Paint Paintings

A charming impressionist pastoral scene depicting Spring in Tuckamony Farm Solebury PA Pleasant, Pennsylvania. This piece is executed in an intimate yet energetic manner. Christopher...

A charming Impressionist pastoral scene depicting Spring in Point Pleasant, Pennsylvania. This piece is executed in an intimate yet energetic manner. Christopher is known for capturi...

3809 Floating world surreal figurative painting signed on verso Mury

"Pink Summer Light" Exploring the arrival of summer, summer nights and the beauty of the vast Pacific Ocean, containing some of the most deep blue colored waters in the world. I pain...

Karl Albert Buehr (1866-1952) Giverny Landscape Oil on board, c. 1910 Unsigned Condition: Excellent Image size: 5 7/8 x 7 1/8 inches Frame: 11-1/2 x 12-3/4 x 1-1/2" Provenance: Estat...

Sunlit Highland Loch with Mountains Beyond at Sunset, Scottish Landscape "Glencoe" by Joel B. Owen (British, early 20th century) signed and dated 1925 Oil on canvas, framed Framed: 2...

Conjonction (2026) is a large-format geometric abstract oil painting on linen by French contemporary artist Sophie Dumont. Structured around a constellation of curved forms, vertical...

Beautiful vintage oil on canvas depicting a classic sailing ship navigating rolling ocean waves under a bright sky filled with soft clouds. The composition captures both movement and...

Provençal hillside landscape with Cypress trees and houses in oil on board by French artist Jean Perret. Signed bottom right. This painting captures a serene landscape, characterize...

Still Life Composition by Laure Noetzin-Azam (French 1929-2024) pupil of André LHOTE oil on canvas, unframed canvas: 18 x 21.5 inches Provenance: all the paintings we have by this ar...

Shipping Procedure Ships in a well-protected tube. This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Bakare Babatund...

In this work, the artist reflects on the nature of hierarchy as something subtle and often unseen. Rather than being defined by size, power, or position, importance emerges through a...

Ricky Hunt’s mixed media minimalist wall art is influenced by his tumultuous past that led to a paradigm shift in creativity and life. He covers the wood panel with layers of acrylic...

Fields of Gold Sunflower Field Landscape French Impressionist Style Oil Painting by Georges Bordonave (French, contemporary) signed and dated 1992 oil on canvas, unframed canvas: 20 x 26 inches private collection, western Paris, France very good condition; presents exceptionally well A radiant French landscape alive with colour and movement, this 1992 oil on canvas by Georges Bordonove...

Winter Farm Study oil/canvas panel 6 x 8 image unframed, 9.75 x 11.75 x 1.5 framed signed LL I enjoy playing with light in my paintings and creating a mood while trying to push the r...

3772 Acrylic surreal figural painting on artist board by Brunelli

Title: Jolly Jamboree Floral, Abstract, Painting, Hope, Joy, Landscape, Contemporary, Investment, Large painting In creating this painting, I connected to vibrant joy and abundanc...

This captivating summer day beach scene is a remarkable display of Van der Plas's true passion for outdoor genre paintings. A wonderfully rich beach scene executed in the 21st Centur...

Where We Gather From the series “Where We Belong” Medium: Acrylic and oil pastels on canvas; Size: 96 × 89 × 2 cm; Presentation: Stretched on a wooden stretcher, ready to hang. The...

Red Tulip English School, 19th century Medium: watercolour drawing on paper, glass covering Size: 15 x 13 inches Provenance: private collection, England. Condition: The drawing is...

Size: 95×95 cm (overall size with stretching 105×105 cm) Year: 2026 Materials: acrylic on canvas Shipping: rolled Series: «Trust: In Space» A quiet space between feeling and memory. ...

Since 1977, Hunt Slonem has had more than 350 exhibitions at prestigious galleries and museums internationally. Globally, more than 250 museums include his work in their permanent co...

Moonrise Marsh Gulls 12 x 18 unframed 17.88 x 24 framed. Signed LR Moonlight Marsh is an oil painting on canvas panel by award winning contemporary artist Michael Budden that showca...

Mark Acetelli’s oil and mixed media paintings awaken the viewer’s sense of exploration and adventure; they demand a new discovery. His artworks exhibit a chemistry of complexity and ...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

This painting is part of the “Where it is quiet” series, which continues my ongoing search for a sense of stillness found in nature, light, colour, and open space. The work was crea...

Ksenya Istomina 'Melody of Silence' 105 x 70 cm Oil on linen Painted after life, the artist always works with a real scenery. Her realistic but impressionistic paintings look amazin...

Figures in an Italianate Landscape Flemish, late 17th century oil on canvas, 11.5 x 18 inches condition: the painting, for its age is in very good and decorative condition. Obvious a...

Master of the Grotesque Vases (active in Rome and Naples in the first quarter of the 17th century) Flower Arrangement in a Renaissance Vase oil on canvas 67 x 88 cm. - with fram...

This artwork is shipped rolled in a protective tube (unstretched) for safe international delivery. The canvas includes an additional 2 inches (5 cm) of material on each side for prof...

Size: 100×70 cm (overall size with stretching 108×78 cm) Year: 2026 Materials: acrylic on canvas Shipping: Stretched, in reinforced cardboard packaging. A loosely gathered bouquet o...

"Framed" is an original painting by Tom Haugomat, made as part of his traveling artist residency with The Jaunt. Traveling from France to Philadelphia, Haugomat was inspired by his n...

What struck me when I visited Los Angeles in April and May was the abundance of flowering trees and the incredible amount of exotic flowers! One of these discoveries for me are the p...

Portrait of a Jack Russell Terrier by John Emms (1843-1912) signed lower right oil painting on board, framed painting: 7.25 x 6.25 inches framed: 8.5 x 7.25 inches condition: overall...

These blue flowers are among the first to appear in the forest each spring. Their extraordinary blue color brings the earth back to life after the long winter. "For me, they have a...

Details: Title: Tropical Abundance VII Medium: Acrylic Painting and India Ink on Watercolor Paper Size: Size: 40x55.2 Inches (100x140cm), each panel measures 40x28 Inches (100x70 cm)...

"Mamluk Horseman With Drawn Sword On Horseback" English School, late 19th century, after an earlier work by Carle Vernet oil on canvas, framed Framed: 26 x 22.5 inches Canvas: 22 x 1...

Artist: Alexander Shandor Title: Comfort of the Carpathians Medium: Oil on Hardboard Year: 2024 Style: Impressionism Dimensions: 18 x 25.5" x 0.2" inch (45 x 65 x 1 cm) Presentation...

"Spiritual Connection" is a compelling abstract modernist painting that offers a powerful display of mid-century expressionism infused with surrealist, figurative elements. The artwo...

The Shambles in York City England Medieval Street Framed, Acrylic on Board, 2007 - a rare early work by leading British Contemporary Artist, Angela Wakefield. This colourful & en...

ARTIST: Vicki Golden (1970-) British TITLE: "Koi Carp" SIGNED: stretcher verso MEDIUM: oil on canvas SIZE: 91cm x 60cm canvas size CONDITION: very good unframed DETAIL: Born in 19...

Abstract Expressionist Composition signed by Gilbert Pelissier (French born 1924) oil painting on canvas, unframed canvas size: 35 x 46 inches condition: overall very good, a few min...

Large vintage oil painting on canvas depicting a traditional English fox hunting scene with riders on horseback accompanied by a pack of hunting hounds moving across an autumn countr...

Midnight Street signed initials by Irina Hale (British 1932-2022) oil painting on artist card, unframed size: 6.5 x 5 inches provenance: private collection, Cotswolds condition: ver...

This piece represents the hidden or shadow side of the constant strength of black men, often highlighting how forced resilience can mask burnout, emotional suppression, or trauma fro...

Portrait of a Gentleman in Blue Frock English School, 18th Century Oil on canvas, framed Frame: 34 × 28 inches Canvas: 27 × 21 inches Provenance: private collection, UK Condition: T...

Melinda has studied life and its movements, developing a remarkably keen artistic technique with her flowing expressionistic style. Growing up in the Midwest she was enamored with n...

Surreal white deer, red anthurium and animal bones emerge within a colorful oil and acrylic painting on canvas structured through gradients and fragmented forms. Originally titled W...

Serviceberry Blossom English School, 19th century Medium: watercolour drawing on paper, glass covering, framed Size: 12 x 8 inches Provenance: private collection, England. Condition...

Portrait of a Jack Russell Terrier by John Emms (1843-1912) signed lower left oil painting on board, framed painting: 7.5 x 6.25 inches framed: 8.5 x 7.25 inches condition: overall v...

3775 Surreal colorful oil painting on canvas in a black frame

Karl Albert Buehr (1866-1952) Strolling in the Park Oil on canvas, relined, c. 1910 Unsigned Provenance: Gift of the Artist to his wife, Mary Hess Beuhr The artist's niece, daughter of Will Hess David Saltzman Robert Henry Adams Fine Art, Chicago, exhibited 1994 Karl Albert Buehr at Robert Henry Adams Fine Art, Chicago Exhibition dates The exhibition was held in 1994 at Robert Henry Adams Fine Art, 715 North Franklin Street, Chicago. Surviving provenance records describe it as the gallery’s first exhibition at its North Franklin Street location. Works documented as included include Woman on a Patio, Rocky Inlet (France), and apparently other paintings and studies acquired through David Saltzman from the family of Buehr’s wife, Mary Hess Buehr. The 1994 Karl Albert Buehr exhibition at Robert Henry Adams Fine Art represented an important act of historical recovery. Although Buehr enjoyed considerable recognition during his lifetime—as an exhibiting painter, prizewinner, and influential teacher at the School of the Art Institute of Chicago—his reputation had become less visible in the decades following his death. By bringing together paintings and works on paper that had descended through the artist’s family, the Adams exhibition helped restore Buehr to his proper position among the leading exponents of American Impressionism and the most important Chicago-trained painters working in France before the First World War. Giverny was crucial to Buehr’s mature development. American painters had been drawn to the Norman village since the late 1880s, attracted both by Monet’s presence and by the region’s gardens, river valleys, cultivated fields, and distinctive northern light. Buehr did not simply imitate Monet. His figure compositions remained grounded in the academic training he received in Chicago and Paris, but he enlivened that structure with broken brushwork, heightened complementary color, and an increasingly luminous palette. His characteristic compositions place elegantly dressed young women on terraces, beside windows, or within flowering gardens. These figures are neither conventional society portraits nor anonymous decorative accessories. They occupy a carefully balanced space between individual presence and pictorial harmony. Faces and gestures are often quietly observed, while dresses, parasols, flowers, foliage, and shifting sunlight become vehicles for color. Lavender shadows, rose and coral fabrics, emerald foliage, and brilliant passages of yellow or blue transform the garden into a chromatic environment surrounding the sitter. Works associated with the Adams exhibition illuminate the breadth of Buehr’s French production. The pastel Woman on a Patio, circa 1915, demonstrates his ability to translate Impressionist color into the immediacy of a dry medium. Pastel allowed him to place one hue directly beside another without losing intensity. The resulting surface possesses a soft atmospheric unity while retaining the energy of individual strokes. The work’s history—gifted by Buehr to Mary Hess Buehr and subsequently descending through her family—also gives it a particularly intimate character. Rocky Inlet (France) presents another aspect of Buehr’s practice. In place of the cultivated garden and poised female figure, the artist confronts a rugged coastal landscape. Yet his essential concern remains light acting upon color. Rock, water, and vegetation are constructed through abbreviated touches rather than continuous modeling. The small scale suggests direct observation, possibly an outdoor study made during Buehr’s travels in Normandy. Its provenance likewise begins with Mary Hess Buehr and passes through the family before reaching David Saltzman and Robert Henry Adams Fine Art. This family provenance was central to the significance of the 1994 exhibition. The works had not merely circulated anonymously through the market; many retained a direct association with the artist’s household. Such a group could include informal studies, experimental compositions, and personal gifts that Buehr elected to keep rather than send to public exhibitions. Together they offered a more private and exploratory view of his career. Condition: relined canvas and cleaned Image/Canvas size: 10 x 9 inches Frame: 16-3/4 x 15-3/4 x 1-3/4 inches Karl Albert Buehr (1866–1952): France and the Giverny Years Karl Albert Buehr—whose surname is sometimes misspelled “Beuhr”—was a German-born American painter and influential teacher associated with the second generation of American Impressionists working at Giverny. Although his artistic identity was rooted in Chicago, the years he spent in France transformed his palette, subject matter, and approach to painting. Born on February 14, 1866, in Feuerbach, near Stuttgart, Buehr immigrated with his family to Chicago, probably in 1881. After working briefly for a commercial lithographer, he enrolled at the School of the Art Institute of Chicago in 1888. He studied with John H. Vanderpoel and graduated with honors in 1894, after which the school invited him to teach. He also served in the Illinois cavalry during the Spanish-American War and married Mary Guion Hess, one of his students and an accomplished artist in her own right. Early study in Europe Buehr’s European education unfolded in several stages. Around 1900 he settled in Paris and studied at the Académie Julian, principally under the French painter Raphaël Collin. Collin was known for idealized female figures placed in luminous outdoor settings, a combination of academic draftsmanship and Impressionist light that anticipated Buehr’s mature work. Buehr reportedly received a gold medal at the Académie in 1901. His early European paintings included portraits, landscapes, and scenes of rural labor. Visits to Holland exposed him to the restrained tonalism of the Hague School, while his travels in Italy—particularly Taormina, Sicily, during 1906 and 1907—encouraged a brighter response to Mediterranean sunlight. He also studied in London, where his contacts with Frank Brangwyn and the decorative currents of British painting strengthened his interest in broad design, rhythmic composition, and large arrangements of figures. A decisive factor in this extended European residence was the patronage of Chicago philanthropist Lydia Coonley Ward. From approximately 1906 until 1913, Ward provided Buehr with a monthly stipend, enabling the artist, his wife, and their children to remain abroad and pursue their work without the immediate pressures of the American market. Buehr at Giverny Buehr entered the Anglo-American artistic community at Giverny around 1909, probably through his friendship with Henry Salem Hubbell, another American figure painter supported by Lydia Coonley Ward. From approximately 1909 through 1912, Buehr generally spent winters in Paris and the warmer months at Giverny. In 1912 and the summer of 1913, the family reportedly lived at Sainte-Geneviève-lès-Gasny, close to Giverny. By this date Giverny was no longer merely the village in which Claude Monet lived. It had become an international artists’ colony, particularly attractive to American painters who admired Impressionist color but wished to retain firm drawing and carefully organized figure compositions. Buehr’s associates included Frederick Carl Frieseke, Richard Edward Miller, Guy Rose, Lawton Parker, Louis Ritman, Edmund Greacen, Karl Anderson, and Theodore Earl Butler. Buehr was especially close to the circle of Frieseke and Miller. These artists specialized in decorative paintings of fashionably dressed women reading, sewing, taking tea, or resting in sunlit gardens. Their figures were surrounded by flowers, patterned fabrics, parasols, and flickering passages of colored light. Buehr adopted this repertoire, but his paintings usually retained a stronger structural organization and a more assertive contrast between complementary colors. During his first months at Giverny, Buehr worked on a large decorative panel of dancing figures. The composition received an honorable mention at the Paris Salon of 1910, an important professional recognition. That summer, however, he increasingly turned toward intimate garden scenes and outdoor figure studies. The influence of Richard Miller can be detected in the decorative arrangement of the figures, while Frieseke’s example encouraged Buehr s use of brilliant sunlight, patterned surfaces, and saturated hues. Relationship with Claude Monet Claude Monet was Buehr’s artistic hero, but the extent of their personal relationship should not be overstated. Buehr’s children played with the children of Theodore Butler, Monet’s son-in-law, and they visited the Monet household. Buehr’s daughter Kathleen later recalled that Monet was gracious to the children. Nevertheless, the best available scholarship suggests that no close personal association between Buehr and Monet has been documented. Monet’s importance to Buehr was therefore primarily artistic. At Giverny, Buehr learned to regard colored light as a central subject rather than merely a means of describing objects. Shadows became violet, blue, or green; white dresses reflected the surrounding garden; and faces and arms were modeled through small strokes of warm and cool color. The enclosed garden also became a kind of outdoor studio in which human figures, flowers, fabrics, and sunlight could be orchestrated into a unified decorative design. The Giverny style Buehr became best known for paintings of young women seated or standing in gardens, often accompanied by colorful parasols. Works such as Springtime in Giverny, Under the Parasol, and related pictures of women reading or conversing exemplify his mature style. Although inspired by French Impressionism, these paintings are not spontaneous transcriptions of fleeting visual experience in the strict Monet tradition. They are carefully staged figure compositions. Buehr himself explained that the outdoor figure painter should concentrate upon the ensemble—grouping, arrangement, and color—rather than laboriously describing every feature. This principle helps distinguish his Giverny paintings...

The total size of the two works is 90x180 cm. At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork i...

Lilly Muth's architectural paintings transport viewers on a visual journey to a different world, where imagination knows no bounds and the boundaries between reality and fantasy blur...

Charles Allen Winter: 1869-1942. Very well listed American artist with Auction results over $114,000. He mostly painted in the Gloucester Massachusetts and St. Louis Missouri area. T...

Sophie Dumont is a contemporary French painter recognized for her layered oil paintings, where structure and material create refined, architectural compositions collected internatio...

Valerie Etitinwo's unique approach to abstract figurative painting celebrates the unconventional beauty found in imperfection and awkwardness. The Nigerian-Swiss artist uses bold col...

Morning Drama oil/panel image 8 x 10 unframed, 14.5 x 16.5 framed signed LL Morning Drama is an oil painting on panel by award winning contemporary artist Michael Budden that showca...

Seascape oil Painting on Canvas Artist: Anna Privaloff Title: The Waterfall Medium: Oil on Canvas Year: 2026 Style: Impressionism Dimensions: 39 x 55" x 1" inch (100 x 140 x 2cm) Pre...

This painting is part of the series In Search of Our Shore, a body of work that reflects on the universal human longing to find a place—and a person—where we truly belong. The shore ...