Masonite Paintings

Acrylic paint on masonite. The frame was painted by the artist.

Acrylic paint on masonite. The frame was painted by the artist.

Acrylic paint on masonite. The frame was painted by the artist.

Acrylic paint on masonite.

Acrylic paint on masonite.

Acrylic paint on masonite. The frame was painted by the artist.

Acrylic paint on masonite.

Acrylic paint on masonite. The frame was painted by the artist.

Acrylic paint on masonite.

Acrylic paint on masonite.

Translated title: "Tree (outskirts)". Acrylic on masonite.

Translated title: "Now I see you". Acrylic on masonite.

Translated title: "Now I see you". Acrylic on masonite.

Translated title: "Now I see you" Acrylic on masonite.

Translated title: "Tropical flight" Acrylic on masonite.

Acrylic on masonite

This beautiful work by the great American Illustrator Bob Peak has a sister work in the collection of the Lucas Museum of Narrative Art in Los Angles. We feel that our work has a little more detail, complexity and dimension to it as the beautiful female figure seems to be floating in an endless sky of dreamy colors. Portrait of beautiful woman, Large powerfully sensual deco-esque work by America's Master of the Movie Poster. Bob Peak. Bob Peak, in my opinion, was the Norman Rockwell of post-war American Illustration, this is one of the works that paved the way for a new way of seeing. It's more fine art than commercial art. For Apocalypse Now, in 1979, Francis Ford Coppola could have hired any artist in the world to create the movie poster and image for his film. He hired Bob Peak. Some of the movie posters Peak has worked on. West Side Story, Rollerball, Star Trek, Superman, Excalibur, Apocalypse Now, The Spy Who Loved Me. My Fair Lady, Camelot and Enter the Dragon. Additionally, Peak illustrated 45 covers of Time Magazine and many covers for Sports Illustrated, TV Guide. Signed lower center Private Collection Georges Delerue...

Charles Blum (New York, 1925-1998), "Drum and Flute Player", Oil on Masonite, 1957-63, poem to right side, depicting red, white, and blue building facade with cross above window, sig...

Signature: Signed Lower Left Following World War II, the United States Brewers Foundation (USBF) wanted beer to be seen in a more positive light, as an integral part of the American...

Russian School, Abstract Composition, Oil on Masonite, 1988, illegibly signed in Russian and dated lower right, inscribed in pencil to verso, painted frame. Overall: 11.25" H x 15.5"...

signed lower right American, 1925-2017 Born in New Bedford, Massachusetts, Kenneth Davies became a noted still-life painter and long-time art teacher, living in Madison, Connecticu...

A nice impressionist oil on masonite city scene with a young crowd in Rome, Italy, probably the Fontana del Prigione, illegibly signed lower right, title inscribed on verso “Trastev...

Born in 1934, the work of Suzanne Bloomfield represents the life force which binds us all -- a universal symbol for the soul's transformation. Bloomfield believes that painting is t...

Robertino Fatica was born in 1948 in Cleveland, Ohio. In 1970 he completed a three-year program at the Cooper School of Art in Cleveland. Following that, Fatica served in the U.S. Ar...

Robert O'Meara (American, XX-XXI), Abstract Composition in Green, Oil on Board, with blue details, apparently unsigned, unframed. 10" H x 14" W. Provenance: From a 333 East 75th Stre...

Original trompe l'oeil signed Aaron Bohrod (LL) entitled Walnut Shells Provenance: The Milch Galleries #21 East 67th Street (label affixed to verso) in acrylic on masonite board Im...

Work is marked on reverse "Rhythm" and "The Whip." on verso - We are not sure the exact meaning of this work. Gropper was a social realist and a radical of his time and a commenta...

In a 1971 interview with Ebony Magazine, Alvin Hollinsworth commented on his African Jesus Christ painting, "I have always felt that Christ was a Blac...

Art Sz: 14"H x 18"W On masonite board Provenance: The Estate of Paul Desmond Brown Paul Desmond Brown (American, 1893-1958) was an artist, illustrator, and chronicler of sporting ...

Suzanne Bloomfield’s 1969 painting, After the Storm, is a striking blend of oil and encaustic that immerses viewers in a world of renewal and transformation. Deep reds, earthy brown...

Jim’s of Lambertville is proud to offer this artwork by: Lloyd R. Ney (1893 – 1964) Called “Bill” by his friends, Lloyd Ney was one of the pioneers of Modernist art in New Hope. Ne...

“Untitled” 1970 Abstract Surrealist Composition Encaustic & oil paint on Masonite 60 x 48 inches Not framed Born in 1934, the work of Suzanne Bloomfield represents the life force wh...

A beautiful abstraction from the 1970's by an American artist working in California but with ties to Hawaii. He melds collage with paint and creates a surface which is exquisite, la...

The Mid-Century mindset As expected, 65 years ago.. people looked at art/painting a little differently. Back then, many artists were concerned with depicting simple and beautiful t...

This painting is a perfect example of lyrical abstraction and a choice painting out of the best period of Vlerick's career. Signed and titled by the artist. Pierre Vlerick...

Born in 1934, the work of Suzanne Bloomfield represents the life force which binds us all -- a universal symbol for the soul's transformation. Bloomfield believes that painting is the discovering of beautiful secrets which are only uncovered in the searching. Her painting blends encaustic (an ancient painting method which adds pigment to heated beeswax) with oils. Her selected exhibitions include: Permanent Collection Archives, American Album, The National Museum of Women in the Arts, Washington, DC; Foreign Exhibition Tour of India, National Association of Women Artists-Centennial Year, New York City; and International Latin American Exposition, Miami Florida. "Quickening" Female Abstract Expressionist Artist 1970 Red...

A young man at a crowded upper-class Haitian swimming pool attracts attention. We see him only from the back in a Magritte-like pose. The transfixed expressions of some of the nubile bare-breasted bathing beauties and one man with his hands down his pants give us a clue that the mystery man is special. This is a fascinating work packed with drama and overflowing with pent-up emotion.
Bigaud's narrative is as complex as his figural composition of lookers and swimmers. Notice the sight lines of the lookers go back to front while the two swimmers go from left to right. The twenty-two figures are contained in the rectangular shape of the pool, which is pushed to the front of the picture plane. The cars of the pool partygoers are seen in the background with one witness. He is fully clothed and is most likely a chauffeur. The fully clothed female at the pool offering food is a servant. A boxy-looking radio with a pack of cigarettes and the style of the cars give glue to the date. Most Haitian art depicts average working people. The pool party departs from that tradition and shows life of the Haitian upper class. Most likely, this was painted in Petion-Ville. The higher the elevation in Port-au-Prince the more wealthy the homes. Although the artist's painting technique may be described as naive or lacking polish.
 t's one of the reasons why the work radiates charm and interest. The painting is oversized with huge dimensions of 55 x 48 and will be a statement in any room. Wilson Bigaud is considered to be a Haitian master. The condition is good. Three repaired one-inch issues on the extreme center and upper right edge. Visible only on close inspection. Otherwise presents very well and is elegantly framed, ______________________________________ Haitian master Wilson Bigaud is renowned for works portraying everyday life and rites of passage—vodou rituals, fortune-tellers, weddings, cockfights, and carnivals—with voluminous figures and lucid colors. Born in Port-au-Prince, in 1946 Bigaud was among the first to attend DeWitt Peters’s Le Centre d’Art d’Haïti, where he studied with Hector Hyppolite...

Acrylic on Masonite

Acrylic on Masonite

Acrylic on Masonite

Mixed Media on Masonite

Mixed Media on Masonite

Figuration and abstraction meet in this energized quick portrait of an athletic boy with headband and resting on a bench, Most likely done for a magazine like Sports Illustrated - Si...

Jim’s of Lambertville is proud to offer this artwork by: Peter Sculthorpe (born 1948) Peter Sculthorpe was born in Ontario, Canada, in 1948. His talent was evident even as a chi...

signed and dated (lower left)

This painting is a perfect example of lyrical abstraction and a choice painting out of the best period of Vlerick's career. Geen nachtschade (No Nightshade), 1962 Oil on Masonite board 121 x 61 cm (without frame) 136 x 75 cm (framed) Signed and dated bottom left ‘P. Vlerick 1962’& with title, signature place and date at the back Pierre Vlerick...

Medium: Gouache and Tempera on Masonite Sight Size 14.50" x 11.25", Framed 20.50" x 17.25" Signature: Signed Lower Right Cover of The Saturday Evening Post, June 16, 1945

This painting is a perfect example of lyrical abstraction and a choice painting out of the best period of Vlerick's career. Pierre Vlerick’s work shows...

The European Academy recognized still-life painting as the lowest form in its hierarchy. Being the depiction of the things of everyday life, it was considered a poor container for th...

Medium: Oil on Masonite Signature: Signed 'John Falter' Lower Right Sight Size 7.00" x 9.375;" Framed 9.50" x 12.00" Johnson & Johnson reproduced the present work as an advertisemen...

People celebrating the 4th of July with red, white, and blue balloons.

Mixed Media on wood featuring the infamous Keith Richards. Photographed by Joester. About the Artist: Steve Joester is a British-born Rock & Roll photographer and mixed media a...

Klett was an in-demand illustrator in the post-war period of the late 1940's and 1950's. and . His work appeared in many of the newsstand magazines at the time. This work is a pers...

This work sells itself. Just look at it, and an elaborate explanation is not required. There is virtually no one alive who can paint a picture like Crockwell. Crockwell offers the viewer a complex and inventive composition by showing two wonderful portraits in the foreground and, beyond a broken wall...

Medium: Oil on Masonite Signature: Signed Lower Left This piece was published as an illustration in True Magazine titled "Blondin Crossing Niagara" in 1953. Born Jean-François Grave...

Medium: Oil on Masonite Signature: Signed Lower Right, with Title and Registration Marks in Chalk "Tom pleaded, 'Does one misstep have to ruin our marriage?'" Cover illustration for...

Story illustration for "Illegitimate" by Nelia Gardner White for the Ladies' Home Journal, published June 1944, page 25. The full caption reads: "The children danced around her, cha...

Signature: Signed Lower Right

Signed Lower Right

Jim’s of Lambertville is proud to offer this artwork. Signed upper right.