Alicia Rothman

Argentino

2022

oil on masonite panel

oil on masonite panel

Oil on wood

"Turning Dog" oil on wood 8 x 10 inches 2023

"Cheetah" oil on wood 8 x 10 inches 2023

oil on wood

"In the world of still life and landscape, conceptual events meet one another – the structural meets the narrative, the small stands in the space of the large, and color has a chance...

This piece titled "The Nightmare Began Just Like Any Other Dream" is an original artwork by Angela Rio and is made of acrylic on masonite framed in artist-made oak wood. This piece m...

A stylized horse is depicted grazing in an abstract landscape. Most likely, the location is Woodstock, New York, where the artist lived. Signed Lower Right; Framed; Note: titled and signed on verso. Ethel Magafan (August 10, 1916 – April 24, 1993) was an American painter and muralist. Magafan was born in Chicago to Greek parents who had recently immigrated to the U.S. The family soon relocated to Colorado Springs, Colorado, and Magafan's artistic training occurred at the Colorado Springs Fine Arts Center under the tutelage of Peppino Mangravite, Boardman Robinson and Frank Mechau, who hired Magafan and her twin sister, Jenne, to assist on mural projects. In 1937, aEthel won the commission to paint a mural in the U.S. post office in Auburn, Nebraska, making her the youngest recipient of such a commission. It would be the first of seven government-sponsored commissions for the artist. Murals "Andrew Jackson at the Battle of New Orleans, January 8, 1814" E. Magafan, 1943 Under President Franklin Roosevelt's New Deal, several programs were created to employ Americans during the Great Depression. The Magafan twins worked under the New Deal's Section of Painting and Sculpture, a program that hired thousands of artists to paint murals in public spaces, particularly post offices. Ethel and her twin sister, Jenne Magafan, became widely known for their murals painted during the Great Depression. Ethel received her first of seven Government commissions when she was commissioned to produce a painting for the United States post office in Auburn, Nebraska, titled Threshing.Other murals commissioned by the US Government hang in the United States Senate Chamber, the Social Security Building and the Recorder Deeds Building in Washington, D.C., and in post offices in Wynne, Arkansas, titled Cotton Pickers in 1940; in Madill, Oklahoma, titled Prairie Fire in 1941; and Englewood, Colorado, titled The Horse Corral in 1942.Her final mural, entitled Grant in the Wilderness, was installed in 1979 in the Chancellorsville Visitor Center at the Fredericksburg National Memorial Military Park in Virginia, She was a member of the National Academy of Design. Magafan died April 24, 1993, in Woodstock, New York, at the age of 76. References "Collections National Academy Museum". Retrieved 2017-03-08. "Jenne Magafan". Retrieved 2017-03-08. Marlene Park and Gerald E. Markowitz, Democratic Vistas: Post Offices and Public Art in the New Deal. Philadelphia: Temple University Press, 1984. "Browse New Deal projects by State and City". Living New Deal. Retrieved 9 January 2015. "Ethel Magafan Passes Away". New York Times. No. Obituary. April 29, 1993. Opitz, Glenn B, Editor, Mantle Fielding's Dictionary of American Painters, Sculptors & Engravers, Apollo Book...

Kierstin Young's (US based) "Luna" is an oil painting that depicts a battered white moth and a black background with the phases of the moon overhead Artist Statement/Bio: (b. The Ye...

Kierstin Young's (US based) "Sol" is an oil painting that depicts a battered white moth and a black background with organic designs in rust tones. Artist Statement/Bio: (b. The Yea...

Kierstin Young's (US based) "Tierra" is an acrylic and oil painting depicting a Comet Moth and it's yellow and red designs Artist Statement/Bio: (b. The Year of the Rabbit) Kierstin's life began by almost never beginning at all. A car accident occurred while Kierstin’s mother was pregnant with her. The doctors advised against continuing the pregnancy for fear that Kierstin would be born without limbs or even blind. Her parents decided against it, and Kierstin was born a healthy child. This story was relayed to her as a child as a reminder of how serendipitous her life was. Kierstin was always filled with an overflowing energy and creativity. This led her on many diverse paths in life. Her many areas of focus included psychology, poetry, photography, mountaineering, religious studies, music, playing ice hockey, spelunking and pretending to be an astronaut. She grew up between two places; the first was a house built on Native American burial grounds in rural New Jersey. The second was a summer home in the beautiful Adirondack Mountains of New York. For the first sixteen years of her life, she was home taught by an assortment of sane and insane people. Her junior year she began the strange new adventure of going to school. She was most likely the only 16 year old in the world to be that ecstatic about riding a school bus, because it was for the first time in her life. It was there in public school, that her art teachers really encouraged her to pursue her love of art. Hopes were high for going to art school, but Kierstin found herself forbidden from even applying by her parents. She applied anyway. Upon getting rejected from prestigious art schools such as RISD and Parsons, Kierstin decided to attend duCret school of Art. Being rejected turned out to be a serendipitous turn of events for Kierstin once again. It was there at duCret that she met Timothy Jahn and began studying in his Academy duCret and subsequently Jahn Studios. This lead her to continue her education at the Ani Art Academy under the direction of Anthony Waichulis.