Metal Paintings

Oil and gold leaf on canvas

Window 3 is from a series of 7 painted aluminum wall sculptures. These wall sculptures are abstractions on the windows we use in our daily lives. We look into windows as well as out ...

Unusual and stunning vertical collotype and hand-painted triptych (3 panels) abstract composition titled "Mutable Green" of subtle gold and silver gilding evoking Frank Loyd Wright b...

Ripples in Space - Abstract Composition Original Oil Painting Vibrant abstract composition of paint, paper, enamel, and glitter by unknown artist "DeZulio" or "Dejulio". Several pie...

Brian O'Neill's (US based) "Emergence" is an original, handmade oil painting that depicts a floral robe slipping from a female figure's shoulders and expos...

This is a one of a kind original acrylic and gold leaf still life painting by San Diego artist, Duke Windsor. Its dimensions are 12"x12". It is unframed. A certificate of authentici...

With layers of bright oils and whisking brush strokes, the paint is able to shine and shimmer in a very unique pattern. The artist uses gold drips, gold leaf, thick textured oils, mi...

These artworks are designed to function both individually and in multiple compositions, allowing for installations tailored to the space with as many artworks as desired. Please cont...

This piece, made with enamel and acrylic on canvas, evokes a dance of contained energy. The action painting style is manifested in the spontaneity of the strokes, in the thick textur...

Crystal Latimer employs the method to create depth. Inspired by 16th centenary tapestry, she combines western iconography with the symmetrical design elements of medieval artisans. T...

Alirio Palacios Versiones, 2012 Mixed media and gold leaf on cardboard (intervened by the artist) 145 x 134 cm 57 x 52.7 in. The artwork is signed and...

Nyasha Mashumba, having been the apprentice of Mark Hilltout, has now started to carve out a career for himself as artist and designer, utilizing the medium and craft he has mastered...

Katharina Hormel creates minimalistic landscape paintings featuring everyday scenes of life. Her art often portrays people engaged in their daily activities, such as taking a leisure...

Keith Young Lucky Cat and Pink Dolphin Collage on Canvas; Rubber, Glue, Wood, Cotton Canvas Year: 2022 Size: 11.25x9.25x3in Signed by hand COA provided Ready...

Motivated by bold color and fast brushwork, we are moved by the simplicity and thick textured acrylics in these works. Shaoul’s “My Heart Collection” is a vibrant and energetic displ...

This is a rare ceramic plaque painted with enamel glaze by famed Israeli German artist Irene Awret (these are generally hand signed Awret Safed on the verso. I just have not opened the frame to check) the actual glazed ceramic is 10.25 X 14.75 inches. It depicts a girl or woman with potted plants, birds, pomegranates and other fruits and flowers in a naif, folk art style. Irène Awret was born to a Jewish family in Berlin called Spicker, the youngest of three children. Her mother died in 1927, when Irène was six years old. In 1937 she was forced to stop high school, due to the Nazi race laws. Because she could not continue her regular studies, her father sent her to study drawing, painting and art restoration with a Jewish painter. Among his students were a large number of German Jews who knew they would have to leave Germany within a short time and would require a profession to enable them to support themselves. When the situation grew worse, following the Kristallnacht (the first major attack on German and Austrian Jews in November 1938), her uncle decided to move to Belgium. In 1939 the situation became even worse - her father was fired from his job and the family were forced to leave their home. As a result, Awret's father tried to send her and her sister to Belgium, with the help of smugglers. The first smuggler proved to be a double agent and they were sent back from Aachen to Berlin. Two weeks later they made a second, successful, attempt to sneak across the border. Awret worked for a Dutch Jewish family as a maid. As she had her room and board there, she was able to save enough money to study art part-time at Brussels' Académie Royal des Beaux-Arts. A few months later Awret's father joined her and her financial situation became easier. She left her job and studied full-time, helping support herself with restoration work when it was available and by painting portraits to order. Later, Awret found a hiding place on a farm in Waterloo with a Jewish family who were connected with the underground. In January 1943 she had to return to Brussels, living with a false identity card which stated she was a married woman with two children. Awret succeeded in renting an attic without informing the police where she was - she told her landlady that she had been forced to flee her husband because he beat her. While there, she supported herself by restoring wooden sculptures. A Jewish informer gave her up to the Gestapo, accompanying the two Gestapo men who arrested her. Awret was able to take a bag containing food and drawing materials. She was detained in the Gestapo cellars in Brussels where she drew. Because there was nothing there to draw, she sketched her own hand (view this work). Awret was interrogated in order to reveal the hiding place of her father who was still in Brussels. The National Socialist regime was determined to persecute him, even though he had fought for Germany in World War I and been permanently disabled. They stepped up their torture and brought Awret before Hartmann, the head of the Gestapo in Brussels. When Hartmann saw her block of drawings, he asked her where she had studied art and halted the interrogation. Awret was placed in a narrow cell and then transferred to Malines camp, which the Belgian's called Mechelen. Malines was a transit camp to Auschwitz, regularly sending 2000 people at a time. Although she arrived just before Transport No. 20, Irène Awret avoided being included. Instead she was put to work in the leather workshop, decorating broaches. While she was there, Hartmann visited the camp and spotted her: "I could have discovered where your father is hiding," he told her. When her artistic talents became known, she was transferred to the Mahlerstube (artist's workshop) where she worked producing graphics for the Germans until the end of the war. When Carol (Karel) Deutsch (whose works are now on view at Yad Vashem) was sent from Mechelen to his death with his wife, he left young Irene his paintbox. Irene also recalls seeing the great painter Felix Nussbaum and his wife being pushed into a boxcar bound for the gas, and tells of the aftermath of the famous 20th Train incident, when a young Jewish doctor armed only with a pistol and helped by two unarmed friends with a lantern ambushed one of Mechelen's Auschwitz-bound trains carrying 1,618 Jews, most of whom had fled Eastern Europe for Belgium. Awret's job enabled her to paint and draw - mainly in pencil, but also in watercolors and oils. In the artists' workshop she met a Jewish refugee from Poland - Azriel Awret - who would later become her husband. Among the other artists in the workshop were Herbert von Ledermann-Vütemberg, a sculptor from an aristocratic family with Jewish roots, Léon Landau, and Smilowitz, who perished in the camps in the East. Irène and Azriel tried to bribe a German officer to prevent Smilowitz's deportation. Not only were they unsuccessful, but they were almost put onto the same train. Jacques Ochs was another artist with whom they became friends in the camp. Ochs, a French-born Protestant who lived in Belgium, was interned as a political prisoner. He remained in Belgium after liberation. After the war the Awrets immigrated to Israel and made their home in Safed. They continued to work, and were instrumental in founding Safed's artists' quarter. The Beit Lohamei Haghetaot (Ghetto Fighters' House Museum) art collection holds works donated by Awret. These date from her time in Malines camp and from her stay in Brussels after the war, when she was in the company of orphans who had hidden while their parents were sent to Auschwitz. Her highly expressive works have made their way to exhibitions at theTel Aviv Museum, the Haifa Museum of Modern Art and the Modern Art Gallery in Washington, D.C., as well as into the private collections of such individuals as Dr. Jonas Salk...

A colourful, unique painting on stretched canvas, ready to hang. The painting consists of shiny pools of enamel paint that was thickly poured onto the canvas to create a three-dimensional effect of stand-out glossy paint...

Abstract composition reverse-painted on an acrylic sheet (Plexiglas) by Laurel Morley (American, b. 1969). Acrylic sheet is mounted on a steel structure with "wings" on either side. ...

Matt Emulsion, Gloss Varnish, 24 carat Gold Leaf on Aluminium

Katheryn Holt (American, born 1951) "After the Rains" 2022 Oil Paint, Mixed Media, Wood Panel, Wood, Wire The artist signed the back of the painting. Original: 40" x 60" x 1/2" Fram...

Mary Scott Oscillation (II) Original Abstract Painting Acrylic Paint, Pencil and Gold Leaf (Silver Finish) on Board Board size: H 50 cm x W 40 cm x D 0.5cm ...

Child - Angelo Granati Italia 2013 -This is his reinterpretation of a greatest old master painting Le Goûter (Just a Taste) by W.A.Bouguereau. Oil on canvas cm. 110x90. Silver leaf...

"Heal Heart Heal" Original Oil and gold leaf on arches paper, cracked varnish finish. Matted Signed and dated Image 5" x 7"

Composition in Orange - French American Frédéric Choisel is inspired by the cities of France, New York and the Bay Area and creates elegant abstracti...

Oil, xerox transfer, and blue and gold metal foil on wood panel Animal painting, miniature oil painting Extinct animals Elephant Certificate of authenticity Hand signed by artist Fra...

Katharina Hormel creates minimalistic landscape paintings featuring everyday scenes of life. Her art often portrays people engaged in their daily activities, such as taking a leisure...

In these testing times it's become easy to turn inwards rather than looking outwards into the world. In a painting that is archetypical of Sax Berlin Angel of Peace is a reflection ...

This painted ceramic tile by Italo Scanga, epitomizes the characteristics of his oeuvre. Polychrome and vibrant art from the Memphis Milano era. This is signed with his initials. This is reminiscent of the mid century work of Jean Lurcat and Jean Picart le Doux. Italo Scanga (June 6, 1932 - July 7, 2001), an Italian-born American artist, was known for his sculptures, prints and, paintings, mostly created from found objects. In his youth in Calabria, Italy he worked as a cabinetmaker's apprentice and studies sculpture with a man who carved statues of saints. Italo Scanga was an innovative neo Dada, neo-Expressionist, and neo-Cubist multimedia artist who made assemblage, collage, sculptures of ordinary objects and created prints, glass, and ceramic works. Modern Italian abstract geometric folk art. Scanga's materials included natural objects like branches and seashells, as well as kitsch figurines, castoff musical instruments and decorative trinkets salvaged from flea markets and thrift shops. He combined these ingredients into free-standing assemblages, which he then painted. Although visually ebullient, the results sometimes referred to gruesome episodes from Greek mythology or the lives and deaths of martyred saints. He considered his artistic influences to be sweepingly pan-cultural, from African sculpture to Giorgio de Chirico. He often collaborated with the sculptor Dale Chihuly, who was a close friend. Constructed of wood and glass, found objects or fabric, his ensembles reflect a trio of activities—working, eating, and praying. These activities dominate the lives of those who live close to the land, but they are also activities that are idealized by many who contemplate, romantically, a simpler, bucolic life. Italo graduated from Michigan State University where he befriended fellow artists Richard Merkin and David Pease. He studied under Lindsey Decker who introduces him to welding and sculpture after his initial interest in photography. Also studies with Charles Pollock, the brother of Abstract Expressionist Jackson Pollock. His first teaching job was at University of Wisconsin (through 1964). where he met Harvey Littleton, a fellow instructor. He later moves to Providence, Rhode Island,I to teach at Rhode Island School of Design (RISD). Is colleagues with artists Richard Merkin and Hardu Keck. Starts a correspondence with HC Westermann. Spends summers teaching at Brown University; colleague of Hugh Townley. Moves to State College, PA, and teaches at Pennsylvania State University for one year. Meets artists Juris Ubans, Harry Anderson, Richard Frankel, and Richard Calabro, who remain friends throughout his career. 1967: David Pease helps him get a tenure track position at Tyler School of Art in Philadelphia, PA, . Artists he works closely with include Ernest Silva, Lee Jaffe, Donald Gill, and William Schwedler. Meets graduate student Dale Chihuly while lecturing at RISD and develops a lifelong friendship. 1969: One person exhibition, Baylor Art Gallery, Baylor University, Waco, TX. Works very closely with students Larry Becker and Heidi Nivling (who later run a gallery in Philadelphia, PA), and Harry Anderson. Welcomes many artists into his home including Donald Judd, Dan Flavin, Bruce Nauman (a former student), Vito Acconci, Ree Morton and Rafael Ferrer. 1973: "Saints Glass" at 112 Greene Street Gallery, NYC. Installation at the Institute of Contemporary Art at University of Pennsylvania, Philadelphia, PA. Meets Gordon Matta Clark and contributes to an artist cookbook. Goes to Pilchuck Glass School, Stanwood, WA, founded by Dale Chihuly, as a visiting artist. He continues to work there annually through 2001. Works over the years with Pilchuck artists Richard Royal, Seaver Leslie, Jamie Carpenter, Joey Kirkpatrick, Flora Mace, Robbie Miller, Billy Morris, Buster Simpson...

This is an abstract encaustic painting by Linda Bigness. It features a green, blue, and grey multicolored palette with gold leaf accents and neutral sides. Dabs of paint and organic ...

I love this tower. I first painted it as far back as 1994 when I worked mainly in watercolors. I’ve known it for over 30 years. I played in a soccer league there and attended a workshop, and I even witnessed a dear friend propose to his future wife under it. There’s an urban legend it was named “Lionel” by local schoolchildren in the 1950s. The 100 years old “North Park Water Tower” or “Tin Man...

Abstract collage Acrylic and collage with House paint by Minty Ramsey, British contemporary On wood panel 39.5 x 8 inches Wonderful original abstract painting by the British contem...

Circus 1 is a wall sculpture inspired by the playful musings of Alexander Calder’s Circus. The wit and whimsy of the circus are referred to in the colors, forms, spontaneity and move...

This is a one-of-a-kind original acrylic and gold leaf still life painting by San Diego artist, Duke Windsor. Its dimensions are 5" x 60" x 2.5" in (L x H x D). It is unframed. A cer...

Aixa Oliveras' "Bring Forth Miracles" is an original, handmade oil painting that depicts a female model in a black dress with upturned hands as Orchids a...

Harlequin On Fire from the studio of Sax Berlin. Vivid colour reflects the face of Harlequin; he gazes back as the fire rages; will he plunge into the inferno...

Utilizing a pop-inspired aesthetic with bold colour blocks and a simplified portraiture design, Mitic riffs on the ubiquitous selfie culture, comical filters, and more deeply, survei...

Landscape mixed media on canvas 50x50 cm 2018 Ready to Hang Marilina Marchica, born in 1984, was born in Agrigento, where she lives and works. She graduated in Painting at the Aca...

A Lands Five Ornaments, Health, Wealth, Fertility, Joy and Safety Oil, gold leaf on arches paper with a crackled varnish finish Image 5" x 7" Mounted 10" x 12" signed and dated low...

My paintings are glimpses into my perception of life along the coast of Maine and the high desert of Taos, N.M. Using rich color and employing the dramatic light of the coast and...

For All that You Cannot See, 2019

Untitled, 2016, 10.25 x 16.25 x 1.25 inches (base), mixed media and metal, $900 James Charles’ minimal and monochromatic work has a boldness that intrig...

This Walter Valentini art work is made in cast lost wax bronze: "sun city" represent the dream of the man, a postive future for all. Signed by the artist.

We are excited to bring this incredible painting to public attention. Berlin is renowned for his use of colour, pigments and texture but this piece is truly exceptional. Sumptuous in...

Marc Scheff's "American Dream" is a multi-layered resin painting that is made using art resin, acrylic, pan pastel, pencil, and gold leaf. Abo...

Sax Berlin's Skull series form part of his Neo-Expressionist works. Berlin works with speed on these pieces, gives them a sense of urgency. In "person" they are electric and magnetic...

Scott McMillin is perpetuating the tradition of well-known scrap metal artists such as John Chamberlain or Cesar to create unique abstract geometric compositions. Using discarded car...

This painting by Antoinette is a stylish and luxurious mixed media on canvas piece depicting abstract hills shapes with bold use of color and contrast. The light coral background and the azure blue from the ocean allows for the luminosity to shine through effortlessly, as the lines and intricate details of the silk paper laid over paint and mixed media add a most interesting texture. The artist's hand embellishes gold leaf to add elegant accents. This painting comes housed in a natural oak floater frame with hanging wire on verso ready to be displayed. Art measures 47 x 47 inches Frame measures 48.5 x 48.5 inches Antoinette Ferwerda is a renowned Australian artist largely recognized for producing a bold collection of fine artwork that joyfully explores the geometry of shape and the changing light from dusk to dawn. Championing her love for shape, reflection, and nature using a diverse pallet of mixed media to portray her abstract interpretations of nature. Antoinette's diverse past and a childhood that was somewhat nomadic has inspired much of her work today. Antoinette’s backstory reads like something out of an adventure series, having spent her early days living in remote pockets of Papua New Guinea, where she was lucky to spend time in a seaside shack on Ela Beach in Port Moresby, as well as the volcanic town of Rabaul, the Cargo Port Lae, before moving on to Darwin where her Dad worked for the Red Cross and helped with the re-build process after Cyclone Tracy. This was followed by a family stint in Europe, visiting Netherlands, London, Belgium, France, Italy, and Switzerland, before finally settling back in Melbourne for her formative years. Her love for nature and exploring the patterns and relationships she finds within started early. “I’ve been forever fascinated with color and the magical interplay of light”. “Blessed to have a teacher Mum who fostered regular creative time during our nomadic stint, my childhood was largely spent creating, especially outdoors”. Never without a pen, sketchbook or scraps of paper, her natural ability to create in layers instinctively started in these early years. Although her work continues to evolve, she consistently creates works that are rich in layers, resulting in pieces that are optimistic, luminous and full of stories from her colorful life. Her signature work is abundant with color and texture, resulting in a transparent quality of her works. Adaptable to any palette, Antoinette has produced works from a diversity of spectrums and mediums – sun-soaked, muted and ethereal, vibrant, as well as monochromatic with accents of gold. Her themes include abstract and metaphysical interpretations of fossicking in rock pools, exploring the rolling hills of the countryside both here and abroad, the rock formations of the Australian outback and the magical light of a European summer to name just a few. Her dream and longing to become an artist became a reality after starting her own family and farewelling a corporate life in the pharmaceutical industry, with her debut solo exhibition in 2014. Six years on, Antoinette has fast become a firm favorite amongst interior designers, stylists and home decorators alike, having been represented by fenton&fenton, Thom Gallery and Trit House (formally Click On Furniture) to name just a few. Continually experimenting and evolving as an artist, Antoinette invites the viewer to look deeper through surface layers to find hidden stories of color and form. Past collections have been inspired by visits to the bustling markets of India, the morning light outside her childhood beach shack...

Motivated by bold color and fast brushwork, we are moved by the simplicity and thick textured acrylics in these works. Shaoul’s “My Heart Collection” is a vibrant and energetic displ...

James Van Fossan's "Sky 52" is an original, handmade oil painting that depicts a skyscape of grey clouds arching through a blue sky with the sun in the background.

Oil and metal leaf, gold foil on wood panel Wildlife of the American Southwest, animal painting, earth tones, pastels, landscape, skyscape Oil paint...

Luminosité changeante II is a unique medium size contemporary modern sculpture painting relief by French-Dutch artist Olivier Julia. The relief is made f...

Time Travel Black & Gold Glyphs I by Cheryl R. Riley Metallic abstract geometric symbols Gouache and metallic ink on 140# cold press watercolor paper Feminist Art and Contemporary F...

Camel, elaborately and exquisitely painted by Adrienne Sherman in oil on panel with a lacquer-like luster. The original painting is rich and reflective, and includes gold leaf, addin...

Black & Gold Glyphs II by Cheryl R. Riley Metallic abstract geometric symbols Gouache and metallic ink on 140# cold press watercolor paper Feminist Art and Contemporary Feminist / G...

This abstracted painting of a Doberman dog features a loose, energetic style and vibrant colors. The artist layers wide brush strokes and thin, swirling line to create the dog's black, blue, and orange form, with a pale yellow gold background. The painting is made with acrylic paint and gold leaf on gallery wrapped canvas. It has painted sides and is signed by the artist in the lower right-hand corner of the painting. It is wired and ready to hang. Russell Miyaki...

Mark Making (2019) oil on panel, nature art, wildlife landscape, cave animals, cave art, prehistoric art, earth tones "Mark Making" by Alexis Kandra is an or...

Scott McMillin is perpetuating the tradition of well-known scrap metal artists such as John Chamberlain or Cesar to create unique abstract geometric compositions. Using discarded car...

A stock character of Russian marionette theatre since the 18th Century, set in St. Petersburg this is a burlesque tale of unrequited love. Charlatan...

The Joshua Tree is an original painting in enamels and mixed media, a unique piece depicting the rock band U2. Hand-signed.

Marc Scheff's "The Feathers are Blue" is a multi-layered resin painting that is made using acrylic, pan pastel, pencil, gold leaf, layered resin, moleskine sketchbook, About the art...