Paint Paintings

Vigilantes II Marcio Marquez Massa 2025 From the Mediterránea Series Oil on Canvas 290 × 140 cm (114.2 × 55.1 in) Vigilantes II is a monumental oil painting from Marcio Marquez Mas...

Jay Weaver (?-1960). Is This Necessary?, 1952. Oil on canvas measuring 12 x 16 inches. Framed measurement: 18 x 22 inches. Signed by artist lower right. 1952 Salmagundi label af...

What struck me when I visited Los Angeles in April and May was the abundance of flowering trees and the incredible amount of exotic flowers! One of these discoveries for me are the p...

"Pareidolia" is an original acrylic painting by contemporary American-based artist Serg Graff, whose imaginative works invite viewers to discover hidden worlds concealed within vibra...

Artist: Alexander Shandor Title: Winter Ways Medium: Oil on Canvas Year: 2024 Style: Impressionism Dimensions: 20.5" x 29" x 1" inch (52 x 74 x 2cm) Presentation: Unframed, Gallery ...

William Albert Clark (1851–1925) “Broadwood” – Portrait of a Hunter in a Stable Circa 1890 Oil on canvas Signed lower right Original English oak frame A distinguished late Victoria...

In this piece, the artist depicts the eiffel tower and his subjects in an abstract and impressionistic way, capturing the busy Parisian street from the 20th Century with much life. T...

Gina Matarazzo (American, b. 1972) Merlina, in Her Gramma's House, 2026 Oil on cradled gessoboard 5 x 5 in (12.7 x 12.7 cm) Signed with the artist's initials, lower right. Unframed, ...

Provençal hillside landscape with Cypress trees and houses in oil on board by French artist Jean Perret. Signed bottom right. This painting captures a serene landscape, characterize...

Abraham Cooper 1787 – 1868 Monogrammed and dated 1824 Portrait of the Racehorse 'Don John' Provenance: Label on the reverse Galerie Art and Antiques Dr Christa Cackett Switzerland ...

A pair of mid-century Impressionist beach landscapes depicting Rio de Janeiro , ca. 1960. Oil on canvas, each measures 12 x 16 inches; 15 x 19 inches framed. Signed indistinctly lo...

Artwork signed by the artist. Sold with frame (101 x 140 cm) Jakob Wagner (1861–1915) was a Swiss painter known for his serene landscapes, tranquil waterscapes, and evocative scene...

Galleons at Sea Sir Frank Brangwyn (1867 - 1956) Oil on mahogany panel Signed and titled on the reverse Picture Size: 16 x 24" (41 x 61cm) Framed Size: 23 x 31" (58 x 78cm) A fanta...

Japanese Chin Spaniel Dog Portrait A. Eisonback (late 19th/ early 20th Century) signed and dated 1910 signed oil on canvas, framed framed: 21 x 25 inches...

Weightless captures a suspended moment between control and release. His posture suggests not defeat, but acceptance, a letting go of tension, burden, and the unseen trials that pres...

Artist: Alexander Shandor Title: In the Garden Medium: Oil on Hardboard Year: 2024 Style: Impressionism Dimensions: 22 x 33.5" x 0.2" inch (55 x 85 x 1 cm) Presentation: Unframed, ...

Adele Webster’s contemporary landscape paintings explore atmosphere, light, and the emotional presence of open space. Working with layered acrylic washes on wood panel, Webster creat...

3772 Acrylic surreal figural painting on artist board by Brunelli

Light Sussex Chickens Laure Noetzlin-Azam (French, 1929–2024) Pupil of André Lhote. Medium: gouache on artist paper, unframed. Artist paper: 8 × 10.75 inches. Provenance: from the a...

In this work, the artist reflects on the nature of hierarchy as something subtle and often unseen. Rather than being defined by size, power, or position, importance emerges through a...

A beautiful oil on canvas painting by the French artist, Henri Alexis Schaeffer. This painting is a wonderful example of his work from the prime of his career, where you can feel the...

Heinrich SPERLING German School Picture Size: 15 x 18" (38 x 46cm) Framed Size: 22 x 25" (56 x 64cm) Signed and framed Sperling was born March 23rd 1844 in Warnkenhagen, and died 2...

3809 Floating world surreal figurative painting signed on verso Mury

Fields of Gold Sunflower Field Landscape French Impressionist Style Oil Painting by Georges Bordonave (French, contemporary) signed and dated 1992 oil on canvas, unframed canvas: 20 x 26 inches private collection, western Paris, France very good condition; presents exceptionally well A radiant French landscape alive with colour and movement, this 1992 oil on canvas by Georges Bordonove...

Firmado en la parte inferior (desconozco el artista) El estado de la obra es aceptable, lo único que está bastante sucia Se presenta sin enmarcar la pintura Medidas obra: 73 x 60 cm.

Aurora over a Northern Lake, signed and dated “G Claeson 1916”, oil on canvas. This evocative landscape, executed in an expressionist manner, and on the same time almost modern, cap...

Ricky Hunt’s mixed media minimalist wall art is influenced by his tumultuous past that led to a paradigm shift in creativity and life. He covers the wood panel with layers of acrylic...

Descanso en Tierra Marcio Marquez Massa — 2026 Oil on Canvas 145 × 140 cm (57.1 × 55.1 in) Description: Descanso en Tierra is part of Marcio Marquez Massa Mediterránea series, a b...

Early 18th-Century Italian Venetian Portrait Painting on Glass This wonderful early 18th-century portrait of a lady holding a small dog is a classic example of reverse glass painting...

Melinda has studied life and its movements, developing a remarkably keen artistic technique with her flowing expressionistic style. Growing up in the Midwest she was enamored with n...

A painting on canvas depicting a head integrated into a landscape constructed from planes of color. The composition is organized through distinct areas that define a landscape struct...

Details: Title: Chromatic Shoal 9 & 10 Medium: Acrylic Paint on Watercolor Paper Size: 80x120 cm total ( 31.5x47.3 inches), each panel measures 80x60cm (31.5x24 inches) Year: 202...

Serene mid-century landscape of mountains reflecting over a fjord in Norway by an unknown artist, Circa 1940's. Unsigned. Displayed in a rustic giltwood frame. Image, 20"H x 24"W. Fr...

Pocket Solar Eclipse '26 #267(canvas size 5x5cm) is an original oil painting by Dani Humberstone as part of her Pocket Painting series featuring small scale realistic oil paintings, ...

This captivating summer day beach scene is a remarkable display of Van der Plas's true passion for outdoor genre paintings. A wonderfully rich beach scene executed in the 21st Centur...

In The Axis of Presences, French artist Sophie Dumont constructs an abstract architecture around a dark vertical line that acts as the backbone of the composition. Geometric forms ga...

Shipping Procedure Ships in a well-protected tube. This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Bakare Babatund...

Karl Albert Buehr (1866-1952) Giverny Landscape Oil on board, c. 1910 Unsigned Condition: Excellent Image size: 5 7/8 x 7 1/8 inches Frame: 11-1/2 x 12-3/4 x 1-1/2" Provenance: Estat...

Mark Acetelli’s oil and mixed media paintings awaken the viewer’s sense of exploration and adventure; they demand a new discovery. His artworks exhibit a chemistry of complexity and ...

Acquired by the gallery directly from the artist FRAMED: 11.75" x 13.75" x 1.5" UNFRAMED: 8" x 10" SIGNED: Lower Left Artist Statement "A plein-air painting done over the course ...

Atmospheric 19th-century French river landscape attributed to Charles-François Daubigny (1817–1878), one of the leading landscape painters associated with the Barbizon School. The c...

Karl Albert Buehr (1866-1952) Strolling in the Park Oil on canvas, relined, c. 1910 Unsigned Provenance: Gift of the Artist to his wife, Mary Hess Beuhr The artist's niece, daughter of Will Hess David Saltzman Robert Henry Adams Fine Art, Chicago, exhibited 1994 Karl Albert Buehr at Robert Henry Adams Fine Art, Chicago Exhibition dates The exhibition was held in 1994 at Robert Henry Adams Fine Art, 715 North Franklin Street, Chicago. Surviving provenance records describe it as the gallery’s first exhibition at its North Franklin Street location. Works documented as included include Woman on a Patio, Rocky Inlet (France), and apparently other paintings and studies acquired through David Saltzman from the family of Buehr’s wife, Mary Hess Buehr. The 1994 Karl Albert Buehr exhibition at Robert Henry Adams Fine Art represented an important act of historical recovery. Although Buehr enjoyed considerable recognition during his lifetime—as an exhibiting painter, prizewinner, and influential teacher at the School of the Art Institute of Chicago—his reputation had become less visible in the decades following his death. By bringing together paintings and works on paper that had descended through the artist’s family, the Adams exhibition helped restore Buehr to his proper position among the leading exponents of American Impressionism and the most important Chicago-trained painters working in France before the First World War. Giverny was crucial to Buehr’s mature development. American painters had been drawn to the Norman village since the late 1880s, attracted both by Monet’s presence and by the region’s gardens, river valleys, cultivated fields, and distinctive northern light. Buehr did not simply imitate Monet. His figure compositions remained grounded in the academic training he received in Chicago and Paris, but he enlivened that structure with broken brushwork, heightened complementary color, and an increasingly luminous palette. His characteristic compositions place elegantly dressed young women on terraces, beside windows, or within flowering gardens. These figures are neither conventional society portraits nor anonymous decorative accessories. They occupy a carefully balanced space between individual presence and pictorial harmony. Faces and gestures are often quietly observed, while dresses, parasols, flowers, foliage, and shifting sunlight become vehicles for color. Lavender shadows, rose and coral fabrics, emerald foliage, and brilliant passages of yellow or blue transform the garden into a chromatic environment surrounding the sitter. Works associated with the Adams exhibition illuminate the breadth of Buehr’s French production. The pastel Woman on a Patio, circa 1915, demonstrates his ability to translate Impressionist color into the immediacy of a dry medium. Pastel allowed him to place one hue directly beside another without losing intensity. The resulting surface possesses a soft atmospheric unity while retaining the energy of individual strokes. The work’s history—gifted by Buehr to Mary Hess Buehr and subsequently descending through her family—also gives it a particularly intimate character. Rocky Inlet (France) presents another aspect of Buehr’s practice. In place of the cultivated garden and poised female figure, the artist confronts a rugged coastal landscape. Yet his essential concern remains light acting upon color. Rock, water, and vegetation are constructed through abbreviated touches rather than continuous modeling. The small scale suggests direct observation, possibly an outdoor study made during Buehr’s travels in Normandy. Its provenance likewise begins with Mary Hess Buehr and passes through the family before reaching David Saltzman and Robert Henry Adams Fine Art. This family provenance was central to the significance of the 1994 exhibition. The works had not merely circulated anonymously through the market; many retained a direct association with the artist’s household. Such a group could include informal studies, experimental compositions, and personal gifts that Buehr elected to keep rather than send to public exhibitions. Together they offered a more private and exploratory view of his career. Condition: relined canvas and cleaned Image/Canvas size: 10 x 9 inches Frame: 16-3/4 x 15-3/4 x 1-3/4 inches Karl Albert Buehr (1866–1952): France and the Giverny Years Karl Albert Buehr—whose surname is sometimes misspelled “Beuhr”—was a German-born American painter and influential teacher associated with the second generation of American Impressionists working at Giverny. Although his artistic identity was rooted in Chicago, the years he spent in France transformed his palette, subject matter, and approach to painting. Born on February 14, 1866, in Feuerbach, near Stuttgart, Buehr immigrated with his family to Chicago, probably in 1881. After working briefly for a commercial lithographer, he enrolled at the School of the Art Institute of Chicago in 1888. He studied with John H. Vanderpoel and graduated with honors in 1894, after which the school invited him to teach. He also served in the Illinois cavalry during the Spanish-American War and married Mary Guion Hess, one of his students and an accomplished artist in her own right. Early study in Europe Buehr’s European education unfolded in several stages. Around 1900 he settled in Paris and studied at the Académie Julian, principally under the French painter Raphaël Collin. Collin was known for idealized female figures placed in luminous outdoor settings, a combination of academic draftsmanship and Impressionist light that anticipated Buehr’s mature work. Buehr reportedly received a gold medal at the Académie in 1901. His early European paintings included portraits, landscapes, and scenes of rural labor. Visits to Holland exposed him to the restrained tonalism of the Hague School, while his travels in Italy—particularly Taormina, Sicily, during 1906 and 1907—encouraged a brighter response to Mediterranean sunlight. He also studied in London, where his contacts with Frank Brangwyn and the decorative currents of British painting strengthened his interest in broad design, rhythmic composition, and large arrangements of figures. A decisive factor in this extended European residence was the patronage of Chicago philanthropist Lydia Coonley Ward. From approximately 1906 until 1913, Ward provided Buehr with a monthly stipend, enabling the artist, his wife, and their children to remain abroad and pursue their work without the immediate pressures of the American market. Buehr at Giverny Buehr entered the Anglo-American artistic community at Giverny around 1909, probably through his friendship with Henry Salem Hubbell, another American figure painter supported by Lydia Coonley Ward. From approximately 1909 through 1912, Buehr generally spent winters in Paris and the warmer months at Giverny. In 1912 and the summer of 1913, the family reportedly lived at Sainte-Geneviève-lès-Gasny, close to Giverny. By this date Giverny was no longer merely the village in which Claude Monet lived. It had become an international artists’ colony, particularly attractive to American painters who admired Impressionist color but wished to retain firm drawing and carefully organized figure compositions. Buehr’s associates included Frederick Carl Frieseke, Richard Edward Miller, Guy Rose, Lawton Parker, Louis Ritman, Edmund Greacen, Karl Anderson, and Theodore Earl Butler. Buehr was especially close to the circle of Frieseke and Miller. These artists specialized in decorative paintings of fashionably dressed women reading, sewing, taking tea, or resting in sunlit gardens. Their figures were surrounded by flowers, patterned fabrics, parasols, and flickering passages of colored light. Buehr adopted this repertoire, but his paintings usually retained a stronger structural organization and a more assertive contrast between complementary colors. During his first months at Giverny, Buehr worked on a large decorative panel of dancing figures. The composition received an honorable mention at the Paris Salon of 1910, an important professional recognition. That summer, however, he increasingly turned toward intimate garden scenes and outdoor figure studies. The influence of Richard Miller can be detected in the decorative arrangement of the figures, while Frieseke’s example encouraged Buehr s use of brilliant sunlight, patterned surfaces, and saturated hues. Relationship with Claude Monet Claude Monet was Buehr’s artistic hero, but the extent of their personal relationship should not be overstated. Buehr’s children played with the children of Theodore Butler, Monet’s son-in-law, and they visited the Monet household. Buehr’s daughter Kathleen later recalled that Monet was gracious to the children. Nevertheless, the best available scholarship suggests that no close personal association between Buehr and Monet has been documented. Monet’s importance to Buehr was therefore primarily artistic. At Giverny, Buehr learned to regard colored light as a central subject rather than merely a means of describing objects. Shadows became violet, blue, or green; white dresses reflected the surrounding garden; and faces and arms were modeled through small strokes of warm and cool color. The enclosed garden also became a kind of outdoor studio in which human figures, flowers, fabrics, and sunlight could be orchestrated into a unified decorative design. The Giverny style Buehr became best known for paintings of young women seated or standing in gardens, often accompanied by colorful parasols. Works such as Springtime in Giverny, Under the Parasol, and related pictures of women reading or conversing exemplify his mature style. Although inspired by French Impressionism, these paintings are not spontaneous transcriptions of fleeting visual experience in the strict Monet tradition. They are carefully staged figure compositions. Buehr himself explained that the outdoor figure painter should concentrate upon the ensemble—grouping, arrangement, and color—rather than laboriously describing every feature. This principle helps distinguish his Giverny paintings...

Los Angeles artist Amber Goldhammer paints dramatic abstract compositions in acrylic on canvas featuring energetic brushstrokes. Goldhammer uses her contemporary paintings to express...

Justin Wheatley was born and raised in Clinton, Utah. He holds a Bachelor of Fine Arts from Utah State University with an emphasis in drawing and painting, and a Masters of Arts fro...

This refined interior scene captures a moment of psychological stillness, where presence and perception quietly intersect. The poised figure of a woman contrasts with the alert silho...

Seth Winegar's "Music on the Mountain" is a beautiful impressionist capturing of an upper slope of the Rocky Mountains, with a clear lake and autumn-colored forest at the base of the...

This captivating oil painting explores the delicate intersection of female sensuality and whimsical surrealism. It features an Anthropomorphic rabbit elegantly lounging upon a beauti...

Ksenya Istomina 'Melody of Silence' 105 x 70 cm Oil on linen Painted after life, the artist always works with a real scenery. Her realistic but impressionistic paintings look amazin...

Susan McDonnell (American, b. 1959) "Yearling Black Bear," 2021 Watercolor and gouache on paper 11 x 15 in (27.94 x 38.1 cm) Signed and dated on verso. Framed, 15.37 x 19.87 in (39.0...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

European Café Interior Scene, Blue Tonal Figurative Oil Painting, Contemporary Spanish Urban Painting Artist: Julio García Iglesias Title: Café Interior Date: 1986 Medium: Oil on c...

Starry Night oil/panel 9 x 12 unframed, 17 x 20 framed Starry Night is a beautiful impressionistic landscape oil painting that shows a moonrise thru trees with stars shinning brightl...

Red Tulip English School, 19th century Medium: watercolour drawing on paper, glass covering Size: 15 x 13 inches Provenance: private collection, England. Condition: The drawing is...

3775 Surreal colorful oil painting on canvas in a black frame

Portrait of a Jack Russell Terrier by John Emms (1843-1912) signed lower right oil painting on board, framed painting: 7.25 x 6.25 inches framed: 8.5 x 7.25 inches condition: overall...

Size: 90×90 cm (overall size with stretching 100×100 cm) Year: 2026 Materials: acrylic on canvas Shipping: rolled Series: Chill Out Title: «Chill Out: At Ease» This painting is abou...

La obra va firmada por el artista en la parte inferior En la parte trasera, va nuevamente firmado y titulado Se presenta bien enmarcada la obra Medidas de la obra: 38 cm. de altur...

A quirky pair of Staffordshire Pot Dogs give a sneaky bit of side eye in this lively oil painting framed in a contemporary white St Ives style frame. Additional information: Acrylic...

Pastel toned coastal seaside landscape oil on canvas painting by French Impressionist artist Henry Moret. The work features a pair of figures walking along the water's edge as clouds...

Moonrise Marsh Gulls 12 x 18 unframed 17.88 x 24 framed. Signed LR Moonlight Marsh is an oil painting on canvas panel by award winning contemporary artist Michael Budden that showca...