56" I am a visual artist whose work investigates small and large -scale abstraction primarily in the medi...

Artist: Warren Wolf, American (1924 - 2003) Title: Yashal & 'Aniyah #2 Year: 1996 Medium: Oil and Marble Dust on Shaped Masonite, signed, titled and dated verso Size: 32 in. x 34 in....

Edges of a Summit II Oil, bitumen, graphite, marble powder, burlap on canvas 60" X 72" I am a visual artist whose work investigates small and large -scale abstraction primarily in t...

Wind Dancing Oil, bitumen, graphite, marble powder, burlap on canvas 72" X 60" I am a visual artist whose work investigates small and large -scale abstraction primarily in the mediu...

Vitality: Abstract Acrylic Varnish mixed media on Linen Canvas, 120x160cm, 2026 Emmanuelle Vroelant wanted to paint "something strong" — and the canvas conveys that from the first g...

Manana Blanca II Oil, bitumen, graphite, marble powder, burlap on canvas 73" X 70" I am a visual artist whose work investigates small and large -scale abstraction primarily in the m...

Emmanuelle Vroelant started this painting after watching a news report on the National Assembly, struck by a cacophony in which egos jostled together, each claiming their own truth. ...

Spanish Windows III Oil, bitumen, graphite, marble powder, burlap on canvas 48" X 72" I am a visual artist whose work investigates small and large -scale abstraction primarily in th...

Artist: Warren Wolf, American (1924 - 2003) Title: Zebuwl 2 Year: 1990 Medium: Oil and Marble Dust on Shaped Masonite, signed, titled and dated verso Size: 34 in. x 31 in. (86.36 cm...

The Parade Oil, bitumen, graphite, marble powder, burlap on canvas 72" X 60" I am a visual artist whose work investigates small and large -scale abstraction primarily in the medium ...

24 Hours at Sea Oil, bitumen, graphite, marble powder, burlap on canvas 72" X 60" I am a visual artist whose work investigates small and large -scale abstraction primarily in the me...

This stunning original abstract painting, titled Abstract Dancer, was created by renowned artist Pawel Kontny (also known as Paul Kontny) in the 1960s-1970s. Using a unique combinati...

“A wind blows across this canvas,” says Emmanuelle Vroelant, just as one is currently blowing across the world’s atmosphere: the sense that the markers of otherness, courtesy and eth...

OCBLK009102723 Oil, bitumen, graphite, marble powder, burlap on canvas 72" X 60" I am a visual artist whose work investigates small and large -scale abstraction primarily in the med...

Best Laid Plans Oil, bitumen, collage, marble powder, burlap on canvas 96" x 48" I am a visual artist whose work investigates small and large -scale abstraction primarily in the med...

Adaizan Oil, Marble Powder, Asphalt, Burlap On Canvas 73.3 x 70" I am a visual artist whose work investigates small and large -scale abstraction primarily in the medium of painting ...

Painted in parallel, Fantasy 1 and Fantasy 2 naturally form a duo in Emmanuelle Vroelant’s eyes: “I find that these two paintings, made in parallel, form a duo.” Presented side by ...

Taysha Oil, Marble Powder, Asphalt, Burlap On Canvas 73.25 x 70" I am a visual artist whose work investigates small and large -scale abstraction primarily in the medium of painting ...

In the Open Air unfolds a square almost entirely absorbed by light. Marble powder carves the canvas with relief and striations, giving the dominant white a rough, almost mineral text...

I have, at one point in mylife, practiced art therapy, blue is the color of refocusing, one must be centered and have a positive relationship to oneself to be benevolent.

After painting Fantasy 1, Emmanuelle Vroelant felt she needed “a companion with very solar forms that bring to mind a presence charged with calm and benevolent authority.” It is this...

14-10-24 asserts its matter before its image. Across the canvas's 120 x 100 cm, acrylic laden with marble powder carves, on the right, vertical grey and ochre furrows that streak the...

Painted in November 2024, this square 80 × 80 cm canvas sets two clearly distinct masses of matter against each other across a broad white void: on the left, a beige and ochre expans...

With Free Thoughts, Emmanuelle Vroelant tackles her own method head-on: « exploring forms, materials and relief is a far more complex challenge than it appears », she warns from the ...

The second panel in the series, this large square format shifts register: the vivid red of the first painting gives way to a dark, almost grave red. « I worked on the depth and gravi...

Rain and Sun captures a very Breton alternation: that of « winter days with their alternation of damp greyness and rays of sunshine », as Emmanuelle Vroelant describes it. A climate ...

At 120 centimetres high and only 40 wide, Moving Forward adopts a narrow, blade-like vertical format that forces the eye to climb, literally, from the bottom of the canvas to the top...

At the centre of the canvas, an almost circular form asserts itself: an amber, structured core crossed by a single, paler shaft of light sliding diagonally across it. This golden mas...

Turquoise unfolds, in a vertical format, a range of deep blues darkening almost to black at the edges, the better to let a white and turquoise light burst forth at its heart with an ...

Two globes overlap at the centre of an earthy, finely cracked ground, criss-crossed with linear fissures radiating out like dried veins: one, silvery and milky, its surface speckled ...

Against an intense black ground, blocks of warm color — ochre, burnt orange, terracotta — arrange themselves almost like an architectural composition, punctuated by a woven texture t...