Marble Paintings

Sezione Aurea-C1 is a unique sculpture by contemporary artist Mattia Bosco. This sculpture is made of Palissandro marble and gold leaf, dimensions are 270 × 100 × 52 cm (106.3 × 39.3...

Oil paint and marble dust. Signed inscribed and dated to verso Gareth Edwards is a contemporary landscape painter. He is a graduate of Goldsmiths Coll...

Hoarfrost, acrylic, collage, marble powder, sand, newspaper on linen The title evokes frost, that thin film of ice that covers surfaces in the early morning — and it is precisely th...

"Big Little #142" (Contemporary Abstract Geometric Painting) by Vincent Pomilio Colorful abstract painting on panel made with mixed media in a bright red and blue palette acrylic, p...

Sand, ochre, and smoke move across this canvas in slow, overlapping bands, with a web of fine cracks spreading through the upper surface like a map of accumulated time. Where the pal...

"The courage to grow old" Abstract acrylic, sand, art paper on linen — 100 × 80 cm Acrylic, sand, art paper on linen — 100 × 80 cm On a creamy white background, a large vertical for...

December 20, acrylic, marble powder, collage on linen, 120 x 80 cm new A wind blows across this canvas, as it is blowing across the global atmosphere at the moment: the impression t...

Painting abstract acrylic, marble powder, collage, pigment, oxidation on linen canvas. With Somewhere, a wide horizontal format, Emmanuelle Vroelant departs from her usual reference...

"January on the foreshore" abstract acrylic marble sand 140x80cm This canvas's elongated format matches the horizontality of its subject: the Breton foreshore in the depths of winte...

A quiet field of terracotta, bronze, and pale bone drifts across the canvas, its surface fractured by a fine network of cracks that catch the light like sun-baked earth. The composit...

Charcoal, smoke, and burnt umber gather in dense, weathered clouds across this large-scale canvas, thinning at the lower right into pale ash and bone. Fine white scratches cut throug...

Layers of Mists, Abstract Acrylic on Linen Panel, 90 x 90 cm, The canvas is built in three panels clearly delineated by fine vertical lines. Horizontal bands of beige, taupe and gr...

29-3-25 Abstract Painting acrylic, marble powder, pigments, 40 x 30 cm 2010+ This canvas had slept for twenty years in storage. Rediscovered by chance, it suddenly spoke to Emmanuell...

A soft haze of peach, gold, and pale blue drifts across the upper third of the canvas before settling into a wide, unbroken expanse of blue that deepens as it descends — from a lumin...

Spanish Windows II Oil, bitumen, graphite, marble powder, burlap on canvas 48" X 72" I am a visual artist whose work investigates small and large -scale abstraction primarily in the...

"Cape et Épée" Acrylic, marble powder, collage, gold leaf on linen, 100 × 80 cm Cloak and Sword stems from a memory of the darkened cinema. The film releases of The Three Musketeers...

Beneficial Complementarity, Abstract Acrylic on Linen, 100 x 100 cm, new The entire surface of the canvas is covered with crumpled plant fibres, glued down to give the background a f...

Middle Ground Oil, bitumen, graphite, marble powder, burlap on canvas 48" X 60" I am a visual artist whose work investigates small and large -scale abstraction primarily in the medi...

"Underground Railroad" abstract acrylic linen canvas 116x81cm 2021 Tones of rust and burnt earth cover almost the entire canvas, crossed on the le...

Jinni Oil, bitumen, graphite, marble powder, burlap on canvas 63" X 60" I am a visual artist whose work investigates small and large -scale abstraction primarily in the medium of pa...

Box of Strings Oil, bitumen, graphite, marble powder, burlap on canvas 72" X 60" I am a visual artist whose work investigates small and large -scale abstraction primarily in the med...

A large part of the canvas remains almost empty, in whites and very pale greys that let the eye breathe. It is mainly in the right-hand third that the paint is concentrated: bright y...

Artist: Warren Wolf, American (1924 - 2003) Title: Yashal & 'Aniyah #2 Year: 1996 Medium: Oil and Marble Dust on Shaped Masonite, signed, titled and dated verso Size: 32 in. x 34 in....

Sezione Aurea 2024-001 is a unique wall sculpture by contemporary artist Mattia Bosco. This sculpture is made of Palissandro marble and gold leaf, dimensions are 56.5 × 26.5 × 12 cm ...

Sezione Aurea 2024-017 is a unique wall sculpture by contemporary artist Mattia Bosco. This sculpture is made of Palissandro marble and gold leaf, dimensions are 89 × 56 × 4 cm (35 ×...

Signed lower right. Provenance: Khromin Estate. Victor Khromin, born in Gatchina City, near St. Petersburg, Russia explored his artistic abilities from the earliest years of his life. The Russian-Finish family into which Victor was born discovered and accepted his talent as something that flowed organically through their family tree. Victor's grandfather was an accomplished artist and a student of Repin at the Academy of Art in St. Petersburg, Russia. The scenery of childhood in a small Finnish village on the outskirts of St. Petersburg continues to inspire Victor throughout his life.Victor went on to study art professionally at the Serov School of Fine Art in Leningrad. While still a student, he actively participated in non-conformist exhibitions, which were illegal during the Soviet Regime. In 1976, Victor became a member of the USSR Union of Professional Artists. This was the only Soviet organization, which could recognize an individual as a career artist. Despite membership, he continued to exhibit his works as part of the Underground Art Movement, which contradicted the code of conduct outlined by the USSR Union of Professional Artists and rejected the only officially accepted style of Socialist Realist. Victor's works stopped being presented for exhibition within official circles of the Soviet Art League. Victor became a target for government harassment and monitoring. The 1985 solo exhibition at the Kudamm Gallery, in Berlin, served as a breaking point in the semi-tolerant relationship that had previously existed between Victor and the USSR Union of Professional Artists. According to the Union, an artist was not allowed to exhibit outside of the USSR without the permission of and censorship by that organization. That same year, Victor lost the position, which he had obtained through the Union. He relocated to a small village called Sinicheno, where over the course of 5 years, he created a series of lyrical pieces. The works were displayed at a solo exhibition at Dianart Gallery in Zurich in 1988, and at Arcole Auction, Paris in 1988-1990.The Perestroika finally opened doors for Victor to exhibit within Russia at "From Unofficial Art to Perestroika," in Leningrad in 1989 and The Stanislavski Actor's House in Leningrad in 1990. In 1990, Victor received an invitation to come to New York City for a Solo exhibition at Nahamkin Gallery. During this trip, Victor applied for legal residency within the United States and was granted this status for his Extraordinary Abilities in Art. In 1996, Victor's paintings become part of the Norton and Nancy Dodge Collection of Nonconformist Art at Rutgers University. From this point on, Victor and his family move to rural upstate New York. Here he continues the development of unique techniques for creating 3D casts for oil paintings and paper. Victor's recent works are hand-made paper reliefs, with acrylic used as a color addition to the texture. He also developed a relining technic, which allow him to transfer his reliefs to canvas, and then work with oil paint over the underlying relief. He has also been represented by Jane Voorhees Zimmerli Art Museum of The Norton & Nancy Dodge Collection of Nonconformist Art from the Soviet Union (1956-1986) at Rutgers University, New Brunswick, NJ; Dianart Gallery, Zurich, Switzerland; Kudam Gallery in Berlin, Germany; Codriorg Pallas Museum , Tallinn, Estonia; Urmala Exhibition Hall, Urmala, Latvia; Regional exhibition in Russia, and solo exhibitions in St. Petersburg, Russia, etc. The specific style category...

Sezione Aurea 2024-006 is a unique wall sculpture by contemporary artist Mattia Bosco. This sculpture is made of black Palissandro marble and gold leaf, dimensions are 74 × 37.5 × 11...

Sezione Aurea A7 is a unique sculpture by contemporary artist Mattia Bosco. This sculpture is made of Palissandro marble and gold leaf, dimensions are 72 × 53.5 × 4 cm (28.3 × 21.1 ×...

Sezione Aurea 78 is a unique wall sculpture by contemporary artist Mattia Bosco. This sculpture is made of oxidised black Palissandro marble and gold leaf, dimensions are 79 × 47 × 8...

Sezione Aurea 2024-018 is a unique wall sculpture by contemporary artist Mattia Bosco. This sculpture is made of black Palissandro marble and gold leaf, dimensions are 74 × 40 × 7 cm...

Untitled 87 Warren Wolf, American (1924–2003) Date: 1999 Oil and Marble Dust on Shaped Wood Size: 19 x 40 x 4 in. (48.26 x 101.6 x 10.16 cm)

Sezione Aurea 2024-007 is a unique wall sculpture by contemporary artist Mattia Bosco. This sculpture is made of black Palissandro marble and gold leaf, dimensions are 61 × 31 × 6 cm...

Punta 1 is a sculpture made of Black Palissandro marble by Italian contemporary artist Mattia Bosco. This sculpture is made of black Palissandro marble, dimensions are 113 × 78 × 37 ...

"Untitled Abstract Painting with Acrylic and Gold Leaf on Canvas, 2010" On a white background punctuated with discreet grays, some twenty cut-out forms, almost puzzle pieces, make up...

Abstract Geometric square mixed media painting on panel in colorful shades with aqua, yellow, pink, light green, and red on a background of brown with yellow highlights Big Little #1...

Textures acrylic, art paper made with broken glass, matt protective varnish 80x80cm On a square canvas, the background is divided in two. On the left, a very pale greyish-beige band...

Red alert - 2026 — acrylic, marble powder, art paper on linen — 80 × 80 cm On a white background, a large crescent shape, orange-brown with rusty glints, occupies the left half of t...

Stunning monochrome work from the studio of Sax Berlin. A painting in which one can truly become lost. The colour is rich and indulgent, it allows the mind to follow the flow of the ...

"Big Little #144" (Contemporary Abstract Geometric Painting) by Vincent Pomilio Colorful abstract painting on panel made with mixed media in a bright red and white palette acrylic, ...

Vitality - 2026 — acrylic, protective varnish, marble powder, art paper on linen — 120 × 60 cm On a tall canvas with a white background, a sheaf of forms and colours rises from the ...

Big Little 117 (Striped Abstract Geometric Painting in Tones of Blue & Red) by Vincent Pomilio Colorful abstract painting on panel made with mixed media in tones of blue & burgundy ...

abstract painting acrylic on linen canvas 100x120cm The whole painting unfolds in broad horizontal bands, in a narrow range of greys, whites and pale blues. Light seems to run across a liquid surface, at times bright and shimmering in the centre, at times muted by darker, almost black passages that streak the canvas like glints of foam. At the bottom right, a dark silhouette and its vertical reflection break the softness of the whole: the only recognisable form in this otherwise abstract expanse. This silhouette is no mere detail: ‘I was thinking of the Mekong at the end of the day and of the fishermen in their boats while painting this picture, of the enduring relationship between Man and the River’, Emmanuelle Vroelant...

In the Same Time, Abstract Acrylic on Linen, 120 x 120 cm, new A dense mist of water-greens, silvery grays, and off-whites envelops the entire surface of the canvas, with no light s...

Big Little 119 (Striped Abstract Geometric Painting in Tones of Blue & Red) by Vincent Pomilio Colorful abstract painting on panel made with mixed media in tones of Yellow Pink & bu...

"Zen Pebbles" acrylic, art paper, marble powder, pigments, oxidation on linen canvas With Zen Pebbles, Emmanuelle Vroelant creates a space of retreat. “It’s a small, dreamlike Zen g...

Childhood Sand acrylic, marble powder and collage on linen, 50 × 140 cm, new A long panoramic format stretches the canvas like a strip of dune seen from very close up. The material,...

Open Space 4, Contemporary Landscape, Acrylic on Linen, 60 x 180 cm Three times longer than it is high, the largest canvas in the ‘Open Space’ series unfolds a landscape so pale that...

"Equilibre" acrylic, art paper made with slate dust and linseed, bronze oxidation on linen , 100x100cm On a slightly textured white background, two sheets of handmade paper answer ...

Artist: Warren Wolf, American (1924 - 2003) Title: Zebuwl 2 Year: 1990 Medium: Oil and Marble Dust on Shaped Masonite, signed, titled and dated verso Size: 34 in. x 31 in. (86.36 cm...

"The Unspoken" abstract painting, acrylic and collage on Linen 81x65 cm new Painted in April 2024, this vertical 81 × 65 cm linen builds its surface like a chalky wall, thickened wit...

Fantasy 1 Abstract Painting, Acrylic and Gold Leaf on Linen, 80x80cm, 2010+ Emmanuelle Vroelant starts from an observation shared by many: people feel weighed down, anxious about th...

Abstract painting Acrylic, marble powder, sand on linen 100 × 100 cm, new A warm light bathes the whole surface, made of saffron yellows, ochres and oranges that intensify along the...

Abstract painting acrylic on linen Canvas, 50 x 100 cm, 20 The bottom of the painting is overrun by a deep red rising in long vertical streaks, like dense vegetation or a raw wound...

acrylic, marble powder, art paper, oxidation, pigments, protective varnish on linen canvas The Role of Pebbles lays out a veritable collection of stones of disparate textures and hu...

Fantasy 2 Abstract Mixed Media Artwork on Linen, 80x80cm After painting Fantasy 1, Emmanuelle Vroelant felt that it needed a companion with very solar forms that suggest a presence ...

Sezione Aurea 2024-015 is a unique wall sculpture by contemporary artist Mattia Bosco. This sculpture is made of Palissandro marble and gold leaf, dimensions are 64 × 43.5 × 5 cm (25...

"Internal cosmos" abstract acrylic marble powder wooden tryptic 67x102cm The Inner Cosmos begins with a thoroughly contemporary fascination: that of the images sent back by the Hub...

Black Globe Oil, bitumen, graphite, marble powder, burlap on canvas 72" X 70" I am a visual artist whose work investigates small and large -scale abstraction primarily in the medium...

"Traces" abstract acrilyc oxidation on linen canvas 100x120cm A saffron ochre, warm and deep, covers almost the whole canvas, run through with vertical drips and horizontal streaks...

"Winter wind" abstract acrylic marble powder on canvas 120x120cm On this large square, a light mist envelops the whole composition: pale beige at the top, lavender gray growing de...