Masonite Paintings

Artist: Donald Roy Purdy, American (1924 - ) Title: Rabbi holding Torah Medium: Oil on Masonite, signed l.r. Size: 36 x 24 in. (91.44 x 60.96 cm)

Benjamin Eisenstat (1915-2001) Oil on board, 1981 Measures: 10 1/4" H x 14" W, frame 14 1/2" H x 18 1/2" W. “New York City” in excellent condition. Signed lower right and also on the...

Artist: Donald Roy Purdy, American (1924 - ) Title: Rabbi 2 Medium: Oil on Masonite, signed l.r. Size: 36 x 24 in. (91.44 x 60.96 cm)

Artist: Donald Roy Purdy, American (1924 - ) Title: Red Vase Year: circa 1962 Medium: Oil on Masonite, signed l.r. Size: 47 x 20 inches Frame Size: 53 x 24 inches

Artist: Donald Roy Purdy, American (1924 - ) Title: Rabbi 3 Year: circa 1970 Medium: Oil on Masonite, signed l.r. Size: 24 x 30 in. (60.96 x 76.2 cm) Frame Size: 34 x 39 inches

Artist: Donald Roy Purdy, American (1924 - ) Title: Rabbi 3 Year: circa 1970 Medium: Oil on Masonite, signed l.r. Size: 30 x 24 in. (76.2 x 60.96 cm) Frame Size: 38 x 31 inches

Valters Kupers ( 1948-2018 ) Sea. 1993, masonite, oil, 92.5x85.5 cm Calm realistic seascape with rocky shore.

Chuzo Tamotzu Cumbres Pass, Colorado, 1956 Signed and dated lower left; titled on artist label on the reverse Oil on Masonite 36 x 48 inches Tamotzu was born in Kagoshima Prefectur...

Signed lower right, 'J. Roig' for Jose Roig (Argentinian-Spanish, 1898-1968) and painted circa 1955. This Argentine-Spanish Modernist was born in Spain in 1898 and was painting in A...

Signed lower right, 'R. Hornak' for Rosemary Hornak (American, born 1951); additionally signed verso, titled 'Perroquets Impasto, Variation 2' and dated 1992. Rosemary Hornak receiv...

American life is captured in this Clyde Singer painting, Mailing the Letter, where he depicts a woman posting her mail in 1986. An accomplished American Scene painter, Singer success...

An American Female Artist in her late signature style depicts a Horse and a Colt in an abstract landscape. Ethel Magafan scapes the defining lines with a knife to add to the creative...

"You Have the Right to Remain Silent" Wood Panel Original Painting and Carving Elaborate collage, painting and carved sculpture by Mickey "Kano" Kane (American, 20th century). In Yo...

Acrylic paint on masonite.

A strong modernist oil painting depicted in 1963 by Russian painter Michael Baxte. Mostly known for his abstracted figures on canvas or street scenes, this piece is a wonderful repre...

Robin Hextrum's "Chestnut" is an original, handmade oil painting that depicts a brown quarter horse in profile with blue and grey Rococo patterns in the background.

Acrylic paint on masonite. The frame was painted by the artist.

The Island Woman (La Mujer Isla) Artist signed and titled. Enrique Chavarría (1927-1998) was a Mexican painter and neo-surrealist, whose fantastic imagery carries forward the work of the Mexican Surrealists. He created hundreds of easel-sized oil paintings on masonite and numerous smaller works. For four decades his principal patron was Bryna Prensky, an American gallery owner from Florida who moved to Mexico City in 1954. She bought most of Chavarría’s known works for her gallery and her own collection. Prensky said she often found Chavarría in his pajamas at mid-day. He read widely and painted dreamlike images that reflect his wide-ranging scholarly interests. Much of his work is thought to have been inspired by poetry, especially the writings of André Breton, Paul Éluard, Arthur Rimbaud, and Paul Valéry; by the classic surrealism of Salvador Dalí; and by the paintings of Mexican neo-surrealist artists Remedios Varo...

H. Wilson Smith (1901-1981) California Artist $3000 Oil on masonite in the original frame. Painting measures 26 3/4"h x 20 1/2"w. Frame: 27 3/8"h x 21 1/8"w. Titled on the verso ...

Acrylic paint on masonite.

Acrylic paint on masonite.

Acrylic paint on masonite.

"Summer at the Lake" - Mid Century Figurative Landscape Mid-century figurative landscape painting of people enjoying the summertime by Santa Cruz, ...

Johann Strauss & Artie Shaw - Mid Century Modern Abstract Swirling vortex of color and the words: "Johann Strauss' Tale(s) from the Vienna (Woods) Artie Shaw & Orchestra" by Kansas ...

Acrylic paint on masonite. The frame was painted by the artist.

Emilio Trad (Argentinian, b. 1953) Untitled, 1978 Oil on Masonite 18 x 14 inches Signed and dated on the reverse Emilio Trad was born in 1953, in Buenos A...

Figure in Blue Pool - Vintage Abstract Impressionist Composition in Oil Compelling figure in blue pool abstract impressionist painting by Kristin Cohen (American, b. 1963). Thick im...

Acrylic on masonite.

Painted mixed media by Jimmy Ernst. Jimmy Ernst, (1920-1984), was born in Cologne, Germany, the son of famous German Surrealist Max Ernst, and Luise Straus-Ernst, a well-known art hi...

Julio De Diego’s Atomic Series paintings made an extraordinary statement regarding the shock and fear that accompanied the dawn of the nuclear age. In the artist’s own words, “Scientists were working secretly to develop formidable powers taken from the mysterious depths of the earth - with the power to make the earth useless! Then, the EXPLOSION! . . . we entered the Atomic Age, and from there the neo-Atomic war begins. Explosions fell everywhere and man kept on fighting, discovering he could fight without flesh.” To execute these works, De Diego developed a technique of using tempera underpainting before applying layer upon layer of pigmented oil glazes. The result is paintings with surfaces which were described as “bonelike” in quality. The forms seem to float freely, creating a three-dimensional visual effect. In the 1954 book The Modern Renaissance in American Art, author Ralph Pearson summarizes the series as “a fantastic interpretation of a weighty theme. Perhaps it is well to let fantasy and irony appear to lighten the devastating impact. By inverse action, they may in fact increase its weight.” Exhibited 1964 Marion Koogler McNay Art Institute, San Antonio, Texas This work retains its original frame which measures 54" x 42" x 2" About this artist: Julio De Diego crafted a formidable persona within the artistic developments and political struggles of his time. The artist characterized his own work as “lyrical,” explaining, “through the years, the surrealists, the social-conscious painters and the others tried to adopt me, but I went my own way, good, bad or indifferent.” [1] His independence manifested early in life when de Diego left his parent’s home in Madrid, Spain, in adolescence following his father’s attempts to curtail his artistic aspirations. At the age of fifteen he held his first exhibition, set up within a gambling casino. He managed to acquire an apprenticeship in a studio producing scenery for Madrid’s operas, but moved from behind the curtains to the stage, trying his hand at acting and performing as an extra in the Ballet Russes’ Petrouchka with Nijinsky. He spent several years in the Spanish army, including a six-month stretch in the Rif War of 1920 in Northern Africa. His artistic career pushed ahead as he set off for Paris and became familiar with modernism’s forays into abstraction, surrealism, and cubism. The artist arrived in the U.S. in 1924 and settled in Chicago two years later. He established himself with a commission for the decoration of two chapels in St. Gregory’s Church. He also worked in fashion illustration, designed magazine covers and developed a popular laundry bag for the Hotel Sherman. De Diego began exhibiting through the Art Institute of Chicago in 1929, and participated in the annual Chicago Artists Exhibitions, Annual American Exhibitions, and International Water Color Exhibitions. He held a solo exhibition at the Art Institute of Chicago in the summer of 1935. Though the artist’s career was advancing, his family life had deteriorated. In 1932 his first marriage dissolved, and the couple’s young daughter Kiriki was sent to live with friend Paul Hoffman. De Diego continued to develop his artistic vocabulary with a growing interest in Mexican art. He traveled throughout the country acquainting himself with the works of muralists such as Carlos Merida, and also began a collection of small native artifacts...

Acrylic paint on masonite.

Oil paint transferred onto a Masonite board. Mainly yellow tones with decorative foliage. Framed in a white frame with a white matte. Artist Biography: Melanie Millar isa painter living and working in Houston, Texas. She has exhibited her work in one-person shows, group-shows and juried competitions nationally. Her work is in private and corporate collections, as well as in the collection of the Museum of Fine Art, Houston. She grew up in New Jersey but later moved to Houston, Texas. Her undergraduate degree is from the University of Texas. In 1999, she completed an MFA in painting and drawing at the University of North Texas, Denton Texas...

Acrylic paint on masonite. The frame was painted by the artist.

Italian painting from the mid-20th century. Work oil on masonite depicting still life Sweet fruits of good pictorial quality. Nice sized and pleasantly furnished framework signed low...

Mixed Media on Masonite

Oil on masonite, no signature found, matted under plexiglass in a metal section frame, overall 37 ½" x 29".

Julio De Diego’s Atomic Series paintings made an extraordinary statement regarding the shock and fear that accompanied the dawn of the nuclear age. In the artist’s own words, “Scientists were working secretly to develop formidable powers taken from the mysterious depths of the earth - with the power to make the earth useless! Then, the EXPLOSION! . . . we entered the Atomic Age, and from there the neo-Atomic war begins. Explosions fell everywhere and man kept on fighting, discovering he could fight without flesh.” To execute these works, De Diego developed a technique of using tempera underpainting before applying layer upon layer of pigmented oil glazes. The result is paintings with surfaces which were described as “bonelike” in quality. The forms seem to float freely, creating a three-dimensional visual effect. In the 1954 book The Modern Renaissance in American Art, author Ralph Pearson summarizes the series as “a fantastic interpretation of a weighty theme. Perhaps it is well to let fantasy and irony appear to lighten the devastating impact. By inverse action, they may in fact increase its weight.” Bibliography Art in America, April 1951, p.78 About this artists: Julio De Diego crafted a formidable persona within the artistic developments and political struggles of his time. The artist characterized his own work as “lyrical,” explaining, “through the years, the surrealists, the social-conscious painters and the others tried to adopt me, but I went my own way, good, bad or indifferent.” [1] His independence manifested early in life when de Diego left his parent’s home in Madrid, Spain, in adolescence following his father’s attempts to curtail his artistic aspirations. At the age of fifteen he held his first exhibition, set up within a gambling casino. He managed to acquire an apprenticeship in a studio producing scenery for Madrid’s operas, but moved from behind the curtains to the stage, trying his hand at acting and performing as an extra in the Ballet Russes’ Petrouchka with Nijinsky. He spent several years in the Spanish army, including a six-month stretch in the Rif War of 1920 in Northern Africa. His artistic career pushed ahead as he set off for Paris and became familiar with modernism’s forays into abstraction, surrealism, and cubism. The artist arrived in the U.S. in 1924 and settled in Chicago two years later. He established himself with a commission for the decoration of two chapels in St. Gregory’s Church. He also worked in fashion illustration, designed magazine covers and developed a popular laundry bag for the Hotel Sherman. De Diego began exhibiting through the Art Institute of Chicago in 1929, and participated in the annual Chicago Artists Exhibitions, Annual American Exhibitions, and International Water Color Exhibitions. He held a solo exhibition at the Art Institute of Chicago in the summer of 1935. Though the artist’s career was advancing, his family life had deteriorated. In 1932 his first marriage dissolved, and the couple’s young daughter Kiriki was sent to live with friend Paul Hoffman. De Diego continued to develop his artistic vocabulary with a growing interest in Mexican art. He traveled throughout the country acquainting himself with the works of muralists such as Carlos Merida, and also began a collection of small native artifacts...

This early work by Jacob El Hanani was done in 1970. It is mixed media on masonite. It is hand signed in Hebrew and English in the bottom right. The piece comes framed in a black woo...

In the present work, the artist arranges a series of rockets and support structures in a row to mimic the New York City skyline under hyper-dramatic lighting conditions. It embodies ...

"Mr. Mute Mops Mouths Silent" - Whimsical Figurative in Acrylic on Masonite Bright figurative composition with a mime by Frances Mann (American, 20th Century). The figure in this pi...

Green Haze is an acrylic on masonite painting, 10 x 14 inches, signed 'RICKER' lower right corner. Framed in a contemporary dark brown/black frame.

Mother Elizabeth, c. 1930 - 40s, tempera on Masonite, signed and titled upper left, 22 5/8 x 16 inches, artist's name inscribed verso of original frame Ernest W. Scanes was a Mich...

"Evening at Vasona" - Plein Aire Landscape in Acrylic on Board Vibrant river landscape by California Plein Aire artist Nick White (American, 1943-2009). A glassy river runs down the...

After the Chores comes Cold Lemonade with Milking Stool Still Life Country Style Milk Stool and Hay Fork with the reward of cold lemonade after all the chores are done. P. Etheridge, a Pacific Grove art...

Mixed Media on Masonite

Rendered with the casual elegance of a mid-century society woman’s portrait slated for her Palm Beach master suite, the subject in this work is instead a young man. The artist's sign...

"Blue Heart Wife Love" San Francisco Figurative School -Joe Lysowski "Prankster" Portrait of his ex-wife while studying for his MFA in Fine art in Mexico by Joe Lysowski (American, 1938-2016) Signed on verso "J. S. Lysowski - Mexico - 6-65 Blue Heart - Wife Love" Image, 46"H x 36"W Frame, 47.25"H x 37.25"W x 1'D Joe Lysowski, former painter for the Maharishi Mahesh Yogi, the Kauai Hindu Monastery for Denny’s in-production film, Atlantis Risen. A Marine, Surfer, Artist, Ken Kesey...

Idyllic farm landscape with a palm tree by an unknown artist (Amercan, 20th Century). There is a tower that is the main focus of the piece, with a palm tree next to it. Behind the pa...

Oil on masonite encaustic painting by the well known Russian/American artist, Nahum Tschacbasov. Signed and dated top right, 1952. In good to very good condition. Provenance: Est...

Vibrant and expressive figurative work by John Lancaster (British, Born circa 1930). An adult figure looks into the distance, with its back to the viewe...

Dramatically rendered skull by an unknown artist (20th Century). The skull is lit from multiple directions, creating intense shadows and highlights of different shades. Around the top of the skill is a halo with dripping hearts...

This is an framed abstract acrylic painting on masonite board evoking a figures and boats on a dramatic sea, reminiscent of the ancient Greek epic narrative. It is framed in a narrow...

This is a oil on masonite painting by Nahum Tschacbasov done in 1946. Signed lower left and housed in a hand carved wood frame circa 1920. Overall size with frame is 40 x 33 inches.

Abstract Impressionism primarily black and white painting by Kristin Cohen (American, b.1963). Purchased as part of her collection. Unsigned and...

Baja California View, Vintage 1970's Coastal Landscape by E.C. Madison Wonderful landscape of Baja California by E.C. Madison (American, 20th Century), 1972. This sweeping coastal l...

Charles Ford's work is in the permanent collection of the Museum of the City of New York. Another wonderful painting by Charles Ford that captures the great lighting and shadows of ...

Oil on masonite. Sign and dated in oil in lower right corner.

Vivid abstracted landscape of Monument Valley, Utah by N. Mallory (American, 20th Century), circa 1945. Signed lower left corner. Condition: Good: Some edge and corner wear consisten...

Signed lower left. Mary Gehr was born in Chicago around 1910 and toured as an ingénue with the Chicago Opera Ballet for four years, summered with the Schubert Light Opera Company, a...

Charming rural western scene of a tree lined county lane painted during bright daylight by listed artist Frank Leslie True (American, 1877-1963). Signed and dated by the artist, lower right: "Frank L. True 1050." Cut down painting of flowers on verso. Presented in an vintage, rustic wood frame. Image, 9"H x 12"W. Frank Leslie True was born in Iowa on May 22, 1877. True moved to California in 1906. For 45 years, he worked for the Southern Pacific Railroad...